Tag Archives: Toy Biz

#4136: Emplate

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

EMPLATE

GENERATION X (TOY BIZ)

“It’s unknown how long the evil being known only as Emplate has existed. Uninterested in plots of destruction or world domination, the mysterious mutant has one concern only: satisfying the eternal hunger that possesses him. To do this he feeds on the genetic marrow of other mutants – the younger the better! This, coupled with his ability to rechannel energy that he absorbs, makes him a most dangerous threat to Generation X”

The ‘90s X-Men spin-off Generation X started off in the pages of the main books, coming out of the “Phalanx Covenant” crossover, so, they’re first antagonists were, you know, the Phalanx.  When they got their own book, they also got their own antagonists, and first amongst them was Emplate, a dark and mysterious villain that nobody knew anything about, who actually turned out to be related to a member (or rather, members) of the team.  What? That totally *never* happens in an X-Men book.  Since Emplate was right there at the start of the book, he was also right there at the start of the toyline, getting his first, and thus far only, action figure!

THE FIGURE ITSELF

Emplate was released in Series 1 of Toy Biz’s Generation X toy line, as one of the two antagonists in the line-up.  The figure stands 5 1/2 inches tall and he has 6…ish points of articulation.  The Generation X figures were all less articulated than the usual Toy Biz Marvel stuff, lacking the usual elbows and knees in particular.  Emplate’s neck joint is also essentially motionless, but he does at least get movement on his left wrist, by virtue of his extending hand action feature.  The sculpt on this figure was new at the time, and remained unique to this figure for the the entirety of Toy Biz’s run.  It’s based more on his earliest appearances, and it’s definitely got a lot of stylizing to it.  It’s certainly distinctive, though feels maybe a bit more tame than the art from the books.  There’s a lot of smaller work going into it, though, which is quite nice.  Emplate’s color work is sort of monotone, with big stretches of the same basic colors, mostly molded.  The purple/grey/black set-up made him stand out nicely from the other figures in the set, and do help sell a particularly villainous vibe to him.  Emplate was packed with a standard Generation X logo stand, as well as a figurine of DOA, his little Renfield-like buddy from the comics.  Honestly, I love the recurring “little guy” inclusions from this era of time.  We got some really neat extra characters this way.  I mean, DOA?  Who could imagine getting a DOA figure?  Well, I guess anyone who owns the guy.

THE ME HALF OF THE EQUATION

I didn’t read Generation X when it was new, so the only figures I got when they were hitting were the Jubilee and Banshee, who I knew from elsewhere.  I got some back-issues towards the end of the ‘90s, and wanted some of the figures, but they got scarce for a bit there.  Well, the team members, anyway.  Emplate?  He was never scarce.  In fact, he was kind of the bane of my existence for a while, as I kept spying Generation X packaging at comic shops, only to find it was Emplate, yet again.  I didn’t get an Emplate until I was an adult, back in 2020, in fact, as part of a large batch of loose figures I picked up while working at All Time.  He and DOA were both present, making for one of the few instances of a complete figure in the batch.  If nothing else, it’s a unique pair.

#4132: Carnage

Posted by Ethan Wilson in Reviews and tagged with , , , ,

CARNAGE

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

“Of all Spider-Man’s foes, Carnage is perhaps the most dangerous, the most feared! Criminal Cletus Kasady shared a prison cell with Eddie Brock (better known as the Lethal Protector, Venom) – that is, until Brock’s symbiote freed its human host. However, Venom left behind a fragment of his alien costume, which bonded with Kasady… creating the sinister menace known as Carnage!”

When the Spider-Man spin-off Venom had gotten too popular to suitably serve as a proper antagonist in the Spider-Man titles, it was decided that the spin-off needed a spin-off, and thus, we got Carnage.  He’s sort of the ur-example of the Marvel approach to new characters in the ‘90s, where they’d take a successful character concept and make it more violent, more edgy, and more extreme, and it’s further dialed up, because Venom was already kind of that to Spider-Man himself.  Carnage was Venom on steroids (which is funny, since he was always depicted as being much smaller and skinnier), and should absolutely not have worked in the long run, but…he did? Like, actually kind of worked within the larger universe, and has proven to have a life outside of the characters that spawned him.  It’s honestly a bit remarkable.  Two years after his 1992 comics debut, he got his first action figure, and I’m looking at that figure today!

THE FIGURE ITSELF

Carnage was released in the first series of Toy Biz’s Spider-Man: The Animated Series tie-in line, in 1994.  The line was more directly based on the cartoon designs (unlike a lot of the other Toy Biz Marvel “tie-ins” which trended more towards comic based), but in the case of Carnage, that was sort of a moot point, as he hadn’t really had enough time to develop distinctly deviations in his appearance the way some of the others had.  The figure stands 5 inches tall and he has 10 points of articulation.  His articulation scheme is pretty much the Toy Biz standard at the time, though he does get a waist joint, which wasn’t always a guarantee.  Said waist joint is tied into his action feature, as is his right shoulder; turning the figure at the waist moves his arm up and down, in sort of a chopping motion.  Carnage’s sculpt was all-new, and would serve as the basis of a few figures to follow, as it was scaled up for the 10-inch line, repainted for the “Maximum Carnage” tie-in, and ultimately slightly re-tooled for the later unmasked Carnage mold.  It’s a good sculpt.  It’s got the basic set-up down well, with good proportions and all of the important details.  His far more fluid symbiote design is handled via sculpted details, which feature a lot of texturing and “movement”.  The paint aids in this, using a relief style of black accenting to bring out the most from the sculpted texturing.  It does a surprisingly good job at replicating Carnage’s distinctive visual design from the comics.  Carnage was prone to creating a lot more constructs out of his symbiote than Peter or Eddie, so this figure showcases that with three different clip-on pieces, with an axe, a claw, and a more generic goopy symbiote thing.  They clip on easily enough, and help further sell the Carnage look.  The only sort of downside to them is that they’re totally smooth, rather than replicating the texturing of the main figure.  There’s at least some paint work to help sell it, but it’s not quite the same.

THE ME HALF OF THE EQUATION

As a kid, I had a surprising number of Carnage figures in my collection, but I seemed to have just missed this one.  Given how many others I had, I never really put the effort into tracking this one down, since he seemed rather basic.  As is the case with a lot of other “never put the effort in to track it down” Toy Biz figures, I wound up getting this one mostly because a complete loose one landed in front of me at work a few years ago, and given he had all three of the attachments, I didn’t really feel like I could pass him up.  While he mostly serves as a precursor to the figures that followed and would slightly tweak the formula, I gotta say, as a first figure, he comes out of the gate swinging for the fences.  There’s not really much you could do better, and he’s just a solid all-around figure.

#4128: Venom

Posted by Ethan Wilson in Reviews and tagged with , , , ,

VENOM

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

“Eddie Brock, former newspaper reporter, has joined with an evil, alien symbiote, giving him spider-like powers greater than those of Spider-Man himself! Driven by a twisted sense of justice, Brock has become Venom, humanity’s Lethal Protector…and he’s decided that humanity needs protection from Spider-Man!”

For a character only introduced in 1988, by 1994, Venom had a surprising amount of action figure coverage.  Toy Biz had added him to their run right at the start, and really just kept adding him.  By the time they launched their dedicated Spider-Man: The Animated Series line, they’d already done four versions of him under the Marvel Super Heroes banner, but that didn’t stop them from putting him in the first Spider-Man line-up too.  I mean, really, can you blame them?  He was pretty popular, and also on the cartoon, so it’s hard to avoid such a thing.  Let’s look at that fifth Venom today!

THE FIGURE ITSELF

Venom was released in Series 1 of the Spider-Man: The Animated Series tie-in line, which hit retail in 1994, right in time for the show’s launch.  Like others in the early assortments, Venom was drawing more directly from the show’s design, rather than the comics.  The figure stands 5 1/8 inches tall and he has 8 points of articulation.  He gets the standard movement on the shoulders, elbows, hips, and knees, but loses the neck articulation in order to accommodate his action feature.  Much like the Marvel Super Heroes figures, this Venom is about he same height as his corresponding Spider-Man, mostly just relying on bulk to differentiate them.  That would become a gradual shift towards more monstrous sizes as the line progressed, but at this point, he was downright diminutive.  His sculpt was all-new, and a departure from the earlier Venoms, which had leaned into the character’s “symbiote with a mouth” look from the early days.  This one more represents his turn towards beastlier depictions, with much more intensely shaped eyes, a wider spread mouth creeping well past his ears, longer teeth, visible gums, and a whole lot of veins.  Truly, he’s a Venom who probably thinks this song is about him.  This was the Venom sculpt that served as the basis for the 10-inch figure as well, though that one had a more conventional neck.  Apart from being perhaps a little bit on the small side, it’s a pretty good sculpt, and looks quite a bit like his animated counterpart.  Squeezing the figure’s legs together activates his action feature, which extends his head upward, while keeping the jaw in place, so it looks like he’s opening his mouth.  It’s only a small extension, so not super noticeable, but it’s not the worst thing in the world.  In terms of color work, he’s predominantly just molded black plastic, with accenting in white and red.  The paint work is generally fairly clean, with only some minor fuzz, notably around the top of his logo.  Venom didn’t include any accessories, not even one of those weird plastic pins.

THE ME HALF OF THE EQUATION

As I’ve noted before, I didn’t have any of the proper 5-inch Venom figures as a kid, though I did have on of the 10-inch figures that was based on this mold, so I kind of experienced it a bit.  This one’s actually one of my most recent additions, picked up over the summer while I was on vacation.  He’s generally a rather straight forward figure, as far as Venoms go.  A bit more involved than some of the earliest offerings, but certainly not as crazy as some of the later versions got to be.

#4124: Dr. Octopus

Posted by Ethan Wilson in Reviews and tagged with , , , ,

DR. OCTOPUS

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

“A laboratory explosion grafted four tentacle-like mechanical arms to the body of renowned Radiology expert Dr. Otto Octavius, warping his mind, transforming him into the genius know as Dr. Octopus! Octopus can control his titanium steel tentacles with but a thought – – and his thoughts are often of smashing his arch-foe, Spider-Man!”

The ‘90s was a pretty solid decade when it came to super hero cartoons.  At the head of the pack was Batman: The Animated Series, which everything else was kind of trying to imitate, at least in some fashion.  Perhaps the oddest case of this was Spider-Man: The Animated Series, which featured a surprising number of shared actors with BTAS.  Batman’s faithful butler Alfred’s voice actor Ephram Zimbalist Jr was one of the crossover actors, also lending his voice to Dr. Octopus, who was also one of the tie-in toyline’s first figures to roll out.  Let’s check him out today! 

THE FIGURE ITSELF

Dr. Octopus was released in the first series of Toy Biz’s Spider-Man: The Animated Series tie-in line.  As with the rest of the line’s early run figures, he’s based on his cartoon design (in contrast to a lot of the other Toy Biz 5-inch lines), itself based on Erik Larsen’s updated Doc Ock design from the comics around that time.  The figure stands just over 5 inches tall and he has 9 points of articulation.  He gets the standard set-up for the Toy Biz 5-inch figures in terms of movement, at least for the most part.  You can also get a little movement out of the tentacles, which can slightly turn at the base, but it’s sort of iffy and inconsistent.  The sculpt for this guy was all-new, though it would see re-use a few other times under Toy Biz, as well as serving as the inspiration for the smaller die cast figure and the 10-inch figure.  It’s based on his armored attire from the show, and it’s pretty good at that.  It’s certainly a more cut take on Otto than we usually see, but it was the ‘90s; everybody just looked like that.  I remember, I was there.  The hair’s not quite consistent with the show, which leaned into his Moe Howard cut; instead, it’s a little more contemporary.  All-in-all, not a bad sculpt, which captures the character pretty well.  The tentacles are a softer material, to allow for the action feature.  Pulling the (incredibly obvious and oddly shaped) tab on his back pulls the strings within the arms taut, so they sort of close inward.  It’s not a reliably good feature, but I guess it’s no worse for long-term livelihood than the usual bendy ones.  Doc Ock’s color work is pretty simple.  It matches the animation model, and its fairly clean on the application front.  It doesn’t do anything crazy, but it gets the job done.  Doc Ock included no accessories, rather common for the earlier figures in the line.

THE ME HALF OF THE EQUATION

I didn’t have this figure as a kid.  I remember him, and I remember others having him, but I never had one of my own.  Honestly, I never much clicked with Doc Ock until Spider-Man 2, and didn’t have much interest in figures of him until around that time.  This is a more recent addition, relatively speaking, although it’s probably been five years or so since I snagged this one loose from a collection that got traded into work.  He’s kind of a basic sort of figure, and doesn’t quite get into the sorts of things that later Doc Ocks got into, but he does manage to be a decent all-around figure. 

#4120: Spider-Man – Web-Shooter

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SPIDER-MAN — WEB-SHOOTER

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

“Not all of Spider-Man’s amazing powers came from the bite of a radioactive spider – some were created by Peter Parker himself. Case in point, his astonishing web shooters! Using his scientific know-how, Parker crated a device which, when filled with a secret formula of his own design, could duplicate the super-strong web of a spider!”

When Toy Biz started out with the Marvel license, they divided the characters into two sets, with one line dedicated to X-Men (which would also quickly spin-off into an X-Force dedicated line) and one covering…the rest.  Spider-Man was undoubtedly a major focus of Marvel Super Heroes, with multiple variants per series.  So, it wasn’t a shock that he was the first property outside of X-Men to get his own line, launched to coincide with his own animated series.  There were two Spidey variants in the line’s inaugural series, both dealing with his web-slinging powers, and today I’m taking a look at the Web-Shooter variant!

THE FIGURE ITSELF

Spider-Man — Web-Shooter was released in the first series of the Spider-Man: The Animated Series line in 1994.  In contrast to the X-Men line, which was (mostly) a comics based line that happened to coincide with the show, the Spider-Man was a specifically cartoon-based line, with all of the official branding from the show, and Spider-Man figures clearly patterned on his show design.  Web-Shooter was pretty much the closest the first series got to just a standard Spidey.  The figure stands 5 inches tall and he has 9 points of articulation.  Apart from lacking a right elbow joint due to the action feature, he’s got the basic set-up for the Toy Biz 5-inchers, plus a waist joint.  Not a bad set-up.  The figure’s sculpt is something I’ve actually sort of looked at before, because its two-up prototype served as the basis for the standard 10-inch Spidey.  It’s a good, solid, basic sculpt, which does most of what it needs to.  It’s perhaps a touch stiff for a Spidey, and the right arm is very limiting, especially given than the “web missile” is attached to a string and therefore cannot be removed.  There’s a reason so many of these show up loose with the string cut.  The color work on this figure is pretty standard for Spideys of the time, being an almost exact match for the Web Racer from the same series.  The early figures all utilized painted webs, and, honestly, I’ve come to prefer that over the years.  Otherwise, it’s bright and colorful, and just a good looking Spidey.  Since his “missile” was attached to him, Spidey’s only accessory was one of those plastic clips that mostly served as a way of padding the figures out for the appearance of value.

THE ME HALF OF THE EQUATION

I didn’t have either of the Series 1 Spider-Men as a kid, and both are much later, “hey it’s in front of me” sort of purchases, rather than actually actively wanting him…which is probably why this is one of those Toy Biz figures that I accidentally bought twice without even realizing it.  Whoops!  Well, I have him, and that’s the point.  He’s basic and a little limited by his action feature, but he’s certainly not bad.  Since we’d had so many Spider-Men from Toy Biz already at this point, experimenting a bit on these first two always felt like an okay choice.

#4116: Silver Fox

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SILVER FOX

MAVEL HALL OF FAME (TOY BIZ)

“Bursting onto the scene are the most powerful heroes and villains. Leading the pack against evil is the gamma-powered savage She-Hulk and the she-devil of the Savage Land — Shanna! Keeping to the shadows is the enigmatic ninja, Elektra, while Silver Fox relies on her training as a top secret government operative. But it is the Viper, who uses her powers and abilities for personal gain, no matter what she must destroy to get it.”

Wolverine’s had a lot of ex-girlfriends, most of them dead, what with his advanced healing and all.  Given the kind of stuff he gets into, there’s frequently some convoluted stories that go along with them, but it’s hard to get past Silver Fox in that regard.  Though she’s not really been relevant since the ‘90s, that hasn’t stopped her storyline from remaining really confusing.  She’s definitely dead, perhaps even twice over, and maybe she’s two different people?  She appeared in the Animated Series and also X-Men Origins: Wolverine, but in both cases she seems to be using the name and little more, further confusing things.  Even her segment in the back of the box text up there doesn’t quite know what to do with her, just going for a rather generic “top secret government operative” rather than getting into that she was actually a rather highly placed operative in Hydra, which would, you know, make her not so great a person.  Given her short run and confusing nature, her comics incarnation has, unsurprisingly, only gotten one figure, courtesy of the Toy Biz run.

THE FIGURE ITSELF

Silver Fox was released in the seventh series of Toy Biz’s Marvel Hall of Fame line.  It was the final assortment of the line, and also the third in the “She-Force” sub-set.  If you’re doing Silver Fox, I think it’s fair to say you might be scraping the bottom of the barrel just a little bit.  But, you know, here we were.  The figure stands 5 inches tall and she has 9 points of articulation, though the neck joint is pretty well restricted, so you’re not gonna be doing much with it.  The bulk of the figure is using the second Invisible Woman mold, which is a rather basic body that works for a lot of characters.  Curiously, it’s got a peg hole on the inner forearm of the right arm, which wasn’t there before.  Both she and Shanna from the same series have it, but I don’t really know why.  It’s not very visible, though, so it’s really not a big deal.  Her head is from Ninja Psylocke, which isn’t a bad match for her usual depictions.  The glue’s not great on the hair, though, so it pops off pretty easily.  She’s got a soft-goods cape, which is sort of awkward on the clasp, but otherwise is a nice material and hangs well.  Silver Fox’s paint work does the heavy lifting here, since it’s all parts re-use.  The black hair changes up the head sculpt pretty well, and the metallic green is a good choice for the body suit.  Silver Fox is packed with a blaster rifle, repainted from Cyborg Cable, as well as an Iron Man trading card.

THE ME HALF OF THE EQUATION

My knowledge of Silver Fox comes exclusively from the single episode of the cartoon where she appears, and is mostly paired off with Maverick.  I guess she’s okay in that one?  I can’t say she made a major impression, and drove me to actually track down the figure or anything.  But, when my wife and I took a trip to Factory Antique Mall last year, I did some Toy Biz hunting, and she was one of the figures I managed to snag.  She’s fine.  The hair thing’s kind of funny and silly, but she does the job alright, and, I mean, it’s literally the only option, so she’s got that going for her.  If you need a Silver Fox action figure, you just pretty much gotta, right?

#4112: Jean Grey

Posted by Ethan Wilson in Reviews and tagged with , , , ,

JEAN GREY

MARVEL HALL OF FAME (TOY BIZ)

“It’s non-stop action when the Marvel Universe’s greatest heroines join forces against the power of the Black Queen! Locked in mortal combat with the notorious Queen, Jean Grey of the X-Men uses her telepathic powers to summon help. Jean is joined by fellow X-Man Storm, Avenger Ms. Marvel, and the mysterious Spider-Woman. Together, this team has all the power it needs to stop the Black Queen in her tracks!”

Hey, remember Marvel Hall of Fame, from way back in last month’s reviews?  Well, it’s back, in pog form!  Or, like, Jean Grey form, I guess.  Despite her rather prominent spot in the franchise and its various media adaptations, Toy Biz’s X-Men line was sparse on Jean Grey figures, especially her ‘90s outfit, was absent for most of the run.  It’s first real appearance in 5-inch form was not in the X-Men line at all, but rather Hall of Fame, where it cropped up as one of the line’s quick, slapdash repaints.  Let’s see how that turned out!

THE FIGURE ITSELF

Jean Grey was released Series 2 of Marvel Hall of Fame, in 1996.  This was the Puzzle Zoo-exclusive line’s first “She-Force” assortment, before they really became a trend.  Jean was still in the Jim Lee get-up at the time, so this figure was more or less accurate to what was in the comics.  Sort of.  Let’s dig further into that.  The figure stands 5 inches tall and she has 9 points of articulation.  All of the Hall of Fame figures were repaints of some variety, and in Jean’s case she’s a complete re-use of the X-Force line’s Domino.  It’s…fine.  I do like that the figure gets proper hip joints, and not v-hips, but I don’t love the total lack of neck articulation or the odd swivels at the elbows.  In terms of actual costume design, while there are some similarities between the two costume designs if you squint, it’s not exactly a 1 for 1.  Generally, they do their best with the paint, which kind of tries to mimmic the layout of Jean’s costume.  The head gear is better than I’d expected, and the shoulders and wrists are pretty close, but it’s really the extraneous belts and pouches that ultimately throw it all off.  Also those crazy eyes.  Don’t love those crazy eyes.  Jean was packed with Domino’s guns and missiles, recolored to match better.  They make no sense at all for the character, but I do like the coloring at least.  Also included was a trading card, in my case Belladonna, Gambit’s ex.  I think she might be the most common card I’ve had turn up with these figures at this point.

THE ME HALF OF THE EQUATION

I remember seeing the figure from time to time in the earlier days of my collecting, mostly in larger lots of figures online.  Something always felt rather off about her, though, and I’ve hesitated to track her down for many years because of that.  She’s actually the most recent addition to my Hall of Fame figures, in fact purchased as part of a larger Toy Biz lot, so I guess that’s just how she hits the market.  She’s odd, just from top to bottom.  I guess I can sort of see where they were trying to go with the costume similarities, but the thing is that Domino and Jean are very different characters with very different demeanors, and that translates to an odd match-up.  Ultimately, I don’t really love this one, but I admire what they were trying to do.

#4108: Shadow Dancer

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SHADOW DANCER

X-MEN 2099 (TOY BIZ)

“Centuries ago, an alien spacecraft from a distant galaxy became trapped in a cave deep within the deserts of Oklahoma. Stranded, the craft’s lone survivor made the surrounding hills and mountains its home, undisturbed by the general populace. Despite its monstrous appearance, the Shadow Dancer is a being of peace, and uses its ability to blend into darkness to serve as silent guardian to those who pass through his desert.”

Toy Biz’s X-Men 2099 line might not have come even close to completing any line-up of the team from the book’s run, but at least they did include a bunch of non-team members, right?  Right.  Take for instance, the super crucial character, Shadow Dancer, who had all of three appearances.  Gotta get an action figure of that one, right?  Oh yeah.  So, let’s look at the Shadow Dancer, being of three appearances!

THE FIGURE ITSELF

Shadow Dancer is the final figure in the Series 2 line-up of the X-Men 2099 tie-in line, wrapping up an assortment that was light on characters from the titular team.  The figure stands right at 5 inches tall (and almost as wide) and has 7 points of articulation.  The articulation scheme is sort of oddball here.  There’s joints at the shoulders, elbows, and hips, as well as a swivel on the tail.  The hips and shoulders are pretty standard, but the elbows only move outward and inward, not up and down like usual.  It makes it so the Shadow Dancer can, at best, do sort of a hugging thing, while not really offering much other variety on posing.  At least the figure’s imposing stature makes up for it.  There’s no denying this figure sure is a big hunk of plastic, but it kind of needs to be, to accurately depict what’s in the comics.  The sculpt is appropriately big and monstrous, with some decent texturing and smaller detail work.  The jaw is hinged, and when you turn the dial on the figure’s back, it chatters up and down.  It’s gimmicky, but neat.  The color work on the Shadow Dancer is predominately a sort of maroon, which is molded, with a fair amount of dark silver accenting via paint work.  It’s nothing crazy, but it does what it needs too.  Shadow Dancer didn’t include any accessories, but given the size, it’s understandable.

THE ME HALF OF THE EQUATION

As with almost the entirety of this line, I got Shadow Dancer in a big bulk lot of loose figures, back in 2020.  While I had to augment a lot of them with parts from other figures later, the Shadow Dancer, with its lack of smaller easily lost parts, was included in its entirety, which is pretty nifty.  There’s not a ton going on with this figure, but at the same time, there doesn’t really need to be.  It’s a big, chunky monster thing, with a rather neat and understated action feature.  And, I can say from the amusement it brought my son Matty when he was digging through my figures a few years  back, it does seem to resonate pretty well with that kid mindset.

#4104: Junkpile

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

JUNKPILE

X-MEN 2099 (TOY BIZ)

“With a bad attitude and the brawn to back it up, Junkpile is one mean machine. Once aligned with the mutant outlaw X-men, he turned against his teammates and helped arrange the attempted assassination of their leader Xi’an. Now their sworn enemy, Junkpile uses his ability to “rebuild” himself with scrap metal and spare parts to make waste out of any piece of “meat” that gets in his way.”

You gotta respect X-Men 2099, they really did do their best to replicate the sheer volume of backstory of the main timeline books into a backstory for the 2099 equivalents.  There’s, like, lore, and all sorts of archetypes and concepts in place.  It’s astounding given how relatively small a run it is.  There are multiple former members of the team, one of the Junkpile, who was a recurring character who bounced around multiple roles, including at one point working for SHIELD.  He had a neat gimmick and a decent design, so that got him an action figure.  Let’s look at that figure today.

THE FIGURE ITSELF

Junkpile was released in Series 2 of Toy Biz’s X-Men 2099 line, and then again during the Marvel Universe run later.  Why the re-release?  Who knows.  Toy Biz felt the need to make sure the people had ready access to Junkpile.  The figure stands a little over 5 inches tall and he has 9 points of articulation.  His movement is pretty much the base standard for he scale and style, albeit somewhat restricted by the nature of his design, which is rather on the bulky side.  The sculpt was unique to Junkpile and it’s quite a nice one.  These figures in general really captured the art style of the books quite well, and Junkpile was no exception on that front.  He’s got a sort of unique flair about him, a lot of personality in that head sculpt, and a ton of small detail work.  Junkpile’s action feature, worked into the whole body, allows him to pop apart and be reassembled, using connection points, much like the ones used on Robot Wolverine.  Pushing down his head shoots out the arms and legs and the shoulders and hips.  They clip back in, albeit with some careful positioning.  He has a tendency to pop back apart without much pressure, but he’s a bit better than the Robot Wolverine was.  Junkpile also had four pieces of removable armor, on the shoulders and shins.  He looks best fully assembled, but the variety is fun, and it works well to illustrate his powers.  Junkpile’s color work is sort of monochromatic, but also rather colorful for what it is.  There’s little splashes of brighter color mixed in.  The application is all very cleanly handled, and there’s no major details missing.  The Universe re-release lost some of the smaller paint, but they’re otherwise the same.

THE ME HALF OF THE EQUATION

Hey, remember the way that I got most of my other X-Men 2099 figures, where there was a big lot of them I bought loose through work back in 2020?  Well, here’s another one of those…mostly.  He was missing a couple of the armor pieces, so I had to find replacements, but he’s otherwise been with me that whole time.  He’s fun.  He’s very gimmicky, but it’s a fun gimmick, and it’s paired with a really neat sculpt that I think stands out nicely among the other 2099 figures.

Flashback Friday Figure Addendum #0086: Spider-Man – Spider-Sense

Posted by Ethan Wilson in Flashback Friday Figure Addendum and tagged with , , , ,

SPIDER-MAN — SPIDER-SENSE

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

Hey, whoah, it’s Friday!  Welcome to Friday, here at the Figure in Question, where we like to celebrate the week with a little bit of flashing back, with some addendums to older reviews.  Today?  We’re taking a second look at a Spider-Man variant that really should have seen it coming!

“Perched on a ledge high above the city, Spider-Man’s ‘6th sense’ begins to tingle – providing a split second warning that imminent danger looms behind him. Back-flipping with a speed and precision well beyond an Olympic athlete, Spider-Man turns to see the ledge blasted into airborne shrapnel thanks to the Scorpion’s thrashing tail! For on the day Peter Parker was bitten by a radioactive spider, his life was changed forever. And although he gained super-human strength, amazing agility, and enhanced reflexes – it’s his uncanny spider-sense which alerts Spider-Man to the dangers of his adversaries – and benefits him the most!”

Early in its run, Toy Biz’s 5-inch Spider-Man line actually tried to have some valid variants of its main character.  They weren’t always perfect, and sometimes there were some definite reaches to justify a whole new figure, but they gave it their best shot.  In Spider-Man: The Animated Series, there was this animation gimmick they had every time his spider-sense went off, where he’d get this drastically different, rave-esque color scheme for a few moments.  It was different enough in Toy Biz’s eyes to milk a few figures out of it, the first of which is today’s offering.

THE FIGURE ITSELF

Spider-Sense Spider-Man was released in Series 5 of Toy Biz’s Spider-Man line, which hit shelves very late in 1995.  He was one of three Spidey variants in the line-up, with the other two being battle-ravaged and six-armed.  The figure stands just under 5 1/4 inches tall and he has 11 points of articulation.  His articulation scheme is kind of wonky, in that it doesn’t really match with any other figure Toy Biz produced, in this line or any other.  The arms move only at the shoulders, but the legs get all sorts of range at the hips and knees.  He seems to be built with a wall-crawling pose in mind, which makes sense with his built-in action feature, which sort of mimics this with his arms…or at least it did when mine still worked.  It was pretty easily worn out.  It’s a little odd that they didn’t put in a little motion on his neck, since its inability to move the head upwards kinda wrecks the credibility of most crawling poses, but there it is.  The sculpt follows the model of the earlier Spideys from this line, being quite sparse on the sculpted details, opting instead to paint most of them on.  In that respect, the paint’s pretty good.  It’s taken a bit of a beating on my figure, but it’s held up alright, and the color work matches the scheme seen on the cartoon pretty well.  It’s a somewhat unique look, and I can certainly get behind it.  This guy was packed with a web-line, web hook, and a collector’s pin, though none of them really did much for the figure.  But hey, extras are extras, right?

THE ME HALF OF THE EQUATION

For Easter when my cousin Rusty and I were four, our grand parents bought both of us one figure from this series.  If you’re thinking this is the one I got, you’re wrong.  My cousin got this guy, and I got Six-Armed Spidey.  I wasn’t happy with that decision as I recall (which seems a but silly to me now, because Six Arm is clearly the better option.  Silly child Ethan), and my parents ended up working out some sort of deal (I’m sure related to cleaning my room or something) in order to take me to the mall and get me this guy for myself.  He’s not bad, but I don’t know how exciting he is, honestly.  I really wanted him, though.

This was a May 2020 review, which was written during the shut down, about a month ahead of publication.  He would have most certainly been a “pulled from the back catalog to fill out the schedule” review, which was a lot of what I was doing at the time.  In general, it’s a good stretch of time for my writing, so I think the review itself holds up pretty well.  Missing at the time of the original writing, I was missing all of the figure’s accessories, but in the mean time, I did manage to find both of his web accessories.  They’re still not really all that relevant to the main figure, but there they are.