#1513: Rowen



Hey, remember when I was talkin’ ‘bout Ronin Warriors?  That was pretty cool, right?  Well, guess what!  I gonna talk about them again!  Alright!  Last time, I looked at Cye, the Ronin Warrior of trust, who was a blue guy.  Today, I’ll be looking at Rowen, the Warrior of Life Force, who’s…another blue guy.  Aw man, they got the same color, this is so embarrassing…


Like Cye, Rowen was part the basic assortment of Ronin Warriors figures, which were available and in steady production for a good part of the ‘90s.  The figure’s roughly 6 inches in height and has 14 points of articulation.  From the neck down, Rowen’s sculpt is completely identical to that of Cye, for good and for bad.  This means he’s got the same slightly odd articulation scheme, and the same very bulky construction, which is a little off from how the characters were depicted on the show.  That being said, they were all depicted as being roughly the same size on the show, so at least the line was internally consistent.  Rowen gets a unique head sculpt, which is a pretty decent piece.  It’s stylistically very similar to Cye’s, which I suppose is a good thing.  I will say his hair ends up noticeably less matted to the sides, and in general the head looks less tiny in comparison to the overall body, both of which are minor improvements over Cye.  Rowen had 11 snap-on armor pieces, which are unique to him, but still in keeping stylistically with the rest of the line.  They do add some more bulk to the body, which perhaps isn’t the best direction for the already overly bulked up figure, but it could certainly be worse.  My figure is missing a couple of his armor pieces, most noticeably his helmet, which is a little sad, but he’s still got most of it.  The paintwork on Rowen is decent enough to be passable.  There’s not any particularly stand-out work or anything, but everything seems pretty clean and all.  Like the rest of the Ronin Warriors, Rowen was originally packed with a whole tree of weapons with which to arm him.


I had a handful of Ronin Warriors as a kid, but Rowen was actually not one of them.  When I picked up my replacement Cye from Collector’s Corner a few months back, I spotted this figure, but ended up passing on him at that time.  Cye was a pleasant trip down memory lane, so when I was in the area next, I went back for Rowen.  I’m glad I did.  He’s another fun little addition to my collection, and I’m happy to have him.


#1512: Adam Strange



“Archaeologist Adam Strange was transported to the distant planet of Rann by a random communications beam from outer space. Adam soon became the official hero of Rann, the planet’s protector against strange menaces of all kinds. Though without powers, frequently outnumbered and almost always outgunned, Adam’s cleverness and innovation have allowed him to overcome every menace and gain a reputation as the ‘thinking man’s hero.’”

It sure is convenient that the archeologist named “Adam Strange” was the one who got zapped into space, isn’t it?  He sure would be less catchy if his last name was “Smith” or “Wilson.”  Also, do you think he has any relation to Stephen?  And, as an archeologist, would he also carry the title of “doctor”?  Because if so, that could get very confusing.  I think this intro’s getting too thoughtful.  Sorry, the bio *did* refer to Adam as the “thinking man’s hero.”  I think it just comes with the territory.


Adam Strange was released in 2009, packed alongside Starfire as the first of four Matty Collector-exclusive DC Universe Classics two-packs.  While Adam and Kori haven’t exactly had a ton of time together in the comics, but in ’09, the most prominent thing Adam had done in recent was staring in one of the recurring stories in 52, where he, Starfire, and Animal Man had to make their way back to Earth the slow way after being stranded following the events of Infinite Crisis.  Suffice it to say, it was certainly a relevant pairing at the time.  Following that relevance, Adam is seen here in his then current design, based on his revised appearance from 2004.  While it doesn’t have the timelessness of the original design, I do still think one works pretty well, and keeps all of the important elements.  The figure stands about 6 1/2 inches tall and sports 25 points of articulation.  He’s built on the medium sized body, with a new head and add-ons for collar and harness/jetpack.  The body ends up feeling a bit large for Adam, and it’s not really helped by the extra bulk from the add-ons.  He’s definitely an example of why the base body system doesn’t work for every character.  I feet he really should have at the very least gotten a unique torso, but what are you gonna do?  The harness isn’t a bad sculpt, though.  The holster’s a little obtrusive, but it’s nice to get a working one for a change.  His head’s not a terrible offering, but like some of the earlier DCUC heads, it lacks the depth it should have and also sports some rather obvious seams.  Still, it’s a perfectly serviceable offering.  The paintwork on this guy is passable, but not without its flaws.  On the plus side, it’s bright and colorful, so that’s good.  That said, the application is a bit sloppy, and there are more than a few fuzzy edges, taking a design that really should be very clean and making it look quite iffy.  Adam is packed with a small blaster pistol, which is nice and all, but I do really wish he’d gotten a proper trigger finger to hold it.


I never did get this two-pack when it was new, mostly due to it being rather pricey for two figures that pretty much everyone agreed were mediocre at best.  I ended up coming across Adam by himself at House of Fun just a few weeks ago.  He looked cool enough in person and he wasn’t too expensive, so I went for it.  Is he great? No.  He’s passable, but at best he’s middle of the road.  If you’re looking for an Adam Strange, I guess he’s okay.

#1511: Star-Lord & Ego



“Roguish and unpredictable, Ego and Star-Lord share many of the same qualities as father and son. But when it comes to defending the galaxy as each sees fit, their approaches unquestionably differ.”

It’s been about three months since I took a look at the second assortment of Guardians of the Galaxy Vol. 2-themed Marvel Legends.  While those reviews mostly wrapped up the Legends releases for the movie, there’s still one item I haven’t yet reviewed.  I’ll be taking care of that today, with a look at the film’s main antagonist Ego, as well as another variant of his son, Peter Quill, better known as Star-Lord!


Star-Lord and Ego were released as a two-pack over this past summer.  They’re officially the last of the GotG2 releases to hit stores, but thanks to some wonky distribution, a lot of areas saw them before the Mantis Series (I live in one such area).  They hit around July/August, a fair bit after the movie’s release, which may not have been the strongest marketing strategy.


This marks Star-Lord’s third Legends figure this year.  It’s functionally the same figure as the one released in the Titus Series, but there are some notable differences if you own both.  As far as the sculpt goes, the only real change is the hair, which is the more coifed Mantis Series piece, denoting this as a more official Vol. 2 figure than the first Star-Lord.  The hair’s seated better on the head this time around, making for a better overall appearance.  Beyond that, the sculpt’s identical to the first figure, which is hardly a bad thing since that was a phenomenal sculpt.  Like the sculpt, the paint is largely the same as the first release, but there are a few differences.  The most minor is the shirt, which is now a light grey instead of a dark one.  The more intense changes are on the face, which uses the fancy new face printing method.  It’s not terrible, and it’s certainly a vast improvement over the Mantis Series head, but the Titus Series head is still my overall favorite.  Star-Lord includes an extra helmeted head, his two element guns, and his Walkman.


In the comics, Ego and Peter Quill’s father are two separate characters.  James Gunn disliked Quill’s father’s identity in the comics, and decided to go for something a bit more exciting, finally deciding on Fantastic Four villain Ego the Living Planet.  He was slightly re-worked for the film (he doesn’t tend to have an actual body in the comics), but his overall characterization was pretty spot-on, and Kurt Russel was clearly having a lot of fun with the part.  It should be noted that this figure’s official name is actually “Marvel’s Ego,” which I found to be rather amusing in its own unintentional way.  The figure stands about 6 1/4 inches tall and he has 31 points of articulation.  His sculpt is new to him, and it’s…well, it’s alright, I guess.  Compared to some of the other Guardians figures, it feels a little weak.  It’s mostly how the articulation’s been worked in.  It just feels rather stilted and unnatural.  It’s not like we’re at Mattel levels of bad or anything, but it definitely could have been better.  It’s not all bad, though.  The head actually has a pretty solid likeness of Russel, and I was rather impressed with the texture work on his clothing.  Overall, I’m happy with the sculpt, I just think it wasn’t helped by being packed with one of Hasbro’s best sculpted figures ever, that’s all.  The paintwork on Ego is pretty solid work.  It’s not the most exciting set of colors, but it’s true to the movie, and there’s enough accent work to keep him from looking too bland.  Like Peter, he gets a printed face, which I think ends up looking a bit better than Peter, and is my favorite sample of this technique so far.  Ego is packed with an extra head, which is largely the same as the standard one, just with a slightly friendlier expression.  It’s not really all that noticeably different, and I can’t even say for sure that it’s even a different sculpt.  Personally, I’d have rather had a battle damaged head from when Peter shoots him, but I guess that might have been too morbid.


When this set was first announced, I was pretty excited for it, even if I did already have the basic Star-Lord.  Then it took its sweet time getting here, and I had some financial things going on, and so by the time it actually arrived on shelves, I just could bring myself to drop the full $40 on it.  Ultimately, I ended up getting it for about half price from Target, meaning I pretty much just payed for the Ego figure.  The set’s alright, but I don’t find it to be quite as entertaining as the Thor/Valkyrie set.  Star-Lord’s different enough from the Titus Series figure for me to notice, but not enough to make me actually care to have the extra, which is a bit frustrating.  Ego’s not a bad figure, but he’s not a great one either, and I feel he’s a little bit of a step down from the rest of the set.  At half-price, I don’t feel ripped off, but I’m certainly glad I didn’t buy it when it was brand-new.

The Blaster In Question #0036: Twinshock



There’s one thing blasters from the MEGA series all have in common and that’s being rather large. Being rather large and red. Yes. They all share relative largeness, redness, and radical devotion to the pope. Wait, hang on… scratch that last one. Large and red are still valid, though, and they certainly apply to this weeks blaster, the Twinshock. I guess I should tell you about it, then. Yeah alright, here goes.


The Twinshock was released in 2017 as part of the MEGA series of blasters. If you’ve read my review on the Roughcut 2×4, you should have a good idea of how this blaster works, because it’s functionally identical, just with 10 barrels instead of 8. In summary, it’s loaded from the muzzle, holds 10 rounds and for every rack of the priming handle, the staged trigger allows you to fire 2 darts either successively or simultaneously. Given the increased size of the projectile, it’s understandable that the power of the blaster has been accordingly bumped up. The Roughcut took advantage of a gear system to assist in priming two plungers with one motion. This gave it a slightly longer priming stroke than most other blasters. This is doubly true for the Twinshock which has an enormous stroke length but with comparatively low resistance, so there’s the trade-off. Now, I think it’s worth bringing up that the Twinshock, much in the same way as the Alien Menace Ravager before it, has a buttery smooth prime. It’s hard to describe how nice of a priming stroke it has so if you want to know what I’m talking about, you’ll just have to buy one and see, but it’s pretty great, so maybe do that. The exterior of the Twinshock is completely original and features two attachment rails on the top of the blaster. As mentioned before, it feels pretty hefty in hand and has some substantial bulk to it. The only real issue with that is that it is rather top heavy so make sure you have strong wrists if you’re planning on holding this blaster for a long time. I also wish it had a stock, or at least an attachment point for one, but I wish for a lot of things. The performance with the Twinshock is admirable. In line with other MEGA blasters, it hits hard and shoots far with the added perk of whistling darts that really frighten younger siblings when they hear them flying past their head. The capacity for double-tapping or shotgunning 2 darts is really what sets the Twinshock apart. The Twinshock comes packaged with 10 MEGA darts.


I’m being fully serious about how great priming this blaster feels. If you don’t feel like buying one of these for yourself to experience it, find a friend who will and borrow theirs. Even if you’re some kind of weirdo who isn’t sold on that premise alone, its use as a weapon against younger siblings also cannot be understated.

#1510: Apollo



“Apollo, The Authority’s mightiest member and partner to Midnighter stands ready to turn his super-strength and speed to taking care of the team’s business…no matter what the cost!”

Isn’t it a bit weird when a parody character is owned by the same company that owns the original character?  Because, that’s kind of The Authority.  They’re a dark parody of the Justice League, injecting the more idealistic League with a healthy dose of ‘90s anti-heroism.  To be fair, they weren’t originally owned by DC; they came out of Jim Lee’s Image Comics-borne Wildstorm imprint, which Lee sold to DC when he decided he didn’t want to be a publisher anymore.  The New 52 made them an official part of the main DCU, so now there’s a parody Justice League that exists in the same universe as the actual Justice League.  What a world we live in.  Anyway, today I’m looking at the resident “Superman” of the team, Apollo!


Apollo was released in the first, and only, series of DC Direct’s The Authority line in 2002, alongside his husband Midnighter, team leader Jenny Sparks, and the Engineer.  The figure stands about 6 1/4 inches tall and has 9 points of articulation.  His prototype had 11 points of articulation, but somewhere along the way, he lost his wrist joints.  While Apollo obviously draws from Bryan Hitch’s take on the character (since I believe he was still the only artist to draw him at this point), it’s not an artist-specific figure like a lot of DCD’s later stuff would be.  Instead, he’s been interpreted into DCD’s house style of the time.  It gave their earlier offerings a more cohesive look, which I suppose isn’t the worst thing.  He’s just a little blander than Apollo usually tends to be.  The pose is also a bit stiff, but that’s just true of this era of DCD figures.  The figure’s also rather scrawny for Apollo, who should ideally be sporting the same basic build as Superman.  Nevertheless, this figure’s got about half the body mass he should; he almost looks more like Kid Apollo from the Authoriteens.  Apollo’s paint is decent enough for what it is.  He does end up looking a bit washed out, but that’s true of the design from the comics.  It’s a bit tricky to do the creative lighting of the comics in three dimensions.  I suppose they could have made the white pearlescent or something, but they weren’t really doing stuff like that at this point.  I do like that they’ve done some accent work on his hair, and the details on his face are pretty sharp, so it’s hardly like they phoned it in or anything.  Apollo included no accessories, not even one of the display stands DCD were so fond of for a while.  That seems a little light given what he cost, but I don’t really know what you could have given him.


So, I’ve never actually read any of The Authority or even any non-Authority stories with Apollo in them.  My entire exposure to the character is having seen this particular figure solicited back in 2002, and then reading up on him in preparation for this review.  Why do I own this figure, you ask?  I was at All Time Toys on Small Business Saturday, and I had grabbed a handful of loose figures.  They have a deal on loose figures, where you get a discount if you buy so many.  Long story short, Apollo ended up running me about 50¢.  I can get behind a 50¢ action figure.  Of course, now I’ve got this compulsion to track down the other three Authority members, which is just downright silly, isn’t it?

#1509: Incredible Hulk



“When the Incredible Hulk gets angry he can effortlessly bend steel bars, crush boulders and cause criminals to head for the hills as fast as they can! To demonstrate the Incredible Hulk’s awesome might, place the steel bar or boulder in his hands, press the lever in his back and watch the bar bend almost double and the boulder break apart.”

The Hulk, unlike his other MCU compatriots, hasn’t only recently come to fame.  In fact, he’s one of Marvel’s earlier success stories, thanks in no small part to the Bill Bixby and Lou Ferrigno led live action series from the ‘70s.  Despite the success of his first foray into media outside of comics, he’s had something of a rough time since then.  Nevertheless, he’s remained a major Marvel player for most of Marvel’s time in the spot light.  Today, I’ll be looking at one of his earlier action figures, and his very first by long-time Marvel toy producers, Toy Biz!


Hulk was released in the very first series of Toy Biz’s Marvel Super Heroes line.  The figure’s a bit smaller for a Hulk figure, standing right at 5 inches tall.  He’s got 7-ish points of articulation, depending on how you count the shoulder joints.  Theoretically, there’s some extra movement granted by the action feature, but you can’t really get them to stay in any given position.  This Hulk is definitely most inspired by the Hulk of the ‘70s; his hair is the real give-away there.  The sculpt is actually one of the better Hulks put out by Toy Biz.  The proportions are more balanced than a lot of Hulks, and the details, especially on the head, are nice and sharp.  I also find myself really liking the hands, and if you can get me to notice the quality of the hands, that’s a good sign.  Hulk’s paintwork is fairly standard.  He’s mostly just molded in the appropriate shade of green.  It’s a little bright for my taste, but not terribly so.  The rest of the work is fairly straight forward, but it’s pretty clean overall.  I do wish there was at least some accenting going on with the pants and stuff, but it all works.  Hulk included a “metal” bar to hold and bend with his action feature, a piece which my figure is missing.


This is a figure I always admired on the hardbacks of my various Toy Biz figures and the like.  I always wanted one, but his release was just before I started collecting, so I never saw him in person.  I finally ended up getting him just over this past summer, loose from Yesterday’s Fun.  He’s slightly goofy, just like the rest of the Marvel Super Heroes figures, but I still really, really like him.  I’m happy to have finally added him to my collection.  Possibly my favorite Hulk, despite his rather humble nature.

#1508: Deathstroke



Remember last week when I couldn’t find Deathstroke’s accessories, so I had to review Bombshells Wonder Woman instead?  Well, I found them!  So A-HA!  …So, how ‘bout that review, then, huh?

As a whole, I tend to find Deathstroke rather overplayed these days.  He’s just everywhere, and he doesn’t tend to fit that well most places.  It’s gotten to the point that my first response to hearing he’s in any given piece of media is to roll my eyes.  That being said, I used to be a pretty big fan of the character, and I still can enjoy him under the right circumstances.  I still very much enjoy his role on the Teen Titans cartoon, and I like classic Deathstroke from the Wolfman/Perez days, so the DC Icons version is just my speed!


Deathstroke was released in the fifth series of DC Icons, and he’s numbered figure 21 in the line.  He’s officially based on “The Judas Contract,” his introductory arc from the comics.  It’s a classic story, and gives us the best standard Deathstroke design around, so it’s a very good choice.  If you really get into it, it’s kind of a goofy look, I suppose, but it all adds up to a pretty great looking design, at least to me, a classic DC fan.  The figure stands about 6 1/4 inches tall and has 31 points of articulation.  He scales pretty decently with the Rebirth figures, but Deathstroke being a taller guy, he’ll look okay next to the earlier figures.  His sculpt is all unique to him, and, like Firestorm, I find it to be one of the line’s nicest offerings.  The build of the body is nice and balanced, and the detail work on the costume is very sharp, and very evocative of Perez’s artwork.  It’s definitely one of the better translations of his art into figure form, which is a bit funny, since this is actually based on Ivan Reis’s interpretation of Perez’s work.  The work on the scale-mail is definitely some of the best work, but I also enjoy the cleaner parts of the sculpt.  Deathstroke’s paintwork is overall pretty solid, apart from one small issue on my figure.  The metallic blue looks really snazzy, and the other colors accent it pretty well.  The only issue with my figure is the slight bit of slop on the divide of his mask.  It’s minor, but an annoyance nonetheless.  Deathstroke is quite well accessorized, including an extra unmasked head, two sets of hands (in fists and grips), a sword and sheath, revolver, rifle, and a staff.  The head’s the standout, and is another top-notch sculpt.  I also really like the staff, which is three pieces, allowing you to modulate the length of it.


I’ve looked at Deathstroke a few times in the store, but was always a bit resistant to getting him, given the whole overplayed thing.  I finally ended up grabbing him during Cosmic Comix’s 26th Annual Annual Sale.  Deathstroke’s one of the best DC Icons offerings, and I’m certainly glad I picked him up.

#1507: Shadowhawk



“When justice failed the innocent, district attorney Paul Johnstone fashioned the silver and black garb of the human Bird of Prey: Shadowhawk! With his powerful weapons, bullet-proof armor, infra-red lenses and natural fighting skills, he has vowed to TAKE BACK THE NIGHT form the monsters that prowl the city’s streets!”

When discussions of early Image Comics come up, Jim Valentino always seems to be the odd man out.  He wasn’t the super star that Todd McFarlane, Rob Liefeld, and Jim Lee were, nor did he experience the larger scale notoriety in his original creations like Erik Larsen. He did, however, have a highly enjoyable run on Guardians of the Galaxy, which may well be one of the best things to come out of ‘90s Marvel.  When it came time to create his own original work, he delivered ShadowHawk, something of a ‘90s anti-hero take on Batman, but still one of the more unique of the early Image creations.  Like so many of those early characters, he found his way into the Spawn line from McFarlane, and I’ll be looking at that figure today.


ShadowHawk was released in Spawn Series 4.  He joined Sam Kieth’s The Maxx as one of two non-Spawn characters in this particular series.  There have actually been two different main ShadowHawks over the years.  This figure represents the first one, who was still the only one at the time of his release.  The figure stands 6 inches tall and has 9 points of articulation.  ShadowHawk’s sculpt was unique to him, though it certainly feels very similar to the basic Spawn figure from Series 1, at least in the pose and basic build.  While the figure looks overall like the ShadowHawk of the comics, it’s far from accurate to the source material.  The shoulderpads are separate pieces, rather than sleeker parts of the costume, and there’s a lot of ribbing on the silver parts that wasn’t there in the comics.  He’s also got more straps than he usually did.  One feels like McFarlane was attempting to give us Rob Liefeld’s Jim Valentino’s ShadowHawk.  It’s kind of an odd choice.  I mean, it certainly doesn’t look terrible or anything, but it’s a little sad, given that this is one of three ShadowHawk figures ever, and the only one within a decade of its release.  The most awkward part of this figure by far is the assortment of weapons that come attached to him.  While the shoulder-mounted guns can be easily removed, the two that mount on his arms are permanently attached to the figure via the tubes that go into his back.  It’s kind of a strange choice, and seems particularly silly given McFarlane’s whole “action figures for hardcore collectors” angle.  I guess he didn’t actually expect anyone to oped the damned things.  ShadowHawk’s paint work is reasonable enough.  It’s mostly pretty basic, but the colors are bold, and he stands out pretty well.  There’s a bit of slop here and there, but nothing atrocious.  ShadowHawk included the aforementioned assortment of weapons, most of which are just meant to be mounted on his person.


I picked up ShadowHawk on Small Business Saturday from an antique store I frequent.  They had just put out a bunch of ‘90s figures, and I was asking for a few of them from the case.  I was mostly grabbing some Toy Biz Marvel releases, but this guy was also in the case, and I sort of impulse bought him.  ShadowHawk’s always sort of intrigued me, and the figure’s cool enough.  Now I think I might try and track down some back issues, just to see what I think of the source material.

#1506: Medusa



“Born into Inhumans royalty, Medusa is a formidable leader who uses her steel-like hair to command power.”

Hey, more Inhumans stuff!  Why the sudden spotlight?  Did something notable happen with them?  Oh, right, TV show.  That helps, I guess, even if the show wasn’t everybody’s favorite (I like what I’ve seen so far, but haven’t finished it). Regardless of rationale behind it, I’m excited to get new Inhumans figures.  Today, I’ll be looking at the Queen of Atalan, Medusa!


Medusa is the third Walgreens-exclusive Marvel Legends release of 2017.  Like the last two, she’s not really tied into a regular assortment (although her husband Black Bolt will be a part of the upcoming Black Panther assortment).  This isn’t the first Marvel Legends Medusa; there was one previously released as part of the SDCC 2014-exclusive Thanos Imperative set.  That one sported a more modern design than this, and was a fair bit harder to get, so the second figure is definitely appreciated.  This figure stands about 6 inches tall and she has 27 points of articulation.  She’s largely made from the same pieces as the last Medusa.  She’s got a unique head and uses the mid-sized female body used for the likes of Hellcat and Wasp.  This figure swaps out the last one’s high-heeled shoes for flats, and also adds a belt piece as well.  While the hair is a touch on the modern side for the otherwise classically inspired design, it works well enough, and it’s a pretty nice sculpt to boot.  I only wish the hair was a touch longer, just so she had a slightly easier time standing, but it’s otherwise pretty great.  The paintwork is, of course, the main point of difference.  It’s fairly basic work, but the purples go together pretty well, and I particularly like the metallic shade on the accent pieces.  The mask is just painted on, but it works surprisingly well, and you can hardly tell this wasn’t the original plan for the sculpt.  Medusa doesn’t include any extras, but with the hair and everything, it’s not that big a deal.


I tried and failed to get the Thanos Imperative set when it went up on Hasbro Toy Shop, so I’ve been in the market for a Legends Medusa since then.  I was pretty happy when Hasbro announced she’d be getting another release, and was pleasantly surprised to find her at my local Walgreens just last week.  She’s a pretty great addition to the line, and I look forward to having Black Bolt to go with her!

#1505: Kryptonite Batman



“When the Joker got his hands on Batman, he united him with a being of practically pure Kryptonite named Mr. Kryptonite.  Possessed by this other being and bent on destroying Superman, Kryptonite Batman is a deadly foe of the Man of Steel”

In the early ‘00s, DC decided to give a go at reviving their old Batman and Superman team-ups from World’s Finest, under the more minimalist Superman/Batman title.  It started out moderately well, with an at least enjoyable opening arc, followed by a few actually decent ones, before sort of becoming a place where half-formed Superman and Batman stories went to die.  I think the first telltale sign was the story that spawned today’s figure, titled “With A Vengeance.”  I’d give a synopsis of the story, but, as someone who read every issue, I still don’t know what happened.  Anyway, let’s just look at the figure.


Kryptonite Batman was released in Series 4 of DC Direct’s Superman/Batman, which was a whole assortment based on “With A Vengeance.”  This was the main Batman-variant of the assortment, because you gotta have at least one.  The figure stands 6 1/4 inches tall and he has 11 points of articulation.  None of these style of figures were particularly amazing when it came to mobility, but the Batman figures were actually some of the worst, because his armoire permanently stuck out.  Seriously, dude looked like Randy from A Christmas Story.  This figure’s sculpt was actually a complete re-use from the basic Batman released in Series 1 of this same line.  Since he was just a palette swap in the comics, it’s not an unreasonable choice.  Like the two JLA: Classified Supermen I looked at a while back, this guy’s based on Ed McGuinness’s rather distinctive style.  In fact, he actually uses the same basic starting point as those two figures, albeit with a variety of more Batman-specific items.  Despite the difficulties with posability, the actual sculpt isn’t half bad, and does a pretty solid job of capturing McGuinness’s Batman in three dimensions.  Paint is the main thing that differentiates this figure from the Series 1 offering, but even on that front, he’s not that different.  He’s got most of the same basic detailing, but with glow in the dark green plastic instead of the grey for his body suit.  It certainly makes for a unique look.  The figure is packed only with a display stand, sporting the Superman/Batman logo.


I picked up a number of the “With A Vengeance” figures when they were new.  This one wasn’t among them.  Instead, it took me ten years to finally get around to buying him.  Why did I finally get him?  Mostly because Cosmic Comix was selling him for $7, which was a low enough price to get me to bite.  He’s goofy, and not really for everyone, but I enjoy him.