#2466: Sunfire



“Scorching ionized plasma allows Sunfire to fly, protect himself, and blast his enemies.”

The Pete Best of the All-New, All-Different X-Men, Sunfire struggles to really find his footing in the X-Men ‘verse, but wound up getting some pretty decent coverage, courtesy of Age of Apocalypse, wherein he turned from “stereotyped Japanese guy with fire powers” to “Human Torch if the powers didn’t turn off” or even “Chamber, but with his whole body, rather than just his upper torso.”  Or, I guess, if you want to jump companies, possibly Wildfire without the suit.  Okay, so maybe AoA didn’t make Sunfire super unique in terms of power or story, but he’s definitely a strong contender for getting the best redesign out of it.


Sunfire is figure 3 in the Sugar Man Series of Marvel Legends.  Believe it or not, this isn’t AoA Sunfire’s first time getting the Legends treatment.  He was actually the winner of the 2007 Fan Poll, netting him the third AoA-based Legend ever.  The line’s made some strides since then, however, so a new release probably wasn’t the worst idea.  The figure stands 6 1/4 inches tall and he has 34 points of articulation.  Sunfire is built on the 2099 body, a sensible choice for two reasons.  One, it’t the same body that the classic Sunfire used, and two it’s the same body that Bullseye used, and given that the first AoA Sunfire was on the Bullseye body, I’d say that means they’re right on the mark size-wise.  He swaps out the forearms and hands for Human Torch’s flame-covered ones, and gets a new head and overlay piece for his shoulders.  I like how the flame effects were done here just a touch better than how they were for Human Torch; there’s something that really works about that very artistic curling to the flames.  It’s very dynamic.  Sunfire’s color work is pretty key to getting his look down, and fortunately the figure does pretty well on that front.  The translucent effect on the plastic is really cool, and I dig the slow shift from yellow to orange.  The paint application’s a bit better on this figure than the last two I looked at from this set, so things are sharper and cleaner.  That’s good, because it really helps with conveying this particular design.  Sunfire, like the last two figures I’ve looked at from this set, doesn’t have any extras of his own, but he does get the second set of arms for the Sugar Man Build-A-Figure.


I wasn’t really sold on Sunfire being part of this assortment, largely due to the prior Legends release.  Of course, I never actually got that release, so I’m not sure why I was so opposed.  Maybe I just don’t like Sunfire?  Could be, I guess.  The figure’s pretty solid, though, and I can definitely get behind his inclusion after getting him in hand.  He’s a solid update, and a solid design.  Not bad at all.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for Marvel Legends, or other toys both old and new, please check out their website and their eBay storefront.

#2465: X-Man



Nate Grey travels between dimensions armed with astonishing psychic powers.”

Though initially self-contained, there were a few parts of Age of Apocalypse that stuck around after the event had wrapped.  On the more prominent side of things was X-Man, the story’s reimagining of Cable.  While Nathan Summers was the son of Scott Summers and Jean Grey’s clone Madelyn Pryor who was sent to the future and then sent back into the past, Nate Grey was an artificiality conceived child, created by Mister Sinister, using the biological material of Cyclops and Jean Grey, and concocted as an ultimate weapon to be used against Apocalypse.  He also kinda looks like a member of a boy band, because, hey, it was the mid-90s.  After the destruction of the AoA universe, Nate was one of four characters who managed to make it into the main 616 universe, and had his own ongoing series for a bit, until he faded out of fashion when Marvel realized that it was already hard enough to justify keeping one overly-90s-sterotype son of Scott and Jean around, and they might as well keep the one they’d invested more time in.  He’s not been nearly as privy to toys as his mainstream counterpart, but fortunately he was on the shortlist for AoA Legends, meaning I get to talk about him today!


X-Man is figure 2 in the Sugar Man Series of Marvel Legends, which, as noted yesterday, is all AoA-themed.  This marks X-Man’s first time as a Legend and second figure overall, with his first coming in during Toy Biz’s rather ironically named “Most Wanted” line from back in the day.  Nate wound up with quite a few different looks, mostly centering around the same basic concept, but this figure plays it safe and just goes with his main appearance from the event.  The figure stands 6 1/4 inches tall and he has 32 points of articulation.  X-Man is built on the Bucky Cap body, a sensible choice given how he was usually depicted in terms of build.  Like most Bucky Cap builds these days, very little of the final figure *actually* comes from the Bucky Cap body.  Only his legs are shared, and even then, his knees are new parts, so that he can get those funky knee pads.  This guy’s effectively an all-new figure, when you get down to it, and I’d say Hasbro’s aiming to slowly ween us off this mold.  Much like yesterday’s Jean Grey, I think there’s a lot of really solid detailing going on, especially on the figure’s jacket.  Following in the steps of the ‘90s Cable from 2018, the head sculpt here has a permanently attached energy effect on his left eye, showcasing his telekinetic powers in action.  It’s a really cool, very dynamic look.  I do sort of wish there were an extra head without the effect included, but this is one of those instances where I don’t mind this being the only option too terribly much.  On the paint front, I was a little disappointed to discover just how messy the application was on my particular figure.  There’s a lot of bleed over from the yellow into the blue, and my figure exhibits two spots, one on his right bicep, and one on his right calf, where there’s just stray yellow paint.  I haven’t seen anything like this from Hasbro in a bit, so hopefully its confined to my figure.  X-Man doesn’t get any accessories for himself (something that will prove to be a common trend in this assortment), but he does get one set of Sugar Man’s arms.


I’ve always had something of a soft spot for X-Man.  I had his Toy Biz figure back in the day, and followed his solo series well after everyone else stopped thinking he was cool.  I’ve been low key hoping for him to get Legends treatment for a while now, and I was definitely happy to see him crop up here.  Issues with paint aside, I’m very happy with this figure, and he ranks pretty highly within his assortment for me.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for Marvel Legends, or other toys both old and new, please check out their website and their eBay storefront.

#2464: Jean Grey



“Jean Grey can read and project thoughts and stun opponents with pure psionic force.”

25 years ago, the X-Men went to hell…no, wait, sorry, 31 years ago the X-Men went to Hell.  25 years ago, their entire line was overwritten by an alternate reality, the Age of Apocalypse, where Charles Xavier died before founding the X-Men, leading to Apocalypse conquering the Earth, and generally making it…post…apocalyptic….yeah.  While not high art, the story was certainly a big splash from a marketing stand point, and made a lasting impression on a good number of X-fans.  Every so often, toy companies throw it a little bit of love, and in honor of the its quarter-century marker, Hasbro’s dedicated a whole assortment of Marvel Legends to it.  I’m kicking things off with a look at Jean Grey!  While many characters were left in strange new predicaments in the AoA timeline, Jean wound up being more or less the same, though she did have a lot less hair and 100% more face tattoos.  Yay for face tattos!


Jean Grey is figure 1 in the Sugar Man Series of Marvel Legends, which is our first X-Men assortment of the year, as well as being totally AoA-themed.  This is our first official AoA Jean Grey Legend, but we were supposed to get one as a variant of the Jim Lee-style Jean in the Rocket Raccoon Series of Return of Marvel Legends.  That figure was ultimately scrapped, and would have been based on one of her post-event redesigns, however.  This one goes for her look from the main series, which is probably for the best.  The figure stands 6 inches tall and she has 27 points of articulation.  Jean’s actually made largely from new parts, at least for her upper half, anyway; the legs originally showed up on the Legendary Riders Black Widow.  Everything else, however is new to Jean.  What impresses me the most on the new parts is the range of motion, especially on those arms.  I was expecting her to be a lot more restricted.  The actual quality of the sculpting is pretty solid, too.  The wrinkles and folds on her sleeves are quite impressive.  Her hair might actually be a touch too short, but it varied between artists, and it certainly doesn’t look too terribly off.  It could definitely be much worse.  The paint work on Jean is pretty standard overall.  The base application is mostly pretty clean, but some of the red’s coverage is a little uneven.  She’s got some slight highlights in her hair, which work pretty well to convey the depth and detail in the sculpt.  Jean doesn’t get any accessories for herself, but she does get the largest piece of Sugar Man, his face and torso, which is so large that Jean effectively had to be posed Vana White-ing it in the box so that they could both fit in.  That was pretty amusing, truth be told.


Jean’s AoA incarnation isn’t one of the more exciting pieces of the story, but it’s got a distinctive look, and is prominent enough that she really was a lock for this set.  She wasn’t at the top of my list for this series, but she wasn’t at the bottom either.  In-hand, I like her a fair bit more than I’d expected to.  She’s still not my favorite piece, but I think she’s solid middle-tier, and that’s not bad at all.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for Marvel Legends, or other toys both old and new, please check out their website and their eBay storefront.

#2463: Luke Skywalker – Bespin



“Luke battles Darth Vader on a narrow platform in Cloud City and rejects Vader’s urging to turn to the Dark Side and rule the galaxy with him.”

40 years and some change ago, in this galaxy, right here, the second Star Wars movie, The Empire Strikes Back, hit theaters.  As Hasbro likes to use pretty much every five-year milestone as grounds for celebration, that means that this year we’re getting a bunch of throw-back Empire stuff in toy form.  Things kicked off with the Probe Droid, and, following in A New Hope‘s footsteps, there’s also a vintage-style-carded line of Black Series figures.  The first assortment was mostly re-hash, but I’m taking a look at the most unique of the bunch today with another go at Bespin Luke!


Luke Skywalker (Bespin) is one of the five figures that makes up the first series of the Empire Strikes Back 40th Anniversary sub-line of Black Series figures.  The other four, Bespin Han, Hoth Leia, Yoda, and the AT-AT Driver are all straight re-cards of prior releases, so you’d be forgiven for thinking that was the case with Luke as well.  He’s a lot of re-use, to be fair, with everything below the neck being re-used from the very first Black Series Bespin Luke.  Like that figure, this one stands just shy of 6 inches tall and he has 29 points of articulation.  Black Series articulation hadn’t really gotten to be what it is now in 2014, when this mold first hit, so he’s admittedly a little bit archaic in terms of movement.  The elbows sit a little low on the arms, the range on the hips is quite restricted, and he’s got the up/down joint on both of his wrists, which is a little odd for posing.  All that said, it’s still a pretty nice looking sculpt, so I can’t totally dis the re-use.  He gets an all-new head, which updates him to the more modern style of separate pieces for the face and hair.  The original Bespin head was probably the weakest of the initial Luke head sculpts in terms of a Hamill likeness, so another go at it isn’t the worst.  This new sculpt is…different?  I hesitate to say better, but I also wouldn’t say worse.  In some ways, it’s a better match, but in others it’s more off, and in particular it seems a bit too large proportionally.  The new head is matched by a new paint scheme, which uses the face printing, thereby making him a little more lifelike.  I definitely like that, but I’m not quite as down for how stripped down the paint on his fatigues has become.  The wash on the original was one of the best parts of the figure, but this one loses a lot of that, and the details on the outfit subsequently become easier to miss.  This figure is packed with the same extras as the last version: a lightsaber and a blaster pistol.  They’re as good here as anywhere else.


A re-issue of this guy’s been pretty much inevitable, given how hard to find the original had become, as well as the original hitting during one of the weakest periods of the line.  There were definitely improvements to be made, and while this figure makes some of them (namely the better paint on the face/hair), it’s really a trade-off.  This should have been an actual improvement, but it’s instead more or less an equivalent product.  It’s a shame, because I was kind of hoping we might get a more deluxe update on this guy, with extra parts to replicate more of the beating he takes during his Bespin duel.  Perhaps such a release could still happen later.

Luke was purchased from my friends at All Time Toys.  If you’re looking for Black Series, or other toys both old and new, please check out their website and their eBay storefront.

#2462: Civilian Logan & Juggernaut



The first year of Marvel Minimates had assortments that were all themed, but when they entered their second year, most of the assortments got a little more mixed.  For Series 5, we really saw that kick in, with each two-pack representing a different facet of the Marvel Universe.  We got our first taste of the Avengers with the previously reviewed Captain America & Absorbing Man, as well as a return to the X-Men with today’s focus, Civilian Logan and Juggernaut.


Logan and Juggernaut were released in Series 5 of Marvel Minimates.  Both would also be included in a TRU 4-pack, alongside Battle-Damaged Daredevil and Masked Spider-Man, and Logan also hit Walmarts and Targets in a two-pack with Masked Spider-Man again.  A slightly tweaked version of Juggernaut was also included in the very easily found Darktide boxed set, meaning these two are definitely numerous.


We got a civilian version of Wolverine in Series 3, but I guess we needed one more, because, you know, Wolverine.  This time, he doesn’t have the jacket, though, so I guess there’s that.  The figure uses the older basic body (with the long feet), so he’s 2 1/4 inches tall and has 14 points of articulation.  He gets a new hair piece, which is a little wilder than the previous ones (it would be re-used a few times), and also re-uses the clawed hands from the prior three Wolverines.  It’s a fairly basic set-up, but it works well enough.  I myself am not the biggest fan of the larger Wolverine hair, however there’s certainly precedent.  The paint work is pretty strong on this guy.  He gets a far more detailed facial expression, which is really angry, and the torso block gets quite a bit of detailing, making it stand out a fair bit from these earlier ‘mates it was released alongside.  It’s a little weird that his feet are the same grey as the rest of the leg, but it doesn’t look terrible or anything.


Nothing stops the Juggernaut…is a surprising phrase to attach to this particular iteration of the character, because, quite frankly, he looks like he could be stopped by a stiff breeze.  The larger characters were still a ways away from getting any bulked up parts, so Juggernaut just gets his helmet and bracers.  It’s definitely a different look, and makes him look a lot punier than he should.  At least he has the slightly larger hands to give him something more.  That’s better than either Hulk or Venom got.  Juggernaut’s paint work isn’t quite as impressive as Logan’s, but there’s still quite a bit of detailing going on, especially on that face.  Speaking of his face, since Cain’s visage is pretty much entirely covered by his helmet, Juggernaut was the very first ‘mate to get an alternate hair piece to allow for a sans helmet display.  It’s not really the best piece ever, but it’s certainly better than nothing.


I had this set when it was new, but I can’t say it was ever really a favorite of mine or anything.  I mean, it was serviceable, but it was the first of the kind of unnecessary Wolverine variants that would come to plague the line, and Juggernaut feels somewhat underwhelming.  I ended up losing most of the parts to my originals, and got a replacement pair when All Time got their big Minimates collection in last year.  I still don’t really have much connection to them, but I can admit that they were both better than I recalled.

#2461: Ugnaughts



“Ugnaughts, the humanoid species found on Bespin’s Cloud City, manned the controls of the freezing chambers where Han Solo was encased in carbonite.”

Okay, right, weekend.  Time for another Power of the Force review.  What am I reviewing this time?  Ugnaughts?  What are the Ugnaughts?  Well, it says right up above, doesn’t it?  That’s pretty convenient isn’t it?  Too many questions, Ethan.  You need to move onto some declaratives.  Right.  Ugnaughts.  Let’s do this.


The Ugnaughts were added to the Power of the Force line in 1998, and were our second go at this particular race, following a figure in the vintage line.  They joined Lobot in filling in some of the Bespin crew the year they were released.  Much like the Jawas, Kenner took advantage of the Ugnaughts’ smaller stature to offer up a pair of them, rather than one single.  The two included are distinctly different Ugnaughts, both of them from the film.  The vintage figure actually amalgamated a number of elements from these two, before they were split apart for this release.  Both figures stand 2 1/2 inches tall and each have 4 points of articulation (they’re articulation ceases below the waist).  Both sculpts are completely unique parts-wise, though they do share the same basic pose and build.  They hold up well given the time they were produced, and honestly wouldn’t look too terribly out of place with more modern lines.  Of the two, I think the one with the smock is the slightly better offering, as the separate smock piece adds a little more depth, and his facial features are a little more distinct.  He also pulls ahead a little bit on the paint front, thanks to a few more details, though it’s worth noting that both figures sport decent base level paint work.  Curiously, the red-headed Ugnaught’s skin tone is molded, while the smock Ugnaught is painted.  Not sure why they’re different, but they both look decent enough.  The two Ugnaughts include one single toolbox for them both to share, as well as a freeze frame slide.


The Mandalorian is legit the first time I’ve ever cared about an Ugnaught, so I can assure you I didn’t get these two new.  In fact, they were one of those things I didn’t even realize were even in the movie until I was an adult.  They definitely don’t have the same fun factor as, say, the Jawas, but I guess they make for a decent scene filler.  I have spoken.

I got this pair from my friends at All Time Toys.  They’ve got a decent back stock of Power of the Force, and other cool toys both old and new, so please check out their website and their eBay Store.

#2460: Batgirl



“Gotham City becomes a very cold place when Mr. Freeze, Poison Ivy and Bane triple team to plot the icy demise of Batman and Robin. The crimefighters respond immediately by using the Batcomputer deep within the Batcave to develop an array of cutting-edge weapons that can be used in their battle against this multitude of fiendish foes. Discover the Secrets of the Batcave! – secret technology that gives Batman , Robin and Batgirl the ultimate ability to save Gotham City!”

Back in April, I jumped into the Batman & Robin line with a look at the “& Robin” portion of the film.  Today, I look at the central character who doesn’t get named at all.  I mean, seriously, isn’t it a little odd that the film where you explicitly call out Batman and Robin as your title characters is the one where you add in Batgirl as your third protagonist?  Isn’t that a little weird?  I think it’s a little weird.  Look at me, armchair quarterbacking a movie from 1997.  That’s a real good use of my time, right?  Yeah…


Batgirl was released in the first wave of Batman & Robin product from Kenner, hitting shelves in 1997 to tie-in with the film.  Unlike the various Batmen and Robins, she didn’t get any sort of adjective in front of her name; she’s simply “Batgirl.”  Man, no goofy Kenner name is just a bummer.  Did they even try with Batgirl in this thing?  Oh, right, I’ve seen the movie: the answer is “no.”  The figure stands 4 3/4 inches tall and she has 5 points of articulation.  So, right off the bat (heh), let’s address the inaccuracies of the figure.  As I brought up in my Robin review, the whole Batman & Robin process was quite expedited, so the figures were working from early costume designs.  In Robin’s case, that was all well and good, because he kept his design, but in Batgirl’s case, that means she’s a bit off from her film appearance.  The big change is the full cowl in place of the domino mask she was sporting in the final product.  It’s not a particularly attractive design, at least as implemented on the figure.  She’s also got the wrong version of the bat symbol, and is missing a lot of the ribbing and such that ran throughout the body suit, making for a much more basic looking design.  There is also a removable cape, which actually is a pretty decently designed piece. Her paintwork is fairly basic stuff.  She’s rather monochromatic, but that’s honestly a bit more faithful to the film than most of the color schemes to come out of this movie.  Batgirl was packed with a “Battle Blade Blaster” and “Strike Scythe,” which are the weird green and black things.  They don’t correlate to anything in the movie, but they certainly exist, now don’t they?


As I mentioned in my Robin review, Batman & Robin was the first Batman movie I saw in theaters, and despite its lackluster quality, five-year-old me really enjoyed it.  Being the big thing of the summer, a whole bunch of the tie-in figures wound up as birthday presents for me that year, including Batgirl here.  She’s not necessarily one of my favorites, and that was the case even as a kid.  She really only served as my Batgirl until the Animated figure found its way into my collection and replaced her.  She’s okay, I guess, and like the rest of the line, honestly better than the movie that spawned her.

#2459: Tony Vreski



Who doesn’t love a delightfully morbid toy?  …A lot of “concerned mothers” and all sorts of focus groups, actually.  I thought that was pretty obvious.  I mean, you know?  Well, I can certainly enjoy the heck out of a toy that seems to subvert the usual toy norms, and today’s entry definitely qualifies, but it actually even goes deeper than just this one toy.  What the hell am I talking about?  Look, I’ll get to it when I get to it.  Released in the summer of 1988, Die Hard was a film that reinvented the action film genre, catapulting Bruce Willis into stardom and taking action heroes away from being invincible, unstoppable, fighting machines.  Beyond just main character John McClane, though, it also had a compelling cast of supporting characters and some quite well formed antagonists.  Amongst those antagonists is a rather minor one, Tony Vreski, whose main claim to fame within the film is being the first of the terrorists to die, almost accidentally killed by McClane, early in the film.  His corpse is then used by John as a distraction…and a little bit of a warning.  It’s a somewhat distinctive shot from the film, and now it’s also a toy, for the second time, even.


Tony Vreski is #671 in Funko’s Pop! Movies line, the fourth of the four Die Hard Pops.  There’s something downright amusing about the fact that we got four Pops from the movie, and they were the three most major characters in the film…and Tony.  This is also the only version of Tony we get, all corpsified and gross.  Alas, there is not “generic blonde guy in grey sweats and grandma glasses” Tony out there.  The figure is 3 3/4 inches tall and has the same single neck joint that all of the non-Marvel and Star Wars Pops get.  For him, it’s not quite as useful, what with the being dead and all.  He’s actually pretty stable for a modern Pop, thanks to being seated on his little rolling chair (which, sadly, doesn’t actually roll.  I know, how sad), which I was certainly happy about, because I get a little tired of these things falling over all the time.  It’s one of the more unique Pop sculpts, not by virtue of the outfit or anything, of course, but that pose is definitely not a common one, and does its best to sell the “this guy’s definitely dead” thing that’s sort of essential to a good Dead Tony figure.  Although, I suppose it’s possible he’s just *really* out of it (no joke, when Super Awesome Wife first saw him, she asked if he was alright…I then had to tell her he *really* wasn’t, you know, cuz he was dead).  Tony’s paintwork isn’t anything amazingly complex or anything, mostly being the grey sweats and all, but he does get the appropriate movie accurate blood smears on the face, as well as the half-way closed eyes.  He also gets John’s “Now I Have a Machine Gun Ho-Ho-Ho” message, although it appears “Machine” was dropped from it for space.  I guess the message is still more or less the same, and it’s not like the impact of the visual is lost too much, but it’s a little odd that they dropped that one word.


My first real knowledge of Die Hard was the Palz, and more specifically, it was the Dead Tony Palz, the insanely hard to find 1 in 64 figure that pretty much never shows up anywhere.  He’s always utterly fascinated me, due to the rather morbid (albeit amusingly morbid) nature of rendering such a design as a toy.  I want one, but the odds of me getting one are, admittedly, kinda slim.  I didn’t pay much attention to the Die Hard Pops when they hit, so I actually missed that this design had somehow gotten *another* toy.  It wound up getting traded into All Time the other day, and I was, again pretty fascinated.  So fascinated, in fact, that Jason told me I could just have it, provided I actually reviewed it here.  So, umm, here’s the review?  Yeah…this guy’s really got a very specific audience in mind, and I manage to fall right into it.  I may not be the biggest Pop fan, but he’s fun in his own morbid little way.

Thanks again to Jason at All Time Toys for setting me up with this figure to review.  If you’re looking for Pops, or other toys both old and new, please check out their website and their eBay storefront.

#2458: Terror Dog



Ranking probably in the third spot on the list of most memorable Ghostbusters ghosts, the Terror Dogs serve as Gozer’s precursors in the first film, eventually transitioning to full-fledged hench-dogs by the film’s climax.  Like Gozer, the Terror Dogs were a notable absence from Mattel’s 6-inch Ghostbusters line, though they did get some toy love from both NECA and DST.  Now, Hasbro’s jumping in on the game with at least one of the two.


The Terror Dog is the Build-A-Figure for the first assortment of Ghostbusters: The Plasma Series.  Honestly, this feels like a more natural choice of BaF than the wonky Logo Ghost that we got from Mattel’s one retail line, so I can definitely get behind it.  There are two Terror Dogs in the movie, Zuul and Vinz Clortho.  Since we technically already got a Zuul in this set (in the form of the Dana Barrett figure), this guy pretty wisely goes with the Vinz Clortho option, as showcased by the slightly longer horns on the head.  The figure measures 5 inches tall and 6 inches long in its standard standing position, and it has 25 points of articulation.  The articulation is pretty good…on the front half.  Not so much on the back.  Seriously, the neck joint, moving jaw, and front legs all work well, but the total lack of any sort of mid-body joint, the odd decision to only do cut joints for the back hips, and the lack of a proper knee joint on the hind legs makes the back half of the figure surprisingly stiff.  I was a little let down by the lack of mobility there.  Also, make sure to not be a total idiot like me, and get those hind legs on the correct sides the first time around, because that will only further make issue of posing the figure.  On the plus side, moving past the slightly disappointing articulation, the sculpt is actually pretty nice.  There are a few spots where its a little soft on the details, but it’s a far more accurate recreation of the film design than the DST and NECA versions, at least to my eye, and fits in very nicely with the rest of the line in terms of styling.  The paint work on this figure is pretty solid as well, with a nice bit of accent work going on with the silver airbrushing.  It brings out more of the sculpted elements, and also gives the figure a cool sort of otherworldly feel, which is appropriate for the character.  The Terror Dog doesn’t include any accessories.  Being an accessory itself, it’s not unexpected or unreasonable, but I do think it’s too bad we couldn’t also get a second Zuul head to give collectors the option of which dog they want to display.  Of course, the only way to get a second body is to buy the whole set again, which might not be a ton of fun, so maybe Hasbro’s got something else up their sleeves on this one.


The Terror Dog has never been the star attraction of any Ghostbusters merch for me, so I was really buying this set for the individual figures, and not this guy.  I was, however, intrigued by the figure, and certainly curious to get it assembled.  Ultimately, I’m not the biggest fan of some of the choices Hasbro made, but at the end of the day, it’s a good accent piece to an otherwise truly impressive assortment of figures.

#2457: Gozer



“When ghastly ghouls and spooky specters come looking to paint the town dead, the Ghostbusters are ready to answer the call! But are they prepared to save New York City (and the world) from the ancient evil known as (among other things) Gozer?”

The ultimate big bad of the first Ghostbusters is Gozer the Gozerian (or the Traveler,  or Destructor, depending on your preferred subtitle), is a god who takes a couple of forms in the film.  The one that most people remember is the 50-foot-tall Stay Puft Marshmallow Man, but the first physical manifestation of the character is a humanoid female, portrayed by model Slavitza Jovan in the film.  It’s a distinctive look to be sure, but not one that crops up in toy form quite as often.  Notably, it got skipped by Mattel for their 6-inch line, meaning Hasbro gets to be first to this particular scale.


Gozer is the final single-carded figure in Series 1 of The Plasma Series.  As noted above, this is Gozer’s first physical manifestation, but I’m sure Hasbro’s already got the second one in the works.  Of course, this is definitely the one that works a bit better as a standard single figure.  The figure stands 6 inches tall and she has 27 points of articulation.  Her articulation is pretty much the same set-up as Dana’s, but with less limitations courtesy of the sculpt, giving her a better overall range.  She’s still slightly limited on the elbows, but otherwise things work pretty well.  Fortunately, on the sculpting front, she’s a bit of a step up from Dana, thanks to slightly easier to translate costume.  I really dig how they worked in all the various textures and such all throughout her body suit.  The likeness on the head, while not as spot on as some of the ‘busters, is still a pretty solid rendition of Jovan, and to my eye looks a bit closer than NECA or DST’s attempts.  The one area where I think this figure could stand to be just a little better is on the paint.  She’s certainly not bad; all of the basics are there and everything.  That said, I wish the detailing on the face was a little more extensive, so as to better replicate the rather elaborate make-up Jovan was sporting for the role.  Additionally, while the pearlescent finish of the plastic for the body suit does okay on its own, the sculpt would be better served by a touch of accent work, just to help things pop.  Gozer is packed with a spare set of hands sporting some wicked lightning effects, perfect for “Then Die!!!!”-ing the Ghostbusters.  She also includes the head to the Terror Dog Build-A-Figure, which I’ll be reviewing in full tomorrow.


The main ‘busters were definitely my main focus from this set, but I was more than willing to have an antagonist for them, and Gozer’s a pretty respectable one.  She’s not quite up to their quality, but I think she turned out a little better than Dana, and certainly a little better than I had been expecting.  She rounds out this first set pretty well.

Thanks to my sponsors at All Time Toys for setting me up with this figure.  They’re currently sold out of their initial shipment of the line, but should be getting more soon.  If you’re looking for other toys both old and new, please check out their website and their eBay storefront.