Tag Archives: Hasbro

#4041: The Ventriloquist with Scarface

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

THE VENTRILOQUIST with SCARFACE

BATMAN (HASBRO)

“When paired with the puppet known as SCARFACE, mild-mannered ARNOLD WESKER becomes THE VENTRILOQUIST—one of Batman’s greatest criminal foes.  Wesker channels his dark side through his crime lord style dummy.  When the two are together, Scarface’s evil influence over his partner in crime is absolute.”

Since Batman: The Animated Series needed to fill out a syndication order’s worth of episodes, and its producers didn’t want to get too repetitive with the same few rogues, they had to delve into some of the lesser known villains.  In addition to revamping older villains (most famously Mr. Freeze), they also brought in a smaller number of newer foes.  One of the most recent choices at the time was The Ventriloquist, chosen because the producers felt he fit well with the pseudo period piece vibe of BTAS.  It aided the character’s recognition, and helped him become a rather memorable second tier rogue, appearing in multiple shows since BTAS wrapped up.  While not the most prevalent sort of character in terms of toys, he was one of the small handful of new characters introduced during Hasbro’s run with the license.

THE FIGURE ITSELF

The Ventriloquist with Scarface was released as part of the “Puppets of Crime” boxed set, released under Hasbro’s generic Batman line in 2002.  Arnold was noteworthy for being the only new figure in the set, which was otherwise re-packs.  The figure is just under 5 inches tall and has 4 points of articulation.  His articulation is really, really restricted, to the point that he’s effectively just kind of a statue.  There’s no movement in the legs, instead just a waist swivel, and while he’s got shoulder swivels, the posing of the arms means they get very little play.  You can sort of move his head back and forth, so that’s cool.  Also, without any leg movement, it can be a little tricky to find that sweet spot for keeping him standing.  His sculpt is based on his BTAS design, which is his more conventionally approachable look.  Generally speaking, it’s a good take on the look.  The head in particular is pretty on the mark, capturing Arnold’s reserved expression well.  The body sculpt’s got the crazy pre-posing going on which is odd.  I mean, the arms are sensible enough, since they’re meant for holding the Scarface puppet.  The legs, though, are weird in their wide stance and inward-pointing feet.  Maybe it’s supposed to be a balance thing, but it doesn’t quite work out.  In the show, he just stood with his legs together.  That, with maybe a display stand, would have gone a long way.  Also an odd is the coloring, which for some reason gives him a tan suit.  Why tan?  It’s not like it’s a particularly exciting color to shift to.  Maybe the tan plastic was cheaper.    The Ventriloquist was packed with Scarface, the most sensible possible accessory for him.  It’s a pretty good piece, nicely scaled to the main figure, and matching the show model.  Even the coloring’s not as wonky on him.

THE ME HALF OF THE EQUATION

I somehow managed to miss all of the Ventriloquist and Scarface episodes of Batman when they aired, so I didn’t have much of an attachment to the character.  After the fact, I did find particular enjoyment in his lone TNBA appearance.  This figure (and the rest of the set he came from) actually was a Christmas gift to my brother in 2002, not me.  But, as a three-year-old, he had minimal interest in a guy in a suit, so this guy found his way into my collection.  He’s not the most play-worthy figure, but he’s still pretty cool, and surprisingly on the mark for a figure of this era for Hasbro.

#4037: Catwoman

Posted by Ethan Wilson in Reviews and tagged with , , , ,

CATWOMAN

BATMAN (HASBRO

“SELINA KYLE is a daring and strong-minded woman with a passion for cats.  As Catwoman, her headstrong ways often tempt her into reckless criminal behavior, but her morals have brought her into close cooperation with BATMAN more than once.  Knowing that her cat-like grace makes her the ideal burglar, Catwoman can’t turn down The Penguin’s challenge to purloin the prized Crest of Gotham City.  Catwoman’s weapons, a powerful whip and claw gauntlets, also serve as escape tools—but can they help her escape the Penguin’s insidious trap?”

When she first appeared as “The Cat” in Batman #1, Selina Kyle was unquestionably a villain, and would remain so for a good many decades after that, though she always maintained a flirtatious relationship with Batman, in the comics and other media.  By the ‘90s, the comics had started presenting Catwoman as more of an anti-hero, so in Batman: The Animated Series, Selina never serves as a proper antagonist to the heroes, more often then not an ally, at worst an unwitting pawn in a larger villain’s game.  It’s become kind of the defining take on the character, and honestly, good for her.  Selina’s no stranger to the toy game, but ultimately only got one proper figure during the Animated run, which I’m looking at today.

THE FIGURE ITSELF

Catwoman was, like last week’s Robin, released in the 2001 “Revenge of the Penguin” boxed set, under Hasbro’s wider Batman banner.  She’s effectively just a re-release of Kenner’s original Animated tie-in figure from 1992, and she would see an additional (and truly identical) release from Hasbro in 2003’s “Girls of Gotham City” boxed set.  The figure stands 4 1/4 inches tall and has 5 points of articulation…or close to it.  She’s got a spring-loaded feature in her right shoulder, which brings it back down when you raise it, meant for use in conjunction with her included whip.  While visually unobtrusive, it means the shoulder doesn’t actually hold any poses, which is a bit of a bummer.  Beyond that, she’s got v-hips, which are never my favorite, and result in the figure being rather hard to pose.  The sculpt is the one originated by Kenner in 1992, and it’s…fine.  It’s not bad, but it’s a little more pre-posed than other figures from the same line, a little hard to get standing, and also she’s got a very stubby neck.  Stubby is honestly just a pretty good descriptor for her in general, and it’s not quite in keeping with her more slender frame from the show.  That said, all of the figures in the early run were a little stubby, so she’s not in the worst of company.  Catwoman’s paint work is a decent match for how she looked on the show, and unlike the Robin from the same set, she doesn’t get saddled with any really out there shades or color replacements.  The only notable thing here is that she’s a bit wall-eyed, which can look rather silly.  Her eyes are a darker shade of green than the original figure, one of two notable changes on this release.  Like her original release, Catwoman includes her whip, a pair off claw gauntlets, and a small figurine of her cat Isis.  Isis is black for this release, in contrast to the grey of the original.

THE ME HALF OF THE EQUATION

The original animated Catwoman was totally gone from shelves when I started collecting, so my default version of her for many years was the Legends of Batman version, until I got this set for Christmas in 2001.  Robin was my main focus, but I remember being quite pleased to get a proper Catwoman figure as well.  She’s far from perfect, but she’s also far from bad, and I think there’s more to like than to dislike, whichever version of her you might get.

#4033: Robin

Posted by Ethan Wilson in Reviews and tagged with , , , ,

ROBIN

BATMAN (HASBRO)

“The son of gifted circus acrobats, DICK GRAYSON was left an orphan when a two-bit extortionist sabotaged his parents’ high-wire act.  Bruce Wayne, who lost his own family to a senseless crime, felt an instant connection to the boy and took him in.  Eventually, Wayne revealed his secret identity to the talented young man and made him his crime-fighting apprentice.  Now, as Robin, Grayson is a skilled and quick-minded fighter in his own right, and Batman’s most trusted comrade in justice.”

It’s been a hot minute since I’ve reviewed a proper figure of Dick Grayson as Robin.  Nightwing sure, but for Robin, we’re going back to 2021.  Heck of a jump.  For specifically the animated version, we’re talking about 2016.  Whole decade.  Anyway, 15 years before *that*, the DC license was still held by Hasbro, who were really just largely running on the remnants of what Kenner had done before, more or less just focussing on the Batman side of things until handing off the license to Mattel.  On the animated side, they did a lot of boxed sets, revisiting old molds and themes.  While predominantly focussed on the New Adventures era, there were a few The Animated Series figure mixed in as well, including today’s Robin figure.

THE FIGURE ITSELF

Robin was released in the 2001 “Revenge of the Penguin” boxed set, under Hasbro’s wider Batman banner.  At this point, the bulk of the line was Mission Masters, but the boxed sets didn’t sport that title, rather just sticking with a rather generic “Batman.”  “Revenge of the Penguin” was a totally BTAS themed set, which was rare, sporting Robin, a Penguin I previously reviewed, Catwoman, and a wonky Batman variant.  The figure stands 4 1/2 inches tall and he has 5 points of articulation.  He’s a total mold re-use of the Kenner animated Robin from 1992 (which had previously been used by Hasbro a year prior in their Spectrum of the Bat line), itself a neck-down re-use of the Batman Returns Robin figure from 1991.  At the time of this release, most of the mold was a decade old, which, honestly?  It’s not bad.  In part, it fits in fine due to how much Hasbro stagnated with the license, of course.  When you’re aiming to do as few new molds as possible, you aim to make them work match the ones you’ve already got.  It’s…well, it’s fine for its original intended use, as a realistic take on what would become the comics Tim Drake costume. It’s less ideal for an animated Dick Grayson, whose outfit was streamlined a bit, and who never sported anything close to the musculature detailed on this figure.  The head was at least an okay take on Dick’s original animation model, if perhaps a bit flattened and soft on detailing.  It did fit well with the other figures from the Kenner line, though.  He keeps the original’s two-tone cloth cape, which remains a pretty impressive piece for the scale.  A little unnatural in how it hangs, but generally very cool.  His paint marks the main change-up here.  In a general sense, it’s not drastically different, but the colors lean more toward the Mission Masters palette, where the flesh tones were very pale, the greens were more neon, and the “warm” colors were colder.  The actual application’s generally fine (though the black paint was really prone to wear), and he even gets an additional paint app on the neck, under the cape.  There’s a sculpted spot there that’s clearly meant to be a different shade than the rest of the torso, and the original just left it red.  This one…makes it green?  Still not a match for the cape, but points for effort.  Robin was packed with a missile launcher and missile.  It was originally packed with the Legends of Batman Crusader Batman, and it was one of Hasbro’s favorite accessories of this era, no matter how illogical or ill-suited it was to the figure it was packed with.  At least it’s in colors that match?

THE ME HALF OF THE EQUATION

Since I missed the main runs of the Animated figures, the boxed sets were really my personal jumping on point for the style, and served as my earliest versions of a lot of the characters.  They were almost always birthday or Christmas gift fodder from family members, and this particular set was the latter, given to me by my Nanna.  Robin was my main interest.  I’d been making do with the Total Justice Robin as a stand-in for this look for far too long at this point, and was happy to get a better approximation.  He’s got some quirks of this era, but given how lazy and odd most of the late-run Hasbro DC product was, he’s honestly not bad.  He may be little more than a re-issue, but he was at least a decent choice for one, and one I definitely was glad to have then, and am still glad to have now.

#4009: Dr. Polaris

Posted by Ethan Wilson in Reviews and tagged with , , , ,

DR. POLARIS

DC SUPER HEROES (HASBRO)

“Doctor Polaris’s electromagnetic powers were recently boosted by the mysterious entity known as Neron.  These powers, which are now part of Polaris’s body instead of being generated by weapons, provide the evildoer with forcefield protection as well as staggering strength.”

Interspersed with their overabundance of Batman-centric lines in the ‘90s, Kenner did try a few not-Batman DC lines, to mixed results.  There was a larger focus one, Total Justice, which only made it three series, each one a smaller run than the last.  There was a fourth assortment, which got pretty far in the process before being scrapped.  So far that there were molds to be used later, when Hasbro decided to revisit them as a run of two-packs for their direct market line.  Each series of Total Justice had one token villain, which, had the line continued, would have been today’s focus, Doctor Polaris, who had just gotten a major overhaul during the “Unleashed” storyline.

THE FIGURE ITSELF

Dr. Polaris (as it’s written on the name part of the box, even though it’s spelled out in his bio on the back) was one half of a two-pack from Hasbro’s DC Super Heroes line.  The other half was a Kyle Rayner variant, which would have been in the assortment.  It’s a pretty solid pairing, since Polaris is a GL villain, and had just been re-established with Kyle in the comics.  The figure stands almost 6 inches tall and he has 5 points of articulation.  He was quite sizable, which was kind of odd, since he wasn’t usually that large in the comics.  The update to his powers had made things a little bit nebulous, though, and they liked to have a larger villain figure, so I guess it wasn’t the worst thing.  The sculpt was all-new to this guy, based on Polaris’s updated design from the ‘90s.  I’m a sucker for this look, as tied to that decade as it may be.  It’s goofy, but when is Polaris *not* goofy?  His sculpt is slightly pre-posed, but certainly on the more minor side for Total Justice.  Mostly, it’s just sort of an idle stance, and I think it works.  His cape is quite dynamic in its flow, and that’s also quite nice; gotta love those arching shoulders.  Doctor Polaris’s color work is a good match for his comics look at the time.  He’s got a lot of metallic finish, which gives him an armored appearance that works well for the character.

THE ME HALF OF THE EQUATION

This was the second of these two-packs I got (after the Superboy & King Shark set), picked up from Cosmic Comix back when it was still new.  I think I bought the set more for the GL at the time, but he wound up being sort of “meh” for me, ultimately, while I found myself rather quickly attached to Polaris here.  It was my first introduction to the character, and I’ve ultimately always thought of this look first and foremost because of it.  I think it’s just a solid, fun figure. 

#4005: Impulse

Posted by Ethan Wilson in Reviews and tagged with , , , ,

IMPULSE

JLA (HASBRO)

“Bart Allen, the 30th century grandson of The Flash, Barry Allen, inherited his bloodline’s powers but no ability to control his super-speed. After reaching the age of 14 in only two years, he was brought to the 20th century. Having been raised in an artificial environment, Bart is just learning the ways of the real world as he attends Junior High School in Smalltown Alabama.”

While the Golden Age Flash didn’t have a sidekick in the traditional sense (though he did have a trio of comedic “sidekicks” for a little while, much like Plastic Man, Alan Scott, and Wonder Woman did during the same period), Barry Allen got one relatively quickly in the form of Wally West, aka Kid Flash.  Wally remained in the role until Barry’s death in Crisis, at which point Wally got promoted to just “Flash.”  It was almost a decade before Wally would get his own sidekick, a revamp of the Kid Flash idea, Bart Allen, aka Impulse.  Bart wound up rather successful in his own right, eventually taking on both the Kid Flash and Flash monickers.  But Impulse was always his coolest, and it got him the action figures first.  Let’s take a look at one of those!

THE FIGURE ITSELF

Impulse was released in the third series of Hasbro’s JLA line in 1999.  Like Superboy, he was also available in the fourth boxed set, released through comic book stores and the like, along with Robin, the other piece of the “Young Justice” trio from the assortment.  This was Bart’s first figure, albeit only by a slight bit, as DC Direct also released one very close behind.  The figure stands 5 inches tall and he has 5 points of articulation.  As with the rest of the line, he’s heavy on the re-use.  He gets a new head, but his torso is the frequently re-used retool of Superman’s, and he’s also got the arms from Black Lightning and the legs from the Flash.  The head is sort of an attempt at approximating a few different artist’s looks for Bart into one, along with folding him into the general line aesthetic, and it’s not awful, but it does feel a little small.  The Black Lightning arms are a little long for the body, but the gloves at least match pretty well with Impulse’s design.  The legs have a good running sort of pose to them, but the boots are definitely *not* Bart’s from the comics.  To be fair, they really weren’t Wally’s either, so it’s kind of whatever.  In general, like Superboy, the figure is really bulky for Bart, who was always pretty skinny and appropriately teen (in fact even pre-teen) like in the comics at the time.  This appears to be some sort of imaginary older Bart as Impulse sort of figure.  His color work is decent enough, but the biggest issue is definitely that the orange of the outer portions of his lightning bolts is too close to the red, so the distinction is largely lost.  Also, he’s got no pupils for some reason.  Beyond that, the application is pretty clean, so there’s at least that.  Impulse is packed with a display stand, this time in white.

THE ME HALF OF THE EQUATION

My first exposure to Impulse was an issue of his solo series, which got handed to me as a free give-away at an early Baltimore Comic-Con I attended, more than likely *in* 1999.  I loved the issue, and it got me into the whole series (which I had a subscription to until its cancellation years later).  I developed a particular attachment to the character, and ended up getting this figure, I feel almost confident at the same time as Superboy.  He’s never been a perfect figure, but he’s always been one I very much appreciated.

#4003: Luke Skywalker with T-16 Skyhopper Model

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

LUKE SKYWALKER with T-16 SKYHOPPER MODEL

STAR WARS: POWER OF THE FORCE II (HASBRO)

“While tinkering with his model T-16 skyhopper and tending to his uncle’s new droids, Luke unwittingly short circuits R2-D2’s recording system, triggering the holographic appearance of a young Princess Leia. The image implores the help of Obi-Wan Kenobi, but vanishes soon thereafter.”

Luke Skywalker has four notable looks over the course of the original Star Wars film, but by far the most definitive is his “farm boy” look, which, understandably, was the first to get a toy back in 1978.  It was also the first to get an update for the relaunched line in 1995, albeit with a notable pectoral upgrade.  It was never truly absent from Power of the Force, but I suppose there was a slight downtick in its frequency.  Then, in the space of about a year and a half, there were *so* many of them.  Farm boy Lukes as far as the eye could see!  And they all had their own minute difference.  Well, here’s the one that wrapped it all up.

THE FIGURE ITSELF

Luke Skywalker with T-16 Skyhopper was part of the 1999 run of Star Wars: Power of the Force, following the shift to Hasbro’s name being on the packaging.  Like last week’s Leia, he was part of an assortment featuring the CommTech gimmick from the Episode I line, and was meant to run alongside that one.  He was the seventh and final figure in the line based on Luke’s main A New Hope look, and fifth variation on the “new” mold version of it.  Each of those Lukes was based on a specific snippet of the movie, and this one is specifically Luke right after the purchase of the droids, when he discovers the message from Leia while cleaning them up.  Yay, another non-action scene!  The figure stands 3 3/4 inches tall and he has 10 points of articulation.  While it’s the same count as the Flashback Photo Luke, it’s a different configuration.  This one lacks the wrist movement, and only gets swivels on the elbows instead of hinges, but gets proper knee movement, which was very rare in this line.  It’s good for getting him kneeling down, like he does in the scene this figure’s meant to be referencing.  His sculpt is using the “updated” Luke head, with a body that’s all new parts, albeit ones that all look very similar to the other four Lukes from this period of time.  The paint is on par with the other offerings, a little cleaner and a little more involved than some of the other variations on the look, rivaling the Flashback figure.  Once again, I do like the accenting on the boots, and it otherwise does what it needs to.  Luke is packed with the T-16 Skyhopper model mentioned in his name, as well as a small hand tool, and his CommTech stands.

THE ME HALF OF THE EQUATION

Like I said in my Leia review, the CommTech figures aren’t as common as other figures in the line.  And, with all the similar looking Lukes, this one has a tendency to fly under the radar.  I saw this one once or twice in the early days of jumping into the line, and just never got around to getting him.  Ultimately, he’s one of those figures I just happened to find mixed in with a larger lot of PotF figures that got traded into work.  He’s…fine?  Like, he does some new, but also feels very same-y.  After the Flashback figure, which was kind of the best of these variations, he feels like he’s sort of treading water, which, I guess, in a way, he kind of was.

Shoutout to my friends at All Time Toys, from whom I purchased this figure for review!  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#4001: Superboy

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SUPERBOY

JLA (HASBRO)

“Created to replace Superman, Superboy was genetically engineered by scientists at Project Cadmus to have a close approximation of Kryptonian DNA. His power of tactile-telekenesis gives him super-strength, flight, and grants him a number of unique abilities, such as disassembling an object through touch alone.”

One of the tenets of the change-over from the Superman of the Golden Age to the Superman of the Silver Age was the creation of Superboy, who was Earth-1 Clark Kent’s alter-ego as a teenager.  After Crisis on Infinite Earths, Superman’s origin was once more re-established, and he was no longer a superhero as a teenager, eliminating Superboy from the timeline.  But, if you don’t want to lose your trademark to such a fancy name, you have to use it, so in the ‘90s they brought the name back, now attached to a separate character, Kon-El, a clone of Superman.  He operated solo for a while, before eventually joining “Young Justice,” a sort of re-imagining of the Teen Titans.  It was during the period that he got his second action figure, which I’m looking at today.

THE FIGURE ITSELF

Superboy was added to Hasbro’s JLA line in its third series in 1999.  He was also available in the line’s fourth boxed set, alongside Impulse and Robin from the third series, and a pair of exclusive “Hologram” figures of Aquaman and Martian Manhunter.  Like his earlier Man of Steel figure, he’s based on Conner’s original look, though this time around he’s without his usual leather jacket.  The figure stands just over 5 inches tall and he has 5 points of articulation.  Since JLA was all about getting as much mileage as possible out of re-used parts, Superboy is a lot of re-use.  His torso is the modified Superman torso that a lot of the line used as a starting point, and he’s got the legs from Black Lighting (albeit with some serious mold degradation, which removes a lot of the sharpness of the details) and the arms from the Legends of Batman Riddler.  It was rare to see them reach outside of the Total Justice molds, but it happened.  The Riddler arms are designed with a narrower gait to the legs in mind, though, so his hands can’t clear his legs when posing.  He gets a new head sculpt, which is decent enough, though it’s a bit on the large side, in order to off-set the sizing on the body.  The face is a little bit goony, but it fits the later ‘90s take on the character alright.  His paint work carries a lot of the work on selling the character design.  Mostly, it’s not bad, but it’s a little odd to see the straps and belts all just as painted elements, rather than with any sort of dimension to them.  The hair is also quite odd; in the comics, he had the back and sides buzzed, which the original figure more or less just ignored.  This one didn’t sculpt them in, but then they were painted black, and then painted back over with a sort of a grey shade, and then there’s sort of stubble effect.  It’s weird looking.  Superboy was packed with a JLA display stand, in bright red.

THE ME HALF OF THE EQUATION

I had the Man of Steel Superboy, which I really loved, but I was always bummed that you couldn’t take off his jacket, since he did that so often in the comics.  I remember this guy getting shown off, and I remember really wanting him, to the point of printing out a prototype shot and turning it into a paper figure.  I don’t recall exactly when I got him.  More than likely it was from the KB Toys near where my family vacationed, but it was also probably during one of our fall trips, rather than summer.  I remember being excited to find him, but perhaps not quite as enthralled by the final product once I’d opened it.  Superboy without the jacket certainly has novelty, but this figure’s more on the goofy side of things for this line, and the Man of Steel figure’s definitely the stronger offering.

#3999: Princess Leia with Sporting Blaster

Posted by Ethan Wilson in Reviews and tagged with , , , ,

PRINCESS LEIA with SPORTING BLASTER

STAR WARS: POWER OF THE FORCE II (KENNER)

“Her ship under attack from Darth Vader’s Star Destroyer, Princess Leia downloads the secret Death Star plans into R2-D2 for safe-keeping . After being stunned by a stormtrooper blast, Leia became a prisoner of Darth Vader. R2-D2 avoids capture by fleeing with the valuable data in an escape pod.”

When The Phantom Menace hit in 1999, its tie-in toyline took over the main focus of the toys, but, while Power of the Force was winding down, it didn’t go away right away, and in fact ran concurrently with the Episode I line the whole time.  It was, however, a far more scaled back approach, and almost a different line, revamping the heavy hitters from the Original Trilogy to fit better into the slightly updated style of the new movie line.  A New Hope was really the focus of this last run, so we got all of the major players in updated versions of those looks.  For the fourth time, Princess Leia showed back up in the all-white get-up with the hair-buns, albeit with a slightly different approach than earlier.

THE FIGURE ITSELF

Princess Leia with Sporting Blaster was added to the Star Wars: Power of the Force II line in 1999, as part of the first portion of the CommTech offerings, concurrent with the early Episode I line.  This was the fourth white dress Leia in the line.  While the original and Princess Leia Collection figures were more all-encompassing, and the Freeze Frame figure was post Detention Block, this one is specifically based on her appearance at the start of the movie, which was a unique approach at the time.  The figure stands about 3 1/2 inches tall and she has 6 points of articulation.  She followed the trend of scaling Leia down a bit.  She was still a little too tall for proper accuracy, but was certainly better scaled than the rest of her figures in this line.  Movement wise, she’s okay, but you can’t really move the neck joint, due to how the sculpt is set-up.  Her sculpt was all-new to her, and remained unique to this release.  It’s not bad.  The hood is sculpted up, which is a nice change of pace, and means it meshes better with the torso sculpt.  The skirt is cloth, which doesn’t look as consistent, but it means that she has less limitations on her hip movement, meaning she has an easier time sitting than most Leias.  Her paint work is fine, with quite a bit going on with the head, since it’s all molded in white.  The application’s a bit thick, but overall pretty clean.  Leia is packed with a blaster pistol (accurate to the scene she’s based on), as well as a CommTech stand.

THE ME HALF OF THE EQUATION

The CommTech figures in general aren’t as common as most of the earlier run of the line.  I only got one of them actually new, and the rest I’ve been slowly piecing together since.  This one was ultimately the last of the set that I tracked down; after finding Wuher on a dealer’s table, I dug through some of the other PotF figures there, and this one was there, letting me knock two figures off my list at once, which is always fun.  She’s more limited in her application than other versions of Leia, but she’s not a bad figure, and an interesting exploration of the direction the line was going before its end.

#3995: Wuher

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

WUHER

STAR WARS: POWER OF THE FORCE II (HASBRO)

“The surly human Wuher saw a lot of action while working at the seedy Mos Eisley cantina. His policy not to allow droids in the establishment was facilitated by a droid detector unit. Upon entering the cantina with Obi-Wan Kenobi and Luke Skywalker, R2-D2 and C-3PO were promptly ousted.”

Oh good, an action figure of a racist.  That sure sounds fun.  Like, here’s a guy so racist that it’s, like, his second most defining trait.  It’s Wuher! Who’s Wuher?  Well, he’s a bartender and he’s racist.  How do we know that?  Because his one bit of dialogue is delivered from behind the bar, and it’s about how he’s a racist.  So, you know, that’s who the guy is.  Anyway, here’s an action figure of the aforementioned racist.

THE FIGURE ITSELF

Wuher was offered in February of 2000 as a Fan Club-exclusive figure in the Star Wars: Power of the Force II line (which was now under the Hasbro brand, following the release of the Episode I tie-in product).  He was originally meant to be an early Fan Club-exclusive, before a wider retail release, but retailers weren’t interested, so that plan was scrapped.  However, like some of the other Fun Club figures, quantities of him ended up at Toys “R” Us later down the line, at discount prices.  Wuher’s packaging shows off the last handful of figures from the line, all from the last assortment, which kept up the CommTech gimmick from the Episode I line.  Curiously, it also shows off a Chewbacca figure that would ultimately be released under Power of the Jedi, sans CommTech.  But what of Wuher himself?  The figure stands 3 3/4 inches tall and has 6 points of articulation.  While others in the last assortment got improved movement, Wuher maintained the basic approach from the bulk of the line.  His sculpt was all-new at the time, but would be mostly repurposed for a two-pack release in different colors in 2004.  It regards to capturing the schlubby and dirty racist guy, it does it pretty well.  His face has a more than passing resemblance to actor Ted Burnett, who played Wuher in the film, and he’s got that appropriate slack jawed sort of sneering look he had during his one bit of dialogue.  The body sculpt is on par with earlier offerings from the line, so it’s basic, but it works.  Perhaps the oddest quirk about it is that the glass in his right hand is permanently molded there, which is an odd choice to say the least.  The 2004 release would alter the mold to him a more normal hand.  The color work here is, much like the sculpt, rather basic, but there’s some more intricate work on the face, which makes him appropriately scruffy.  The glass is once again an issue, with some rather obscenely sloppy paint around the edges on that one.  Wuher is packed with his droid detector unit (for all of his racist needs), which is a neat enough piece, albeit hollow on the back side, as well as a CommTech stand.

THE ME HALF OF THE EQUATION

As I make my way closer and closer to completing my Power of the Force collection, I’ve started encountering some of the slightly odder releases.  Wuher’s one of those, because he’s not particularly pricey, but he’s also not all that common (admittedly, none of the 2000 figures really are).  So, I was pleasantly surprised to find him sitting on a dealer’s table at Ocean City Comic Con last year, mixed in with a bunch of others more common offerings, for a good price.  He’s….fine.  I mean, it’s not like Wuher’s a great character with a great look.  So, this figure really does the best it can, and it honestly looks pretty great behind the bar in the Cantina playset, and that in and of itself is pretty cool.

#3994: Soundwave with Ravage, Laserbeak, & Buzzsaw

Posted by Ethan Wilson in Reviews and tagged with , , , , , , ,

SOUNDWAVE with RAVAGE, LASERBEAK, & BUZZSAW

TRANSFORMERS: STUDIO SERIES (HASBRO)

I went through a lengthy stretch of Transformers being a regular fixture here, but these days….well, not so much.  I reviewed a single Transformer last year, and that was all the way back in February.  Only a few months before that, I took a look at the at the time most recent update to the G1 Soundwave, an updated version sold at the Leader Class tier so that he could be packed with his cassettes.  Great, I don’t need more of those, right?  Well, you know, until today, when I’m looking at an updated G1 Soundwave, sold at the Leader Class tier to that could be packed with his cassettes.

THE FIGURES THEMSELVES

Soundwave (with Ravage, Laserbeak, and Buzzsaw) is part of the first Leader Class assortment of Transformers: Studio Series.  At this point, the “86” sub-line has been fully folded into the main line, so they’re just fully inter-mingled.  Like the Legacy Soundwave, he uses the Leader Class price-point to release what is really a Voyager Class Soundwave, alongside three of his cassettes.  They’re all equally billed on the package, but obviously Soundwave is the main star here, so let’s review him as such.  In his robot mode, Soundwave stands about 6 3/4 inches tall and he has 32 practical points of articulation.  This figure’s sculpt is specifically focused on recreating Soundwave’s animation model from Transformers: The Movie (which was of course the same model used in the show, albeit with a bit more polish in the movie), rather than the slightly more generalized approach of the War For Cybertron molds.  They’ve moved away from not only the “greebles” of those molds, but also more of the panel lining, so this figure’s sculpt is a much cleaner look on the surface  Also, he’s scaled more directly to the other Studio Decepticons, which is why he’s about 1/2 inch taller than the earlier figure.  There are parts I still prefer on the older figure, but also parts I certainly prefer on this one.  The forearms in particular are nice because they lack the leftover elements from first Siege mold, as well as leaving him without the gaps on the interior for where the hands fold up.  I also generally like the proportions better on this mold than the Netflix one.  I do miss some of the detailing on the upper arms, though, as they look kind of bland this way.  I’m also not a fan of how the “knees” collapse into the legs without much resistance, because it’s a pain to get them back out again in robot mode.  As is the usual for Soundwaves, he gets a spring-loaded chest cavity, which is slightly more complex on the interior than the WFC molds.  It’s still compatible with the same size cassettes, though, so he remains compatible with the earlier releases.  Since he’s directly based on the ’86 movie, his alt-mode is once more a cassette player.  The transformation scheme isn’t too terribly different than the Netflix mold, nor is the size of the final product.  There are a few more panels that fold out to cover things up, resulting in a look that’s a little bit cleaner.  It’s still kind of off when viewed from any angle but the front, but it’s not as bad as the earlier look. Soundwave’s color work is another change-up, as this one favors flatter finishes than the metallic look of earlier releases.  I do generally like it, and it’s still a little bit more metallic than, say, the RED or Super 7 releases, but it’s certainly closer to the animation.  Mine has a notable spot on his mouth guard, which is annoying, but otherwise the coverage isn’t bad.  Soundwave is packed with his usual shoulder cannon and handblaster.  The blaster can collapse, again like the usual.  He is also packed with new versions of Ravage, Laserbeak, and Buzzsaw.  They’re all-new molds, though, obviously, Laserbeak and Buzzsaw share the same mold.  The bird mold is decent, but perhaps a bit underposable in bird mode.  I actually quite like the Ravage mold, which surprised me, because I’m usual not very impressed by Ravages.

THE ME HALF OF THE EQUATION

I didn’t really *need* the last Soundwave, but I bought and I liked it, and I kind of figured that would be all I’d really need at this scale.  He kind of seemed to fill the ’86 spot well enough and all.  But, as I saw with Magnus, doing a proper ’86 release is bound to drag me back in, and that’s what this one’s done.  He’s fun.  I don’t know that he’s my favorite Soundwave I own, but I certainly like aspects of him, and he’s an interesting, if somewhat different, approach to this style of figure.  The new cassettes are very nice, and feel like a genuine step-up from the prior ones, bringing them up to the level of the improved Frenzy/Rumble mold.  So, here I am with another Soundwave.  Oh, darn.

Shoutout to my friends at All Time Toys, from whom I purchased this figure for review!  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.