Tag Archives: Marvel

Flashback Friday Figure Addendum #0098: Doctor Doom

Posted by Ethan Wilson in Flashback Friday Figure Addendum and tagged with , , , ,

DOCTOR DOOM

SECRET WARS (MATTEL)

Hey ho and welcome to Friday everybody!  And isn’t it a great Friday?  I like to think so.  It’s the end of the week, and I like to wrap them up the way I always do, with a little bit of flashing back.  Today, I’m jumping back into Mattel’s Secret Wars with a return look at Doctor Doom!

If you asked me who I though the greatest super hero in comics was, I probably wouldn’t be able to give you a single answer. Maybe I could give like a list of five or so, but that’s the best I can do. The best super VILLAIN in comics, though? That’s easy. It’s Doctor Doom. No question. He’s as good as it gets, mostly because he doesn’t shy away from being an absurd comicbook caricature. He’s ridiculous, his plans are over the top and needlessly complicated, and he likes to speak in the third person a lot. He’s just a very fun character. Of course, movie makers decided that they could “improve” on that, resulting in two rather terrible live-action takes on the character, but I digress. Despite being the number one foe of the Fantastic Four, who were all represented in Mego’s World’s Greatest Super Heroes line, Victor Von Doom wouldn’t get his first action figure for another decade. I’ll be looking at that figure today.

THE FIGURE ITSELF

Doctor Doom was released in the first series of Mattel’s Marvel Super Heroes Secret Wars line. Doctor Doom has an interesting place in the line. He had a rather prominent role in the tie-in comic series produced by Marvel, but it’s worth noting that three of the four members of the Fantastic Four were also prominent in the series, yet Doom is the only FF-related character that the line released. Slightly odd if you ask me, but given how much of this line relied on using the same basic pieces for every figure, I guess Mattel just didn’t want to justify the costs of new molds for the likes of Sue or Ben.  Anyway, this figure stands 4 ½ inches tall and he has 5 points of articulation. Rather than going with the classic Doctor Doom design (because, hey, it had only been around for 20 years. Nobody was attached to it or anything), this figure gets a Mattel original design. It keeps a lot of the same basic cues as the usual Doom look, but gives him a more generic battle armor sort of look. To be fair, the design did appear in the comic tie-in towards the end, but I feel that was more to tie-in with the toy than working the other way around. Despite the line being mostly built on the same basic body, Doom actually uses none of the standard parts. That’s not to say he’s totally unique; he shares his arms and legs with Iron Man. Though Doom’s armor is usually not as sleek as Iron Man’s, but they’re close enough that it works alright. The right leg has been slightly tweaked to add a leg strap (apparently Doom was ahead of the ‘90s pouch craze), which works well enough. Doom has a unique head and torso, which are…decent? They don’t suck. There are even some fun little details, such as the jetpack on the back of the torso and the little rivets on the faceplate. Individually, they really aren’t bad, but they don’t work very together. The weirdest thing is the head, which has Doom’s signature hood, which ends rather abruptly. It’s almost as if it was sculpted to rest on top of some sort of cape piece, but no such piece was included. At one time, Doctor Doom had a rather complicated paint scheme on the torso, but Secret Wars figures are notorious for their paint wear, and this figure was no exception. As it stands, my figure’s only paint is on the head, for the eyes and mask, which are basic, but pretty well handled. Doctor Doom originally included two blasters and one of the wonky lenticular shields that all of the line’s figures had.

THE ME HALF OF THE EQUATION

I picked up Doctor Doom last weekend at Balticon. I got him from the same vendor’s table where I got Bane, so he was another $2 figure. Secret Wars really isn’t a line I saw myself getting very invested in, but I keep finding them for pretty good deals. Doom is probably the weakest figure I’ve looked at so far. He really shows off a lot of the line’s flaws, especially with the toy-original design. Still, he’s not the worst figure I’ve ever owned, and I like having him for the novelty.

This figure was my first proper review of a Doctor Doom after moving to my more finalized review structure, which meant it was the first time I got to talk about how much I enjoy Doctor Doom as a character, and how much I dislike his movie incarnations.  And this year, we’re getting another go at the movie Doom…and I’m apprehensive, but that’s not the point of this entry, now is it?

The figure review here I think is pretty solid.  I didn’t love this figure then, and I still don’t.  He’s definitely awkward (as is most of the line).  Of course, my original review featured a figure that was badly worn, and had no accessories.  What if I had one with pristine paint and all of his parts?  Well, I got my hands on one, and I couldn’t help but do an update.  I’ll admit, all the extra stuff does make him a bit more fun.  The paint is more intricate, and I love how the guns can be stored on his body.  It’s just kind of neat.  Not the greatest figure, but neat, nonetheless.

#4154: Professor X

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

PROFESSOR X

X-MEN: THE MOVIE (TOY BIZ)

“Charles Francis Xavier possesses the most powerful mind on earth. The mutant telepath also known as Professor X can read the thoughts of others, impose his own will to take over other people’s minds or erase their memories. This visionary has dedicated his life to fighting for his dream of peaceful co-existence between man and mutantkind. To aid in this crusade, he founded a school for gifted youngsters to secretly train young mutants to control their amazing powers. Xavier now uses his special abilities to lead his clandestine team of “X-Men” into battle against Magneto and his brotherhood of evil mutants.”

It has been a week since the passing of Sir Patrick Stewart, and, honestly, I’m still kind of at a loss for words about it.  I never got the chance to meet him, but he had an immense impact on my life (along with many, many others), and there’s this sort of a hollow feeling about the whole thing still.  Sir Patrick took on many roles in his 86 years, but he devoted decades of his life to the roles of Jean-Luc Picard and Charles Xavier, both part of rather merchandise driven franchises, so he did at least get his fair share of action figures along the way.  His final film performance will be in December’s Avengers: Doomsday, where he reprises the role of Charles Xavier for the ninth and final time.  I’m jumping back to the very beginning of this particular journey, with his figures from the very first X-Men movie.

THE FIGURE ITSELF

Professor X was released in the first series of Toy Biz’s X-Men: The Movie tie-in line, released alongside the second series in the spring of 2000, to coincide with the release of the first movie.  There were two variants released, with different suit colors.  The standard release was the blue suit with the red tie, while the slightly rarer variant was the black suit with the silver tie.  The figure is just under 6 inches…long I guess would be the best way to describe him?  Tall is incorrect, because he doesn’t stand.  He has 12 points of movement, but I hesitate to call it all articulation.  Why all the roundaboutness?  Because the figure’s hip and knee joints are super loose, so they cannot hold a pose or even really sustain the figure’s weight.  That would make this perhaps the only Xavier mold to properly recreate his paralysis, so kudos to Toy Biz on that.  The mold was new to this line, and it’s a little bit awkward at times, especially compared to the more naturalistic sculpting of some of the line’s other figures.  He’s a bit stiff, and most of the articulation is rudimentary in its implementation.  There are some interesting quirks to the mold; there’s two peg holes in the back meant to connect him to his chair, as well as an additional sort of lever, which moves his arms upward, for some sort of magnetic feature that’s kind of odd and hard to understand the utility of.  The head sculpt is an interesting piece in that it’s kind of hard to address its quality without talking about the paint.  The original release, the blue suit, leaves the head’s skin tone unpainted, which leaves the sculpt with very little resemblance to Stewart.  The black suited variant, however, fully paints the head, resulting in a far better likeness.  It’s honestly astounding how much of a difference the paint application can make.  Both versions of the figure include the same chair, a rather involved piece of work, with a magnetic feature on the back and a pull-back motorized feature for the wheels.  It’s an accurate recreation of the signature chair used in the movies, and Toy Biz would also re-use the same mold for their Marvel Legends Professor X a few years later.  Professor X also included a Cerebro helmet accessory, which I’m unfortunately missing from both of my figures.  The second round of figures from the movie also included a third Professor X variant, this time sporting his non-metal chair from his visit to Magneto’s jail cell at the end of the movie.  The main Xavier figure uses the same mold, with a third paint scheme (and once again paints the skin on the head, for a far better likeness), while the chair has been modified to be a little closer to the one from the end of the movie.  It’s not a perfect recreation of the piece seen in the movie, since it just changes the wheels and arm rests, but it gets the idea across.

THE ME HALF OF THE EQUATION

The release of the first X-Men movie is the first time I can really recall being hyped for a movie release.  I followed all the news and casting announcements closely, and I was very excited about Patrick Stewart’s presence, as he was honestly the only actor I knew beforehand.  When the figures hit, obviously, my first figure was Cyclops, but when my Nana took my cousin Rusty and I to Toys “R” Us to pick out some figures for a “hey you finished school” treat, I got to pick out two more X-Men and I chose Jean and Professor X.  There was some back and forth about the choice, and a definite push to get me to buy Magneto and Wolverine instead, but I couldn’t be swayed, so I got my Jean and Professor X.  That was the blue suited Xavier, with the spotty likeness.  I got the clear chair Xavier next, courtesy of a trip to KB Toys with my Grandmother (which also got me Civilian Cyclops), and I kind of figured that was it for my movie Xaviers.  But, when cleaning my room a while later, I found a Toys “R” Us gift card I didn’t know the value of, and my parents told me I could get whatever the value of the card would cover.  The card had somewhere in the area of $2 on it, so I was left digging through the clearance bin, which is how I found the variant Xavier, thus rounding out the set.  None of them are great figures, but there are limited options for Stewart Xavier figures, and to that end, I do quite like them.

Sir Patrick Stewart brought an immeasurable level of class and depth to every one of his very many roles (yes, even the Poop Emoji), and had a sincere presence that’s not easily found.  He was also, by all accounts, just a very good person, who stood up for those he felt needed it, and we could honestly use more people like him.  Losing him is huge, and his presence will very much be missed.

#4152: Galactus

Posted by Ethan Wilson in Reviews and tagged with , , , ,

GALACTUS

FANTASTIC FOUR (TOY BIZ)

“Feared throughout the cosmos, the nearly omnipotent Galactus must consume the life energies of entire planets to satisfy his burning hunger! Only the herculean efforts of the Fantastic Four and Galactus’s former herald, the Silver Surfer, have prevented the world-devourer from making a meal of the Earth! But, should he return, the future of all mankind will once again be in doubt!”

Just before my winter hiatus last December, I wrapped up my reviews of the all the standard figures from Toy Biz’s Fantastic Four toyline.  I didn’t, however, quite look at *all* the figures, because they weren’t all exactly created equal.  If you’re doing really much of anything at all with the FF, you’re bound to run into their big, planet-eating foe, Galan of Taa, the Devourer of Worlds, best known as Galactus.  Galactus has a number of appearances on Fantastic Four: The Animated Series, and his herald Silver Surfer was present in the first series of the tie-in toyline, so it made quite a bit of sense for the big G to be included as well, and in fact he was, with a deluxe sized figure that I’ll be taking a look at today!

THE FIGURE ITSELF

Galactus was released in 1995, alongside the first series of Toy Biz’s Fantastic Four line.  He was his own stand alone release, a deluxe item offered up in a similar fashion to the dragons from the Iron Man line at the same time, and also somewhat like the Sentinel released in the X-Men line the year prior.  Galactus did differ from those other releases, however, in his use of electronic features.  The figure stands just under 14 1/2 inches tall and he has 7 points of articulation.  In terms of scaling, Galactus is clearly not quite the towering giant he tends to be, relative to the others, he’s got a good 9 inches on the standard figures, making him larger enough visibly to sell the idea, while not being so large as to be an impractical size for play and display. Galactus’s articulation is very much a restricted thing, with motion at the shoulders, elbows, wrists, and neck.  The neck is a very small degree of back and forth movement, and the arms, though certainly better in their range, still aren’t really doing much other than sitting at his sides or raising up a bit to hold his accessory.  Due to the electronic features, there is no movement at all in the waist or legs, so he’s a bit more statuesque in that regard.  He’s mostly just meant for standing there and looking rather menacing, which, to be fair, is kind of his main deal.  The mold was brand-new to Galactus at the time (tough the main bulk of it was later re-used for a second deluxe Galactus figure as part of the Silver Surfer tie-in line in 1998), patterned on his classic comics design, as well as aligning with his design as seen in the cartoon at the time (specifically his appearance in Season 1).  It’s more on the basic and stripped down side in terms of detailing, going for broader strokes, softer detailing, and some simpler line work.  The proportions are notably on the chunky side of things, and his head, already enlarged by the helmet, seems a bit too large for the body it’s sitting upon.  There are also some compromises made for the sake of the action features, with a mount on the torso for his accessory, as well as holes in the eyes where the pupils would be, in order to make way for the light up feature, and a spot for a speaker in his abdomen.  The most jarring of these is definitely the mount on the torso, but that’s easier to explain away as having a practical use on his armor, I suppose.  Though certainly leaning more into the toy side, the sculpt does still do a decent enough job of bringing his design into toy form, and it certainly fits well with the other figures stylistically.  The figure’s “horns” and skirt pieces are separate, removable parts on this release.  The horns can warp a bit (as seen on my figure), but do click into place securely.  The skirt pieces….don’t click into place securely, especially the back one, which will fall off at just about any given chance.  Galactus’s color work follows the usual hallmarks of his design, with a lot of purple and blue.  There’s some rather notable issues of matching between the different parts of his assembly, which is a little odd, but the design has enough segmentation to at least hide it a bit more.  Galactus was packed with a large “drill” accessory, which he can hold in front of him and which connects to the front of the figure.  There are actually two variants to the exact connection style of the drill, as seen in the photo, but the Galactus figure’s connection appears to remain the same.  There is a lights and sounds feature to the figure, and the drill interacts with this as well, but between the two copies of this figure I currently own, I wasn’t able to get either working to test it out.  For shame.

THE ME HALF OF THE EQUATION

I got my original Galactus, at least in part, because he was defective.  The local KB Toys had one whose electronic features didn’t work, so he was discounted, and my dad bought it so that he and my granddad could repair him and get him into working order, and, boom, working Galactus.  For a while, anyway.  This guy got carried around a lot to a lot of different things and certainly got a lot of play time before spending about a decade in the garage, without most of his parts.  In recent years, I’ve put some more serious effort into returning him to his original glory, and found all of his original parts, minus a single horn for his helmet.  Do you know how difficult it is to find just a single horn for a Toy Biz Galactus?  Really difficult, I’ll tell you.  The most practical way to go about it, it turns out, is just buying a second, complete, Galactus, which I in fact did (well, my Dad did, swooping in to buy the second one for me like he did the original) over the summer, when I found one for a good price at Yesterday’s Fun while vacationing with the family.  Perhaps this figure isn’t quite as impressive as the more recent HasLab release, but he certainly fills out the Toy Biz Fantastic Four line-up nicely, and I’m happy to have him back together again.  There: now I’m actually done with the Fantastic Four reviews.

#4148: Penance

Posted by Ethan Wilson in Reviews and tagged with , , , ,

PENANCE

GENERATION X (TOY BIZ)

“The young woman called Penance possesses the mutant ability to internalize negative energy around her, turning her body into a diamond-hard, razor-sharp weapon. Held prisoner by the energy-stealing mutant Empath for an undetermined number of years, she escaped and was transported to the doorstep of Xavier’s School for Gifted Youngsters. Now, Banshee and Emma Frost face the challenge of reaching out to help a girl who can slice apart anything she touches”

Okay, so there’s this Marvel character named Penance, and their identity is all mysterious, and they’re wrapped up in some sort of weird…bondage related gear, and their gimmick is like, pain, and being literally edgy.  Would you believe that this has happened twice, with two completely unrelated characters?  Because it has.  And one of them is objectively better than the other, but given that one of them was “let’s take Speedball, a fun lovable character and make him angsty and broody and just totally ruin him,” the other one being “better” isn’t exactly high praise, but it’s where we are here.  Introduced in Generation X #1, Penance was a big ol’ mystery character, though she was originally intended to be a random Yugoslavian girl named Yvette.  A creative team change just kind of made things more complicated, as it was revealed that Penance was in fact Monet St Croix, and that her fellow Gen X team-member who was supposedly Monet was actually Monet’s younger twin sisters Nicole and Claudette fused into one being, masquerading as their older sister.  An altercation with Emplate (who was revealed to be the eldest St Croix sibling, Marius) put Monet back in her own body, and the twins into Penance’s body, but then they got removed as well, and the body that was Penance continued on as “the Hollow” for a bit?  Are you confused?  Well, yeah, that tracks.  Me too.  Anyway, here’s this figure of Penance, from when she was secretly Monet St Croix…well, at least in continuity, if perhaps not in reality.

THE FIGURE ITSELF

Penance was released in the first series of Toy Biz’s Generation X tie-in line.  She’s the final team member in the set, though I suppose “team member” is at times a loose term with her.  She’s got the uniform, though, is more what I’m getting at.  The figure stands about 5 inches tall and he has 4 points of articulation.  Penance’s sculpt has a lot of similarities to Chamber in its approach, with its even more limited articulation relative to the others in the line, the sort of softer detailing, and the decision to put her in a team uniform she was wearing on the covers, but still not in the book at this point.  The softness is odd, especially for a character like Penance, whose whole gimmick is “real sharp.”  It’s not the worst, overall, and it covers the basic details of her design alright.  I think the head, particularly the hair, seems to miss the mark a bit on how she looked in the comics.  It’s just got too much volume and roundness in its shape.  Penance has a built in slashing action feature; pushing down the lever on her back swings the arms up and down. In terms of coloring, Penance is sort of brighter than she maybe should be, I feel.  She was wearing mostly black in the comics, but here it’s a sort of mid-tone purple.  It seems…off?  I feel like the softness of the sculpt wouldn’t be as obvious if it weren’t as bright.  Penance was packed with four shackle pieces that go on her arms and legs, as well as a display stand.

THE ME HALF OF THE EQUATION

I don’t really have much of an attachment to Penance as a character, aside from knowing this figure existed, and reading some early issues of the comics back in the day, and she’s not exactly one I really invested myself in after the fact.  She’s…you know…kinda confusing.  The figure isn’t confusing, I suppose, but she’s also not great.  It’s a design that didn’t really translate all that well, and without the attachment to the character like I had with Chamber, it’s hard to feel much about this figure.  It…is?  So, that’s what she’s got going for her.  Existence.  Well, it puts her ahead of some of the other team members.

#4144: Chamber

Posted by Ethan Wilson in Reviews and tagged with , , , ,

CHAMBER

GENERATION X (TOY BIZ)

“The privileged life of Jonathan Starsmore was shattered forever when his mutant ability emerged for the first time. Most of his chest and lower jaw was blown away because he couldn’t control the powerful psionic-biokinetic energy that exists within him. Chamber is the oldest of Banshee’s new pupils, but he’ll have to emerge from the shell that his injury has forced him into, before he can emerge as a leader of his fellow students.”

What’s an X-Men team without a guy with energy based powers he can’t control manifesting in a way that makes him an outcast, who also has a penchant for leather jackets? Well, like, I guess that’s maybe the New Mutants?  Generation X was having none of it, though, so when they officially made the group of youngsters that had teamed up during “The Phalanx Covenant” a proper team in Generation X #1, Jonathan “Jono” Starsmore joined the line-up, as Chamber, the guy with no lower jaw or upper chest.

THE FIGURE ITSELF

Chamber was released in Series 1 of Toy Biz’s Generation X toyline.  He’s fairly pivotal to the comic’s first few issues, especially in regards to both Emplate and Penance, who were also in Series 1, plus there was also just a big push behind the character (and a sensible one at that, since he remained perhaps the book’s most signature character even well after its ending), so it all tracked pretty well.  The figure stands about 5 inches tall and he has 4 points of articulation.  None of the Generation X figures were very posable, but Chamber gets hit harder than most, due to his design removing the possibility of a neck joint, leaving him with just the shoulders and hips.  Chamber’s sculpt was all-new to him and remained unique.  It shows him in his team suit (which in 1995, he still wasn’t really wearing in the book, but it was showing up on the covers), with his signature leather jacket over it.  Chamber’s original prototype had a rather different sculpt, with a more visible break between the energy of his torso and his head, as well as closed fists and a zipped up jacket.  The final product is…well, it’s fine.  The jacket is a separate piece, and it’s got a nice flow about it.  The torso/head is a bit soft on the detailing, which makes it a little tricky to make out exactly what’s going on.  His hair does at least have a nice dynamic flow to it, even if it does somewhat have the consistency of a tootsie roll. Otherwise, the sculpt’s perfectly fine.  He’s a lot less pre-posed than other figures from the line, opting for a more basic standing pose, albeit one with enough flair to not be too boring.  He had a light-up feature worked into the torso, which was the same as the one used on the Fantastic Four Human Torch; pulling the string on his back would create sparks in the torso.  It has the benefit of not relying on batteries, but since it’s just a friction thing, used copies tend to be too worn down to work, and new copies tend to have seized up.  Mine’s somewhere between those two points, but still isn’t in working order.  The color work on Chamber is decent enough.  He matches up with the other team members in terms of uniform colors, and his base application is all pretty clean.  Mine’s taken a beating over the years as you can see.  Chamber is packed with a team logo display stand, and…well, that’s it.  Just the stand. 

THE ME HALF OF THE EQUATION

I didn’t have Chamber during the original line’s run proper, but I did have him very shortly thereafter.  Sometime in the summer of 2000, I got an X-Men 2099 Meanstreak, and saw the Generation X line-up on the back of his box, and got it into my head that I wanted Chamber and Skin, and my dad did a bit of hunting and we found these two at a comic shop sort of near by.  Chamber was the one I really wanted, and he’s always stood out to me as my favorite member of the team.  The figure’s honestly kind of mediocre, upon review, but the rather cool design of the character still bleeds through, and I do still quite like him.

And I almost let this review finish without noting it, but over the weekend, the site officially made it into its 14th year.  Man, time sure does fly.  Crazy stuff.  Thanks for reading everybody!

Flashback Friday Figure Addendum #0095: Ultron

Posted by Ethan Wilson in Flashback Friday Figure Addendum and tagged with , , , ,

ULTRON

THE VAULT (TOY BIZ)

We have arrived, dear readers, at another Friday, so it’s time for another installment of Flashback Friday Figure Addendum!  Today, we jump back a decade and some change, with a follow up look at Ultron!

Countdown to Avengers: Age of Ultron: 5 days remaining.

Alright, now we get to the main event! Before, I was looking at figures of the various Avengers members from the upcoming movie, but from here on out, it’s all Ultron all the time! Poor Ultron went quite a while without seeing any action figures. He didn’t even get a figure in Mattel’s Secret Wars line, despite being a part of the comic upon which the toyline had been based (thanks Mattel…). He was finally granted a figure during ToyBiz’s 5-inch Marvel heyday.

THE FIGURE ITSELF

Ultron was released as part of ToyBiz’s The Vault line. The Vault was one of several one series lines that ToyBiz released around the same time, covering lots of different parts of the Marvel universe. The Vault is named after the Marvel universe high-security prison of the same name, and it featured a line-up of three lesser-known Marvel villains. This figure is on the larger side for this scale, at roughly 6 inches in height, and he has 16 points of articulation. The figure features an all-new sculpt, which remained unique to this figure. I’m not 100% certain, but I don’t believe this design is one from the comics. It definitely isn’t the “classic” Ultron, that’s for sure. It plays up the more robotic aspects of the character, which I suppose is a plus, but it lacks the elegant simplicity of the classic design. All that said, it’s a perfectly reasonable sculpt from a purely aesthetic standpoint. There are a nice variety of textures and details, and that helps to liven the figure up a bit. I quite like the clawed hands and two-toed feet. The head is probably the figure’s weakest point(and that’ll be a recurring point for the rest of the week); Ultron’s had loads of different body types over the years, but the one thing to remain fairly consistent is his head. It’s not awful here, but it’s pretty far from the standard Ultron noggin. It’s too thin, and it looks particularly pinched around the antennae. And speaking of those antennae, they represent another pretty big departure from the usual Ultron look. They should be further down on his head, hovering over his cheeks. Instead, they start where his “ears” would be and go upwards, looking a bit like a rabbit’s ears. The figure also suffers from some somewhat wonky paint apps. The actual color of his outer shell is wildly inconsistent, ranging from sliver with very slight blue overtones to a rather deep metallic blue in a few areas. Also, there’s this weird thing on his torso and lower legs where he’s got these strange somewhat transparent dark grey brush strokes. I don’t really know what they’re supposed to be, but they just kind of stick out and they were rather different from figure to figure. Ultron was packed with some sort of containment piece, which went over his head and hands and plugged into his shoulder. It was kind of cool, but ultimately non-essential (and I lost mine anyway). In addition to the restraints, Ultron also has a light-u feature, which made his eyes glow red when a button on his back was pushed.

THE ME HALF OF THE EQUATION

This figure was actually my very first exposure to the character of Ultron. My dad, who was an avid Avengers fan, purchased one for himself, and when I asked who he was I was presented with several of his comic appearances to read. I pretty much immediately fell in love with the character. Not long after, I received my own Ultron figure as a Christmas gift from my good friend Pat Sponagle. Sure, he’s not the most accurate Ultron figure, but he was the only one in existence at the time. And, as the old saying goes, beggars can’t be choosers. Eventually, I got the more classically inspired United They Stand Ultron, but this one served as one of my favorite figures up to that point, and he still holds some meaning to me. Inaccuracies aside, he’s a good toy.

I’ve encountered a few of these pre-Age of Ultron reviews in my addendums, and its an interesting reflection to see how excited I was for a movie that a lot of people just sort of overlooked.  11 years later, I’ve gone back and forth on my feelings a little bit, but I do think Age of Ultron is still the Avengers movie that feels the most like an actual Avengers comic, so I stand by my excitement.  Part of the countdown was reviewing all of the Ultron figures in my collection at the time, in successive order, which started off with this review.  It’s a review I stand by.  This isn’t a *bad* figure, but it sets a trend for sort of wonky Ultrons, especially from Toy Biz.  Missing from my original review were the figure’s accessories, namely a shoulder-mounted cannon and a set of restraints, which I have subsequent re-discovered.  As noted in the original review, they’re sort of weird and non-essential, but pretty fun.

#4140: Jubilee

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

JUBILEE

GENERATION X (TOY BIZ)

“Jubilation Lee spent lots of time in the malls of Southern California before she first displayed her mutant powers. It was her time spent as an X-Man, however, that may have spoiled Jubilee – now that she’s just another student at Xavier’s School for Gifted Youngsters. But considering her studies will include how to fully develop her ability to create explosive plasma ‘fireworks’, there’s bound to be plenty of excitement.”

The cast of Generation X, which spun out of the “Phalanx Covenant” crossover, were a lot of new faces for the franchise, but in addition to the team’s two veteran advisors of Banshee and Emma Frost, the main team also had Jubilee, a fairly notable junior member of the main team in the years prior, who was, much like Kitty Pryde before her, graduating to her own team.  While the main X-Men line under Toy Biz rather dragged its feet on adding Jubilee to the line-up, her more prominent placement on Generation X would prove a quicker path to the action figure treatment.

THE FIGURE ITSELF

Jubilee was released in the first series of Toy Biz’s Generation X line.  She was one of four team members in the opening line-up, and was the only returning character in the batch.  As touched on in the intro, this was the first of the three Jubilees under Toy Biz’s tenure, and also just the first Jubilee figure in general.  The figure stands 4 7/8 inches tall (with a slight crouch) and she has 6 points of articulation.  I’ve mentioned before that Generation X was a less articulated line than its compatriots from Toy Biz, for whatever reason.  Jubilee continues this trend, with no elbow or knee joints.  Her scaling is also off relative to the X-Men line (and, honestly, even relative to the other Generation X figures), since she’d be over 5 inches tall if standing straight, and that’s not really right for a character usually depicted as being on the shorter side.  I guess she fit in fine with those later run Wolverines that were always so large.  Jubilee’s sculpt was new to her and would remain mostly unique; only the head saw re-use, for another Jubilee figure.  She’s seen here sporting her Gen X team suit; it’s still got the signature yellow raincoat and gloves, but gives her a little bit more of a super heroic look than more civilian gear that she tended to sport.  It’s not a bad sculpt.  There’s a lot of pre-posing to it, though, and she definitely feels rather bulky for Jubilee.  Look at the size of those hands and feet!  I do quite like the head sculpt, though.  It feels pretty on the mark for the character, especially within the usual Toy Biz style.  Jubilee’s color work is rather basic, but generally does what it needs to.  There’s a lot of yellow, as there should be, and the paint (which has taken a rather notable beating on mine) is applied fairly cleanly.  Jubilee is packed with a blast effect (which her spring loaded left arm can “throw”…sort of) that was shared with the X-Force line’s Exodus, released the same year, a pair of roller blades, and a display stand.  Honestly, not a bad little set-up. 

THE ME HALF OF THE EQUATION

Jubilee is quite an early one for me.  I know she pre-dates my family’s move to the house I spent most of my childhood in, which puts her probably in my first ten?  Wow, that’s crazy early.  Anyway, since I was into X-Men: The Animated Series, and she was a core cast member, she was definitely high on my list, and my dad made a note of that and she was a surprise for me one day when he came home from work.  She’s been kind of an unsung part of my collection since that day.  I can’t say she was ever my favorite or top of my list, but she’s just always been a part of my collection, which is kind of nuts.  She’s far from perfect, and kind of awkward to fit in with the rest of my X-Men from the time, but still very much in the category of nifty.  And I do like that.  I like a figure that’s nifty.

#4136: Emplate

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

EMPLATE

GENERATION X (TOY BIZ)

“It’s unknown how long the evil being known only as Emplate has existed. Uninterested in plots of destruction or world domination, the mysterious mutant has one concern only: satisfying the eternal hunger that possesses him. To do this he feeds on the genetic marrow of other mutants – the younger the better! This, coupled with his ability to rechannel energy that he absorbs, makes him a most dangerous threat to Generation X”

The ‘90s X-Men spin-off Generation X started off in the pages of the main books, coming out of the “Phalanx Covenant” crossover, so, they’re first antagonists were, you know, the Phalanx.  When they got their own book, they also got their own antagonists, and first amongst them was Emplate, a dark and mysterious villain that nobody knew anything about, who actually turned out to be related to a member (or rather, members) of the team.  What? That totally *never* happens in an X-Men book.  Since Emplate was right there at the start of the book, he was also right there at the start of the toyline, getting his first, and thus far only, action figure!

THE FIGURE ITSELF

Emplate was released in Series 1 of Toy Biz’s Generation X toy line, as one of the two antagonists in the line-up.  The figure stands 5 1/2 inches tall and he has 6…ish points of articulation.  The Generation X figures were all less articulated than the usual Toy Biz Marvel stuff, lacking the usual elbows and knees in particular.  Emplate’s neck joint is also essentially motionless, but he does at least get movement on his left wrist, by virtue of his extending hand action feature.  The sculpt on this figure was new at the time, and remained unique to this figure for the the entirety of Toy Biz’s run.  It’s based more on his earliest appearances, and it’s definitely got a lot of stylizing to it.  It’s certainly distinctive, though feels maybe a bit more tame than the art from the books.  There’s a lot of smaller work going into it, though, which is quite nice.  Emplate’s color work is sort of monotone, with big stretches of the same basic colors, mostly molded.  The purple/grey/black set-up made him stand out nicely from the other figures in the set, and do help sell a particularly villainous vibe to him.  Emplate was packed with a standard Generation X logo stand, as well as a figurine of DOA, his little Renfield-like buddy from the comics.  Honestly, I love the recurring “little guy” inclusions from this era of time.  We got some really neat extra characters this way.  I mean, DOA?  Who could imagine getting a DOA figure?  Well, I guess anyone who owns the guy.

THE ME HALF OF THE EQUATION

I didn’t read Generation X when it was new, so the only figures I got when they were hitting were the Jubilee and Banshee, who I knew from elsewhere.  I got some back-issues towards the end of the ‘90s, and wanted some of the figures, but they got scarce for a bit there.  Well, the team members, anyway.  Emplate?  He was never scarce.  In fact, he was kind of the bane of my existence for a while, as I kept spying Generation X packaging at comic shops, only to find it was Emplate, yet again.  I didn’t get an Emplate until I was an adult, back in 2020, in fact, as part of a large batch of loose figures I picked up while working at All Time.  He and DOA were both present, making for one of the few instances of a complete figure in the batch.  If nothing else, it’s a unique pair.

#4132: Carnage

Posted by Ethan Wilson in Reviews and tagged with , , , ,

CARNAGE

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

“Of all Spider-Man’s foes, Carnage is perhaps the most dangerous, the most feared! Criminal Cletus Kasady shared a prison cell with Eddie Brock (better known as the Lethal Protector, Venom) – that is, until Brock’s symbiote freed its human host. However, Venom left behind a fragment of his alien costume, which bonded with Kasady… creating the sinister menace known as Carnage!”

When the Spider-Man spin-off Venom had gotten too popular to suitably serve as a proper antagonist in the Spider-Man titles, it was decided that the spin-off needed a spin-off, and thus, we got Carnage.  He’s sort of the ur-example of the Marvel approach to new characters in the ‘90s, where they’d take a successful character concept and make it more violent, more edgy, and more extreme, and it’s further dialed up, because Venom was already kind of that to Spider-Man himself.  Carnage was Venom on steroids (which is funny, since he was always depicted as being much smaller and skinnier), and should absolutely not have worked in the long run, but…he did? Like, actually kind of worked within the larger universe, and has proven to have a life outside of the characters that spawned him.  It’s honestly a bit remarkable.  Two years after his 1992 comics debut, he got his first action figure, and I’m looking at that figure today!

THE FIGURE ITSELF

Carnage was released in the first series of Toy Biz’s Spider-Man: The Animated Series tie-in line, in 1994.  The line was more directly based on the cartoon designs (unlike a lot of the other Toy Biz Marvel “tie-ins” which trended more towards comic based), but in the case of Carnage, that was sort of a moot point, as he hadn’t really had enough time to develop distinctly deviations in his appearance the way some of the others had.  The figure stands 5 inches tall and he has 10 points of articulation.  His articulation scheme is pretty much the Toy Biz standard at the time, though he does get a waist joint, which wasn’t always a guarantee.  Said waist joint is tied into his action feature, as is his right shoulder; turning the figure at the waist moves his arm up and down, in sort of a chopping motion.  Carnage’s sculpt was all-new, and would serve as the basis of a few figures to follow, as it was scaled up for the 10-inch line, repainted for the “Maximum Carnage” tie-in, and ultimately slightly re-tooled for the later unmasked Carnage mold.  It’s a good sculpt.  It’s got the basic set-up down well, with good proportions and all of the important details.  His far more fluid symbiote design is handled via sculpted details, which feature a lot of texturing and “movement”.  The paint aids in this, using a relief style of black accenting to bring out the most from the sculpted texturing.  It does a surprisingly good job at replicating Carnage’s distinctive visual design from the comics.  Carnage was prone to creating a lot more constructs out of his symbiote than Peter or Eddie, so this figure showcases that with three different clip-on pieces, with an axe, a claw, and a more generic goopy symbiote thing.  They clip on easily enough, and help further sell the Carnage look.  The only sort of downside to them is that they’re totally smooth, rather than replicating the texturing of the main figure.  There’s at least some paint work to help sell it, but it’s not quite the same.

THE ME HALF OF THE EQUATION

As a kid, I had a surprising number of Carnage figures in my collection, but I seemed to have just missed this one.  Given how many others I had, I never really put the effort into tracking this one down, since he seemed rather basic.  As is the case with a lot of other “never put the effort in to track it down” Toy Biz figures, I wound up getting this one mostly because a complete loose one landed in front of me at work a few years ago, and given he had all three of the attachments, I didn’t really feel like I could pass him up.  While he mostly serves as a precursor to the figures that followed and would slightly tweak the formula, I gotta say, as a first figure, he comes out of the gate swinging for the fences.  There’s not really much you could do better, and he’s just a solid all-around figure.

#4128: Venom

Posted by Ethan Wilson in Reviews and tagged with , , , ,

VENOM

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

“Eddie Brock, former newspaper reporter, has joined with an evil, alien symbiote, giving him spider-like powers greater than those of Spider-Man himself! Driven by a twisted sense of justice, Brock has become Venom, humanity’s Lethal Protector…and he’s decided that humanity needs protection from Spider-Man!”

For a character only introduced in 1988, by 1994, Venom had a surprising amount of action figure coverage.  Toy Biz had added him to their run right at the start, and really just kept adding him.  By the time they launched their dedicated Spider-Man: The Animated Series line, they’d already done four versions of him under the Marvel Super Heroes banner, but that didn’t stop them from putting him in the first Spider-Man line-up too.  I mean, really, can you blame them?  He was pretty popular, and also on the cartoon, so it’s hard to avoid such a thing.  Let’s look at that fifth Venom today!

THE FIGURE ITSELF

Venom was released in Series 1 of the Spider-Man: The Animated Series tie-in line, which hit retail in 1994, right in time for the show’s launch.  Like others in the early assortments, Venom was drawing more directly from the show’s design, rather than the comics.  The figure stands 5 1/8 inches tall and he has 8 points of articulation.  He gets the standard movement on the shoulders, elbows, hips, and knees, but loses the neck articulation in order to accommodate his action feature.  Much like the Marvel Super Heroes figures, this Venom is about he same height as his corresponding Spider-Man, mostly just relying on bulk to differentiate them.  That would become a gradual shift towards more monstrous sizes as the line progressed, but at this point, he was downright diminutive.  His sculpt was all-new, and a departure from the earlier Venoms, which had leaned into the character’s “symbiote with a mouth” look from the early days.  This one more represents his turn towards beastlier depictions, with much more intensely shaped eyes, a wider spread mouth creeping well past his ears, longer teeth, visible gums, and a whole lot of veins.  Truly, he’s a Venom who probably thinks this song is about him.  This was the Venom sculpt that served as the basis for the 10-inch figure as well, though that one had a more conventional neck.  Apart from being perhaps a little bit on the small side, it’s a pretty good sculpt, and looks quite a bit like his animated counterpart.  Squeezing the figure’s legs together activates his action feature, which extends his head upward, while keeping the jaw in place, so it looks like he’s opening his mouth.  It’s only a small extension, so not super noticeable, but it’s not the worst thing in the world.  In terms of color work, he’s predominantly just molded black plastic, with accenting in white and red.  The paint work is generally fairly clean, with only some minor fuzz, notably around the top of his logo.  Venom didn’t include any accessories, not even one of those weird plastic pins.

THE ME HALF OF THE EQUATION

As I’ve noted before, I didn’t have any of the proper 5-inch Venom figures as a kid, though I did have on of the 10-inch figures that was based on this mold, so I kind of experienced it a bit.  This one’s actually one of my most recent additions, picked up over the summer while I was on vacation.  He’s generally a rather straight forward figure, as far as Venoms go.  A bit more involved than some of the earliest offerings, but certainly not as crazy as some of the later versions got to be.