#1510: Apollo

APOLLO

THE AUTHORITY (DC DIRECT)

“Apollo, The Authority’s mightiest member and partner to Midnighter stands ready to turn his super-strength and speed to taking care of the team’s business…no matter what the cost!”

Isn’t it a bit weird when a parody character is owned by the same company that owns the original character?  Because, that’s kind of The Authority.  They’re a dark parody of the Justice League, injecting the more idealistic League with a healthy dose of ‘90s anti-heroism.  To be fair, they weren’t originally owned by DC; they came out of Jim Lee’s Image Comics-borne Wildstorm imprint, which Lee sold to DC when he decided he didn’t want to be a publisher anymore.  The New 52 made them an official part of the main DCU, so now there’s a parody Justice League that exists in the same universe as the actual Justice League.  What a world we live in.  Anyway, today I’m looking at the resident “Superman” of the team, Apollo!

THE FIGURE ITSELF

Apollo was released in the first, and only, series of DC Direct’s The Authority line in 2002, alongside his husband Midnighter, team leader Jenny Sparks, and the Engineer.  The figure stands about 6 1/4 inches tall and has 9 points of articulation.  His prototype had 11 points of articulation, but somewhere along the way, he lost his wrist joints.  While Apollo obviously draws from Bryan Hitch’s take on the character (since I believe he was still the only artist to draw him at this point), it’s not an artist-specific figure like a lot of DCD’s later stuff would be.  Instead, he’s been interpreted into DCD’s house style of the time.  It gave their earlier offerings a more cohesive look, which I suppose isn’t the worst thing.  He’s just a little blander than Apollo usually tends to be.  The pose is also a bit stiff, but that’s just true of this era of DCD figures.  The figure’s also rather scrawny for Apollo, who should ideally be sporting the same basic build as Superman.  Nevertheless, this figure’s got about half the body mass he should; he almost looks more like Kid Apollo from the Authoriteens.  Apollo’s paint is decent enough for what it is.  He does end up looking a bit washed out, but that’s true of the design from the comics.  It’s a bit tricky to do the creative lighting of the comics in three dimensions.  I suppose they could have made the white pearlescent or something, but they weren’t really doing stuff like that at this point.  I do like that they’ve done some accent work on his hair, and the details on his face are pretty sharp, so it’s hardly like they phoned it in or anything.  Apollo included no accessories, not even one of the display stands DCD were so fond of for a while.  That seems a little light given what he cost, but I don’t really know what you could have given him.

THE ME HALF OF THE EQUATION

So, I’ve never actually read any of The Authority or even any non-Authority stories with Apollo in them.  My entire exposure to the character is having seen this particular figure solicited back in 2002, and then reading up on him in preparation for this review.  Why do I own this figure, you ask?  I was at All Time Toys on Small Business Saturday, and I had grabbed a handful of loose figures.  They have a deal on loose figures, where you get a discount if you buy so many.  Long story short, Apollo ended up running me about 50¢.  I can get behind a 50¢ action figure.  Of course, now I’ve got this compulsion to track down the other three Authority members, which is just downright silly, isn’t it?

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#1505: Kryptonite Batman

KRYPTONITE BATMAN

SUPERMAN/BATMAN (DC DIRECT)

“When the Joker got his hands on Batman, he united him with a being of practically pure Kryptonite named Mr. Kryptonite.  Possessed by this other being and bent on destroying Superman, Kryptonite Batman is a deadly foe of the Man of Steel”

In the early ‘00s, DC decided to give a go at reviving their old Batman and Superman team-ups from World’s Finest, under the more minimalist Superman/Batman title.  It started out moderately well, with an at least enjoyable opening arc, followed by a few actually decent ones, before sort of becoming a place where half-formed Superman and Batman stories went to die.  I think the first telltale sign was the story that spawned today’s figure, titled “With A Vengeance.”  I’d give a synopsis of the story, but, as someone who read every issue, I still don’t know what happened.  Anyway, let’s just look at the figure.

THE FIGURE ITSELF

Kryptonite Batman was released in Series 4 of DC Direct’s Superman/Batman, which was a whole assortment based on “With A Vengeance.”  This was the main Batman-variant of the assortment, because you gotta have at least one.  The figure stands 6 1/4 inches tall and he has 11 points of articulation.  None of these style of figures were particularly amazing when it came to mobility, but the Batman figures were actually some of the worst, because his armoire permanently stuck out.  Seriously, dude looked like Randy from A Christmas Story.  This figure’s sculpt was actually a complete re-use from the basic Batman released in Series 1 of this same line.  Since he was just a palette swap in the comics, it’s not an unreasonable choice.  Like the two JLA: Classified Supermen I looked at a while back, this guy’s based on Ed McGuinness’s rather distinctive style.  In fact, he actually uses the same basic starting point as those two figures, albeit with a variety of more Batman-specific items.  Despite the difficulties with posability, the actual sculpt isn’t half bad, and does a pretty solid job of capturing McGuinness’s Batman in three dimensions.  Paint is the main thing that differentiates this figure from the Series 1 offering, but even on that front, he’s not that different.  He’s got most of the same basic detailing, but with glow in the dark green plastic instead of the grey for his body suit.  It certainly makes for a unique look.  The figure is packed only with a display stand, sporting the Superman/Batman logo.

THE ME HALF OF THE EQUATION

I picked up a number of the “With A Vengeance” figures when they were new.  This one wasn’t among them.  Instead, it took me ten years to finally get around to buying him.  Why did I finally get him?  Mostly because Cosmic Comix was selling him for $7, which was a low enough price to get me to bite.  He’s goofy, and not really for everyone, but I enjoy him.

#1475: Mary Jane

MARY JANE

SPIDER-MAN: THE MOVIE (TOY BIZ)

Back in the day, when super hero movies actually got dedicated toy lines at mass retail, one of the nicer things they offered were figures of some of the less dynamic members of their supporting casts.  Perhaps one of the best examples of this is the toy line for 2000’s Spider-Man film, which gave us figures of J. Jonah Jameson, Norman Osborne, and today’s focus figure, Mary Jane Watson!

THE FIGURE ITSELF

Mary Jane was released in Series 2 of Toy Biz’s Spider-Man: The Movie toy line, alongside variants of Spider-Man and Green Goblin, as well as a Peter Parker.  She’s seen here in her red dress she wears during the first movie’s World Unity Festival scene.  While it’s not necessarily a definitive look for her, it’s easily the most distinctive look from the movie, and more exciting than her others.  The figure stands a little under 6 inches tall and she has 10 points of articulation.  Though many of the figures in this line were super-posable, MJ was on the lower end, more on par with the X-Men: The Movie figures.  Like those figures, there’s not a ton of poses possible, but you can get at least a little bit of variety out of her.  The sculpt was unique to this figure, and it’s actually pretty good for the time.  The proportions are still a little bit exaggerated, and the articulation isn’t integrated as flawlessly as I might like, but it looks solid overall.  The detail work on the dress is actually pretty nice, and the likeness on the head isn’t a half-bad Kirsten Dunst.  The paintwork on MJ is pretty solid overall, apart from a few small nits.  The skin’s a little pasty, and the face is a bit sloppy, but the work on the dress is nothing short of amazing.  It definitely makes this figure worthwhile.  MJ is packed with a section of balcony, which is meant to work as a stand, I suppose.  There’s no foot pegs or anything, and it’s only really stable if you’ve got a window to mount it on, but it’s still a pretty cool piece.  There’s a breakaway feature, allowing it to split, not unlike the damage seen in the movie.

THE ME HALF OF THE EQUATION

17 years ago, I picked up this figure in a Toy Zain toystore.  She was rarer at the time, so I almost got her, but she was also $7.99, which was a $2 mark-up from the usual going rate, and I just didn’t know if she was worth it to me.  So, I didn’t get her.  And then I didn’t really see her again, until a few weeks ago, when Cosmic Comix put her out, as one of the many figures they’d gotten as part of a larger collection.  The price?  $7.99.  Nowadays, that’s not so bad, and I was hardly going to leaver her behind again.  She’s actually not a bad little figure, certainly not for the time. 

#1467: Rogue

ROGUE

X-MEN: THE MOVIE (TOY BIZ)

“The genetic abilities of the young drifter known as Rogue are both a blessing and a curse. The young mutant has the power to absorb the memories and powers of others through the slightest touch, but because she has no control over this talent, she must keep even those she cares for at a distance. She first met Wolverine when he saved her from an attacking angry mob and feels a special kinship with him because she once used her powers to absorb his mutant healing factor and memories in order to save her life. As a result, she understands why the mysterious loner has such a troubled soul.”

For 2000’s X-Men movie, Rogue was somewhat refitted into a focal point character, through whom the audience could be more easily introduced to the titular team of mutants.  Since it’s not a role the character had previously filled, she was refitted with some traits from the last two characters to fill this role, Kitty Pryde and Jubilee, which ended up making her a little less Rogue-like.  Still, she got to be a very central figure in on of the franchise’s most visible offerings, so it’s hardly the worst thing ever, right?  And she got toys out of the deal, which is always a win in my book.

THE FIGURE ITSELF

Rogue was released in Series 2 of Toy Biz’s X-Men: The Movie tie-in line of figures.  The first two series of the line were actually released simultaneously, something Toy Biz did with a few lines at the time.  The figure stands 5 1/2 inches tall and has 14 points of articulation.  Most of that articulation is rendered essentially inert, thanks to some very low range of motion.  The neck has the hair to contend with, the cuffs of the jeans restrict the feet, and the hips are v-hips that are so shallow they barely even count as v-hips.  Essentially, she’s good for standing, and that’s about it.  Oh, and she can also wave her arms around.  That’s fun!  The sculpt was an all-new venture, and it’s decent enough for the time, I guess.  The body seems a little skinny for Anna Paquin, and the head doesn’t really look all that much like her, but it’s decent enough from a purely aesthetic standpoint.  She looks like an actual person, which is always a good thing.  The paint work is passable, if maybe a little basic for a figure that’s supposedly based on a real person.  There’s at least some fun detailing on her blouse and undershirt.  She’s got a streak of white in her hair, showing that she’s supposed to be from the end of the movie.  It’s only in the final film ever so briefly, and even the prototype didn’t have it, but one can certainly understand why Toy Biz would want Rogue to have at least one recognizable trait.  Rouge included an overcoat and scarf, both cloth, which completed her look from the film.  They were both rather over-sized and goofy, but better than nothing, I suppose.

THE ME HALF OF THE EQUATION

After rushing out to get Cyclops and Jean Grey when they were first released, I patiently waited for my 8th birthday to get the rest of the line.  Rogue was near the top of my list, but she and Toad were both short-packed, meaning they weren’t found for my actual birthday.  However, I did get a little money, which I immediately took to the nearest Toys R Us, where I found both Rogue and Toad in one fell swoop.  Nifty! Rogue is perhaps not the most thrilling figure, but she’s a pretty solid standard civilian, and you don’t get many of those.

#1393: Buzzing Beetle

BUZZING BEETLE

SPIDER-MAN: CLASSICS (TOY BIZ)

When is a figure you want not a figure you want?  That’s a confusing question.  What I’m getting at is that sometimes, there’s a character you really want, and when they arrive, they just aren’t what you wanted at all.  That’s the perpetual story of Beetle.  He’s a B-list Spider-Man foe, so his appearance in numerous Spider-Man lines over the years is no surprise.  What’s continued to be a surprise is the versions of the character we’ve gotten.  Back when Toy Biz was still pioneering the Marvel Legends style, they gave us our first 6-inch Beetle as part of their complimentary Spider-Man: Classics line.  It was…not exactly what was expected.

THE FIGURE ITSELF

Buzzing Beetle was released in Series 14 of Spider-Man: Classics as one of the two Spider-foes in the set.  The figure stands a whopping 7 3/4 inches tall and has 39 points of articulation.  This Beetle figure is based on one of the much later Beetle designs.  It’s not exactly one of the more memorable designs that the character’s had.  In fact, Abner Jenkins, the original Beetle, never even wore this armor.  He instead controlled it by remote.  It was eventually worn by Leila Davis, after Abner had given up the Beetle identity, but even that was rather short-lived.  It’s at the very least a visually interesting design.  The complexity of the design means it also requires a completely unique sculpt.  It’s pretty decent work all-in-all.  The various pieces of armor have differing textures, which adds a lot of additional cool factor to this figure.  The design also really lends itself to toy form, so the articulation can be worked in pretty well.  The hip joints are kind of obvious, as were all of these types of joints at the time.  Beyond that, it’s really pretty solid.  The “buzzing” feature was linked to the wings (which my figure is lacking) and the mechanics are placed within the torso.  Due to the sheer size of the figure, though, the mechanics really don’t impede the sculpt or articulation all that much.  There’s also a light-up feature on the visor, which turns it…red?  Yeah, okay.  The paintwork on Beetle is actually pretty great.  The metallic shades are really cool to look at, and the purple and green go really well together.  There’s also some really fun weathering on the purple bits, which helps further accentuate their already more worn-in sculpt.  In addition to the (missing) wings, Beetle also included a pair of missiles (also missing) to go in the missile launchers affixed to the figure’s forearms.

THE ME HALF OF THE EQUATION

I saw this figure a few times when it was new, and I never bought it.  I was a little bit resentful that they went with this design over the classic look.  Of course, once it was officially gone from all the regular places, I kind of regretted never picking it up.  I ended up fishing this figure out of the $1 bin at 2nd Chance Toyz, which was pretty exciting.  Sure, it’s missing a few parts, but the base figure is still cool.  Really, at the end of the day, I’m actually kind of happy this figure was made when it was.  It’s actually a pretty fun design, and it’s the sort of thing that wouldn’t really be financially feasible in this day and age.  A good toy’s a good toy.

#1377: Wrestler Spider-Man

WRESTLER SPIDER-MAN

SPIDER-MAN: THE MOVIE (TOY BIZ)

In light of the recent re-re-launch of Spider-Man in Spider-Man: Homecoming, why not have a look back at Spidey’s first turn as a movie star.  Though they have been eclipsed a bit by some of Marvel’s more recent offerings, the Raimi Spider-Man films are still some of my favorites (yes, even the much maligned Spider-Man 3).  Another favorite thing of mine?  Prototype super hero suits.  Today’s figure combines both of these things.  Without further ado, here’s Wrestler Spider-Man!

THE FIGURE ITSELF

Wrestler Spider-Man was released in the third, and final, series of Toy Biz’s Spider-Man: The Movie tie-in line. The figure stands a little over 6 inches tall and he has 22 points of articulation.  He’s based on Peter’s initial costume, which, as the name suggests, he makes for his wrestling match against Bone Saw McGraw.  Well, part of the figure is based on that, anyway.  This guy’s actually a two-in-one, representing both a standard Spider-Man *and* Wrestler Spider-Man.  The base figure is the standard Spidey, which is generally pretty nicely sculpted.  He’s not quite as mobile as the actual standard Spider-Man from this line, but you can get some pretty solid poses.  There’s a touch of preposing to him, with a slight hunch to his torso, which makes for some Spidey-worthy poses.  The head is unmasked, and is a pretty spot-on likeness of Tobey McGuire as Peter.  The standard Spidey look is finished off with a removable mask.  Said was prone to tearing, which is why my figure is missing his.  The paint work on the standard Spidey is really quite nice; the suit has the basic colors down, and there’s a ton of great accent work exhibited throughout.  The head also gets a pretty solid paint job, though the skin does seem a little bit pale and pasty.  Still, it’s far from bad.  To transform him into the Wrestler Spider-Man, the figure includes a spare set of arms and feet, as well as a rubber shirt piece, mask, and pants.  The sculpted parts are quite nicely detailed, and swap out with relative ease.  The extra add-on pieces are a little difficult to get on, but the end result is that they’re pretty form-fitting, and that makes for a much better final figure.  Like the standard mask, the Wrestler mask was also rather prone to tearing, meaning my figure’s missing that one, too.  Good thing he’s got that nice Tobey McGuire likeness, right?

THE ME HALF OF THE EQUATION

As I noted in the intro, I really like prototype super suits, and this particular design is one of my favorites (the year Spider-Man was released, I actually made this costume to wear for Halloween).  I remember this guy being announced in ToyFare, and anxiously awaiting his release.  I ended up getting him during a trip to KB Toys with my Grandmother.  He’s definitely my favorite figure from this particular line; I just wish the masks had held up a little bit better.

#1374: Roboto

ROBOTO

MASTERS OF THE UNIVERSE (2002)

One year ago exactly, I wrapped up a two-week stretch of Masters of the Universe reviews with a review of the Castle Grayskull playset from the 2002 line.  In what I guess is going to become a birthday tradition on the site, I’m looking at yet another MotU figure today.  It’s one of my favorite characters from the franchise, Roboto, Heroic Mechanical Warrior!  I’ve actually looked at Roboto once before, having looked at his vintage counterpart, but today I look at his super awesome 2002 version!

THE FIGURE ITSELF

Roboto was added to the re-launched Masters of the Universe series in 2003, as part of the fifth assortment of Heroic Warriors.  The figure stands about 6 1/2 inches tall and he has 12 points of articulation (13 if you count the very slight mobility of his jaw).  Where the vintage Roboto made use of a couple of pieces from Trap-Jaw, this Roboto was a totally unique sculpt.  This figure takes Roboto’s admittedly rather goofy vintage design, and does its very best to make him look, you know, actually pretty cool.  Unlike a lot of things that Mattel tries at, this figure succeeds.  In fact, this is easily one of my favorite designs from the 2002 line, and really Masters of the Universe in general.  He keeps all of the important details from the original Roboto, so you can clearly tell it’s the same character, but all of these details have been made much sharper, more robotic, and more in line with other cool robots of the last few decades.  The head in particular ditches the duck-billed knight looking design of the vintage figure in favor of a more futuristic warrior look, which made more sense in the setting of the updated cartoon.  Like his vintage counterpart, this guy takes advantage of the usual hollow torso of these figures, and has molded it in clear plastic and placed an assortment of gears inside, representing his inner workings.  In terms of paintwork, this guy is pretty great; the application is all very clean, and I really like the metallic re-working of his classic color scheme.  It really pops.  The figure is packed with two arm attachments for his right arm: a claw and a blaster.  Both are updates of the same pieces included with the vintage figures, updated to match the new figure’s style.  He loses the third attachment (the axe) but gains an extra armored piece for his torso, as well as a missile for his blaster arm.  Not a bad assortment of extras at all!

THE ME HALF OF THE EQUATION

Roboto’s debut episode was one of my favorites of the 2002 show, so I always wanted this figure.  Remember how I mentioned that his re-design was one of my favorites?  Well, I wasn’t alone in this thought.  That, coupled with Mattel’s incredibly stupid methods of packing cases and distribution, meant that I never once saw this figure at retail.  It also meant he was one of the figures to hold onto his aftermarket value, even well after most of the line had fallen way down in price.  Honestly, I’d never even seen this guy in person.  So, when I found him at Lost In Time Toys a few weeks ago, I was pretty excited.  I was even more excited when I found out that he was half-off his given price, allowing me to get him for a more than reasonable price.  I’m thrilled to finally have this guy, and for all the ragging I do on Mattel, there’s no denying that this is a cool toy.

*As an added bonus, Roboto was also the 4000th unique figure to be added to my collection!  Wow, that’s a lot of figures!

#1336: Astonishing Wolverine

ASTONISHING WOLVERINE

MARVEL LEGENDS (TOY BIZ)

“Little is known about the man known as Logan whose past remains shrouded in mystery. The feral warrior, code-named Wolverine, possesses genetically endowed animal-keen senses of smell, sight, and hearing, as well as a mutant healing factor that can mend almost any wound. His deadliest weapons are his razor-sharp claws and skeleton both made of unbreakable metal alloy called Adamantium. However, with these abilities comes a curse, a bezerker rage that he must forever struggle to control. Now Logan must contain the beast raging within while he battles to protect a world that fears and hates him.”

Though my opinion of it has waned in recent years, at the time of its release, Joss Whedon’s Astonishing X-Men was a serious breath of fresh air.  I was never much impressed by Morrison’s “let’s put everyone in black leather and completely disregard prior character interpretation” New X-Men run that immediately preceded it, so taking the X-Men a bit more back to basics was pretty cool.  I also really liked John Cassidy’s art for the series, as well as his returning of several of the cast to more classically inspired costumes.  While most of the team eventually made it into toy form, it took quite a while.  Unsurprisingly, the first team member to make it into plastic was Wolverine, who I’ll be looking at today.

THE FIGURE ITSELF

Astonishing Wolverine was released in the 12th Series of Toy Biz’s Marvel Legends, also known as the “Apocalypse Series.”  It was the fourth Wolverine in the line, and was at the time his current look. There were both masked and unmasked versions of this guy; the one I’m looking at today is the masked version, obviously.  This figure also served as the inspiration for the larger Marvel Legends Icons version of the character, although he was slightly tweaked to offer an alternate version of this costume.  The figure stands 5 1/2 inches tall (it’s one of the first times they actually got his scale right) and he has 40 points of articulation.  In terms of sculpt, this figure was all-new, and he’s based on Cassidy’s work from the comics, albeit somewhat loosely, since Cassidy’s style doesn’t quite lend itself to super-articulated action figures.  The head’s definitely the best work; there’s a lot of smaller detail work that looks really nice, without being too over-done like a lot of Legends Wolverines.  The rest of the body was good for the time, but doesn’t as much hold up to scrutiny these days.  Once again, there’s a lot detail work that’s really nice on the stitching and the piping.  However, he’s really, really scrawny, which removes some of his intimidation factor.  It’s the worst in the legs, where the precedence clearly went to the joints, resulting in an almost skeletal set of limbs.  And of course, they split the belt in two for the waist articulation.  Why did they do that?  Beats me.  Seems it would have made a lot more sense to go either above or below.  Worst case scenario, you could do the joint where it is currently and have the belt be an add-on.  But splitting it right down the middle just seems lazy to me, like the base body was already sculpted and they added the details later without taking placement into account.  On the plus side of things, he’s probably got the best claws we got on a TB ML Wolverine; they’re well-shaped, unlikely to break off, and resistant to heavy warping.  In terms of paint work, the figure’s decent enough.  The base colors match up pretty well with what was being used on the comics, and most of the application is fairly clean.  The only part that’s a little odd is the arm hair, which really just looks like a bunch of brown tally marks that someone’s drawn on him.  Wolverine included no accessories of his own, but he did come packed with one of the legs of Apocalypse.  So, that’s cool, I guess.

THE ME HALF OF THE EQUATION

This guy was a Christmas present from my friend Charlie.  He and I shared a love of Marvel Legends, and in particular, we were both on the lookout for the perfect Wolverine.  So, when this series hit, he made sure that I got this guy, which was very nice of him (I repaid the favor a year later when I made sure he got a completed Mojo Build-A-Figure).  He’s definitely got some flaws, but I really do think he was Toy Biz’s best take on Wolverine, and the best Legends version  of the character until Hasbro’s recent Brown Costume figure.  It’s honestly a little surprising that TB never retooled him into a more conventional Wolverine.

#1329: Iron Man

IRON MAN

MARVEL LEGENDS (TOY BIZ)

“To the public, Tony Stark is a handsome, jet-setting industrialist and inventor. What they don’t know is that he leads a second life as Iron Man. The armored Avenger gets his fantastic powers from his suit of micro-mesh armor. It gives him superhuman strength, the ability to fly via his jet boots, and a variety of built-in weapons, foremost among these being his devastating repulsor rays! Iron Man is dedicated to defeating those forces that would threaten the security of the nation and the entire world.”

Iron Man is easily one of Marvel’s best known characters these days, but that wasn’t always the case.  Aside from a brief cartoon runs in the ‘60s and ‘90s, he was largely out of the public eye until his 2008 film.  So, in 2002, when Toy Biz launched Marvel Legends as a follow-up to their successful Spider-Man: Classics line, and had Iron Man as one of the headliners of Series 1’s four figure assortment, it was a pretty big deal.  It’s hard to believe now, but when Marvel Legends debuted, the most demanded figure by far was the Iron Man.  Can you even imagine a time when the fanbase didn’t let out a collective groan at the inclusion of an Iron Man figure?

THE FIGURE ITSELF

As noted in the intro, Iron Man was released in the first series of Toy Biz’s Marvel Legends line.  There were actually two Iron Men in the assortment; the regular release reviewed here, and the one-per-case horned-mask variant.  Even later, there was also a Walmart-exclusive release, which decked this guy out in his stealth colors.  This guy is based on Tony’s classic armor from the 60s and 70s, which at this point hadn’t been released in plastic form for almost two decades.  The figure stands about 6 1/2 inches tall and has 38 points of articulation.  Some of the articulation (particularly the neck movement and the mid-torso joint) is a bit antiquated, but it’s mostly pretty workable.  Amusingly, some of the articulation the was more quickly deemed out of date within the line itself has actually become the more standard way of doing things, so in some ways he fits in better with the more recent Hasbro offerings than he does the later TB offerings.  Iron Man sported what was, at the time, an all-new sculpt, which would later be used for the Silver Centurion armor, as well as War Machine and Magneto.  The build is a little bulkier than the usual depictions of the classic Iron Man armor, but it actually makes sense, since it’s supposed to be wrapped around a normal-sized guy; it’d have to be a little heftier in real life.  The proportions are actually pretty solid for a figure of this era.  Compare this guy to his Series-mate Captain America, and you’ll note that he’s got a much more balanced anatomy.  He even avoids the dreaded duck feet!  The articulation is also pretty well worked-in for a Toy Biz offering; sure, there are still some spots where compromise has been made (the waist really sticks out), but it’s generally a good middle-ground.  In terms of detail work, this guy goes a bit more simplistic than later TB fare (another reason he fits in a bit better with the Hasbro stuff), but that’s definitely a plus.  All of the important details are there, they’re all very sharply defined.  The figure has a removable faceplate, which reveals Tony Stark beneath the mask.  I’ve always felt he bore a resemblance to Timothy Dalton, which is a neat little “what-if” casting idea.  The face has some of the best work on the whole figure, which shows real commitment on the sculptor’s part, since it’s largely going un-seen.  The faceplate is molded to fit into the contours of the face, and it actually stays in place really well.  In terms of paint, Iron Man’s handled really well. He’s got the base red and yellow, which are nice and vibrant, and then on top of that, there’s a hint of silver lightly applied to all the armored portions of the figure, which makes him look suitably metallic, while avoiding the issues of blending that plague the Iron Men that use gold in place of the yellow. Iron Man was packed with a display stand designed to look like a Stark Industries satellite and a reprint of Iron Man #149 (which contains “Doomquest,” one of my favorite Iron Man stories).

THE ME HALF OF THE EQUATION

This guy came from my Nana.  Every year, she’d take me and my cousin to Toys R Us at the end of school and let us each pick out one or two things.   Of course, I went through the usual back and forth, having to reassure her that yes I really did want this Iron Man fellow instead of a handful of Attack of the Clones figures like my cousin was getting.  At the time, this guy was still pretty hard to get, so finding him so quickly was pretty sweet.  He was my very first Marvel Legend, and I gotta say, dragging him out for the purpose of this review has reminded me that he’s still very definitely one of my favorites.  As far as classic Iron Men go, this guy really hasn’t been topped.

#1318: Logan

LOGAN

X-MEN: THE MOVIE (TOY BIZ)

“Logan is a loner by nature and a hunter by trade.  Dressed in civilian gear of jeans, leather jacket, and flannel shirt, no one would ever know this ordinary looking man possesses the untamed savagery of a wild beast combined with the battle-skills of an international secret agent.  His power to heal virtually any wound in minutes combined with his superhumanly keen animal senses and razor sharp adamantium claws and skeleton make him the perfect fighting machine called Wolverine”

Who wrote this bio?  And did they have any idea who the character was going in?  Or what figure this bio would be going with?  I enjoy that the bio describes a completely different set of civilian clothes than this figure is actually wearing, but I think my favorite part may be “battle-skills of an international secret agent.”  That’s one specific descriptor, let me tell you.

THE FIGURE ITSELF

Logan was released in Series 3* of Toy Biz’s X-Men: The Movie line, which tied in with (big surprise here) 2000’s X-Men film.  The figure stands a whopping 7 inches tall and has 14 points of articulation.  The X-Men: The Movie figures were already pretty out of scale at the time of their release (being Toy Biz’s very first 6-inch figures), but Wolverine takes this to ridiculous levels, being about an inch out of scale with even the figures from his own line.  He’s larger than Sabertooth for pete’s sake!  Why is he so freaking huge?  Because of re-use, that’s why.  He’s built on the body of the Power Slam WCW Wrestlers Hak figure.  The WCW stuff was always much larger than the Marvel stuff Toy Biz did, and Hak was even pretty sizable for his own line.  I’m not entirely sure why Toy Biz opted to re-use this particular body.  I guess they felt they just had to have another Wolverine in there?  Completely divorced from the line that spawned him, I guess Logan’s sculpt isn’t terrible.  He got a new set of lower arms and feet, and what appears to be the Series 1 Wolverine head sculpt scaled up.  The pieces all mesh okay together.  The head definitely resembles Jackman as Wolverine, though it’s not quite as good as later figures would be.  The build seems rather on the bulky side for Wolverine as seen in the movies, and his proportions in some spots look like he’s trying to smuggle meat in his clothes or something. You’ll note that my figure is missing three of his claws; this isn’t by design, they just fell off, because this figure had some of the most easy to tear claws of any Wolverine figure.  In addition to the sculpted parts, Logan also has a cloth jacket.  It’s kind of thick and oddly shaped, and makes him look even puffier than he already was.  Paint on this guy was okay, but nothing tremendously exciting.  The colors are well chosen, and the jeans in particular have some nice accent work.  This Logan is from post movie release, so he’s after Toy Biz started adding the goofy painted on sideburns to all the movie Wolverines in an effort to make them more accurate.  It looks really goofy.  Super goofy.  Crazy goofy.  The figure was packed with a small dog tag that isn’t even remotely close to proper scale.  He’s also got the “action feature” which I think is supposed to swing his arms back and forth when the torso is turned, but it never looks like anything more than panicked flailing.

THE ME HALF OF THE EQUATION

The Series 3 X-Men: The Movie figures were rather hard to come by at first, even Logan.  He was one of the last ones I got, courtesy of my parents, who bought him for me while they were on a weekend trip to the beach.  I know I really wanted one at the time, but boy is this figure odd in retrospect.  Not only does he feel rather redundant (he was the fourth civilian version of the character in the line), but he’s also just laden with strange design choices.

*Though this series was dubbed “Series 3” by Toy Biz, it was effectively Series 2 of the line, as the first 2 series were released simultaneously in order to have all of the main characters on shelves for the film’s release.