#3866: Maestro

MAESTRO

THE INCREDIBLE HULK (TOY BIZ)

From the future comes the corrupted version of the Incredible Hulk, the Maestro! Turning away from good, the Maestro defeated all of the world’s heroes in his future time, and now wears their weapons and armor as trophies. Using his incredible strength to become the ruler of the war-torn society, the Maestro is evil personified and he’s not finished. The only hope for this terrible future comes as the Hulk of our time is pulled forward to face the Maestro in battle and defeat him. Warned of the arrival of the Hulk, the Maestro readies himself for the greatest clash of his life!

Two weeks ago, prolific comics writer, novelist, and columnist Peter David passed away.  Peter was a family friend, who I had known pretty much since I was born, and a regular attendee at the sci-fi conventions my family helped run.  He’d been battling with some health issues for a few years, but his passing still seemed sudden, and it is odd to think that a man with such a distinctive voice will now be absent from so many conversations.  Peter had a hand in a lot of very popular comics over the years, and in particular did a lot of pretty noteworthy things during his time writing Hulk.  He really explored the internal struggle of Bruce Banner and his duality as the Hulk, bringing to the forefront many different versions of the title character.  Alongside the late and great George Perez, Peter created Maestro, a dark take on the Hulk from an alternate future.  He got a pretty quick turnaround on the toy front, which I’m looking at today.

THE FIGURE ITSELF

Maestro was released in 1997’s “Transformations” series of Toy Biz’s The Incredible Hulk line.  Rather appropriately, the assortment also had Smart Hulk, the version of Hulk from the present day that he faced off against in his initial story, so that worked out pretty well.  The figure stands about 6 1/2 inches tall and he has 8 points of articulation.  He’s not particularly agile, but he’s a Hulk, so they don’t tend to be.  The neck is particularly stiff, though, due to the beard and long hair.  Generally, he’s really just good for the one pose.  It is, at least, a pretty cool pose.  The sculpt is rather on par with the rest of the main Hulk line.  It’s solid, and there’s a lot of pretty nice little detailing.  The warts and such on the skin are gross, but they’re kind of supposed to be, right?  In the story, Maestro is Hulk after the rest of the Marvel Universe is dead, so to reflect this, the figure gets a Toy Biz original twist on his design: the fallen hero armor.  He’s got a bandolier sporting the helmets/heads of Juggernaut, Ultron, Iron Man, Dr. Doom, and Nova, and Dr. Strange’s cloak attached to that.  He’s also got a damaged version of Cap’s shield, with a chain connecting Mjolnir to it on his left arm, and he *should* have a gauntlet on the right arm made of Wolverine’s bones, but mine is missing that part.  It’s a really cool, really distinctive visual, that’s not based on anything from the comics, nor has it ever been adapted into the comics, but it’s still very cool.  Maestro’s paint work is pretty nice, actually.  The core body gets quite a bit of accenting and smaller detail wrk, and the fallen hero armor gets a lot of color.  The only slight oddity is the all-red eyes; he usually just had normal eyes, but they made them red.  It’s not a bad visual, but doesn’t quite represent the character’s comic look.

THE ME HALF OF THE EQUATION

I remember seeing this figure in the store when he was new, and I was always fascinated by the armor (especially since it was our only glimpse at a classic Iron Man or Ultron during the Toy Biz run), but for whatever reason, I just never got around to buying one.  It’s been on my list since I got back into the collection in college, but was always just outside my immediate “gotta buy it” price range.  In light of Peter’s passing, I decided it was time to stop putting it off and finally get one, which I did.  He’s really cool, even if he’s not strictly comic accurate.  I’m glad I finally got one.

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