ELONGATED MAN
IDENTITY CRISIS (DC DIRECT)
“Ralph Dibny was the original stretching sleuth of the JLA. His loss became the focal point of the events that unraveled in Identity Crisis.”
If we’re having a discussion about “worst comic stories ever,” you know I gotta bring up “Identity Crisis.” Look, I’m a die-hard Elongated Man fanboy. On the outside, a Justice League event with Ralph at the center is something I should love, right? Except it’s actually something I loathe, and I legitimately think it broke DC. I know, bold words. But they did some really awful stuff there, and it meant that two of my favorite DC characters got broken and sidelined for well over a decade. As a consolation prize, I suppose it did at least give me another Elongated Man figure. So, there’s that.
THE FIGURE ITSELF
Elongated Man was released in Series 2 of DC Direct’s Identity Crisis tie-in line, which was released in March of 2006, almost two years after the story was published. As a central piece of the story, it’s sort of odd that Ralph wasn’t released until Series 2, but of course, he’s not really a heavy hitter, I guess, and he’s ultimately pretty well side-lined within the story proper. He’d also just recently gotten his first figure from DC Direct’s JLA line not too long before. The figure stands just shy of 6 1/2 inches tall and he has 17 points of articulation, as well as an extending neck feature. Elongated Man’s articulation scheme was tricky. DCD was still really experimenting with things, and there’s a fair number of joints, but range of motion remains rather restricted. All of the Identity Crisis figures were based on Michael Turner’s cover illustrations for the series (as opposed to Raggs Morales’ interiors). Turner’s work had a rather distinctive flair, and works well in two dimensions, but it three dimensions…well, it was a real mess. Just, across the board. None of the sculpts were fantastic for this line. There were a lot of really odd proportions and dimensions to everything, and everybody wound up looking kind of misshapen. That said, Ralph turned out generally alright. Still weird, but he’s a stretchy guy, so it’s a little more forgivable. His expression’s rather dour, but I guess that makes a degree of sense given the subject matter. I do kind of feel he looks a touch young and pretty for Ralph, but Turner’s art treated Ralph that way, so it’s accurate. Ralph’s paint work is decent enough. I like that they kept the shiny black for the gloves and boots. The application on the yellow is a little messy, though. Ralph was packed with a display stand (not pictured) as well as a pair of alternate stretched arms. The stretched arms are unique to this guy (technically, the Mattel Ralph had the outstretched hand, but it’s not quite the same sort of thing), but they’re kind of weird. They’re technically meant to be bendy, but they’re very stiff, so they don’t really bend. They’re also oddly flat. Still, it’s a nice option.
THE ME HALF OF THE EQUATION
I didn’t like Identity Crisis, and I didn’t like how Turner’s art translated to figures, so I largely avoided this line. I already had the JLA figure, and we weren’t deep enough on Elongated Man figures for me to even contemplate owning all of them, so I didn’t jump on this one. I wound up getting him from KB Toys of all places, which was odd since they didn’t tend to carry DCD figures, which were typically a comics shop exclusive thing. But, I was on a weekend beach trip with my family, and this guy was there at the KB outlet, marked way down, so I bought it. It was pretty early on in my appreciation of the character, and kind of helped turn the tide in a way. Honestly, he’s not terrible. I hate the story, but I don’t hate the figure, even if he does sort of have a weird quality about him.








