#3368: Donatello as the Invisible Man

DONATELLO AS THE INVISIBLE MAN

TEENAGE MUTANT NINJA TURTLES X UNIVERSAL MONSTERS (NECA)

During the vintage TMNT line run, Playmates was faced with the dilemma of needing to keep the main Turtles in the line, without the line becoming just repeats of the same basic looks over and over again.  Enter the wacky variants.  But not just any wacky variants; the Turtle variants were like variants on steroids.  They covered all sorts of themes and play features, and eventually they even started doing cross-over figures with other properties.  In 1993 and 1994, they did two sets of Universal Monsters cross-over Turtles, and 30 years later, NECA is also exploring that concept.  They’re actually reaching the tail end of the line-up, it seems, but they’re also getting around to the best Turtle, crossing over with the best monster, with Donatello as the Invisible Man!

THE FIGURE ITSELF

Donatello as the Invisible Man is the sixth figure in NECA’s Teenage Mutant Ninja Turtles X Universal Monsters line, and he started hitting retailers at the end of March/beginning of April.  He’s the second to last figure in the line (at least based on what we know so far), and he’s also the final of the four Turtles.  For Playmates’ vintage versions, there was an Invisible Man, but it was actually Mikey that got assigned the identity, while Donnie’s only figure in the set had him as Dracula.  NECA’s changed almost all of the crossovers for their versions, and while I think some of it’s been a bit of a mixed bag, making Donnie into the Invisible Man is one that feels much more natural than either of the Playmates choices.  The figure stands about 6 1/2 inches tall and he has 32 points of articulation.  The movement on this guy is pretty decent, an improvement on the usual set-up for their actual Turtles molds (which were first sculpted a good long while ago), bringing him closer to their more recent Ultimate offerings.  Range of motion has some slight restriction on the mid section and hips, due mostly to how the design is laid out.  Donnie sports an all-new sculpt, courtesy of Tony Cipriano and Kushwara Studios.  It’s an all-new design, of course, since they’re not doing a direct translation of any prior figures.  It’s a pretty good set-up; the actual turtle side of things seems to be more 1990 movie-inspired than anything else, which I think vibes pretty well with the horror feel.  The Invisible Man elements are a bit more broad strokes, and less specifically the Universal version.  This one’s a tad more steampunk, and that honestly works out alright with it being Donatello.  The sculpting has quite a bit of detailing, including some impressive texturing, especially on the jacket and the scarf.  While other Invisible Man figures go for making the invisible parts truly invisible by just omitting them entirely, this one molds those parts in clear plastic, which feels more Playmates-y.  The standard head has exposed “eyes”, and the feet are wrapped up to the toes, both featuring clear parts for what you can’t see.  Likewise, the shell is also clear, which allows for some fun Playmates-esque details, notably the pizza slices visible in his shell on the back; how exactly they got there is anyone’s guess, but it’s a funny touch.  The only thing I’m not keen on is an issue I also had with the movie Donnie; the straps on the back of his shell for his bo staff storage are just cloth ties, and they really don’t work all that well, especially at this scale.  It’s really difficult to make use of them at all, and I’m honestly just not going to bother.  Donnie’s paint work is rather on the muted side, which has been the general theme on this line.  While the other three turtles kept their bandanas in the usual colors, the adjusted design for Donnie removes the bandana, replacing it with a more Invisible Man appropriate set of goggles.  To help keep some of Donnie’s trademark palette in play, the strap of the goggles, as well as his scarf, are purple, which adds a nice little splash of color.  Donnie is packed with three sets of gloved hands, one set of clear hands, an alternate set of clear feet, an alternate head, his goggles, his hat, his bo staff, a TGRI journal, and a beaker of serum.  For the most part, the extras are pretty solid.  The only one that’s weird is the extra head; it goes for the “going mad” partially wrapped look seen in the original film, and achieves its invisibility by leaving it hollow, much like the standard NECA Invisible Man did.  That’s all well and good, but everywhere else this figure commits to the molded clear plastic look, so it makes for a rather strange mix of styles.  I wouldn’t have minded seeing a standard turtle head in clear for an unmasked look, like the vintage Mikey had.

THE ME HALF OF THE EQUATION

The crossover Turtles are a cool idea, but they weren’t wowing me at the start.  That said, I’m a Donatello fan, so I was always planning to wait until they showed him off to pass final judgement.  I wasn’t really big on him as Drac in the vintage line, so the move to Invisible Man, who’s also one of my favorite monsters, was quite fortuitous.  He’s not a perfect figure, but he’s a pretty good one.  I don’t see myself getting anything else from the line, but he makes for a fun standalone piece.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3312: The Invisible Man

THE INVISIBLE MAN

UNIVERSAL MONSTERS (JADA TOYS)

Back at the beginning of last year, I took a look at a couple of Universal Monsters figures from a rather unlikely source, Jada Toys.  The line was just generally a surprise, in terms of both existence and quality.  It was also just a really cool little set of figures.  A lot of the basics were covered in that first assortment of four, but there was still some room for a few additional offerings, based on a few more of the old Universal films.  The one that got me the most excited was the figure based on the titular character from 1933’s The Invisible Man, and I’ll be taking a look at that figure today!

THE FIGURE ITSELF

The Invisible Man is one half of the second “assortment” of Jada’s Universal Monsters line.  Assortment is a loose term here, of course, since they all ship in solid cases anyway, but he and the Wolf Man went up for order together, and a shipped to retailers at about the same time.  As I’ve noted in previous Invisible Man reviews, there are a couple of looks for the title character from the original film.  Like the 8 inch Sideshow figure I looked at before, this guy is sporting the robe/smoking jacket look, which I really feel is his most distinctive and most impressive design.  The figure stands about 6 1/2 inches tall and he has 29 points of articulation.  Invisible Man’s articulation scheme continues to follow the impressive standards set by the rest of this line, being just shy of the current Hasbro level.  That said, he’s improved even a little bit from last year’s figures.  The range remains similar, but he doesn’t break up the sculpt quite as much to get there.  The only slight issue I ran into was with my figure’s right ankle, which appears to be stuck due to the paint; nothing a little hot water won’t fix, though.  The figure’s sculpt is an all-new one.  It’s a very strong one, much like the others I’ve looked at.  In fact, I’d say it’s the strongest of the bunch thus far.  All of the detailing is nice and sharp, and there’s just a ton of great texture work on the clothing, especially the jacket and the wraps on the face.  His glasses are a separate piece, which helps to give things the right amount of depth.  The jacket for the upper torso and the waist is made from a soft rubber; it’s not bad looking, and it preserves the posability, but I do worry just a little bit about the long-term durability of it.  We’ll just have to see on that one.  The paint work on this guy is a little bit of a mixed bag; the bandages are fantastic, as is the detailing on the glasses, and even some of the smaller details of the jacket and pants.  The biggest issue is the trim for the jacket, which isn’t terrible on mine, though perhaps a little misaligned.  The trouble is that I had six of them to choose from, and had to ultimately settle for one that was “good enough.”  It’s definitely the one weak point of the figure.  What’s *not* a weak point is the accessory selection.  This guy gets an alternate head with the bandages being unwrapped, five different hands (a fist and two styles of grip for the right, a relaxed for the left, and a really cool left hand that’s designed to look like he’s taking off his right glove), a hat, a book, and a beaker.  I like the mix of parts to “reveal” his invisible nature, so those are definitely my favorites.

THE ME HALF OF THE EQUATION

The Invisible Man is one of those designs that I’ve always really loved, and it’s one I’m always on the lookout for whenever there’s Universal Monsters stuff.  When NECA unveiled their Universal stuff, I was sort of interested, but then got more pulled towards Jada’s first round.  I was waiting to see which would get to this guy first, and it was NECA, but then they did the version of the Invisible Man that I didn’t want as much, so when this one was shown off, I was in from day one.  He’s got one or two small flaws, but I really like him, and I continue to be impressed by the work that Jada’s putting in with this line.  They just announced Street Fighter and Mega Man lines as well, and I’m very interested to see how those go, because they’re really shaping up to be a serious contender in the 6 inch market.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website.

#2574: Invisible Man

INVISIBLE MAN

UNIVERSAL STUDIOS MONSTERS (SIDESHOW)

Universal Studios created and truly defined the horror film genre beginning in the 1920s.  In 1933, Universal released The Invisible Man, starring Claude Rains.  It was Rains’ unique speaking voice that won him the part and which was vital to portraying a man who, in a great portion of the film, would be invisible to the audience.  The role also assured Rains a place in Universal Studios’ unique and rich history of horror films.

The Invisible Man is the story of a mysterious doctor who, through his relentless experiments, discovers a serum that renders him invisible.  Covered by bandages and dark glasses, it is only his clothing that will reveal his form and presence.

Fleeing to a remote English village, the doctor tries to hide the effects of his serum.  However, the drug that was his ultimate discovery is slowly driving him to the brink of insanity, as he begins his spree of horror.”

It’s Halloween dear readers!  I know, given the general horror abounding in our everyday lives this past year, today is, perhaps, not as hard hitting as prior Halloweens.  But let’s try to be somewhat in the spirit, you guys!  Every Halloween, I like to review something appropriately spooky for the day.  In contrast to 6 of the 7 prior Halloween reviews, I’m not reviewing a Minimates set, though I’m still sticking with the overall Universal Monsters theme I’ve grown so accustomed to.  Sideshow Collectibles was kind of synonymous with Universal Monsters for a solid chunk of the ’00s.  While their main claim to fame for years has been their impressive output of 1/6 scale figures, their initial offerings were actually a little bit on the shorter side.  I’m looking at one of their earliest figures, the Invisible Man, today!

THE FIGURE ITSELF

The Invisible Man was released in 2000 as part of Series 3 of Sideshow’s Universal Studios Monsters line.  Packed alongside the Hunchback and the Metaluna Mutant, the Invisible Man was definitely this assortment’s heavy hitter.  The figure stands 8 inches tall and he has 10 points of articulation.  The Invisible Man has a couple of looks over the course of the film, and this figure opts for the robed appearance.  It’s probably the most distinctive of his looks, and certainly makes for the sharpest looking figure.  The sculpt on this figure was unique to him, as was the case for most of the line.  He, again like the rest of the line, was designed more or less as a plastic statue that happened to have some joints for minor tweaking to the pose, rather than being a more traditional action figure.  The best range is definitely on the neck joint, though the elbow and shoulder joints do have a little bit of flex to them as well.  The mid-leg cut joints are pretty much exclusively for tweaking the balance of the figure to keep him standing, which isn’t too dynamic, but does help keep this guy standing.  Moving past the mobility of the figure, the actual quality on the sculpt is pretty good, if perhaps a touch un-even.  The best work is definitely on the head, which has a ton of texturing and pretty much perfectly recreates the masked appearance as seen in the film.  From the neck down, there’s markedly less texturing work.  It’s still a good recreation of his garb from the film, in a sharp and clean fashion.  It’s fairly striking looking, and honestly works out pretty well, even if the texturing is absent.  Given what he’s wearing, it actually looks pretty solid.  The figure’s paint work is pretty strong work as well.  Again, the head’s the best work, with a believably weathered set of bandages.  The rest of the figure is more basic coloring, but there’s some impressive work on the patterns on the robe and the pants.  As with the rest of the line, there was a “Silver Screen” edition, which did all of the paint work in a grey scale color scheme, matching the actual film presentation.  It’s a little more limited in its application, but it’s still a cool concept.  Regardless of version, the Invisible Man was packed with an unmasked head, three books, and a display stand.  The head’s a fascinating piece, because honestly it’s something that would be far more accurately recreated with just a removable head, but they went to the trouble of sculpting a really impressive Claude Rains likeness and then totally hiding it by leaving it translucent and unpainted.  That’s commitment right there.

THE ME HALF OF THE EQUATION

This line hit right in tandem with my first real stint with the Universal Monster movies, so I was very actively aware of it.  I only ever owned one figure from it, largely due to it being a pretty popular line, and me being an 8 year old without any money or transportation of his own.  I recall seeing this particular figure one time in a Toys R Us, while on a shopping trip with my Nana.  She was always pretty invested on pushing me into more conventional toys, so I ended up leaving the store with two X-Men: Movie figures instead (though, me being me, I went with Jean Grey and Professor X; yes, the girl and the guy in the wheel chair, which still raised some comment from Nana, who was really pushing for Wolverine and Magneto).  That marked the only time I saw this figure in person until earlier this month, when an entire set of this line came into All Time.  I snagged this guy for me right away, and I’m honestly really happy to finally have him.  He’s perhaps not the most action oriented piece, but he’s a really nice display piece.

Thanks to my sponsors at All Time Toys for setting me up with this guy for review.  If you’re looking for toys both old and new, please check out their website and their eBay storefront.