Monthly Archives: June 2017

The Blaster In Question #0009: Fair Fortune Crossbow

Posted by Tim Marron in Nerf Reviews and tagged with , , , ,

FAIR FORTUNE CROSSBOW

REBELLE (CHARMED)

If there’s one thing the Rebelle line can’t get enough of, it’s bows.  Early on in the series, these were mostly just regular air-chamber blasters dressed up to look and operate more like a conventional bow.  It took a couple releases before Nerf finally released an assortment of “stringer” elastic powered blasters that took another step toward proper bow mechanics.  Of course, with all these bows, you have to be able to distinguish them from each other otherwise the market gets flooded.  Today, we’ll be looking at one of the more visually unique bow (well, crossbow, but you understand) blasters from Rebelle, the Fair Fortune Crossbow.

THE BLASTER ITSELF

The Fair Fortune Crossbow was released in 2014 as part of the Charmed subset of Rebelle blasters.  It uses the same elastic chord system that first appeared on the Rebelle Diamodista, except instead of being a single shot blaster, the FFC features a 6 round rotating cylinder.  Given the unique aesthetics of the blaster, it shouldn’t be a surprise that all the hardware is original.  The ornateness of the faux filigree paired with the unusual upholstered patterning on the grip and slide gives the blaster a feel very reminiscent of something from the Bayonetta video game series, something I am rather fond of.  This point is further driven home when you attach the included charm bracelet (hence the Charmed moniker) to the blaster, adding a little bit of sparkle accompanied by a satisfying jingling sound.  The bracelets in particular surprised me.  When I initially heard about the upcoming release of this line, I thought it sounded gimmicky and pointless, and I guess I was kinda right.  However, the bracelets themselves are metal and so have a decent heft to them.  Additionally, the charms on each of the bracelets (which are all unique to their specific blaster) are well designed and eye-catching.  The one problem with the bracelets is their size.  I have two much younger sisters, and even they struggled getting the bracelets around their wrists.  Alright, enough about that, back to the blaster.  The grip on the FFC is a little odd.  First of all, it’s severely inclined, almost parallel with the body of the blaster.  Second, it has a loop for your middle finger just below the trigger, so only very specific ways of holding it are comfortable.  Once you’ve worked out how to hold the darn thing, it feels pretty good in the hand.  The aforementioned upholstery-like texture provide a decent amount of traction.  The plastic that surrounds the cylinder is a little on the thin side, but it’s not vital to the structure of the blaster so it’s fine.  The FFC has no sights of any kind, and I normally wouldn’t bother talking about what the blaster doesn’t  have, but the priming slide sticks up enough on the top of the blaster that it actually obscures your view, so it’s worth noting.  Because it uses the elastic to fire darts as opposed to an air plunger, the blaster is very quiet when firing.  It hits a little on the soft side of Nerf blasters and, in my experience, it seems like standard Rebelle and Elite darts are more prone to swerving than when fired from a more traditional blaster.  Taking these things into account, the FFC is definitely an indoor blaster, especially if you’re particularly attached to the collectible Rebelle darts that come packaged.

THE ME HALF OF THE EQUATION

I think this blaster is a good example of one that, while it doesn’t necessarily perform terribly well in comparison to others, is a lot of fun despite it’s shortcomings.  Personally, what attracts me to a blaster is often how easily I can fit it in with a particular pretend-play and the FFC has a lot of potential in this regard.  Whenever I pick it up, I can very easily form a story around it, and admittedly, this has occasionally included playing “Fly Me to the Moon (Climax Remix)” while making a number of stylish poses.

#1320: Yoda

Posted by Ethan Wilson in Reviews and tagged with , , , ,

YODA

STAR WARS: THE POWER OF THE FORCE II (KENNER)

“For over 800 years, the diminutive Jedi Master known as Yoda trained the most committed students in the ways of the Force, guiding them into their roles as Jedi Knights, protectors of peace in the galaxy.”

Yoda.  Talks funny, he does.  That’s all I got.

Okay, I’ve probably got more.  The Star Wars prequels are bad for a whole lot of reasons, but if I had to pick one thing I hated the most, it’d be how badly they mucked up the Jedi Knights, Yoda most of all.  For me, Attack of the Clones and Revenge of the Sith cement the little green guy as possibly one of the worst people in the whole galaxy far, far away, having him not only be the guy who essentially establishes the Empire, but also making largely responsible for Anakin’s turn to the Dark Side, by way of spending the majority of Episode III’s first act poking the bear with a stick.  But that’s enough of that.  Let’s go back to when Yoda wasn’t totally the worst!

THE FIGURE ITSELF

Yoda was released in Power of the Force II’s second assortment of figures.  This was Yoda’s second action figure, following the original vintage figure.  The figure stands about 2 inches tall and he has 4 points of articulation.  He’s not particularly posable, but I honestly can’t think of a Yoda figure that has been, so it’s hard to hold that against this guy.  In terms of sculpt, as a largely inhuman sort of character, he didn’t fall victim to the same problems that plagued most of the other figures from this line.  With that being said, he’s still rather stylized, and not exactly a pitch-perfect recreation of his on-screen counter part.  The head’s definitely a bit big, and the hands are just sort of goofy looking.  Admittedly, he looks more like his real-life counterpart than most of his compatriots, so that’s a plus.  The articulation really isn’t worked into the sculpt, which is most evident around the hips, where the robes he’s wearing just randomly break their flow.  I’m also not entirely sure what’s going on with how the sleeves of the robe are hanging; it doesn’t seem to lend itself to any particular pose.  In terms of paint, he’s relatively passable.  Basic application seems to be pretty solid, though he’s a little bug-eyed.  They added some slight shading as you get further down the robe, which makes it look like it’s been slowly picking up grime over the years.  Overall, the paint’s fine, but all of his colors seem to sort of blend together, which looks a little bland.  Yoda includes his cane (which he has a little trouble holding), as well as a back-carrier.  The second piece goes with the Dagobah Training version of Luke from this same line, allowing Yoda to be carried on that figure’s back (please excuse the photo; I didn’t have Luke handy, so I just went with the blonde hero kid I had on hand).  It’s actually a pretty nice way of adding some extra value to a figure that would otherwise be half the size of his compatriots.

THE ME HALF OF THE EQUATION

I didn’t have this Yoda growing up.  In fact, I don’t believe I had any Yodas growing up.  I got this guy at the same time as most of the PotF2 figures I’ve reviewed as of late; he came from the Farpoint Charity auction.  This is actually figure I’ve been meaning to track down for some time, since the complimentary Luke was my very first Star Wars figure.  He’s a bit on the goofy side, but I’m pretty pleased to finally have him!

#1319: Joker

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

THE JOKER

DC UNIVERSE CLASSICS

“The Clown Prince of Crime is Batman’s deadliest and most unpredictable foe. Rumored to be a failed stand-up comedian turned petty criminal who fell into a vat of chemical waste while escaping from the scene of a crime – that incident turned his skin white and his hair green. Batman knows the Joker is certifiably insane, which makes the end result of his action  that much more deadly.”

A common complaint of DC Universe Classics was about its over-reliance on oddball, C and D-list characters that most of the general public hadn’t heard of, and the subsequent delaying of heavy hitter characters until too far into the line’s run.  Case in point: the Joker.  Batman’s greatest foe, and we had to wait more than a year to get him (made especially egregious by Harley Quinn’s presence in Series freaking 2).  Obviously, in a line like this, you want to hold some heavy hitters back, but 10 series seems like a bit much.  But, with the line wrapped and gone, at least he got a figure.  I’ll be looking at that figure today.

THE FIGURE ITSELF

Joker was released in Series 10 of DC Universe Classics.  I’ve been reviewing a lot of this particular series lately.  Not for any particular reason, or anything; just luck of the draw I suppose.  As I’ve noted in prior reviews, the series was the line’s second Walmart-exclusive series.  While it was far less scarce than the first, it still seems a little odd that DC’s most recognizable villain was relegated to a store-exclusive release.  There’s a reason this guy has one of the heftier aftermarket prices in the line.  Anyway, the figure stands about 6 1/2 inches tall and he has 23 points of articulation.  Joker is seen here in an appearance that’s about as classic as he can get (specifically, he’s modeled after his Super Powers figure as this was really when the line was leaning hard into the recreation of Super Powers).  He’s built on the body that was introduced with Gentleman Ghost, which was designed with Joker in mind.  In that effect, the cut of the suit matches up pretty well with classic depictions of Joker.  The body showcases a lot of Mattel’s troubles with working articulation into a sculpt naturally.  It’s nowhere near as bad as some of their more recent work, but it’s definitely not the strongest showing from DCUC.  On the plus side, it’s not awful to look at, especially if you chose a decent pose.  He had a unique head and neck, which are definitely the star pieces of this figure.  He also has a tweaked jacket, which removes the cape from Gentleman Ghost and adds a flower to his lapel.  It’s an okay piece, but slightly marred by the weird panel in the back where the cape was originally attached.  Why does Mattel insist on attaching capes with that huge rectangular peg?  I don’t think I’ll ever know.  The paint work on the figure’s actually pretty good.  The colors are nice and bold, and there’s some really well-executed accenting, especially on the hair and the vest.  The pinstripes on the legs could probably stand to be a little straighter, but they look decent enough.  Joker was actually pretty well accessorized.  He includes a joker-head cane, some playing card, a laughing fish, and a large green mallet (deliberately pattered after the one included with the Super Powers figure).  They were all pretty solid extras, among the best in the line.  He also included the right leg of Imperiex, the Series’ CnC.

THE ME HALF OF THE EQUATION

Joker came from the same assortment of trips to Walmart with my Dad that netted me the previously reviewed Beast Boy.  I don’t recall the exact circumstances, but he was definitely a later find, since he was the most sought after initially.  He’s not one of my favorite DCUC figures, but that’s hardly because he’s bad.  He’s actually very well executed, apart from the slightly lackluster handling of the articulation.  For me, he just suffered from being “yet another Joker” in a series full of brand-new characters, but I suppose I’m a bit counter to most fans in that respect.

#1318: Logan

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

LOGAN

X-MEN: THE MOVIE (TOY BIZ)

“Logan is a loner by nature and a hunter by trade.  Dressed in civilian gear of jeans, leather jacket, and flannel shirt, no one would ever know this ordinary looking man possesses the untamed savagery of a wild beast combined with the battle-skills of an international secret agent.  His power to heal virtually any wound in minutes combined with his superhumanly keen animal senses and razor sharp adamantium claws and skeleton make him the perfect fighting machine called Wolverine”

Who wrote this bio?  And did they have any idea who the character was going in?  Or what figure this bio would be going with?  I enjoy that the bio describes a completely different set of civilian clothes than this figure is actually wearing, but I think my favorite part may be “battle-skills of an international secret agent.”  That’s one specific descriptor, let me tell you.

THE FIGURE ITSELF

Logan was released in Series 3* of Toy Biz’s X-Men: The Movie line, which tied in with (big surprise here) 2000’s X-Men film.  The figure stands a whopping 7 inches tall and has 14 points of articulation.  The X-Men: The Movie figures were already pretty out of scale at the time of their release (being Toy Biz’s very first 6-inch figures), but Wolverine takes this to ridiculous levels, being about an inch out of scale with even the figures from his own line.  He’s larger than Sabertooth for pete’s sake!  Why is he so freaking huge?  Because of re-use, that’s why.  He’s built on the body of the Power Slam WCW Wrestlers Hak figure.  The WCW stuff was always much larger than the Marvel stuff Toy Biz did, and Hak was even pretty sizable for his own line.  I’m not entirely sure why Toy Biz opted to re-use this particular body.  I guess they felt they just had to have another Wolverine in there?  Completely divorced from the line that spawned him, I guess Logan’s sculpt isn’t terrible.  He got a new set of lower arms and feet, and what appears to be the Series 1 Wolverine head sculpt scaled up.  The pieces all mesh okay together.  The head definitely resembles Jackman as Wolverine, though it’s not quite as good as later figures would be.  The build seems rather on the bulky side for Wolverine as seen in the movies, and his proportions in some spots look like he’s trying to smuggle meat in his clothes or something. You’ll note that my figure is missing three of his claws; this isn’t by design, they just fell off, because this figure had some of the most easy to tear claws of any Wolverine figure.  In addition to the sculpted parts, Logan also has a cloth jacket.  It’s kind of thick and oddly shaped, and makes him look even puffier than he already was.  Paint on this guy was okay, but nothing tremendously exciting.  The colors are well chosen, and the jeans in particular have some nice accent work.  This Logan is from post movie release, so he’s after Toy Biz started adding the goofy painted on sideburns to all the movie Wolverines in an effort to make them more accurate.  It looks really goofy.  Super goofy.  Crazy goofy.  The figure was packed with a small dog tag that isn’t even remotely close to proper scale.  He’s also got the “action feature” which I think is supposed to swing his arms back and forth when the torso is turned, but it never looks like anything more than panicked flailing.

THE ME HALF OF THE EQUATION

The Series 3 X-Men: The Movie figures were rather hard to come by at first, even Logan.  He was one of the last ones I got, courtesy of my parents, who bought him for me while they were on a weekend trip to the beach.  I know I really wanted one at the time, but boy is this figure odd in retrospect.  Not only does he feel rather redundant (he was the fourth civilian version of the character in the line), but he’s also just laden with strange design choices.

*Though this series was dubbed “Series 3” by Toy Biz, it was effectively Series 2 of the line, as the first 2 series were released simultaneously in order to have all of the main characters on shelves for the film’s release.