PHOEBE & EGON SPENGLER
GHOSTBUSTERS: PLASMA SERIES (HASBRO)
“Phoebe’s love of science and affinity for bustin’ ghosts runs in the family. She’s got Spengler blood, after all.”
Finding a good follow-up to the first Ghostbusters has been a difficult task since, well, the first Ghostbusters, honestly. Even the combination of the whole original cast, the original director, and the original writers on Ghostbusters II wasn’t enough to capture that particular lightning back in the bottle, so in a modern world where reassembling the whole team is no longer possible, it’s an even more daunting task. 2016’s attempted reboot was divisive to put it mildly. So, Afterlife seemed like it was taking on a rather Herculean feat, but it actually managed to achieve the seemingly impossible, and finally craft an actually pretty decent follow-up to the first movie. Its success largely lies in how it interweaves old and new, as the old story is still there, but there’s also an actually rather likable cast of new characters to accompany them. Central to the film is Egon Spengler’s granddaughter Phoebe, whose curiosity about her grandfather’s old habits launches her into the film’s events, as she is guided by her grandfather’s spirit, metaphorically, and then (SPOILERS), not so metaphorically.
THE FIGURES THEMSELVES
“The Family That Busts Together” set is a Target-exclusive Ghostbusters: Plasma Series release, which was announced the week after Afterlife hit theaters, and started hitting shelves just after Black Friday/Cyber Monday. Currently, the set is the only way to get Plasma Series versions of either of the two included characters. It does seem a little odd, since Phoebe is unquestionably the film’s main character, and it’s an exclusive set, but with the rather notable spoilers surrounding the other half of the set, I can get the move for a retailer exclusive, since that allows for a closer to film release, while also keeping the reveal close to the vest for as close as possible. The set did at least prove fairly easy to find at first, though in the aftermath of holiday shopping, time will tell as to exactly how easily acquired it is.
Afterlife‘s new cast each sort of follow the archetype of one of the earlier ‘Busters, with McKenna Grace’s Phoebe taking her grandfather’s spot as the slightly quieter, more scientifically-minded member of the crew, though perhaps one that’s a little more outwardly driven than Egon ever was in the films proper. As with all of the figures thus far from the film, Phoebe is based on her fully geared up look from later in the film, which is certainly sensible, as far as toy choices go. Just basic day-to-day attire might not be quite as fun. The figure stands about 5 inches tall and she has 25 points of articulation. While there are similarities in the sculpts of all the new Ghostbusters, none of them are actually sharing parts, so Phoebe is an all-new mold. It’s a pretty solid one. The articulation is perhaps a touch more limited than I’d like, but it does somewhat come with the territory of her being much smaller. The likeness on the head sculpt is pretty spot on, and I really like the little touches to show that she’s had to quite hastily tailor her grandfather’s jumpsuit to her smaller stature. The paint work on the figure is on par with the earlier releases in the line, which is to say its pretty clean and basic, with the best work by far being shown off on the head, which has the face printing. Phoebe gets a rather impressive selection of accessories, including Egon’s modified proton pack, with removable back plate and neutron wand, as well as an effects piece, a PKE meter, which can be clipped to her belt, a jar of ooze from the second movie, and one of the chess pieces from the game she and Egon’s poltergeist are playing throughout the film. The very moment-specific extras are definitely a lot of fun, and I was glad to see them turn up. Lastly, and not so much for her specifically, the set also includes the head to the Terror Dog version of Zuul, designed for use with the Build-A-Figure body released last year. Since that one was specifically Vinz Clortho, and it was re-used again for the set with Tully, it was very nice of Hasbro to find a way to give collectors both dogs.
Afterlife begins with the death of Egon, shot in such a way as to avoid showing him directly, given Harold Ramis’s passing seven years before the film. Throughout the film, he continues to have a role in the film as a spirit with no visible form, again to keep him included, while still acknowledging the loss of Ramis. The big reveal during the film’s climactic battle, after the remaining three original ‘busters have shown up to assist the new team, and after Phoebe in particular steps up to face down Gozer, is Egon as an actual visible ghost. It’s a moment that allows both Egon and Ramis to stand alongside their respective teams one last time, and it’s one of the film’s most emotional moments to be sure. This set in particular is designed to replicate that sequence, and Egon’s appearance in particular. The figure stands just over 6 inches tall and he has 29 points of articulation. Structurally, he’s largely the same as all of the other older ‘busters from Afterlife, meaning he’s using the Ray body from the first series. It gives him a slightly huskier build, which matches to Ramis’s look later in life, as well as how Egon is portrayed in the film. The only thing that *doesn’t* match up with the film is the presence of gloves, which Egon pointedly didn’t have on as a spectre. However, there aren’t yet any non-gloved hands and forearms for the standard ‘Busters body, so it would have required new tooling, and given how the coloration works, it’s a forgivable change, since it’s not very visible anyway. The one new piece here is a new head sculpt. It’s not as spot-on a likeness as the prior Egon, but it’s also based on a cgi recreation of a likeness, and it given the turnaround time on this one, it’s likely it wasn’t even a fully-formed render at the time yet. All things considered, it’s perhaps a little on the large side, but otherwise not a bad sculpt at all. The paint work on this figure is a definite change-up from the others, since it needs to give him that spectral look. This is achieved by molding him in translucent blue plastic, and then painting on some trace details, notably on the face and the upper torso, making him look like an apparition that fades away as it gets to the edges of his body. It’s a well-rendered effect, especially when seen in person. Egon’s more of an accessory himself, so he doesn’t get anything of his own, but a few of Phoebe’s accessories also work for Egon as well, so there’s some crossover there.
THE ME HALF OF THE EQUATION
As I’ve mentioned before, Egon’s my favorite member of the Ghostbusters, and Harold Ramis is also one of my favorite creators, so the lack of both of them in this sequel was something I was worried about going into the new movie. I really loved how they worked his legacy into the story, and I’ll admit to being rather touched by how they built to his ultimate reappearance late in the film. Likewise, I really identified a lot with Phoebe and her quest to connect more with her late grandfather. She was certainly my favorite addition to the cast, so I found myself wanting this set quite a bit after seeing the movie. Thankfully, Max was there with the assist on this one, and snagged me one back in December. Phoebe is definitely the real star here, but the accessory selection and inclusion of Egon really make it a home run of a set.