#3954: Superman – Zero Hour

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SUPERMAN — ZERO HOUR

DC MULTIVERSE (McFARLANE)

In the ‘50s, DC rebooted its super hero line, starting with the introduction of the second Flash, Barry Allen.  In the ‘60s, they brought back the original Flash, Jay Garrick, establishing the existence of a Multiverse. Through the ‘60s and ‘70s, that Multiverse grew, and in the ‘80s, DC decided it had grown too much, and consolidated everything down to one single universe in Crisis on Infinite Earths.  For all of their plans to simplify, Crisis brought with it all manner of complications and odd loose ends. In the ‘90s, DC made one of a number of attempts at rectifying those issues with Zero Hour, another crossover to end all crossovers.  DC’s two top heroes, Superman and Batman, were both rather fresh off of some upsets to their status quos.  Superman had died and returned, with the major lasting remnant at that point being his ‘90s-tastic mullet.  It’s a great way of getting an extra variant out of the Man of Steel, and that’s the case today!

THE FIGURE ITSELF

Superman — Zero Hour is part of the latest round of “Page Punchers” from McFarlane’s DC Multiverse line (officially under the DC Direct banner).  He’s paired off with a Crisis Joker, and he’s the standard release, with Zero Hour’s secondary antagonist Extant as the unadvertised Red Platinum chase.  This is the second time we’ve gotten mullet Superman, following up on the Collector’s Edition one that got stupid expensive a while back.  The figure stands 7 1/2 inches tall and he has 37 points of articulation.  As has become the formula for most Supermen from McFarlane in the last year, this figure is built on the Earth-2 Superman base body.  It’s by far the best take McFarlane’s had, and it’s a good, solid classic Superman body, so I can’t really fault it’s continued use.  He gets a new head sculpt, sporting that oh-so-important mullet.  It’s a strong sculpt, feeling consistently the same guy as the Silver Age Superman, but looks a bit older and more defined.  The hair’s got a good, dynamic flow to it.  Something with less of a dynamic flow, however, is the figure’s cape.  It’s a cloth one, like the others on this body, but for whatever reason, they’ve omitted the wire in the lining this one, meaning it just sort of hangs their flat.  It’s especially odd because the stitch on the cape clearly is designed with a wire in mind; it’s just not there.  The cape also sits back too far at the shoulders, which is especially notable given how his cape was usually pretty flared at the shoulders during this era.  His color work is a bit darker than the Silver Age version, which is accurate to the comics from the time, and looks pretty good and unique from the others.  Superman is packed with two pairs of hands, one in fists, the other in open gesture, and basic display stand, a collector card, and a copy of Zero Hour #4, which is, oddly, the first issue of the crossover.  It’s really prone to damage, because the paper’s really thin, but it’s an entertaining enough read.

THE ME HALF OF THE EQUATION

Since I came into collecting in the ‘90s, my first Superman line was Man of Steel, so the mullet is kind of etched into my brain as a signature look for the character.  I missed the last mullet Superman at retail, and the only time I saw him he was crazy expensive.  Since I’m just sort of keeping up with the new Supermen as they hit now, I was on board for this guy when he was shown off.  He sold out super quick, but GameStop came through for me again.  I don’t love the cape, but otherwise, he’s a fun little variant on a tried and true formula for a Superman figure.

#3953: Super-Skrull

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SUPER-SKRULL

FANTASTIC FOUR (TOY BIZ)

“By the order of his Emperor, a select Skrull warrior was bionically re-engineered to become the living weapon in a plot of revenge against the world’s greatest super-hero team. Through advanced technological means, the Super-Skrull was granted the ability to perfectly mimic each of the powers of the Fantastic Four! Sworn to bestow a crushing defeat upon Mister Fantastic, The Thing, The Invisible Woman, and the Human Torch, Super-Skrull seizes the combined force of their awesome powers, and throws it back at them with a bitter vengeance.”

The shape-shifting aliens the Skrulls are one of Lee and Kirby’s earliest additions to the Marvel Universe after launching the Fantastic Four, appearing in the second issue of the series.  Just over a year later, in issue #18, they would get an upgrade in the form of Kl’rt, the Super-Skrull, a Skrull warrior imbued with the powers of all four members of the titular team.  He’s been perhaps the most notable and prominent recurring Skrull since his introduction, facing down not only the FF, but a fair number of other Marvel heroes along the way, and even becoming less antagonistic from time to time.  He’s had a handful of figures over the years, the first of which came from Toy Biz in the ‘90s.

THE FIGURE ITSELF

Super Skrull was released in Series 3 of Toy Biz’s Fantastic Four line, designed to tie-in with the show of the same era.  Super-Skrull appeared in the show’s first season, sporting his classic design, and this figure serves as a pretty close adaptation of that set-up.  The figure stands just over 5 inches tall and he has 9 points of articulation.  He’s largely got the standard set-up for movement, but the right arm just gets a swivel at the elbow, rather than a hinge, due to how his action feature works.  His sculpt was unique to him.  It’s very…wide.  Admittedly, that’s true to his Season 1 design, which was itself true to his ‘80s/early ‘90s depictions.  It’s certainly not a bad sculpt, and feels pretty in line with the character. The head’s suitably angry and sporting that signature wrinkly chin, and the arms do an okay job of selling the combined powers of Reed, Ben, and Johnny.  His right arm sports an action feature that extends the fist outward when the button on his shoulder is pressed.  It’s the same basic gimmick used by Doom, but it makes a bit more sense here.  Honestly, it’s a bit odd it never got used for Reed, since it’s his power it’s meant to replicate, but that’s a whole other thing.  His color work is basic.  It’s bright, and again matches the Season 1 look.  I’ve never been crazy about the blue used on the cowl and mid-section of the torso; I definitely prefer the usual black there, and I don’t feel it’s a great contrast here.  Otherwise, though, things work pretty well.

THE ME HALF OF THE EQUATION

Super-Skrull is another purchase courtesy of the one single trip I got to take to the KB liquidation center with my Grandmother, back in the early ‘00s.  I recall this one being one I was particularly excited to find, because he wasn’t one you saw nearly as often as the rest of the figures.  He’s definitely based on a very specific incarnation of the character, but it works, and I think he results in a pretty clean, pretty fun little figure.

Flashback Friday Figure Addendum #0051: Firelord

Posted by Ethan Wilson in Flashback Friday Figure Addendum and tagged with , , , ,

FIRELORD

FANTASTIC FOUR (TOY BIZ)

I started the week with som Toy Biz Fantastic Four, why not wrap the week with a revisit to the line?  That’s what a good Flashback Friday Figure Addendum is all about!  So, let’s return to a guy who’s probably not cracking top three on Galactus’ Heralds, Firelord!

“Once a herald of the world-devouring Galactus, Firelord was granted absolute control over all flames by his former master. Now freed from servitude, he wanders the spaceways, using his cosmic power to take what he desires! Unprincipled and mercenary, Firelord conceals his true demeanor beneath a facade of nobility and culture, but always displays his blazing abilities for all to marvel at…and fear!”

After Stan Lee and Jack Kirby introduced the concept of Galactus, and in turn his herald Silver Surfer, and then almost immediately dismantling it by having the Surfer removed from the role of herald at the end of that very story, it seemed Galactus was in need of a new herald to keep things running. The first replacement for Surfer was Air-Walker, a Xandarian who’s first appearance was not even the man himself, but a robotic duplicate, created by Galactus after the original died. The next herald after Air-Walker was another Xandarian (who was actually a friend of Air-Walker pre-herald transformation), Firelord. Firelord would follow in the path set by Silver Surfer, eventually asking to be released from his duties as herald, and forging out on his own. He’s remained a minor recurring character on the cosmic side of things at Marvel. As a herald of Galactus, he got himself a spot in Toy Biz’s FF line in the ’90s. I’m taking a look at that figure today!

THE FIGURE ITSELF

Firelord was released in Series 2 of the Fantastic Four line. Unlike Thanos, who was notably never in the cartoon that the line was tying into, Firelord actually got a brief appearance on the show. Not that it really amounted to much, since it was little more than a cameo, but hey, there it was. Of note, he was actually voiced by Alan Oppenheimer, better known as the voice of Skeletor. Fun times. Until his Minimate release, this was Firelord’s only action figure. The figure stands about 5 inches tall and he has 9 points of articulation. He sports a sculpt that remained unique to this release. It’s a pretty decent one. Nothing overly showy or anything. Generally it just sticks to the basics, but it’s good at that. He’s got some minor detailing for the flame effects, which are a little on the soft side, but get the point across. The strongest portion of the sculpt is definitely the head, which sticks closer to the comics interpretation of the character, with his rather other-worldly cheek bones and all. Firelord’s paint work is alright. It’s not quite as bold and differentiated as some of his colors tended to be in the comics, but the general look again works pretty well, apart from some slight muddying of the colors without any real clear outlines. That said, it’s not terrible. Not terrible at all. Firelord was packed with his flaming staff, dubbed “Cosmic Flame Launcher” on the package. It’s in two parts, and one part launched like a missile out of the other. I’ve only actually got the missile part anymore, which is the half that looks more convincingly like his staff anyway.

THE ME HALF OF THE EQUATION

I’ve mentioned before on the site about Ageless Heroes, a comic store nearby that had a rather huge going out of business sale when I was between six and seven. It served as a pretty sizable boon to my 5 inch Marvel collection as a kid. Firelord here was one of the figures from that boon. He wasn’t actually bought as Firelord, since I didn’t really know the character, but instead got initial use as a Jim Hammond Human Torch. I did eventually learn who Firelord was, courtesy of a copy of his appearance in Uncanny Origins, which I got from Ageless Heroes’ back-issues, in fact. He’s not a perfect figure, or anything, but he’s certainly one I got a lot of use out of as a kid.

That review was from 2022, making it an astoundingly new review for a revisit.  Curiously, it managed to only *just* beat the Legends Firelord’s release, so I still reviewed them chronologically.  We won’t bring up that the Minimate should be between the two of them, though, because it makes me look bad, and I don’t do that around here.  Never.  It hasn’t been enough time for me to really change my opinion on the figure, so I shan’t.  I will, however, show off the newly replaced other half of his staff, because there it is!  It’s real bulky, and pretty much impossible for him to hold and seems needlessly complicated, but there it is.

#3952: Ronto with Jawa

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RONTO with JAWA

STAR WARS: POWER OF THE FORCE II (KENNER)

Given it was the line running when the movies were released, Kenner’s Power of the Force II makes up most of the admittedly pretty small selection of toys based on the Star Wars Special Editions.  Mostly, the focus was on the new CGI creations, with a specific focus on the new creatures the movies had to offer.  Some of the creatures were new just replacing pre-existing models, and could serve as updates to older figures in a pinch, but there were also completely new ones, which includes today’s focus, the Ronto!

THE FIGURES THEMSELVES

The Ronto was released in 1997 as a later addition to the first year of Star Wars: Power of the Force II’s Creature sets.  As with the other two sets from that year, the set’s based on A New Hope’s Special Edition, pairing off one of the new CGI creations with a standard figure, in this case a Jawa.

The Ronto was, as noted in the intro, completely crafted for the Special Editions, added to the background of the Mos Eisely Spaceport scene.  It was modeled on one of ILM’s Brachiosaurus models from Jurassic Park, and was nicknamed “Bronto” during production.  George Lucas, in one of his most Lucas-y moments, just dropped the “B” off the name for the official name.  The figure stands about 9 inches tall and has moving legs.  The neck joint is connected to the rear leg, so you can make it “move” that way.  You can also move the ears and horns, for a little bit of variety.  The sculpt is…well, it’s a dinosaur with a different head, which is appropriate to the source material, so good for them.  The sculpt has a nice selection of texturing on the skin, which gives it a realistic vibe.  The color work on the figure has a fair bit of accenting, which helps to showcase the strengths of the sculpt.

Included with the Ronto is a Jawa.  This was the third of four Jawas released in this line.  He’s very similar to the carded Jawas from the main line, with the single hip joint and the light piping.  Scaling wise, he’s right between the two of them, and his sculpt also sort of feels like an averaging of the two sculpts.  It’s a little lighter on the texturing than those two, but still gets a lot of respectable work, especially given the smaller scale of the figure.  The coloring of the figure is a little more on the washed out side, landing closest to the smaller of the two standard Jawas.  It also means we get two of each shade, if you’ve got all four, which is cool.  The Jawa is packed with a small blaster pistol, which was missing from mine, a fact I can definitively confirm because I opened it just prior to taking the pictures for this review.

THE ME HALF OF THE EQUATION

I didn’t buy this set new, because I honestly don’t remember it existing when it was new. It wasn’t until going back to look more into the line as an adult that it even really came across my radar.  I ended up snagging it during a Star Wars Day sale at Cosmic Comix about 5 years or so back.  As you may have figured out from the main body of the review, it’s been sitting on the shelf unopened for all of that time, as I only just opened it the night before writing this review.  The Ronto’s a cool, big creature thing, which is nifty, and the Jawa is different, but still a very fun additional Jawa for the line-up.

#3951: Spider-Man, Green Goblin, The Lizard, & Electro

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SPIDER-MAN, GREEN GOBLIN, THE LIZARD, & ELECTRO

WORLD’S GREATEST SUPER HEROES (MEGO)

After a few sort of false starts in the ‘00s and early ‘10s, Mego seems to have well and truly made a return in recent years.  Perhaps their biggest boon for the main line was successfully landing the DC license, which has become a backbone of their offerings.  Of course, back in the ‘70s, Mego was home to both DC *and* Marvel, so you gotta have both for the full success, right?  Marvel being a much bigger license than it used to be, and also being tied-up in Hasbro’s master license means that it’s not as simple a score.  However, Mego was able to partner with Disney Parks, allowing for at least a little bit of Marvel to go with all that DC.  Yay!  Anyway, the first set was Spider-Man themed, and I’m looking at it today.

THE FIGURES THEMSELVES

Spider-Man, Green Goblin, Lizard, and Electro were the first offering in the Marvel off-shoot of World’s Greatest Super Heroes line.  They went up for order through Disney’s online store at the end of last year in limited quantities, and have been showing up at the parks locations intermittently since then.  The set includes the four figures, each with their own replica box, as well as a coin, based on the Spider-Man Medallion coins offered in Marvel house-ads in the ‘70s.

SPIDER-MAN

Star of the show and one of the most distinctive of the original Megos, it’s Spider-Man.  Spidey was one of the few figures to get re-released during the previous attempt at relaunching Marvel Megos under Diamond, so we’ve gotten the replica with the box once before.  The figure stands 8 inches tall and he has 26 points of articulation.  He moves over to the updated bandless body that the main line’s been using for a while now, meaning he’s less prone to breakage and also more posable.  He’s still using (a replica of) his original head sculpt, which remains a very strong take on the character.  As with prior versions of the character, his outfit is a single, silkscreened jumpsuit.  The DST version went with the earlier circle-logo version of the costume, but this release goes for the more standard issue, from the wider run of the line.  The finish on the costume is also closer to the original, rather than the shinier finish of the last replica.  The print is generally pretty good, but the belt seems to go a little lower than it should, especially the dip at the front.

GREEN GOBLIN

Spidey’s primary antagonist Green Goblin was added to Mego’s run in the second Marvel assortment, and hasn’t been revisited by any sort of follow-up since.  Like his original release, he gets a unique head.  It’s not quite as definitive as Spidey, generally dialing back some of Goblin’s features to something closer to a standard human face, but it still looks enough like the character to read pretty well.  His outfit gets a jumpsuit, assembled from different parts for the torso and limbs, as well as including a sewn on belt piece, and cuffs for his gloves.  The arms and legs have a printed scale pattern, which is fun, and a good match to the vintage equivalent.  It’s all topped off with a pair of plastic boots, which have a tendency to make him topple, unless you get him posed *just* right.  Goblin is also packed with a plastic satchel piece.  Like his vintage counterpart, he lacks his glider.  It’s a bit of a bummer that they couldn’t add it this time around, but it’s not quite within the scope of what they’re going for.

THE LIZARD

Joining the vintage line alongside Green Goblin (and Iron Man and Hulk) was The Lizard.  Though the package also billed him as “Spider-Man’s Arch-Enemy”, that doesn’t quite feel like it fits for Lizard, who’s hardly obscure, but still seems a little more of a deeper cut than Goblin.  Lizard was the most involved of the original Spidey line-up, and that’s replicated with this figure.  In addition to the “new” head sculpt (which was shared with Star Trek’s Gorn during the vintage run), Lizard also got specially sculpted hands and lower legs.  They all sell the reptile angle pretty well.  The head’s pretty goofy and all, but also has that perfect charm for the line.  The left hand’s notable for being in a fist, a unique feature for the original line, and still unique here as well.  Lizard’s outfit is involved like his sculpt, with a lab coat, and a shirt/pants combo that also includes a cloth tail piece.  The tail has the same pattern of scales as Goblin, just in a darker green color.

ELECTRO

Electro is notable in this set because he *wasn’t* in the vintage line, making him the set’s one new addition to the line-up.  He gets a replica package made-up to match the others, so that you can just sort of pretend he always existed.  He gets a totally new head sculpt, which isn’t bad, apart from the one drawback that the way the package tray is set-up, his head is pressed up against it, so the top “bolt” of his mask is folded down.  It’ll need some work to get it properly reset.  He gets a single piece jumpsuit, with a printed pattern matching his classic costume set-up, and additional pieces on the forearms mimicking the bolt attachments from his gloves.  He also gets a standard pair of boots, molded in yellow.

THE ME HALF OF THE EQUATION

I have a few actual proper vintage Marvel Megos, but for the most part, I rely on my dad’s collection for my memories of them.  He actually didn’t have any of the Spidey characters, and Spidey himself was one I got when I was about 9 or 10.  Lizard in particular is a figure I’ve wanted for a good long while, but I’ve never gotten the chance to track one down.  The prospect of re-issues was intriguing, but then they sold out really fast online, and they’ve been getting scalped pretty consistently since.  My dad took a trip to Disney a couple of weekends ago, and was planning to keep an eye out for this set, but before he even got to the park, he got notified that they were back in stock online, and was nice enough to order an extra set so that I could also have one.  I’ve got no shortage of Mego Spideys, but that doesn’t make him any less cool.  Goblin’s a respectable replica of his original figure, Electro is a fun new addition (slight issue with the mask aside), and Lizard just rules.

#3950: Superman

Posted by Ethan Wilson in Reviews and tagged with , , ,

SUPERMAN

SUPER FRIENDS (McFARLANE TOYS)

While the main offerings from McFarlane’s DC line are all in the 7-inch range, the Batman: Classic TV Series line notably broke from the pack in its decision to go with 6-inch, thereby allowing it to *sort of* serve as a continuation of Mattel’s run with the line.  They had a good, solid run with the line, but there’s only so many characters to do, even calling in the continuation comics.  So, to keep the style running, McFarlane moved into another notable feature in the mainstream TV coverage of the DC Universe, Super Friends.  It’s a solid way to get a bunch of heavy hitters in one cohesive style, so I guess that’s not so bad.  Today, I’m taking a look at the line’s take on the Man of Steel, Superman!

THE FIGURE ITSELF

Superman was released in Series 2 of McFarlane’s Super Friends line.  Thus far, they’ve stuck to a two heroes paired off with two matching villains, so Superman is paired off with his counterpart Lex Luthor, which is pretty sensible.  The figure stands just over 6 inches tall and he has 18 points of articulation.  In addition to sharing a scale, the Super Friends and Batman: Classic TV Series lines also share a number of parts.  Superman, unsurprisingly, has some parts in common with his Classic TV Series release.  With its sculpted wrinkles in the suit and generally more realistic build, it’s a bit of a departure in style, from the show.  It’s especially notable with Supes, who ends up looking a touch skinny.  That said, it fits with what they’re trying to do with the line, so I get it.  It’s definitely not a badly sculpted set-up, though the articulation’s a little awkward at times.  There are a number of new parts, though, most notably the head.  It’s not a pitch perfect match for Toth’s take on Supes, but it gets the idea across, and is certainly closer to the animated Superman depiction than the Classic TV figure was to George Reeves.  I feel like, if nothing else, the expression feels very much in character with the show version of Superman.  Like the Classic TV figures, the cape on this guy is cloth; it’s kind of flat and looks a bit odd at the collar, but it’s also the same general set-up used in the Batman line, so it’s not like it’s any sort of crazy upset.    Superman’s color work is decently handled.  It matches okay with the show scheme, and while the insignia didn’t always have the extra line around the edge, but it’s a more unique look, so I appreciate the choice.  Superman is packed with a JLA communicator and the Kryptonite ball-and-chain from the Challenge of the Super Friends episode “Monolith of Evil.”  I especially dig the ball-and-chain, because it’s such a nice signature scene from the show.

THE ME HALF OF THE EQUATION

This whole line kind of snuck in without a ton of fanfare.  I wanted the GL from Series 1, but he sold out really quickly, and I haven’t gone to the trouble of finding one, so I wasn’t really sure I’d be jumping in any further.  But, I was in NYC a little over a month ago, and found myself with time to kill while Rachel and her siblings were in a show, so I spent a chunk of it wandering through Midtown Comics.  I felt obliged to buy something, and they had this guy, and he just sort of spoke to me.  He’s got his quirks, but he’s fun.

#3949: The Thing II

Posted by Ethan Wilson in Reviews and tagged with , , , ,

THE THING II

FANTASTIC FOUR (TOY BIZ)

“Bombarded by cosmic rays during an exploration in deep space, Ben Grimm’s body underwent an extraordinary transformation. His strength, endurance and durability were boosted to super-human levels and his skin became an orange colored, rock-like armor. As a member of the Fantastic Four, The Thing is a sworn protector against villainy and threats of conquest, but his monsterish appearance has always remained his greatest enemy. Often feeling the need to disguise himself when entering public, Grimm’s crude camouflage poorly covers the heart and soul of a true, blue-eyed hero.”

While the team has always shared equal footing within the confines of the book, and have always been equally billed, there’s no denying that there’s an unprecedented break-out character from the quartet that is the Fantastic Four, and that’s Benjamin J. Grimm, the ever-lovin’ blue-eyed Thing.  Curiously, when Toy Biz put together their line based on the team, Ben was, through odd circumstances, *not* the first to double up on figures, as both of the Storm siblings beat him to the punch.  But, he was the first to get a properly planned variant, and also one that made a good degree of sense.  Since Ben’s rocky-form can’t turn on and off like the others (most of the time, anyway), he frequently had to hide himself away under a baseball cap, a colored hoody, and a pair of Aviators a trench coat, glasses, and hat.  It’s a signature look that’s been adapted a number of times, including as part of the very first Toy Biz line, which I’m looking at today!

THE FIGURE ITSELF

The Thing II was released in Series 3 of Toy Biz’s Fantastic Four line.  He was the only member of the team present in this particular line-up, which was otherwise a much wackier collection of characters.  The figure is just shy of 5 inches tall and he has 9 points of articulation.  His bulky stature means even with the standard articulation, he’s not exactly agile, but you can get some subtle variations of his standing around pose.  While it would seem like a great time to re-use parts from the first version, this figure sported an entirely new sculpt.  The line was generally a loose tie-in to the show running at the time, but Ben marks a departure from “loose,” being a pretty spot-on recreation of his animation model from the show.  Of course, it’s his Season 1 model, which was far more cartoony and goofy, and stands out more from the rest of the line, and which was phased out of the show in the same year this figure was released.  It does okay by the design, though, and certainly captures its more bold line-work and cleaner rock structures.  It’s certainly a more huggable Thing.  The figure comes out of the box wrapped in a cloth coat.  It’s a very thin material, and also not *technically* designed for removal, since it’s tied shut with a very tight knot.  You can remove it, though that certainly makes it more prone to damage.  The figure’s paint work is fairly light, with just the eyes and shorts, which appear to be the same two colors.  It’s perfectly fine it its application.  The shade of orange plastic used for the bulk of the body does seem a touch pale, but it’s at least a bit better than the Marvel Super Heroes version.  Ben is packed with his hat and sunglasses, which are specially molded to fit over his head.  They do okay, and round out his disguised look nicely.

THE ME HALF OF THE EQUATION

Since I came into the line a little bit after launch, this was my first figure of the Thing.  Mine, of course, immediately had the coat torn off and thrown aside, since I really just wanted the basic figure.  When my Grandmother took me to the KB Toys Liquidation Center in Delaware about a decade later, they still had a pile of this guy, so I got myself a second one, who has kept his jacket on the whole time, so it’s a little nicer.  He’s a very specific take on the character, and it’s interesting to have such a cartoon-specific version of the character, given there aren’t matching figures of the rest of the team.  He’s not incredibly playable, all things told, but he does make a neat enough display piece.

Flashback Friday Figure Addendum #0050: Cantina at Mos Eisley

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

CANTINA AT MOS EISLEY with SANDTROOPER

STAR WARS: POWER OF THE FORCE II (HASBRO)

Hey, who’s ready for a thematic tie-in?  I sure am! Yesterday, I looked at one of two cardboard playsets released during Power of the Force II.  The first released of those two actually was a more direct callback to the original Kenner run, a Mos Eisley Cantina, and I’ve looked at that one, albeit tangentially, via the figure it was later released at retail with following a run as a mail-away, who I reviewed back in 2020, making this a Flashback Friday Figure Addendum, following up on the Sandtrooper!

“Their remote location makes the spaceports of Tatooine havens for the varied masses from across the galaxy. At the seedy Mos Eisley spaceport, this variety is more than evident at the main hangout, Chalmun’s Cantina. The most loathsome of Mos Eisley’s population can regularly be found there, including imperial sandtroopers, who are deployed by the Empire to quell outbursts with brutal efficiency. In the days before the Galactic Empire, the spaceport of Mos Espa hosted a similar reputation as a “wretched hive of scum and villainy.” From the outdoor markets to the junk shops – overseen by the gambling crimelords, the Hutts – Mos Espa was a place where a nine-year old boy could learn the ways of the universe.”

Hey, remember how I’ve got all these Power of the Force figures I can review? Great, I don’t have to remind you why I’m doing this review, then. I’ve looked at all manner of Stormtrooper variants, many of them from this very line, but today I’m kind of doubling back and looking at a variant of a variant. Oh man, how crazy is that?

THE FIGURE ITSELF

The Sandtrooper was released in 1998, accompanying a 3D display diorama of the Mos Eisley Cantina. He was the actual figure used to sell a bunch of cardboard, wrapped in cardboard. Neat trick, I suppose. We had gotten a standard, run of the mill Sandtrooper in the main line, but this one aimed to be different enough to make collector’s buy. Guess it worked. According to expanded universe materials, this guy actually has a name. He’s Davin Felth, the trooper who says “Look sir, droids!” while they’re searching on Tatooine. And now you know that. Don’t you feel like your life has meaning now? The figure stands 3 3/4 inches tall and he has 6 points of articulation. He uses the same head, torso, and pelvis as the single-carded Sandtrooper, but gets a new set of arms and legs. It’s still the super goofy PotF2 trooper build, but by this time things were starting to be a little bit more toned down. Those arms and legs are definitely less bulked up compared to prior troopers. His pose is also a more neutral one, but, in an interesting turn of events, he’s not really able to do anything but hold that one neutral pose. He looks like he’s standing guard (which makes sense for the playset he came with), meaning he’s designed to hold his weapon in a non-battle stance. He can’t actually hold it by the handle, due to the relative posing of his arms. The paint on this guy is also toned down from the prior Sandtrooper. He’s still got a little bit of weathering, but it’s nowhere near as intense. His pauldron has changed colors to mark a change in rank, with it being white instead of orange. For some reason, the black section has also changed to a light grey, which is an odd choice. Moving further down, the figure has also lost the black detailing at the elbows that prior troopers had, which does look a little weird. The Sandtrooper was packed with a blaster rifle and a patrol droid (missing from mine) which plugged into his back.

THE ME HALF OF THE EQUATION

As part of my goal of getting all the figures from the PotF2 line, I’m having to track down some of the more odd-ball releases as well, which includes this guy. I ended up getting ahold of one from a loose collection that was traded into All Time, though he was missing the droid piece. He’s not a bad figure. I actually like him quite a bit, certainly more than I was expecting to.

That’s a May 2020 review up there, meaning I wrote this review in the midst of the pandemic shutdown, when I had a *lot* of reviewing time on my hands.  My notable backlog of Power of the Force figures was certainly an asset during that stretch of time.  I definitely got a little more quippy during that period, for sure.  Hey, comedy gets you through it, I guess.  The review of the figure holds up fine, so no issues there.  Pandemic Ethan knew what he was talking about.  The figure proper was missing his Scanning Droid, which I have subsequently tracked down.  It’s a pretty fun piece, and it plugs into the spot originally meant for his survival pack, which is a clever re-use of the spot.

The main omission, of course, was the actual playset.  It’s similar in concept to the Jabba’s Palace, and has a similar footprint.  The exact layout’s a bit different, though, with walls that fully enclose it, and a lack of raised platforms, instead placing the emphasis on the central bar, as well as the two included booths with tables.  I think it ends up working a bit better in terms of potential use with the figures, and there’s a general feeling of better stability to the whole thing, which I do really like.

#3948: Jabba’s Palace

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

JABBA’S PALACE with HAN SOLO in CARBONITE

STAR WARS: POWER OF THE FORCE II (HASBRO)

“As one of a species known to live for at least one thousand years, Jabba the Hutt had plenty of time to build up his ill-gotten empire. No other crime lord lived in such luxurious, palatial surroundings, where his every need was immediately attended to by members of his court and a large collection of slaves. The repulsive, slug-like Hutt had his fingers in just about every unseemly activity known, from elaborate smuggling operations to his early days on Tatooine when gambling on Podraces was as big as the sport itself.”

When the original Star Wars line launched under Kenner, they had one proper playset, based on the Death Star, but in order to further expand the line at a smaller budget, they also partnered with Sears to offer another playset, based on the Mos Eisley Cantina, which, to save on tooling costs, was made out of card stock.  This was repeated for Empire, which saw a similarly card stock Cloud City playset.  By the time of Jedi, they didn’t need to concern themselves with tooling costs as much, so no card stock sets were crafted for that one.  When bringing the line back in the ‘90s, Kenner/Hasbro went back to that particular well, though, and we got a couple of new ones, including a Jedi-based one, Jabba’s Palace.

THE SET ITSELF

Jabba’s Palace was released as part of the “3-D Display Diorama” sub-line of Star Wars: Power of the Force II in 1998, officially under the Hasbro brand, not the Kenner one.  Included in the set was the fold-out Palace playset, an exclusive Han Solo figure, and some associated accessories.

The main set is, as noted, made from card board.  It’s based on the throne room of Jabba’s Palace as seen in the movie’s opening sequences.  Or, at least an approximation of it, which lets you get all of the main story focus spots into one main area.  The set has a footprint that’s about 25 inches long, and includes Jabba’s throne, the grate in front of it that leads to the Rancor’s pit, the entryway with the stairs, and the trophy wall that held Han in his carbonite slab.  The whole thing folds out without too much trouble, and tabs together without much issue.  The printing is generally pretty nice, and there’s a respectable amount of simulated texturing.  The only real downside is that some of the raised elements don’t hold weight especially well.  They do overall better than expected, especially Jabba’s throne, but the spot where the carbonite slab should go isn’t very good at supporting that weight.  Still, there’s plenty of space for spreading out the many denizens of the palace released over the course of the line.

The included exclusive Han Solo marks the second time the line did Han in Carbonite, following up on a solo release in ’96.  This one was based more specifically on his look immediately after being unfrozen, when he’s all…damp.  The figure stands 3 3/4 inches tall and he has 8 points of articulation.  He uses the same legs as the last version, but is otherwise a unique sculpt.  It’s certainly different.  Is it better?  In some ways.  They did at least actually get his shirt right this time around, and the added movement on the elbows is very handy.  The head’s not really any more Ford resemblant than the early release figures, but he’s got the wet and sweaty slicked back hair, which is accurate to the scene and also hides the likeness a touch.  I’m not sure exactly what’s going on with his facial expression, but it’s at least different from the other Han figures.  The paint only exaggerates the oddness of the face, with those strange eyebrows.  The rest of the paint is decent enough.  Han is packed with a pair of manacles, as well as a version of the carbonite block that has a spot where Han was thawed out.  The figure fits well in the spot, but there’s no real way for it to stay upright with him in it, which is annoying.

THE ME HALF OF THE EQUATION

This is one of those sets I remember seeing a few times as a kid.  I don’t know that I fully understood what it was, and I mostly just remember the Han with carbonite.  Since I already had the standard one, I didn’t see much need for this one at the time.  Obviously, my opinion on that shifted, since I, you know, own one and all.  The Palace is a pretty simple thing, but I think it really works well as a backdrop for the figures.  Han’s fine, but definitely goofy.  Still, not a bad set, all things considered.

Shoutout to my friends at All Time Toys, from whom I purchased this figure for review!  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3947: Magne Arthur

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

MAGNE ARTHUR

MICROMAN MAGNE POWER (TAKARA)

In the ‘90s, teams of colorful heroes imbued with weird fantasy powers were all the rage.  Well, Power Rangers was all the rage, and a lot of other people wanted that success for themselves, so other stuff became very Power Rangers-like.  Takara’s Microman, descendant of G.I. Joe and progenitor to Transformers, decided to give the whole thing a try, as well as throwing in a bit of a scale shift.  The result was Microman Magne Power, a brief run on the line at the tail end of the decade.  Today, I’m looking at the central member of this incarnation’s core team, Magne Arthur!

THE FIGURE ITSELF

Magne Arthur was figure 001 in Takara’s Microman Magne Power series.  He was the first of the figures that debuted the line at the very end of 1998, and helped to establish the line’s new style.  The figure stands abut 3 inches tall and he has 12 points of articulation.  As with the rest of the figures in this line, Arthur was scaled down from Microman’s usual 3 3/4-inch set-up, with the in-universe explanation being that these guys came from a  different Micro Earth than the original line’s figures, following up on the slightly smaller vintage Micro Hoodmen, who shrank themselves further to conserve resources.  His sculpt is largely the same as the other four core figures from the line, albeit with a unique head.  Arthur’s head was especially unique amongst the launch figures, as he didn’t have a helmet like the other four, instead just getting a set of funky headphones.  It’s ultimately a sculpt that’s a bit more in keeping with the earlier Microman figures in that regard.  From the neck down, he’s the same as the others, with the same kind of dated, bulky and boxy sort of body sculpt.  As the leader guy of a team of chromatically themed heroes in the ‘90s, Arthur was obviously predominantly red, which is done in a nice translucent plastic.  He’s also got white and dark grey accenting, and of course the usual chromed head.  As with all the basic figures, he had no accessories, but did have magnets in his torso, right arm, and feet, so you can stick him to all manner of metal surfaces.

THE ME HALF OF THE EQUATION

After discovering this line’s existence from the Micronauts guy at Mego Meet in 2011, I jumped pretty quickly on finding what I could of the line domestically.  Thankfully, Big Bad Toy Store had a rather nice selection of figures for pretty cheap at the time, so I was able to get the whole core set without much trouble.  Arthur is the most standard of the set, and that makes him the easiest for taking in the whole of what the line meant to be.  It’s not quite the success that Takara was hoping for, but it’s still a fun little set to look back at, and Arthur is a nice central piece.