#4017: The Creeper

THE CREEPER

THE NEW BATMAN ADVENTURES (KENNER)

You know, I can’t believe this, but going back to double-check some numbers, I realized that this will be the third time I’ve talked about the Creeper here on the site, which feels like a really high number.  Sure, I like the Creeper fine, but three times?  When he’s only got six figures total?  Weird.  Am I gonna have to track down those other three Creepers now?  No, I really can’t.  I can’t do it, guys.  Right, so today, I’m looking back at the Creeper, a very rare instance of Steve Ditko (of Spider-Man and Doctor Strange fame) creating a character for DC outright, rather than creating it for someone else and then just having them purchase it later.  Originally, he had no notable ties to any other major DC heroes, but in the ‘90s, he inexplicably showed up in The New Batman Adventures, getting his own focus episode “Beware the Creeper,” which re-worked his origin story to include Batman and the Joker.  And he also got his first action figure* that way!  Yay!

THE FIGURE ITSELF

The Creeper was released as part of Kenner’s The New Batman Adventures tie-in line, hitting with the second push of product in 1998.  He was one of two notable “new” figures, the other being Bruce Wayne.  The figure stands 5 inches tall and he has 5 points of articulation.  He had an all-new sculpt, based on his design from the show.  In terms of accuracy, this one’s pretty good.  I mean, in general, TNBA’s tie-in figures were more on-model than earlier Kenner offerings, but Creeper in particular sticks very close to his animated counterpart.  While he’s still doing the line’s general “just standing there” posing, he’s got a lot of character in his stance, with crazed hands, and a notable hunch, which his neck extended forward.  His head sculpt matches well with the character’s on-screen likeness, translating his pretty nicely into three dimensions.  His signature boa is a separate piece here, which is sort of an odd choice, but to their credit, it’s molded to his torso in such a way that it actually stays in place pretty well.  His paint work is generally very basic, but it does well.  Mine’s taken a bit of wear over the years, but not tremendously so, so he ultimately looks pretty good even now.  It’s interesting that his hair is black, rather than having any sort of green to it, but that’s the approach they took with this line’s Joker as well, so it’s not too out there.  Creeper was packed with a television camera, referencing Jack Ryder’s role as a reporter on the show.  The plate on the back can be slid to show Jack, or flipped over to reveal Creeper.  The whole thing also turns into a bit cannon of some sort, because why not?  I do quite like that the missile is designed to resemble a microphone.

THE ME HALF OF THE EQUATION

I saw this figure a great many times when he was new, and did *not* buy him…largely because I was really looking for that Bruce Wayne, who was more desirable at the time, meaning every store had not Bruce, and a whole peg of Creeper.  I caught his episode of the show after he’d disappeared from retail, so when I wanted one, I had to get a little help from Cosmic Comix.  He’s easily one of the best figures from this line.  He’s on model, he’s unique, and he’s got a gimmicky accessory that’s on brand and also not intrusive, which is all super cool.

*Though it almost wasn’t his first; Creeper was on the shortlist of figures had Kenner’s Super Powers continued in the ‘80s, and would have made his debut there.

#4013: Metallo

METALLO

SUPERMAN: THE ANIMATED SERIES (KENNER)

Early in the production of Batman: The Animated Series, the producers realized that, if they intended for the show to have a long run, they’d need to rely on a deeper stable of foes than just the heavy hitters from Batman’s rogues gallery.  To help with this, they put effort into rebuilding some of the more obscure characters into antagonists of depth equal to their more popular counterparts (with their revamp of Mr. Freeze serving as perhaps the most successful case of this).  When the same team moved onto Superman: The Animated Series, they took a similar approach to Superman’s rogues.  One of the beneficiaries was Metallo, who was granted a new design and a revamped and more streamlined origin story, resulting in a fan-favorite, who also got an action figure along the way.

THE FIGURE ITSELF

Metallo was released in Series 4 of Kenner’s Superman: The Animated Series line.  As with the rest of the assortment, his domestic release was handled by Diamond Distributors, as US retailers had bailed on the line after Series 2.  He was re-released with a slight paint tweak as part of a four-pack, which also included Supergirl and Bizarro from the same assortment.  The figure seen here is the original single release.  The figure stands 5 inches tall and he has 6 points of articulation.  He’s got the standard movement for the line, which is the usual Kenner 5 POA, plus a waist swivel.  Metallo’s sculpt was all-new to him, and would remain unique, apart from the previously mentioned boxed set version.  It’s generally a pretty good one.  The STAS figures were all a slight departure from the show designs, but Metallo sticks closer than most.  His legs are maybe a little bulky, but that’s really it.  Otherwise, he recreates the show’s updated design for the character nicely.  The strongest parts are the exposed portions of his robotic skeleton, which sticks very close to the animation model.  The human portion of the head is a little more detailed than the animation model, but feels consistent with the character, enough that it’s pretty clearly the same guy.  The rest of the sculpt is clean and basic, which is what it needs to be.  His chest features the cavity that holds his Kryptonite heart; the cover is on a hinge, and pushing the button on his back pushes the heart forward, making it “beat” and opening the cover to reveal it.  It’s not quite the way it works on the show, but it’s a cool enough gimmick to feel worth it.  Metallo’s paint work is generally on point.  The general color work is basic, but matches his coloring from the show well.  The robotic side gets some really nice accenting, with the only small slip-up being that they didn’t paint the remnant of his shirt cuff the correct tan color.  Otherwise, it looks really cool.  Metallo was packed with a somewhat goofy hover bike thing, which also doubles as a really big shoulder cannon thing.  Either way, it’s got a missile that it can launch, which is silly, but fun.

THE ME HALF OF THE EQUATION

As a kid, I remember how hard this assortment was to get, Metallo especially.  A friend of my parents had a display in his house with all of his DCAU figures, and Metallo was one of them, and one that I was always particularly fascinated by.  At some point, my dad took note of this fascination, and tracked one down on eBay, and thus I had my own Metallo.  This guy got a lot of play time when I was a kid, and remained one of my favorites.  Revisiting him, I still very much like him.  There were a lot of compromises made on these figures, but Metallo has very few of them, and it results in a fairly accurate figure, which is also just quite a bit of fun.

#4009: Dr. Polaris

DR. POLARIS

DC SUPER HEROES (HASBRO)

“Doctor Polaris’s electromagnetic powers were recently boosted by the mysterious entity known as Neron.  These powers, which are now part of Polaris’s body instead of being generated by weapons, provide the evildoer with forcefield protection as well as staggering strength.”

Interspersed with their overabundance of Batman-centric lines in the ‘90s, Kenner did try a few not-Batman DC lines, to mixed results.  There was a larger focus one, Total Justice, which only made it three series, each one a smaller run than the last.  There was a fourth assortment, which got pretty far in the process before being scrapped.  So far that there were molds to be used later, when Hasbro decided to revisit them as a run of two-packs for their direct market line.  Each series of Total Justice had one token villain, which, had the line continued, would have been today’s focus, Doctor Polaris, who had just gotten a major overhaul during the “Unleashed” storyline.

THE FIGURE ITSELF

Dr. Polaris (as it’s written on the name part of the box, even though it’s spelled out in his bio on the back) was one half of a two-pack from Hasbro’s DC Super Heroes line.  The other half was a Kyle Rayner variant, which would have been in the assortment.  It’s a pretty solid pairing, since Polaris is a GL villain, and had just been re-established with Kyle in the comics.  The figure stands almost 6 inches tall and he has 5 points of articulation.  He was quite sizable, which was kind of odd, since he wasn’t usually that large in the comics.  The update to his powers had made things a little bit nebulous, though, and they liked to have a larger villain figure, so I guess it wasn’t the worst thing.  The sculpt was all-new to this guy, based on Polaris’s updated design from the ‘90s.  I’m a sucker for this look, as tied to that decade as it may be.  It’s goofy, but when is Polaris *not* goofy?  His sculpt is slightly pre-posed, but certainly on the more minor side for Total Justice.  Mostly, it’s just sort of an idle stance, and I think it works.  His cape is quite dynamic in its flow, and that’s also quite nice; gotta love those arching shoulders.  Doctor Polaris’s color work is a good match for his comics look at the time.  He’s got a lot of metallic finish, which gives him an armored appearance that works well for the character.

THE ME HALF OF THE EQUATION

This was the second of these two-packs I got (after the Superboy & King Shark set), picked up from Cosmic Comix back when it was still new.  I think I bought the set more for the GL at the time, but he wound up being sort of “meh” for me, ultimately, while I found myself rather quickly attached to Polaris here.  It was my first introduction to the character, and I’ve ultimately always thought of this look first and foremost because of it.  I think it’s just a solid, fun figure. 

#4005: Impulse

IMPULSE

JLA (HASBRO)

“Bart Allen, the 30th century grandson of The Flash, Barry Allen, inherited his bloodline’s powers but no ability to control his super-speed. After reaching the age of 14 in only two years, he was brought to the 20th century. Having been raised in an artificial environment, Bart is just learning the ways of the real world as he attends Junior High School in Smalltown Alabama.”

While the Golden Age Flash didn’t have a sidekick in the traditional sense (though he did have a trio of comedic “sidekicks” for a little while, much like Plastic Man, Alan Scott, and Wonder Woman did during the same period), Barry Allen got one relatively quickly in the form of Wally West, aka Kid Flash.  Wally remained in the role until Barry’s death in Crisis, at which point Wally got promoted to just “Flash.”  It was almost a decade before Wally would get his own sidekick, a revamp of the Kid Flash idea, Bart Allen, aka Impulse.  Bart wound up rather successful in his own right, eventually taking on both the Kid Flash and Flash monickers.  But Impulse was always his coolest, and it got him the action figures first.  Let’s take a look at one of those!

THE FIGURE ITSELF

Impulse was released in the third series of Hasbro’s JLA line in 1999.  Like Superboy, he was also available in the fourth boxed set, released through comic book stores and the like, along with Robin, the other piece of the “Young Justice” trio from the assortment.  This was Bart’s first figure, albeit only by a slight bit, as DC Direct also released one very close behind.  The figure stands 5 inches tall and he has 5 points of articulation.  As with the rest of the line, he’s heavy on the re-use.  He gets a new head, but his torso is the frequently re-used retool of Superman’s, and he’s also got the arms from Black Lightning and the legs from the Flash.  The head is sort of an attempt at approximating a few different artist’s looks for Bart into one, along with folding him into the general line aesthetic, and it’s not awful, but it does feel a little small.  The Black Lightning arms are a little long for the body, but the gloves at least match pretty well with Impulse’s design.  The legs have a good running sort of pose to them, but the boots are definitely *not* Bart’s from the comics.  To be fair, they really weren’t Wally’s either, so it’s kind of whatever.  In general, like Superboy, the figure is really bulky for Bart, who was always pretty skinny and appropriately teen (in fact even pre-teen) like in the comics at the time.  This appears to be some sort of imaginary older Bart as Impulse sort of figure.  His color work is decent enough, but the biggest issue is definitely that the orange of the outer portions of his lightning bolts is too close to the red, so the distinction is largely lost.  Also, he’s got no pupils for some reason.  Beyond that, the application is pretty clean, so there’s at least that.  Impulse is packed with a display stand, this time in white.

THE ME HALF OF THE EQUATION

My first exposure to Impulse was an issue of his solo series, which got handed to me as a free give-away at an early Baltimore Comic-Con I attended, more than likely *in* 1999.  I loved the issue, and it got me into the whole series (which I had a subscription to until its cancellation years later).  I developed a particular attachment to the character, and ended up getting this figure, I feel almost confident at the same time as Superboy.  He’s never been a perfect figure, but he’s always been one I very much appreciated.

#4002: Elongated Man

ELONGATED MAN

DC MULTIVERSE (McFARLANE TOYS)

There’s a shortlist of characters that I own every version of in action figure form, and one of the earliest additions to that list is one of my very favorite comic characters (and probably my favorite super hero in general), Ralph Dibney, aka the Elongated Man.  Ralph’s in that interesting spot, where he does have a decent number of figures, but it’s not so many that you can’t keep up with it.  It’s also usually a bit of a stretch (heh) of time between them, so you have this nice little breather period to catch up.  The last break was over a decade long, but we’ve finally gotten to the other side, with not one, but two new Elongated Man figures!

THE FIGURE ITSELF

Elongated Man is figure 50 in the Collector Edition sub-line of McFarlane’s DC Multiverse.  He’s part of the six-figure drop that hit in January, which looks to be the last big push for these guys from McFarlane, although we’re still not totally certain.  All of the Collector Edition figures get a standard release and a one-per-case Platinum Edition, and Ralph is no exception.  His classic black and red suit serves as the standard, while his ‘80s lavender and white number is the Platinum.  The figure stands 7 inches tall and he has 35 points of articulation.  Ralph’s starting point is the Blue Beetle/Booster Gold base body, which isn’t a huge shock.  It continues to be a solid base body, with a nice balanced set of proportions, which works well for a variety of characters.  For Ralph in particular, it feels like a good match for his usual build in the comics, and the only sculpted element, the boot cuffs, works fine with his costume design.  Ralph gets a new head sculpt, which is leaning more into the Infantino solo feature appearances than other figures have done, with perhaps a touch of the Alex Ross take, and I’m honestly here for it.  I didn’t know how I felt about it in the prototype shots, but in person, I like the quirkiness behind it, and I think it feels pretty in keeping with Ralph’s usual characterization in the comics.  It’s a sculpt that is definitely more intended for the classic costume than the ‘80s one, but it’s not a terrible fit either way.  Ralph also gets a pair of cuff pieces for his wrists which, in contrast to the head, are very much meant for the Platinum, not the standard.  Thankfully, they’re easily removed from the standard, so there’s no issues there.  The difference between the two figures is one of paint, so let’s talk about that now.  The standard’s got that red and black, accented by gold, in place of the yellow he usually gets.  It works well, and it’s pretty slick looking.  All of the black sections get some blue drybrushing, which gives him a nice illustrative quality. The variant keeps the same general set-up on the gloves and boots, but then gets the adjusted lavender and white.  The paint feels a little fuzzier on this one, but the shades on the colors are a good match for the comics coloring.  Both versions of Elongated Man are packed with six different hands (right fist, left grip, right pointing, left relaxed, and right and left open gesture), Plastic Man’s stretched arms repainted to match the respective figures, a display stand, and a collector card.

THE ME HALF OF THE EQUATION

I got in on collecting Elongated Man figures pretty much on the ground floor, and it’s just been a game of keeping up with the latest release since then.  Obviously, as soon as we knew these guys were coming, I knew I was getting them.  Of course, that meant having to make sure I got both versions, and most reliable way of doing that was really just buying a whole case, which is, in fact, what I went and did.  I’m crazy like that.  But really, is buying six Elongated Men all that crazy?  Yes.  Yes it is.  But it was worth it.  I do really, really like both of these.  At the outset of McFarlane’s run with the license, I would have never expected to get an Elongated Man figure from him at all, much less two of them that I really liked, so I’m honestly very happy about this particular turn of events.

#4001: Superboy

SUPERBOY

JLA (HASBRO)

“Created to replace Superman, Superboy was genetically engineered by scientists at Project Cadmus to have a close approximation of Kryptonian DNA. His power of tactile-telekenesis gives him super-strength, flight, and grants him a number of unique abilities, such as disassembling an object through touch alone.”

One of the tenets of the change-over from the Superman of the Golden Age to the Superman of the Silver Age was the creation of Superboy, who was Earth-1 Clark Kent’s alter-ego as a teenager.  After Crisis on Infinite Earths, Superman’s origin was once more re-established, and he was no longer a superhero as a teenager, eliminating Superboy from the timeline.  But, if you don’t want to lose your trademark to such a fancy name, you have to use it, so in the ‘90s they brought the name back, now attached to a separate character, Kon-El, a clone of Superman.  He operated solo for a while, before eventually joining “Young Justice,” a sort of re-imagining of the Teen Titans.  It was during the period that he got his second action figure, which I’m looking at today.

THE FIGURE ITSELF

Superboy was added to Hasbro’s JLA line in its third series in 1999.  He was also available in the line’s fourth boxed set, alongside Impulse and Robin from the third series, and a pair of exclusive “Hologram” figures of Aquaman and Martian Manhunter.  Like his earlier Man of Steel figure, he’s based on Conner’s original look, though this time around he’s without his usual leather jacket.  The figure stands just over 5 inches tall and he has 5 points of articulation.  Since JLA was all about getting as much mileage as possible out of re-used parts, Superboy is a lot of re-use.  His torso is the modified Superman torso that a lot of the line used as a starting point, and he’s got the legs from Black Lighting (albeit with some serious mold degradation, which removes a lot of the sharpness of the details) and the arms from the Legends of Batman Riddler.  It was rare to see them reach outside of the Total Justice molds, but it happened.  The Riddler arms are designed with a narrower gait to the legs in mind, though, so his hands can’t clear his legs when posing.  He gets a new head sculpt, which is decent enough, though it’s a bit on the large side, in order to off-set the sizing on the body.  The face is a little bit goony, but it fits the later ‘90s take on the character alright.  His paint work carries a lot of the work on selling the character design.  Mostly, it’s not bad, but it’s a little odd to see the straps and belts all just as painted elements, rather than with any sort of dimension to them.  The hair is also quite odd; in the comics, he had the back and sides buzzed, which the original figure more or less just ignored.  This one didn’t sculpt them in, but then they were painted black, and then painted back over with a sort of a grey shade, and then there’s sort of stubble effect.  It’s weird looking.  Superboy was packed with a JLA display stand, in bright red.

THE ME HALF OF THE EQUATION

I had the Man of Steel Superboy, which I really loved, but I was always bummed that you couldn’t take off his jacket, since he did that so often in the comics.  I remember this guy getting shown off, and I remember really wanting him, to the point of printing out a prototype shot and turning it into a paper figure.  I don’t recall exactly when I got him.  More than likely it was from the KB Toys near where my family vacationed, but it was also probably during one of our fall trips, rather than summer.  I remember being excited to find him, but perhaps not quite as enthralled by the final product once I’d opened it.  Superboy without the jacket certainly has novelty, but this figure’s more on the goofy side of things for this line, and the Man of Steel figure’s definitely the stronger offering.

Flashback Friday Figure Addendum #0062: Green Lantern

GREEN LANTERN

DC SUPER HEROES (TOY BIZ)

It’s Friday!  We made it to Friday, you guys!  High five!  Good for us!  Let’s celebrate with another Flashback Friday Figure Addendum.  I know, it’s such a special occasion.  Sticking to the usual, it *is* a Toy Biz figure, but in a break from the norms, it’s not Marvel, but DC.  Let’s take another look at Green Lantern!

The now defunct toy company Toybiz is a name that is most commonly associated with making Marvel toys. This isn’t surprising, of course. They ended up bailing Marvel out of bankruptcy in the mid-90s, leading to them becoming a part of Marvel proper and thereby passing the name onto Marvel’s in-house toy making branch. However, their first major property was not Marvel. No, it was actually Marvel’s main competition, DC. See, when Super Powers ended, DC was looking to move the DC license elsewhere. They turned to a small upstart company by the name of Toybiz, who launched a line simply titled DC Superheroes. The line was pretty much the same scale as Kenner’s Super Powers, mostly because it was pretty much just a slightly lower budget version of Super Powers. The sculpts were just slightly tweaked and made out of inferior plastic. Needless to say, DC wasn’t thrilled by this offering, and after just two series, the rights reverted back to Kenner. Today, I’ll be taking a look at that line’s version of Green Lantern!

THE FIGURE ITSELF

Green Lantern was released in the second series of Toy Biz’s DC Super Heroes line. The figure is just shy of 5 inches tall and he features 7 points of articulation. The second series is a little different from the first in that they actually featured new sculpts, rather than just retooled SP ones. So, for better or for worse, GL got a brand new sculpt, wholly unique from his SP counterpart. I suppose it’s not fair to compare the work of Kenner at their prime to that of Toybiz in their infancy, but the sculpt of the TB Green Lantern is not up to the quality of his predecessor. The sculpt is wide and oddly proportioned. He’s got these bent arms, which are honestly impressive, because I’m surprised he could bend arms that thick. The torso is huge and ill defined, and the legs lack any real detail. The head looks not unlike a papier-mâché head sculpted over a balloon, which is not a compliment. To top it all off, the joints are horrendously obvious, to the point where you have to question if they did that on purpose. I suppose if I were really trying to find something nice to say, I’d say he bears a passing resemblance to the Filmation version of the character, which isn’t a terrible thing. The paint is…well it’s there. It’s mostly cleanly applied, but other than that, there’s not much to be said of it. The figure is incredibly shiny, which really plays up the whole obvious toy angle. The figure came with an array to let him squirt water from his ring or something. I don’t know, I bought mine loose.

THE ME HALF OF THE EQUATION

This figure is another from the haul I picked up during the summer from the super cool Yesterday’s Fun. As an avid Green Lantern collector, it’s a figure I’d been looking to pick up for some time now, I’d just never gotten around to it. They had one for a reasonable price, so I went for it. Now I’m reminded of why I put off buying it. It’s not a terrible figure, it’s just overwhelmingly mediocre. It feels like one of those incredibly obvious toys they’d use on a TV show to more easily convey that it’s a toy. I just don’t quite know what they were thinking with this one, especially since it followed up figures that re-used the far superior Super Powers sculpts. 

This review came from way back in my first year, from right at the tail end of it, in fact.  While not the kindest review I’ve ever written, I can’t say I find it all that inaccurate.  I do think the Filmation angle’s grown more on me over the years, which has made my appreciation of the figure a bit greater.  In my original review, I was lacking all of the figure’s accessories, which I’ve subsequently replaced.  He has the apparatus for squirting water, as mentioned in the original review, as well as a power battery and a wearable prop ring.  The water squirting bit is very gimmicky, but fun, I suppose, and the other extras are actually pretty nice.

#3997: Superman – Power Flight

SUPERMAN — POWER FLIGHT

MAN OF STEEL (TOY BIZ)

When is the standard version of a character not the standard version of a character?  When it’s the ‘90s!  Or at least that’s the case when it comes to Superman, who spent a decent chunk of the decade moving between rather off-brand designs.  Following his death and return, he kept the same general suit as before, but one of the apparent side effects of coming back from the dead was getting a sick mullet, so that’s what he had going on (at least until he went all electric blue for a bit).  DC made a big splash of keeping this updated look as his evergreen appearance for a while, so it served as his primary look for his first proper toyline under Kenner, Man of Steel.

THE FIGURE ITSELF

Power Flight Superman was the second of the two Superman variants in Series 1 of Man of Steel.  He served as the line’s basic Superman, and was the heaviest packed figure in both standard assortments of the line.  The figure stands 5 inches tall and he has 5 points of articulation.  Due to his action feature, his articulation is kind of wonky.  He doesn’t get any side-to-side movement on the neck, instead having the slightest, tiniest, almost imperceptible up and down motion.  The shoulders are also tied into the whole thing, so there’s a mechanism that moves them in tandem.  You can pose the separately, but it’s a little more work.  His sculpt was totally unique to him (he was, notably, one of the few Supermen in the line not to use the “standard” head sculpt introduced on Laser Superman), and it’s fine.  It feels very skinny, and very stiff.  The head doesn’t feel as true to the character as Laser Superman; there’s something about it that just feels kind of pinched.  Otherwise, things are pretty basic, and the details generally work well.  The cape is removable, and is a softer rubber piece, which plugs into the back.  His color work is generally very basic.  It does what you’d expect.  The torso is prone to some discoloring over time, but it’s not as bad as some figures I’ve encountered.  He’s packed with a weird sort of chain thing, which clips over his wrists.  It’s meant to be used to capture bad guys, but it’s awkward at best, and his very narrow stance makes it a struggle to get him to use it at all.

THE ME HALF OF THE EQUATION

In 1995, while I was busy giving away and replacing Batman figures, and my dad was rediscovering Iron Man, my mom, not one to be left out, got her own action figure of Superman, a character who had been her favorite since the first Christopher Reeve Superman.  She’d never had a figure of him, and this was the only standard one available at the time, so he fit the bill.  And then *someone* borrowed said figure, and lost his cape, so a replacement was purchased for my mom, and the now capeless figure became mine (alongside the Laser Superman specifically purchased for me alongside the replacement).  Over the years, the cape turned back up, so, hey that worked out okay.  He’s not a great figure, but he’s what we had, and that was good for me.

#3993: Laser Superman

LASER SUPERMAN

MAN OF STEEL (KENNER)

In the ‘90s, most of Kenner’s success with the DC license was through movie and TV tie-ins, which were predominately Batman based.  Through the decade, they did try to maintain some form of comics presence as well, and in the middle of the decade, they launched a pair of lines, Legends of Batman and Man of Steel, meant to focus on DC’s top two heroes (but not their third top hero, Wonder Woman, whose licensing was…more complicated).  Legends of Batman was a Batman line, so it did well.  Man of Steel was not a Batman line, so it didn’t do as well, but it still gave us two full assortments of Superman-related figures.  The whole thing rolled out of the “Return of Superman” storyline that had just wrapped in the comics, granting the main character a few refreshed looks.  While the line leaned more into wonky variants (though was less rife with them than Legends of Batman), there was a solid comics basis as well.  So, let’s look at a comics-based Superman variant, shall we?

THE FIGURE ITSELF

Laser Superman is one of the two Superman variants present in Man of Steel Series 1.  He’s the less standard of the two, drawing his look from Superman’s all-black “regeneration suit” from when he came back from the dead.  It doesn’t make it past the end of the “Return” story, but it’s a signature look, and nice and distinct from his standard design.  The figure stands just under 5 inches tall and he has 5 points of articulation.  He gets the basic 5-POA that Kenner was pretty much locked into at this point.  It does well enough, though the legs don’t get much range, and he’s not very sure on his feet, so he has a tendency to fall down unless you lean him back.  His sculpt was all-new, and honestly not too bad.  The head is a good take on the rather dated mullet-sporting Superman look, and would be re-used by a couple of other variants as the line continued.  The body’s unique to this figure, and shows some of Kenner’s tendency to go for pre-posing, though it’s mostly limited to his arms.  His paint work is basic, mostly just black and silver, which is accurate to the design as seen in the comics.  It’s somewhat prone to wear, as you can somewhat see from my copy, but it’s generally still pretty good.  If you’re wondering why he was called “Laser Superman,” the accessories can help you out on that front.  He includes a big, honking, missile launcher, and two missiles, done in a translucent red to look like “lasers.”  Superman was without his powers for most of his time in this suit, so he carried large guns from time to time.  While this isn’t *quite* what they looked like, it’s close enough to sell it.

THE ME HALF OF THE EQUATION

This figure was my first Superman, in sort of reversal of how things went with my first (and second) Batman.  My mom had Power Flight Superman (the more standard of the two) because she’s a big Superman fan.  *Someone* (who was certainly not me) lost his cape, so a replacement needed to be bought, and while we were out buying said replacement, I got to pick out my own Superman, and I settled on this one, in an effort to be different.  He’s obviously not as bright and colorful, but he’s nevertheless a fun variant on the character, and I do certainly still dig him.

#3989: Superman & Krypto

SUPERMAN & KRYPTO — 2025 MOVIE

MOVIE MASTERPIECE SERIES (HASBRO)

Last year definitely had some good movies, but none stood out to me as much as Superman, far and away my favorite movie of the year.  Heck, I liked it enough to see it six times in the theatre and as a parent of two, I frequently don’t get to see movies I like *once* in the theatre.  In the dumpster fire that was 2025, Superman was a movie that really connected with me, and gave me some hope that maybe, just maybe, being a good person was still a worthwhile thing.  David Corenswet’s performance as the title character is, to my eyes, a defining performance, and I’ve been snagging a bunch of toy coverage of him as its come along.  Since it’s kind of one of my favorite movies now, it’s also the sort of movie I feel comfortable dropping actual, serious money on the merch for, which, more specifically, means I’m dropping Hot Toys level money, you know, on a Hot Toys figure.  And hey, now I’ll have two Hot Toys reviews that are punk rock!

THE FIGURE ITSELF

Superman is figure MMS812 Hot Toys’ Movie Masterpiece Series. Numerically, he’s wedged between the Revenge of the Sith Darth Vader and First Steps Thing.  He started hitting domestically right in the last couple of weeks of 2025, which is a pretty nice turnaround relative to the movie’s release.  This is the first, and thus far only, offering from Superman by Hot Toys.  Officially, it’s billed as a Superman and Krypto set, but it’s very definitely a Superman figure that includes Krypto as an accessory, so I’ll be reviewing it as such.  The figure stands just under 13 inches tall and he has over 30 points of articulation.

Unlike most of the more recent Hot Toys figures on which I’ve focused, Superman only gets a single head sculpt, rather than multiples, though that’s largely because he doesn’t have a masked look like the others.  Instead, this one just focuses on his main Superman look.  It does have moving eyes, much like Spider-Punk’s unmasked head.  They’re not PERS (the parallel rolling system), so you have to actually match them up manually, which can take some finessing.  Thankfully, they’re also not prone to popping out of the sockets the same way as Punk’s, which I’m certainly a fan of.  The actual head sculpt is generally pretty solid.  I’m not sure it’s quite a spot-on Corenswet.  I think the eyes are a touch large (a frequent symptom of the moving eye feature on these), and his jaw feels a little too small relative to the rest of his features.  That said, it’s still a very lifelike sculpt, and there’s a lot of Corenswet’s likeness visible in the final product.  This marks the first of the figures I’ve looked at from this movie that I think gets his hair right, rather than plastering it down to his sides more than it was in the movie, so I do certainly appreciate that.  I also like the expression, which isn’t too dour or serious, and is thusly in keeping with Corenswet’s portrayal of Clark.  The paint work is up to HT’s usual standards of lifelike nature.  Nothing surprising, but still very good.

Corenswet’s Superman costume was the topic of a lot of discussion prior to the film’s release, with mixed opinions about how well it translated the classic look.  I’ve been happy they kept the red trunks since the beginning, and I’ve warmed up to the other elements over time, notably the collar, which was my biggest point of contention when it was first shown off.  I think it’s a look that benefits from being seen in motion, but also getting to see it in-hand helps it too.  The figure’s suit is largely one piece, much like the movie.  The trunks and belt are separate, but not designed for removal, and the same is true of the cape.  There’s a pair of plastic boots/feet as well, which sell the whole thing.  The suit is well tailored to the figure, and fits more or less like it does in the movie.  The texturing seems a touch exaggerated from what we see on-screen, but not to the point of distraction.  The slightly rubberized nature of the suit does mean you’ll want to be careful about leaving it in deep poses; I’ve have him in a flying pose with one knee bent since opening him, and noticed a bit of stretching when I returned him to a neutral pose.  Nothing that will ruin the figure, but worth noting.  The cape has wiring running through it, so you can do a bit of posing, to the extent that gravity lets you, of course.  I quite like the sculpted “S” on the back of the cape, as it gives it a nice pop.  The boots are perhaps my favorite piece of the suit, as they’re a flexible enough material that he can still use his ankle joints, which is a rarity on other figures at this scale.  I’m also quite a fan of the coloring on the suit, which is more in line with the film’s final coloring than the other merchandise has been.

The underlying body is designed for a mix of posing and build.  It’s a good match for Corenswet’s build in the role, which helps the head sculpt in selling the likeness.  It’s decently posable, and the costume sits nicely on it, making it a good fit for all the things in needs to do.

Superman is packed with the Krypto mentioned in the title, as well as 10 hands and a display stand. 

 Krypto is mentioned as part of the figure set here, and, well, that’s honestly kind of a misnomer.  I get the appeal of pushing Krypto, what with him being a rather popular part of the movie and all, but what we get here isn’t a proper figure at all, just more of a figurine that accompanies the main figure.  Apart from wiring in his cloth cape to match Clark’s, Krypto isn’t posable, just in the one flying pose.  He gets a flight stand of his own to hold him up, which is good, since it’s not like he can really stand on his own.  His sculpt is a fine match for the the model in the movie, but does feel rather soft on detailing for a Hot Toys offering.  The paint is likewise a bit thick and basic for the most part.

Superman himself gets hands in relaxed, fist, gripping, flat, and open gesture poses, which work the way all Hot Toys hands do.  They give him a nice selection of variety, but I’m also not going to be swapping them like crazy, as they take a bit of doing.  The display stand is a rather elaborate, somewhat modular piece, patterned on part of the Fortress of Solitude.  It’s impressive, and I like the options for how to use it.  There’s two ways to attach him to it, with the standard “cradle” attachment piece, as well as an arm with a magnetic attachment to aid in flying poses.  I wish the magnetic arm had a joint on it for some more variety in angles, but I definitely like the magnetic set-up for use with the flying.

THE ME HALF OF THE EQUATION

Superman was my favorite comic book movie since Captain America: The Winter Soldier, which is a pretty big deal for me, because I *really* like The Winter Soldier (and also saw it six times int he theatre).  Unfortunately, I stopped my main stretch of Hot Toys collecting just before the Winter Soldier figures got released, so I never got Cap from that movie, which I always regretted.  I wasn’t planning to do that again, so I made sure to get myself down for this guy fairly quickly.  I was primarily in this for the Superman, with Krypto more as an accessory, and that’s good, because that’s how the final product worked out.  I definitely feel like the “set” angle is a marketing move more than a proper approach from the beginning.  That said, the Clark figure is pretty darn fantastic, and a really great representation of the character for the shelf.  He poses well, looks very nice on display, and with the big stand set-up, he makes for quite a centerpiece.

Shoutout to my friends at All Time Toys, from whom I purchased this figure for review!  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.