Tag Archives: DC Multiverse

#3954: Superman – Zero Hour

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SUPERMAN — ZERO HOUR

DC MULTIVERSE (McFARLANE)

In the ‘50s, DC rebooted its super hero line, starting with the introduction of the second Flash, Barry Allen.  In the ‘60s, they brought back the original Flash, Jay Garrick, establishing the existence of a Multiverse. Through the ‘60s and ‘70s, that Multiverse grew, and in the ‘80s, DC decided it had grown too much, and consolidated everything down to one single universe in Crisis on Infinite Earths.  For all of their plans to simplify, Crisis brought with it all manner of complications and odd loose ends. In the ‘90s, DC made one of a number of attempts at rectifying those issues with Zero Hour, another crossover to end all crossovers.  DC’s two top heroes, Superman and Batman, were both rather fresh off of some upsets to their status quos.  Superman had died and returned, with the major lasting remnant at that point being his ‘90s-tastic mullet.  It’s a great way of getting an extra variant out of the Man of Steel, and that’s the case today!

THE FIGURE ITSELF

Superman — Zero Hour is part of the latest round of “Page Punchers” from McFarlane’s DC Multiverse line (officially under the DC Direct banner).  He’s paired off with a Crisis Joker, and he’s the standard release, with Zero Hour’s secondary antagonist Extant as the unadvertised Red Platinum chase.  This is the second time we’ve gotten mullet Superman, following up on the Collector’s Edition one that got stupid expensive a while back.  The figure stands 7 1/2 inches tall and he has 37 points of articulation.  As has become the formula for most Supermen from McFarlane in the last year, this figure is built on the Earth-2 Superman base body.  It’s by far the best take McFarlane’s had, and it’s a good, solid classic Superman body, so I can’t really fault it’s continued use.  He gets a new head sculpt, sporting that oh-so-important mullet.  It’s a strong sculpt, feeling consistently the same guy as the Silver Age Superman, but looks a bit older and more defined.  The hair’s got a good, dynamic flow to it.  Something with less of a dynamic flow, however, is the figure’s cape.  It’s a cloth one, like the others on this body, but for whatever reason, they’ve omitted the wire in the lining this one, meaning it just sort of hangs their flat.  It’s especially odd because the stitch on the cape clearly is designed with a wire in mind; it’s just not there.  The cape also sits back too far at the shoulders, which is especially notable given how his cape was usually pretty flared at the shoulders during this era.  His color work is a bit darker than the Silver Age version, which is accurate to the comics from the time, and looks pretty good and unique from the others.  Superman is packed with two pairs of hands, one in fists, the other in open gesture, and basic display stand, a collector card, and a copy of Zero Hour #4, which is, oddly, the first issue of the crossover.  It’s really prone to damage, because the paper’s really thin, but it’s an entertaining enough read.

THE ME HALF OF THE EQUATION

Since I came into collecting in the ‘90s, my first Superman line was Man of Steel, so the mullet is kind of etched into my brain as a signature look for the character.  I missed the last mullet Superman at retail, and the only time I saw him he was crazy expensive.  Since I’m just sort of keeping up with the new Supermen as they hit now, I was on board for this guy when he was shown off.  He sold out super quick, but GameStop came through for me again.  I don’t love the cape, but otherwise, he’s a fun little variant on a tried and true formula for a Superman figure.

#3946: Nightwing – Teen Titans

Posted by Ethan Wilson in Reviews and tagged with , , , ,

NIGHTWING — TEEN TITANS

DC MULTIVERSE (McFARLANE)

“A youthful version of the Justice League, the Teen Titans featured Robin as leader from the outset. In the 1980s, when the title was relaunched with new characters, Robin grew more independent than ever, living in Titan’s Tower and later changing his codename to Nightwing.”

Remember the last time I reviewed a McFarlane Nightwing here on the site and I discussed George Lucas’s “It’s like poetry; it rhymes” quote?  Well, I feel like it might be appropriate again.  One of my earliest 7-inch McFarlane DC reviews was his first take on Nightwing.  As we wind down on his offerings (….maybe?  Apparently he’s still got some version of the license going into ’26?  It’s all gotten very confusing), I’m looking at another Nightwing, who, much like the Super Powers version before him, is based on the character’s disco-inspired original costume design.  Let’s check him out!

THE FIGURE ITSELF

Nightwing — Teen Titans is part of the fifth “Digital” assortment of DC Multiverse, meaning he’s pretty much just a standard figure, but there’s also an extra card that literally no one will ever make any use of.  He’s officially under the “DC Direct” banner, alongside wave-mates Batman and Monarch.  He’s the eighth version of Nightwing under the Multiverse line.  The figure stands 7 inches tall and he has 37 points of articulation.  Nightwing is built on the Beetle/Booster body, which has been a favorite starting points for mid-sized characters.  Nightwing himself has used it once before, for his ‘90s costume.  This time around, it actually gets a few adjustments to make it more accurate.  He adds the collar to the torso, as well as finally re-tooling the shins so as to redo the boot-tops, so that he’s not yet another figure saddled with the weird boot tops.  Instead, he’s got the proper, slightly more unique design for this costume.  He’s also got a brand new head sculpt, clearly patterned on Perez’s illustrations of the character in the early years.  It’s a very nice sculpt, with a lot of really sharp and clean work, and, above all, it’s a happy Nightwing, which I always appreciate seeing, especially in this costume.  It’s certainly the nicest of the Nightwing head sculpts we’ve gotten from McFarlane.  The paint work is generally okay, though it does wind up with some slight oddities.  The mask gets a pattern suggesting shading, which I don’t mind, as it’s effective and doesn’t look weird.  That said, it’s the only instance of painted shading on the figure, which is strange.  The rest of the work is more basic stuff.  Application’s clean and sharp, so that’s good.  The only off spot is the shoulders, which are already kind of off due to the way the assembly works, but then also miss the lighter blue on the top section.  You can kind of hide it with posing around the shoulder “cups”, but it’s odd when you can see it.  Nightwing is packed with a batarang, a display stand, a collector’s card, and the card with the info for the “digital” collectible.

THE ME HALF OF THE EQUATION

I wasn’t certain I was going to get this one when it was announced.  It seems kind of strange, I suppose, but the Super Powers version was announced around the same time, and I already have the DC Direct one and….yeah, none of it was very solid reasoning, honestly, so when I saw this one in person, I folded pretty quickly.  I’m glad I did, because, apart from some slight oddities to do with the paint, he’s a really nice figure, and definitely McFarlane’s best take on Nightwing, which is actually a pretty noteworthy statement, given how many Nightwing figures he did.

#3911: Hal Jordan – Armor Suit

Posted by Ethan Wilson in Reviews and tagged with , , , ,

HAL JORDAN — ARMOR SUIT

DC MULTIVERSE (McFARLANE)

“After years of faithful service, Hal rebelled against the Guardians when they refused to let him change history and restore Coast City after Mongol destroyed it. Unbeknown to anyone, Jordan was infected by the fear parasite Parallax, which had been imprisoned for eons in the Central Power Battery on Oa. It drove Hal to attack hundreds of his comrades, stealing their power rings as he stormed across the universe to a titanic confrontation with the Guardians’ last hope—a freed and restored Sinestro.”

If nothing else, McFarlane’s run with the DC license has certainly gotten us a lot of looks that have never seen toys before.  After exhausting pretty much every Batman variant possible early in their run, they then started doing this with other DC characters.  We got a whole plethora of Green Lanterns, and Hal Jordan in particular got some decent coverage of a lot of his major looks.  And also some not so major ones, too.  How about that?  Well, let’s look at one of those not particularly major ones, shall we?

THE FIGURE ITSELF

Hal Jordan in Armor Suit is a 2025 release for DC Multiverse.  He shipped alongside Eradicator and Western Batman.  He and Eradicator are both from the “Return of Superman” story.  Crazy that we got a white-streaks in his hair Hal and you’ll never know it.  Hal’s seen here in his armored up look from his fight with Mongul after the destruction of Coast City.  It’s a rather minor look, but also kind of a cool one, since it serves as something of a precursor to his eventual Parallax costume upgrade.  The figure stands just shy of 7 1/2 inches tall and he has 35 points of articulation.  This figure’s entire existence more or less relies on one thing: parts re-use.  As such, he is almost entirely re-used from the Steel figure released last year.  He gets a new head and a modified torso to sell it all. As with other instances of McFarlane doing this sort of re-use, it relies on half-stepping between both looks, and as a result neither is truly accurate to the source material.  In Hal’s case, that’s ultimately kind of forgivable.  The armor was a construct of his ring, and that allows a little more room for interpretation and imagination, I feel.  The new parts are pretty decent.  I like that the head keeps the same general facial structure as the Silver Age Hal from last year.  I also appreciate the decision to keep the helmet consistent with the body armor, rather than making it specifically comic accurate and risking it not really matching.  Hal’s color work is a lot of molded greens, of differing shades.  For the most part, they’re supposed to be different, but the elbows and knees notably don’t match the rest of the arms/legs around them, which looks a bit off.  The symbol on his chest is painted with a textured paint that made me think it was supposed to glow, but it appears it doesn’t.  He’s also got a tiny bit of painted shading on his lower torso and upper legs, which seems a little out of place.  It’s not awful, just strange that there’s not more of it, honestly.  Hal is packed with Steel’s hammer, a display stand, and a collector’s card.  The hammer’s a pretty essential part of the scene, so it’s good it’s here, though it’s really kind of floppy and prone to bending under its own weight.

THE ME HALF OF THE EQUATION

While I’ve cooled somewhat in more recent years, there’s very definitely a part of my ape brain that if there’s a neat Green Lantern figure, especially Hal Jordan, then I need to own it.  This figure was definitely activating that part of my ape brain.  Thankfully, I ended up getting him as a birthday present from my parents this year, so, hey, ape brain needs fulfilled.  He’s not accurate, and the droopy hammer is silly, but I do think he’s quite fun.

#3903: Superman

Posted by Ethan Wilson in Reviews and tagged with , , ,

SUPERMAN — 2025 MOVIE

DC MULTIVERSE (McFARLANE)

“Maybe that’s the real punk rock.”

While I’ve briefly touched on my feelings regarding the new Superman movie here on the site, I don’t feel I’ve truly articulated exactly how I feel about it.  The original 1978 film is a truly defining film for really the whole genre of super hero films, and a really tough act to follow, to the point that really not even any of the other Reeve films could do it, much less the two reboots after them.  I was hopeful for Gunn’s new take on Superman, but I simply didn’t anticipate just how well the film would do at capturing the spirit of the character.  I haven’t been as excited about a super hero movie since Captain America: Winter Soldier, which I assure you is exceptionally high praise.  David Corenswet’s turn as Clark Kent is on par with Reeve in terms of definitive, and I’m officially in my “want a bunch of figures from the movie” phase.  So, here’s one of those!

THE FIGURE ITSELF

Superman is part of McFarlane’s DC Multiverse tie-ins for the movie, specifically from one of the two standard price-point figures (the other being Metamorpho).  This one is just meant to be the standard, barebones version of the character, in his standard attire from the movie.  The figure stands just over 7 1/4 inches tall and he has 35 points of articulation.  The articulation is the standard set-up for the McFarlane stuff, so he’s pretty decently posable.  The sculpt on the figure is all-new.  It’s certainly a stronger offering, with the articulation being worked in rather organically, and the proportions not being super out of whack like earlier releases.  His head sculpt has a really strong likeness of Corenswet.  It’s probably the best of the multitude of sculpts offered up alongside the movie.  The hair’s maybe a little tighter to the head than in the final film, but it’s not far off.  The body sculpt does a lot with the piping and texturing of the design, which translates well to the figure form.  While most of the more recent Supermen have used cloth capes, this one goes back to sculpted, I would presume due to budgetary constraints for this release.  It’s honestly not a bad set-up.  Sure, it’s a bit restricting in posing, but the sculpting of it’s pretty solid.  I like the texturing, and it’s got a pretty natural hang.  The color work on this figure is decent enough, if a bit darker than the colors in the final film.  The suit’s using mostly molded colors, apart from the yellow, which is pretty cleanly painted.  The skin tone is totally painted, which is a little thick and slightly less lifelike, but not terribly so.  The application is again quite clean, and the likeness shows through really well.  Superman is packed with two pairs of hands (a pair of flat, and a fist/open gesture combo), a display stand, and a card.  I do wish he had a pair of fists, rather than just the one, but it’s still workable.  Also, I’d have loved to get a flight stand instead of the standard, but that’s been true of the last several Superman releases.

THE ME HALF OF THE EQUATION

It’s been no secret to my friends and family just how much I enjoyed Superman, so the fact that I didn’t really have any of the figures made them a prime target for gift options for my birthday this year.  This figure in particular was given to me for my birthday by my son Matthew, who was very excited to get him for me.  I had initially thought I’d just be content with the Super Powers figure, but I do really, really love how this guy turned out.  Once more, McFarlane turns in a really great Superman figure right before they hand over the license.

#3875: Adam Strange

Posted by Ethan Wilson in Reviews and tagged with , , , ,

ADAM STRANGE

DC MULTIVERSE (McFARLANE)

Behold, the original super hero adjacent hero whose last name is inexplicably “Strange!”  How about that?  Introduced in 1958, Adam Strange is a bit like John Carter in spandex, a play on a lot of classic sci-fi adventure tropes.  He’s one of two science-fiction heroes commissioned by DC that year, the other being Space Ranger, a character that just didn’t have the same staying power.  Adam, on the other hand, has remained something of a cult fixture since his creation.  He’s been sort of sparse on the action figure front, but not entirely absent, since he does have a pretty killer look.  So, let’s look at one of those figures now!

THE FIGURE ITSELF

Adam Strange is figure #33 in the Collector Edition sub-line of McFarlane’s DC Multiverse line.  As with most of the other Collector Edition figures, there are two versions of Adam available: a standard and a platinum edition in “stealth” colors.  The one seen here is the standard.  The figure stands just over 7 inches tall and he has 35 points of articulation.  Strange is built on the base body that originated with the Blue & Gold boxed set, which seen a real upswing in use as the line’s progressed.  It’s a solid enough starting point, and certainly one of McFarlane’s nicest.  And, in the case of Adam, it’s a good fit and doesn’t fall victim to the same inaccuracies as some of the earlier uses.  Adam also gets a lot of new parts to transition the base body.  The box specifically calls out this figure as being based on Strange Adventures, specifically the more classically-inspired Doc Shaner illustrations from the book.  Unlike a lot of McFarlane’s supposedly directly inspired figures, Adam’s actually quite a good match for Shaner’s take on the character, especially on the head.  There are no less than four face-plates for the figure; the two more “standard” expressions really match Shaner’s work.  The masked face is pretty neat, if not exactly standard issue.  The only one I’m not crazy about is the screaming one, but they at least tried something different.  Adam’s color work is quite bright and colorful, and very eye catching.  He gets the extra panelling with the darker red, as seen in the book, and it adds a nice extra bit of flair to the figure.  In addition to the previously mentioned extra face plates, Adam also gets his blaster pistol, two pairs of hands, a display stand, and a collector card.

THE ME HALF OF THE EQUATION

McFarlane’s been really surprising me with the character choices in the last year with the license, so I can’t say I was expecting this one, but I also can’t say it was completely out of place.  Adam Strange has a fantastic, classic look, begging for some solid action figure coverage, and up until now his figures have tended to just be kind of okay.  This one’s honestly a lot better than “just kind of okay.”  He’s downright good, and the best Adam Strange figure out there.  Just a solid offering all around.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3859: Superman – The Silver Age

Posted by Ethan Wilson in Reviews and tagged with , , ,

SUPERMAN — THE SILVER AGE

DC MULTIVERSE (McFARLANE)

As we head into a year that will headline the latest Superman movie, we’re really seeing a turnaround on Superman related product.  After several years of some lackluster offerings, it’s kind of nice to see the new direction.  McFarlane’s run with the DC license started off with a heavy bat-focus, but in its final year, the company is really taking some steps to do some more interesting and exciting things for people who like the non-Bat side of the DC Universe.  We’ve been slowly getting some proper classic variants on the heavy hitters, and really the last hold out on that was the Man of Steel himself!

THE FIGURE ITSELF

Superman — The Silver Age is part of the fourth “Digital” assortment of DC Multiverse figures, alongside Dr. Fate and Two-Face.  Officially, these are all under the “DC Direct” branding, but they’re clearly the same line as what’s coming directly from McFarlane.  So, one thing of note, if I can be a little pedantic for a moment: this figure is billed “The Silver Age,” when in fact he’s clearly meant to based on the artwork of Jose Garcia-Lopez.  That would *actually* make him a Bronze Age Superman, not Silver Age.  I won’t complain about getting a solid classic Superman either way, and in fact I *prefer* a Bronze Age Superman, but you know, call it what it is, right?  Okay, moving on.  The figure stands 7 1/2 inches tall and he has 37 points of articulation.  This Superman is another use of the Earth 2 Superman mold from the Crisis set, which has become McFarlane’s new standard for the Man of Steel.  It’s not hard to understand why; it’s a really solid, balanced, and clean Superman mold, and it’s by far the best version they’ve offered up during their run with the license.  This figure sports a new head sculpt, directly based on Garcia-Lopez’s drawings of the character.  It’s quite a strong sculpt.  Previous sculpts based on specific artists have struggled to really capture the feel, instead kind of forcing a bit of a “Todd” style on them, but this one is just pretty straight Garcia-Lopez, and it works really well, and also fits well on the base body.  The color work is quite bright, as it should be, and the paint work, which is mostly confined to the head and torso, is pretty sharp.  I especially like the slight accenting on the hair; it feels very true to this particular take on the character.  Superman is packed with two sets of hands, in fists and flat (same as the others on this base body), and a display stand.

THE ME HALF OF THE EQUATION

Look, this many McFarlane Superman reviews in, you guys have to get the general gist of where this one is going, right?  When McFarlane started with the license, and they put out that first Action Comics #1000 Superman, and it was just mediocre at best, I sort of wrote it off that we weren’t going to get a good Superman, and that was true for a bit.  But then, all of the sudden, they just kept getting better.  And now I own four of them, and they’re all great.  This one in particular does feel really definitive, though.  Like, I just look at it and think “yeah, that’s just Superman, as he’s meant to be.”  Which is one heck of a recovery from a company that started with the Superman that McFarlane did.  Crazy to see them get it so together *right* before they lose the license, but if nothing else, they gave us this genuinely fantastic Superman figure.

#3831: Superman – Classic Animation (1940)

Posted by Ethan Wilson in Reviews and tagged with , , ,

SUPERMAN — CLASSIC ANIMATION (1940)

DC MULTIVERSE (McFARLANE)

Back to DC?  So soon?  Well, I regret to inform you that it’s *not* Super Powers today.  But, I do think it’s still pretty cool, and it concerns one of my other areas of interest, animation!  I’ve touched only briefly on Fleischer Studios here on the site.  They were a pioneer in the field of animation, rivaling Disney during the golden age, and in many ways beating them to the punch on a lot of things.  They had a great deal of success with their in-house properties, but also got into the adaptation game in 1933, when they began a run of shorts starring Popeye.  In 1941, their main financial backer Paramount had purchased the rights to Superman, and proposed a series of animated theatrical shorts.  Not initially wanting to take on the gig, Fleischer asked for an insane $100,000 a short, but when Paramount countered at $50,000, they accepted.  The result was not only one of the finest pieces of animation to come out of the golden age, but also an incredibly influential take on the title character, inspiring the likes of Alex Ross and Bruce Timm, as well as adding the power of flight to the character’s roster of abilities.  The rights for the shorts have been all over the place, and they ultimately went into the public domain back in the ’60s. Toy coverage for the shorts has been generally scarce. Mezco did a 5Points set a few years ago, and there was a statue from DC Direct. It’s McFarlane that finally gave us some figure coverage, first as a Super Powers redeco, and now as a proper 7-inch figure.

THE FIGURE ITSELF

Superman is a standard-sized release from McFarlane’s DC Multiverse line.  He’s not a single, instead being rolled into a larger assortment with a couple of unrelated characters.  Though referred to by *everyone* as “Fleischer Superman,” he’s officially titled “Classic Animation (1940),” with no specific studio mention.  In a way, this actually makes him more accurate than you might think, as only 9 of the 17 shorts were actually produced by Fleischer, with the other 8 being done by their successors at Famous Studios after Fleischer dissolved.  On the flipside, though, it specifies 1940, when the cartoons didn’t start their run until 1940.  Also, all the illustrations are specifically comic-based, so the whole thing is likely some sort of legal thing.  The figure stands 7 1/2 inches tall and he has 37 points of articulation.  Superman is built on the Earth-2 Superman mold from the Crisis set.  He was originally shown on the Action Comics #1000 mold, which isn’t great, but Todd actually listened to fan feedback and moved him to the more recent set-up.  I gotta say, I really like it.  It’s quite clean and the proportions are pretty well balanced.  It also especially works for this era of the character.  He gets a new head sculpt, which is quite solid.  It’s a good match for the animation, not being too simple or too detailed, and it sits really well on the body.  He gets a cloth cape, which is fairly similar to the one on the Reeve Superman.  It’s a solid work, and the wires are quite strong, which is great for posing.  His color work does a pretty respectable job matching up to the colors from the cartoons.  The paint’s a bit minimal, but it does what it needs to.  I particularly like the squinty eyes.  Superman is packed with two sets of hands, in fists and flat, as well as a display stand and a card with decidedly not Fleischer Superman on it.

THE ME HALF OF THE EQUATION

I’m a huge Fleischer fan, because, as noted above, I’m something of an animation geek.  The Superman cartoons are really their finest work, and remain favorites of mine.  I almost went for the Mezco figures, but they were out of my price range at the time they jumped.  I got the Super Powers figure, and he’s fine, but not really on the mark.  This one was one I knew I wanted immediately.  He’s genuinely the best Superman McFarlane’s put on the market, though that’s admittedly a more loaded statement than it used to be, because suddenly they figured out to make a Superman right before the end?  I don’t know, but I’m loving it.

#3786: Plastic Man

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

PLASTIC MAN

DC MULTIVERSE (McFARLANE)

It would seem I haven’t reviewed a single Plastic Man figure here on the site since my first year, where I had a veritable surplus of a whole two of them.  That’s quite a hiatus, huh?  I blame my need to really project that Elongated Man-stan site energy.  Is that the right use of “stan?”  Should I even be using “stan?”  Probably not, but I’ve gone and used it anyway, about Elongated Man.  I mean, if I’m gonna cross that line, Elongated Man’s a good reason.  But, I’m not supposed to be talking about Elongated Man, now am I?  Right, it’s Plastic Man.  He’s okay, I guess.  Anyway, here’s a Plastic Man figure.

THE FIGURE ITSELF

Plastic Man is the Build-A-Figure from the ’90s JLA-themed assortment of DC Multiverse from last year (you know, the one that inexplicably included a not even remotely ’90s John Stewart as its Green Lantern).  The figure stands a little over 7 inches tall and he has 35 points of articulation.  With the exception of the slightly changed up neck joint, his articulation is more or less the same as your average DC Mulitverse figure.  On my figure, the standard arms are quite loose at the shoulders, but I don’t know if that’s an across the board thing or a just my figure thing.  Aside from the John Stewart, this set is supposed to based on the team’s late ’90s depictions.  For Plas, that keeps his general classic look, but results in him being more exaggerated in his proportions and appearance. Plas makes use of the arms and upper legs of the Blue Beetle base body, along with a new head, torso, pelvis, and lower legs.  In general, he feels maybe a touch bulky for Plastic Man, who is usually a little skinnier than others.  I can’t help but feel that maybe the body used for Ambush Bug might be a better starting point?  The new parts are okay, though.  I do like finally getting a set of shins for this body without the sculpted boot cuff.  The feet are a bit freaky and grotesque, and the head’s giving me slight Elvis vibes, but on a whole, it works okay.  Plastic Man’s color work is serviceable.  Nothing too crazy.  I do dig the reflection in the goggles, so that’s certainly a plus.  Plas is packed with an alternate head and arms, which are more stretched out.  Generally, I prefer them to the standards, with the head in particular just feeling more true to the character.

THE ME HALF OF THE EQUATION

While I liked the general look of this guy when he was shown off, I didn’t exactly want to buy a whole set of figures just to get him.  And, honestly, I didn’t really expect to get the chance to get one, because I haven’t really seen many of the McFarlane BaFs resurface.  I was proven wrong on this one, because I actually had a loose complete one land in front of me at work, in a relatively short span of time from release.  Every time I’ve passed on a figure of Plas in the past, I’ve wound up regretting it, so I tried to avoid running into that here.  He’s okay.  He’s got some slight issues, but at the same time, he’s still worth the time.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3783: Superman – 1978

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SUPERMAN — 1978

DC MULTIVERSE (McFARLANE TOYS)

Oh man, two whole Superman reviews, in the same week?  That’s crazy, right?  Well, maybe not so much, I guess.  I do like Superman, so I have a few of them shuffling around.  Also, I had the DCUC one on the schedule before I even knew when I’d be getting this one in-hand, so, you know, less than intentional.  And that one was comics-based, whereas this one is based on Christopher Reeve’s iconic turn in the role, starting with 1978’s Superman: The Movie.  Reeve is a defining in the role of Superman much in he same way that Superman himself was defining for super heroes as a whole.  Neither Reeve, nor the first of his films, really has a true equal.  Figure coverage of Reeve has increased notably in more recent years, but he’s still a little more on the scarce side, especially for more conventional offerings.  Five years into their run with the license, McFarlane has added Reeve’s Superman to the main DC line-up.

THE FIGURE ITSELF

Superman – 1978 Movie is figure #25 in the Collector Edition sub-line of DC Multiverse, and hit in the area of right at the end of last year, right at the beginning of this year.  There were two versions, the standard and a Platinum Edition based on his evil counterpart from Superman III.  The one seen here is the standard, but the only difference between the two is the deco.  The figure stands just shy of 7 1/2 inches tall and he has 39 points of articulation.  The sculpt on this guy looks to be an all-new one, though I’m not 100% sure.  The initial shots of this one didn’t wow me, so I wasn’t sure about how it would look in hand.  I have to say, it actually looks a lot better in person than I’d expected it to.  It’s a little tricky to get it to photograph well, but it genuinely looks good.  Aside from the rather strange look of the elbows when they’re bent, the articulation scheme is solid, and he’s got a good range of motion.  The head sculpt has a pretty respectable Reeve likeness.  It’s not exactly lifelike, and there’s a bit of caricature to it to better adhere it to the rest of the line’s stylings, but it’s pretty clear who it’s meant to be, and it captures the spirit of the character nicely.  The body sculpt is pretty basic for the most part, apart from that slightly odd extra bit of detailing on the wrists, and has a decent enough set of proportions, which match well with Reeve’s build.  He’s got a cloth cape with wires running through for full posability.  I actually really, really like the cape.  The wires are really strong, and hold up very well, adding a lot of options for posing him.  Superman’s color work is appropriately bright and colorful.  It’s heavy on molded colors, but the paint work that’s there is generally pretty clean, and the face is pretty lifelike.  Superman is packed with a pretty impressive selection of accessories.  He gets an extra head, 10 hands (pair of fists, pair of flat, pair of loose grip, pair of open gesture, a pointing right, and a left holding the Kryptonian crystal), a flight stand, and a card.  The alternate head is clearly meant to be used for the alternate color scheme, and looks slightly odd on the classic colors, but it’s got a good Reeve likeness.  The hands add a ton of posing options, and the flight stand is always a good addition.

THE ME HALF OF THE EQUATION

As I noted in the main body, I wasn’t really wowed by the prototype shots for this guy, so I went in with low expectations.  McFarlane struggling to get us a decent Superman at all in this scale just furthered that argument.  In hand he looked good.  Out of the box, he’s even better.  This is genuinely a great figure, start to finish, and just one of my very favorite McFarlane offerings.  I didn’t expect it to blow the NECA figure out of the water, but it kind of does.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3751: Superman – Our Worlds at War

Posted by Ethan Wilson in Reviews and tagged with , , ,

SUPERMAN — OUR WORLDS AT WAR

DC MULTIVERSE (McFARLANE TOYS)

Man, the McFarlane DC toy reviews are becoming an almost monthly occurrence here on the site.  Am I okay?  I honestly don’t know, guys.  Look, I like DC, and my collecting options are limited there, and Todd’s made enough figures that even with a low percentage of hits, there’s still a fair amount of okay stuff.  That being said, one figure that seems to evade Todd is a solid, basic Superman.  There jus always seems to be something off.  At best, there are some very dialed-in and specific looks, which is kind of what we’re dealing with today.  Yes, today’s entry comes of the early ’00s crossover “Our Worlds At War,” a storyline that was a big deal at the time of its release, but has generally had minimal impact moving forward.  I mean, I guess in introduced Imperiex?  You know, that guy that everybody loves?  He was in the second season of the Legion of Super Heroes cartoon?  Another thing that people consistently talk about?  Right?  Well, if nothing else, they made a tweak to Superman’s logo for a bit, and the toy companies do like reminding us of that.

THE FIGURE ITSELF

Superman is part of the second assortment of “Digital” figures from McFarlane’s DC Multiverse line, released under the DC Direct banner, alongside Atom and “Longbow Hunters” Green Arrow.  As noted in the intro, he’s patterned on “Our Worlds At War,” or more specifically Superman’s altered look from the year following the event’s conclusion.  The figure stands 7 1/4 inches tall and he has 35 points of articulation.  As with a lot of the McFarlane figures, the articulation count may be high, but actual range is rather restricted.  The elbows don’t get a full 90 degrees, and the neck and mid-torso are also very stiff, so he’s mostly gonna be doing standing around poses.  Superman is largely making use of the DKR Superman mold, which is one that they keep returning to for some reason.  It’s based on Miller’s very bulked-up Superman, so it’s a very specific sort of mold, that’s not as all-purpose as they seem to think it is.  All that said, the two primary artists for Superman’s post-OWAW look, Ed McGuinness and Mike Wieringo, both depicted him as rather bulked up, so it’s not terribly far off.  Chalk it up to all that extra energy he picked up when he flew through the sun.  He gets a new head sculpt, which appears to be sort of an averaging of McGuinness and Wieringo’s styles.  They’re not completely incompatible, so it’s alright.  It’s definitely got McGuinness hair (or at least the front of it) and a Wieringo chin, that’s for sure.  He also gets a modified insignia piece, making it a little more classic and all-purpose than the more Miller-inspired piece from the original mold.   In terms of color work, he’s got a lot of molded colors, but what paint’s there isn’t bad.  The logo gets the black background, so it’s proper to the source material, and they’ve also given him a more artistic take on the shorts, being black with a red highlight rather than just red.  It honestly looks pretty decent.  Superman is packed with two sets of hands, a display stand, and an eagle.  The eagle is a re-use of the one included with Beast Boy, and notably has no way of interacting with the included figure, so you just sort of have to set him somewhere and hope he doesn’t fall over, which is kinda weird.  The figure also includes the weird NFT thing, but I ain’t messin’ with that.

THE ME HALF OF THE EQUATION

I’ve been rather displeased with the McFarlane Superman figures up to this point, and have been looking for a good one.  This one didn’t look *awful* and was even better than I’d expected when I finally saw him in person.  Unfortunately, I hesitated on snagging him, and he sold, so I missed him.  At least, until I found him at Cosmic Comix while picking up my comics a month or so back.  My daughter Aubrey, still in the midst of her obsession with “Man” helped me open him, and she had a wonderful time flying him back and forth, which has certainly helped to cement him as one of my favorite Superman figures, even if he may not be strictly “standard.”