#3766: Wolverine

WOLVERINE

MARVEL LEGENDS (HASBRO)

“A broken and shame-fueled Logan reluctantly joins Deadpool’s side to fight for their survival — and a shot at redemption”

I discussed Deadpool & Wolverine very briefly when I reviewed the Legacy release Colossus, but didn’t really get into the whole film proper.  In general, my experience with the Deadpool movies was one that improved as they went along, going from not personally caring for the first film to being thoroughly entertained by the third.  In particular, the return of Hugh Jackman to the role of Wolverine after his departure in Logan was something I really enjoyed, especially since it was accompanied by him finally getting to wear the “yellow spandex” we were teased with 24 years prior.  And now, it’s time for the toys.

THE FIGURE ITSELF

Wolverine is part of the three figure Deadpool & Wolverine tie-in assortment of Marvel Legends.  He’s one of the two Wolverines included, this one being the more “standard” of the two, since he’s wearing his actual hero suit from the movie.  Or…well, it’s sort of an idealized version of it, since we don’t ever see the mask and the full suit on screen at the same time.  Look, it’s close enough.  The figure stands a little over 6 1/4 inches tall and he has 32 points of articulation.  The articulation’s interesting.  He gets a more unique style of shoulder articulation, which is sort of like a butterfly joint, but in all directions, being something more akin to the types of joints we see on McFarlane figures.  It’s a tighter connection, though, so it doesn’t feel like it’ll fall apart the same way.  It was a little tricky to get it posing at first, especially with the shoulder pads, but the range definitely improved after messing with it a bit.  He’s got a ball-jointed neck, with all the range that affords, but then a rather limited crunch and waist swivel on the torso, which feels…reductive?  Out dated?  It’s an all-new sculpt, so it was a choice for sure.  The sculpt is itself generally nice, but not without its drawbacks.  We get the full version of the suit, sleeves and all.  It’s a pretty good recreation of the film’s Astonishing-inspired suit, with its smaller details worked out pretty well, and plenty of texturing, so he looks as much like a basketball as he should.  He feels either too narrow at the shoulders or too wide at the hips; his proportions feel a little off either way.  Otherwise, things are pretty solid.  I do really love that masked head.  In terms of color work, he’s certainly garish, but in the way that he’s supposed to be, what with the clown suit and all.  Application is clean, perhaps a touch too clean, but clean.  Everything more or less goes where it should.  He would definitely benefit from at least a little accenting, but that’s not where Legends are these days.  He’s packed with two pairs of hands (fists with claws, and a clawless fist/gripping combo) and an unmasked head.  The gripping hand’s weird, since he doesn’t have any accessories to hold, but it gives you the option, I suppose.  The unmasked head’s as good a Jackman likeness as we’ve seen previously, so good on them for that.

THE ME HALF OF THE EQUATION

I was pretty excited for Deadpool & Wolverine.  It was really great to finally get to see Jackman in a proper Wolverine costume, and, if I’m honest, I was excited to see him get a better send off than Logan, a film that really didn’t work for me.  *ducks to avoid getting hit*  The yellow suit’s inclusion was certainly an interesting experiment, and it really worked in some ways, and not so much in others.  The figure sort of meets that assessment itself.  In both cases, I’m happy they gave it a go, and I enjoy the end result.  And, with this Wolverine and the previous Colossus, I can create my fantasy world where those two actually interacted the way they unfortunately didn’t in the movie.  And perhaps I’ll further that fantasy by hoping I might some day see more movie X-Men of a similar style.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3759: Archangel

ARCHANGEL

X-MEN (TOY BIZ)

“Rich playboy Warren Worthington III was the X-Men’s Angel until the day that he was captured and transformed into one of the horsemen of Apocalypse. A darker reflection of his previous self, Archangel now possessed wings made of metal – wings that he could barely control, wings that fired paralyzing “feathers” at friends as well as enemies. Constantly battling his dark side, Archangel longed to regain the goodness that he once stood for. Recently finding kinship with the X-Men’s Psylocke, Archangel has come to terms with his transformation, and has started to rebuild the life he thought he had lost forever!”

Do you guys like X-Men?  I heard somewhere that you might.  I mean, I do.  And it’s my site.  So, you know, it’s ultimately my call, right?  Amusingly, I was actually not gonna do an X-themed review today, but then I thought better of it.  Yay for me.  And here, on the day before the day before X-Mas, I’m reviewing an X-Man named Archangel, which feels somewhat appropriate, right?  Sort of that “lo, an angel of Xavier appear and they were sore afraid” kinda vibe?  Of course, it’s just Warren Worthington, and he’s kind of a push over prep school guy, so, maybe not “sore afraid.”  I’m getting sore afraid of this intro going any longer, if I’m honest.

THE FIGURE ITSELF

Archangel is from the Battle Brigade Series of Toy Biz’s X-Men line, which was the 14th assortment.  I’ve already reviewed the standard version of this figure, but he, like all of the figures in this particular line-up, also had a color variant.  While the standard was in his white and blue, Neal Adams-inspired costume, this one’s in the Champions-inspired version.  The figure stands 5 1/4 inches tall and he has 9 points of articulation.  He’s the exact same mold as the standard version, which was itself largely re-used from the “Invasion” series release.  It’s still a little bulky for Warren, and we’re just ignoring the sculpted wrist bands.  Still, it’s not too terrible.  I do rather like this particular head sculpt, especially for this version of Warren.  The wings remain a bit floppy as well, but they do at least look the part.  In terms of paint work, this guy’s got the same layout as the standard, but with red in place of the blue.  It’s a little rough on some of the edges, but otherwise looks pretty solid.  Like the standard and Invasion releases, this guy gets no accessories.  He’s still got the wing-flapping action, though, which remains pretty nifty.

THE ME HALF OF THE EQUATION

This guy is actually quite a recent acquisition for me.  I’ve been wanting one since shortly after I got my original, so it’s been a good 20 years, but in all that time, I’ve never seen the variant in person.  I was at Ocean City Comic Con last weekend, and found a booth that had exactly one sealed Toy Biz X-Men figure in it, which happened to be this guy.  I was honestly pretty excited.  He’s obviously not super different from the regular release, but the color change-up is enough to give him a pretty unique look.  It certainly helps that I liked the standard figure so much in the first place.

#3754: Rogue

ROGUE

X-MEN (TOY BIZ)

“Super strong and virtually indestructible, Rogue is a one-woman fighting force! But when there are too many enemies for even Rogue to handle at once, she relies on her Double-Barrel cannon slammer. Flying in above the clouds, Rogue faces the forces of Master Molds Sentinel squadrons and is overwhelmed by their number. But with the help of her cannon slammer and her fellow X-Men, the Sentinels don’t last long enough to realize what hit them. With a mutant power matched only by her southern charms, Rogue is one mutant to be reckoned with!”

Hey, look, it’s time for more Toy Biz X-Men!  The things that keep me happy.  And taking them away would make me unhappy.  You certainly wouldn’t want to make me unhappy, would you?  Good.  Glad we’re all on the same page there.  As Toy Biz moved later into the run of their 5-inch line, they had run out of standard versions of the main characters, so they had to start doing some good old fashioned wacky-varianting.  They went heavier on gimmicks, with their “Secret Weapon Force” branding in particular standing out as a notable push.  New designs, even comics-based ones, were filtered through these gimmicks.  Here’s a gimmicky Rogue.

THE FIGURE ITSELF

Rogue was released in the “Power Slammers” assortment, which was released under the Secret Weapon Force heading in Toy Biz’s 1998 X-Men line-up.  This marked Rogue’s fourth figure in the 5-inch line, and was based on her Shi’ar mining uniform, which she sported for a stretch of less than a year.  It debuted in 1997, so it was pretty quick turnaround for such a thing.  It’s a pretty notable departure from her traditional designs, and was fairly short-lived, but it’s nothing if not unique.  The figure stands just shy of 5 inches tall and she has 12 points of articulation.  On my figure, the joints are exceptionally loose, to the point of making it difficult to keep her standing, which is frustrating to say the least.  I am also, as always, not really a fan of the v-hips, but it is what it is.  Rogue’s sculpt was new at the time, though most of it would be re-used two years later for the movie line’s team suit Rogue.  It’s rather on the stylized front, but a decent match for the art from within the books at the time.  There’s a touch of pre-posing, but generally to a minor degree, and the level of detailing honestly is pretty solid.  The head’s particularly unique, and the hair in front of her face is certainly a neat touch.  Rogue’s color work is generally solid.  It’s an odd color scheme (the Shi’ar outfits were generally off-model in their coloring), but it’s accurate.  The’s a bit of fuzz at the edges of some of the painted elements, but the overall appearance is decent.  Rogue was packed with a big giant gun thing, which serves as the titular “power slammer.”  When the bit at the top is slammed down, there are small yellow ball projectiles that fly out.  It’s super silly and super goofy, but it does at least go totally apart from the core figure.

THE ME HALF OF THE EQUATION

Rogue comes from the era of the line where I missed more than I got when they were new.  There were a lot of repeats on characters, and I had most of my core cast, Rogue included, so I didn’t double up on most of them.  Since jumping back in, though, they’ve been some of my focuses.  I managed to snag Rogue from Yesterday’s Fun while vacationing a couple of summers ago.  She’s alright.  The look’s certainly unique, but the figure has some issues, especially the loose joints, which hold it back.

#3749: Silver Samurai

SILVER SAMURAI

X-MEN (TOY BIZ)

“The Silver Samurai has but one goal in life: to become the leader of the Japanese underworld! Trained in the martial arts and wielding a massive katana through which he can channel mutant energy, this honorless samurai has often come close to achieving his desire–if not for the interference of Wolverine and the X-Men!”

Hey, how about some more Toy Biz Marvel?  Would you like that?  Would it be good for you?  Well, it would be good for me, and it’s my site, so I’m doing it.  It’s more X-related stuff today, though it’s worth noting that the focus, Silver Samurai, wasn’t an X-Men character at the start, but rather a Daredevil villain.  These days, he’s not even really a villain, I suppose.  In the ’90s, when he got his first figure, he was a bit more straight forward, and was a recurring thorn in Wolverine’s side.

THE FIGURE ITSELF

Silver Samurai was released in Series 6 of Toy Biz’s X-Men line in 1994.  Going by my records, he’s the last of that particular line-up I’ve gotten to reviewing.  The whole assortment was pretty odd-ball, being really light on notable characters, ultimately resulting in it being a rather poorly performing set, and Samurai was one of he worst sellers in the line.  He was, for unknown reasons, also re-packed in a two-pack with Robot Wolverine/Albert from the same assortment.  Because we needed more of him.  The figure stands about 5 1/4 inches tall and he has 6 points of articulation.  He’s exceptionally restricted on the articulation front, curiously having knee joints but not hips, making the knee joints effectively useless.  He doesn’t get elbows or wrists either, just neck, shoulders, waist, and knees.  The sculpt is rather stiff on top of that, so it doesn’t really help.  His helmet is removable, and also permanently attached to his shoulder pads for some reason.  Don’t know why either of those things is the case, but the piece doesn’t really stay in place very well, and also the underlying head is rather oddly shaped.  If there’s one redeeming feature to this guy, it’s the chrome finish on most of him; it gives a literal shine to an otherwise lackluster sculpt, and at least helps him stand out a but.  Silver Samurai is packed with his sword, which is partially chromed as well.  It’s rather prone to breaking, and also not really the proper shape for a katana, but there it is.

THE ME HALF OF THE EQUATION

It took me an exceptionally long time to get this one, all things considered.  I’ve seen a great many loose ones, always missing the helmet, and I didn’t want to bother with an incomplete one.  I finally snagged a sealed one while on vacation this past summer, which I took as something of a win.  Is he a good figure?  No.  Not in the slightest.  But, I do like the chrome.  So, you know, he’s a bit like Google that way.  Not great, but I do like the chrome.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3716: The Hellfire Club

EMMA FROST, JEAN GREY, SEBASTIAN SHAW, & DONALD PIERCE

MARVEL LEGENDS (HASBRO)

There’s been a slowdown on my Legends buying more recently, largely because there’s been a bit of a slowdown on Legends to buy recently.  There’s a bunch of stuff upcoming, of course, but in the mean time I’m continuing to fall back on some of my older un-reviewed stock.  I’m jumping over to the X-Men side of things, specifically focussing in on their early ’80s run, which is really where it’s at for me when it comes to X-Men.  During “The Dark Phoenix Saga,” Claremont and Byrne introduced a new group of “evil” mutants, the Hellfire Club, inspired by an episode of The Avengers (no, not those ones), which grew into a whole big thing, which is sort of humorous given that the group is really more of a footnote in the actual story that introduced them, as it quickly evolves to more cosmic levels then the Club can really muster.  Still, they’ve been a pretty recurrent bunch of characters, and they got their toy due in the form of a boxed set a few years ago, which I’m reviewing today!

THE FIGURES THEMSELVES

The Hellfire Club were a Pulse Con-exclusive Marvel Legends boxed set, offered up in 2020.  They were clearly intended to be that year’s San Diego Comic Con set, but the con got cancelled because of the pandemic, and Hasbro switched it to a fully online model.  They also offered up a Hellfire Club Guard army builder at the same time, but he was a separate item, not officially bundled with the rest of them.

EMMA FROST

Emma Frost, the White Queen, is no stranger to Marvel Legends, though until recently she *was* a stranger to *good* Marvel Legends, with her debut in the line, as part of Hasbro’s very first series of Legends no less, being one of the very worst figures Legends has ever spawned.  Her classic costume, which is admittedly rather on the risque side, has only been done in Minimate form before this, which certainly contributed to her being the biggest pull of thus here set.  The figure stands 6 1/4 inches tall and she has 27 points of articulation.  Emma got a lot of new parts, for her torso, upper arms, and cape, as well as re-using the alternate head from her Walgreens figure, and filling in the rest with the TRU Storm body.  It does unfortunately mean that she’s got visible pins on the knees, which is sort of a bummer, and also that her legs are a bit prone to warping and generally making it hard to keep her standing.  It was not easy keeping her standing for the photos here, I tell ya.  The new pieces are generally pretty nice, though.  The corset piece certainly does what it’s supposed to, and looks the part, and does so in a way that’s sharply sculpted, and reasonably well proportioned.  I do like that all of the elements of her outfit barring the boots have proper raised edges sculpted, so we’re not just relying on paint for the break.  Even the boots break at a joint line, so it’s still the same general concept.  The Walgreens head, which I hadn’t looked at before, is certainly a solid sculpt, though maybe a more generic than Byrne depicted her.  I’m not crazy about the cape, which is very thick and heavy, and virtually makes her unposeable.  It’s good for standing there and not much else, it seems.  Her paint work is pretty minimal, since the sculpt has so many separate pieces, but what’s there is decent.  My figure’s just a touch wall-eyed, but generally things look good.  Emma is without any accessories.  Not even an extra set of hands.  That’s definitely weak.

JEAN GREY

This is the second time Jean Grey as the Black Queen has gotten the Legends treatment, following the TRU-exclusive that repainted the first Legends Emma, and made her a surprisingly less awful figure.  Like that one, this one is again re-using parts from Emma, namely the Emma I just reviewed.  She gets herself a new head, collar, and cape in order to differentiate her.  The head is really nicely done, and is consistent with the other Jeans in the line in terms of her face, while also giving her that slightly off expression that seems ever-so-not-Jean.  The cape on this one is more dynamic than Emma’s, allowing for more actual posing.  Unfortunately, the legs on mine are even more wobbly then Emma, so he really has a hard time standing.  Since her construction is very similar to Emma, a lot of her coloring works the same way too, with minimal actual paint.  What’s there is generally good, but there’s some slop around her waistline.  While Emma had no accessories, Jean gets three pairs of hands (open gesture, fists, and gripping), a whip (re-used from Black Cat), and an alternate head to allow her to be Selene, her replacement in the role of Black Queen.  Technically, Selene’s outfit was different than Jean’s (and, by extension, Emma’s), but it’s close enough, and it’s just nice to actually get the extras after Emma was totally lacking.

SEBASTIAN SHAW

Sebastian Shaw is the Black King, and the de facto leader of the group.  He was also played by Kevin Bacon in First Class.  How many degrees of separation does that put him at?  Any?  I don’t know exactly how those rules work.  He’s also no relation to the actor who plays old Anakin Skywalker in Return of the Jedi.  While Shaw got a Minimate for First Class, this is the first, and to date only, time his comics counterpart’s gotten figure treatment.  The figure stands about 6 1/4 inches tall and he has 32 points of articulation.  His mold was largely new, designed to be shared with the other members of the Club.  I looked at it originally for Wyngarde.  It’s a pretty decent sculpt, but it admittedly feels a little skinny for Shaw.  I feel like he should have just a touch more presence.  He gets a unique head sculpt, which is a respectable recreation of his usual look.  This one feels more in line with the Byrne design, so I’m happy about that.  His paint work is a little more involved that the women, with a decent amount of accent work on the vest, which is quite cool.  The buttons are a little sloppy on mine, as are the edges of the cuffs, but he looks okay overall.  He’s packed with two sets of hands (relaxed and fists), the Beast’s book (which still has its scientific formulas), and Magneto’s helmet.  The helmet is the one from the Amazon set, so it’s still got the peg that would have gone into the head, meaning no one else can actually wear it, but it’s cool for holding.

DONALD PIERCE

Donald Pierce, the White Bishop, is noteworthy for being a non-mutant member of the Club.  Instead, he’s just a cyborg.  He was in Logan, but I don’t really wanna talk about it.  In the comics, he left the Club and spent a lot of his time with the Reavers, a larger group of cyborgs.  He’s a cool concept, but I feel like they lost the thread on him a while back.  This is his only time getting a figure.  He’s using the same body as Shaw, just with a new head.  It’s a more modern version of the character, with a face that’s too squared off and full to be John Byrne’s Donald Sutherland-inspired take on the character.  It still works well enough, though, and I think it reads okay as the character.  His color work is more earthy tones than Shaw’s, which differentiates them nicely from each other.  The application’s a little cleaner on Pierce than it was on Shaw as well.  He’s packed with an alternate set of robotic hands (courtesy of Doom), Domino’s blaster style guns, and Wolverine’s mask.  The alternate hands work alright for the cyborg bit, I guess, but I can’t help but wish for a comic-accurate set of torn up arms showing off the cybernetics.

THE ME HALF OF THE EQUATION

I didn’t actually get this set from Pulse Con, for a multitude of reasons.  I wound up getting it loose, and in two different parts, in fact.  I lucked into the two Queens fairly early on, when they were in a short market lull, allowing me to not donate my whole arm and leg to the purchase, and then I got the other two later down the line, when they’d firmly become the “cheap” ones.  The Queens, even with the standing and posing issues, are certainly the stronger half of the set.  The guys aren’t bad, just sort of okay.  Largely, I think they’re probably hampered by me having gotten Wyngarde first, and just generally liking Wyngarde more as a character.  I do hope to some day track down a guard or two, and I’m intrigued to see if they ever get around to making Leland.  I guess we’ll just see.

Thanks to my sponsors over at All Time Toys for setting me up with this set to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3712: Apocalypse

APOCALYPSE

MARVEL UNIVERSE (HASBRO)

Hey!  It’s October 17th!  That means today marks the end of the site’s 11th year.  That’s pretty crazy.  Last year was, of course, the end of my first decade, so I did an even more extravagant wrap-up than usual, which I think was a nice send-off to the big wrap-ups, so I’m not gonna do one of those this year.  I will however, still be doing my usual slightly more significant item to review, just to mark the day a bit.  I haven’t reviewed any figures from Hasbro’s Marvel Universe line since we were in the depths of the pandemic and the lockdowns, which feels sort of crazy, because it was at one time such a notable portion of my collection.  I’ve scaled it back a lot, though, especially with Legends having overtaken it on so many fronts.  But, there was a good five year stretch or so where it was one of my main jams.  A character that’s never *really* been one of my main jams, however, is Apocalypse.  Don’t get me wrong, I like some of what he’s been involved in, but something about him’s never fully clicked for me.  That said, I’ve had more than a few good toys of him, and, you know what, here’s one of those.

THE FIGURE ITSELF

Apocalypse was released during Marvel Universe‘s third year, in the 13th overall assortment, which was the second of the year.  He’s figure 009, and shipped alongside Jim Lee Cyclops, First Appearance Wolverine, Cable, and Gladiator.  All of the new figures were X-themed, which was a first for the line.  The figure stands about 4 1/2 inches tall and he has 26 points of articulation.  Apocalypse is seen here in his “Messiah Complex” look, which was still pretty current at the time of the figure’s release, and also matched up with the Cable from the same assortment.  He was built on the larger male body introduced with Juggernaut the prior year.  It’s a very solid starting point, coming after Hasbro had finally weeded out their truly abysmal initial base bodies for the line.  This one’s got a surprising range of motion given its build, and is also quite stable on its feet.  He gets a new head, lower arms, hands, shins, and feet, as well as new overlay pieces for the shoulders and belt.  It’s a good selection of parts, and the mesh well with the underlying base body.  The hoses on the arms are a little limiting for poses, not as bad as you might expect, and I particularly l love the gesturing hand; it adds so much character to his poses.  Apocalypse’s paint work isn’t bad.  Hasbro was in a period of doing washes and such for accenting, so he gets a bit of that, which works quite well with the sculpt.  Apocalypse’s only accessory was a display stand with his name and figure number printed on it.

THE ME HALF OF THE EQUATION

Like I touched on in the intro, I’m not classically much of an Apocalypse fan.  So, why is this guy my significant-year-end-review choice?  In the summer between my freshman and sophomore years of college, I was back home and spending a lot of my free time with my younger brother Christian.  A few times over the summer, he needed to go into work with me during the day, so I’d make it up to him by stopping by the Target on the way home, so that he could get something cool at the end of the day.  Target was, at the time, running a buy-one-get-one-free sale on Marvel Universe, so I’d buy one for him and get one for myself as well.  We built up a bit of collection that way, and it eventually got to the point of us actively hunting for the line together.  A good chunk of my MU collection went back with me to college that year, and I promised him we’d keep collecting as I got the chance.  A couple of days after I moved into my dorm, my parents were dropping off some supplies for me, and when I went down to meet them, Christian was also there, and presented me with this guy, who he’d insisted on getting me.  It was tremendously thoughtful.  My small MU collection was one of the things that helped get me through what would ultimately be a kind of rough year at school, and this guy was one of the most significant pieces for me.  I may not be a huge Apocalypse fan, but I’m a huge fan of this figure in particular.

#3711: Phoenix

PHOENIX

MARVEL LEGENDS (HASBRO)

You know, I feel every few years, I have to review a Marvel Legends Phoenix. Just, like, some sort of cycle. They keep remaking her, and I keep buying her, and then the reviews come back around, rising from the ashes, like some kind of…phoenix. Ha. Good joke. Everybody laugh. Roll on snare drum. Wait, sorry, that’s the wrong publisher! This is Marvel, a Disney subsidiary! Maybe we go with this is the song that never ends? Hang on, I think I’m confusing that with “It’s A Small World.” “The Song That Never Ends” is Lambchop. I don’t know who owns that. Well, this intro’s just going swimmingly, then, isn’t it? Let’s just look at the figure!

THE FIGURE ITSELF

Phoenix is a deluxe Marvel Legends release, hitting on her own as a Fall 2024 offering.  We actually got a pretty quick turnaround for release on this one, since she wasn’t shown off all that long before dropping at retail.  She’s decidedly a classic Phoenix, rather than Dark.  It’s only the third time we’ve gotten just a classic Phoenix in Legends.  The figure stands 6 1/4 inches tall and she has 32 points of articulation.  She’s got the updated pinless construction arms and legs from Shriek, along with a brand new torso set-up, which works in the more modernized articulation style like we’ve been seeing on the Spider-Men more recently, as well as adding in butterfly shoulders.  The whole thing’s a very solid set-up, and I look forward to seeing it show up elsewhere going forward. Jean’s got a new sash add-on, which sits a lot better than the prior pieces, and two different head sculpts.  One’s more standard Jean, and the other’s all powered up.  It took me a minute to warm up to the new heads; I was really a fan of the powered up head from the Dark Phoenix figure, and I wasn’t sure they’d be able to top it.  That said, these two are far more refined and subtle.  They’re very dynamic with the hair flow, and the face sculpts really capture that ’70s Jean look.  The color work on this release is a marked improvement on earlier versions, especially the prior Hasbro version, which was a touch murky.  This one’s got more pop, and the application’s much cleaner.  Phoenix is packed with two sets of hands (in fists and open gesture) and, for the first time since the Toy Biz days, a big, fiery Phoenix bird base, which serves as a major selling point for this release.  It’s a little tricky to assemble, and there’s no guide or anything, but once it’s built it’s very impressive, and even has an articulated neck for further posing options.

THE ME HALF OF THE EQUATION

I genuinely didn’t think I needed this figure when she was announced.  I was happy with my 2016 figure with the alt head from the two-pack and the Toy Biz base.  Sure, it was hodgepodge, but I liked it well enough.  No need to upgrade, right?  But, I started to waffle as we got closer to release, and when I saw how nice she looked in person, I just couldn’t say no.  She’s so very much nicer than the prior releases, and I’m very glad I caved.  This is the definitive take…until Hasbro manages to somehow outdo themselves again in a few years, I guess…

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3709: Cyclops

CYCLOPS

X-MEN: MOVIE SERIES (TOY BIZ)

“Scott Summers, Professor X’s first student and the X-Men’s field leader, possesses the uncanny mutant ability to fire beams of devastating energy from his eyes. He must wear a special visor made of ruby quartz to control these powerful otpic blasts or he would destroy everyone and everything around him with just a glance. The disciplined, serious minded student code-named Cyclops is often at odds with Logan because of his maverick attitude and their mutual attraction to Jean Grey.”

It’s been almost 25 years since the release of the first X-Men movie. It was a pretty big deal for comic book movies, being the first time we ever truly got to see the scope they could achieve, even if there were some growing pains along the way. It was, of course, Hugh Jackman’s first turn as Wolverine, a role he’s so defined in the two and a half decades since. Jackman got the opportunity to reprise his role earlier this year, in Deadpool & Wolverine, but the other main cast members weren’t quite as lucky. As much as I loved the film, I myself was a little bummed we didn’t get to see more of James Marsden’s Cyclops, especially since I’ve always felt that Marsden was woefully underserved by the writing for his character in the first three movies. I guess he’ll just have to make his grand return…in my mind! Or, you know, in a review of an old figure.

THE FIGURE ITSELF

Cyclops was released in the first series of Toy Biz’s X-Men: The Movie tie-in line from 2000 (which, I always like to point out, was released simultaneously with series 2, so that the whole main cast could be on shelves at the same time).  The figure is about 6 inches tall and he has 14 points of articulation.  The X-Men: Movie line wasn’t Toy Biz’s first jump to the 6-inch scale for Marvel figures, but it was the first major move towards making it their standard scale.  It’s closer to a proper 1/12 scale than where they would go with Legends, for what it’s worth.  He’s still closer to the 5-inchers in terms of posing, and is in fact a little stiffer than some of the smaller guys.  He’s in sort of s mid-step kind of pose, which does result in some of the articulation being a little on the ineffective side, especially on the legs.  The ankles in particular are kind of pointless.  It is worth noting, however, that this was the first Cyclops to have both a light-up feature *and* neck articulation.  It doesn’t get a full rotation, but it’s still cool.  The actual sculpt proper’s actually pretty nice.  The larger size allows for more depth of detailing, which works especially well for the suit design, and its variety of textures.  His head’s got pretty passable likeness of Marsden as Cyclops.  The visor is designed to be removable, which is a cool feature, but makes the visor itself really fragile, and very prone to breaking.  But, it does look really cool when its properly in place, and it stays there pretty well.  Cyclops’s paint work is decent enough.  It’s pretty cleanly handled, and the color scheme is a solid match for the film.  The skin tone’s a little pasty, and perhaps a little thick, but it works reasonably well.  There were a few different takes on the exact details of the suit and its different piping, which got brighter and more obvious applications as the different production runs hit.  Cyclops was packed with both his visor and an alternate pair of sunglasses (which are even *more* fragile than the standard visor), as well as a figurine of Jean, clearly meant to be based on the scene in the movie where she gets hit by Toad’s slime and Scott has to blast it off her.  Of course, she’s not completely encased by the slime the way she is here; it’s actually just on her face in the movie, which is, amusingly, the one piece that mine’s missing.  She’s also based on the first Jean mold, so she’s got the wrong hair style, but beyond that, I guess it’s an okay extra, weird though it may be.

THE ME HALF OF THE EQUATION

Cyclops was, unsurprisingly, the first of the X-Men: Movie figures that I got.  I got him as soon as they were released, before the film even came out.  I was very excited for the movie, and Cyclops was my favorite of the characters, so it was kind of a natural move for me.  He went everywhere with me for probably about 6 months or so, and his visor snapped in half probably about a month in, which was always a bummer.  I’ve been looking for a replacement for a little while and finally snagged one while on vacation two summers ago, which very much exited me.  The figure’s not perfect, but I really do love him, and still have very fond memories associated with him, which, honestly, is not unlike my feelings about the movie proper.

#3664: Strong Guy

STRONG GUY

X-MEN (TOY BIZ)

Last week, I jumped back into Toy Biz Marvel with a discussion of the repaints that kept the line fresh on the pegs of KB Toys, one of the greatest supporters of the brand in the ’90s.  There were a variety of different ways they kept up with things, but at the tail end of the decade, they really dialed in on X-Men specifically.  There was a range of differences in terms of what they did with those figures.  Today’s offering, Strong Guy, was on the minor end of things when it came to change-ups.  Let’s jump into those, I guess?

THE FIGURE ITSELF

Strong Guy was released in the first assortment of the KB-exclusive X-Men repaint line, released in 1998.  The figure stands 5 inches tall and he has 6 points of articulation.  His sculpt is re-use of the Series 6 Strong Guy, which was the only other Strong Guy Toy Biz ever did.  It was definitely a little on the small side for Guido, at least as he was usually depicted in the comics at the time, and the articulation was a bit stripped down by the line’s usual standards, but it was a sculpt that certainly looked the part for the character.  While the Magneto from this line had a rather drastically different color scheme from the original AoA release, Strong Guy doesn’t quite go that far, but it’s still a bit beyond the differences between the Morph releases, which you could chalk up to production changes.  The colors are rather desaturated compared to the original release, which is certainly an interesting choice.  Also, the one true application change here is the moving of his X-logo from his left side to centered on his vest.  I guess that works better for branding?  I don’t know.  I don’t think Guido ever had the logo there, but I honestly didn’t keep up with all of his costume changes.  Like the original release, this figure was without accessories, but he does still have his “power punch” feature.

THE ME HALF OF THE EQUATION

Given how long it took me to even get around to opening my original Strong Guy, I guess it’s not a shock that I didn’t rush out to get this guy.  Honestly, I wasn’t even super sure I was going to do all of the variant hunting for all of these figures, at least initially, but I’ve gotten more invested in that over the years, so, when I found this guy at Factory Antiques, I opted to jump on it.  There’s not much new to this one, and it’s hard to say exactly *why* Toy Biz felt the need to do him, but, you know what?  I won’t knock them for doing another Strong Guy.

#3659: Magneto

MAGNETO

X-MEN (TOY BIZ)

For the bulk of the ’90s, KB Toys filled up a good portion of their action figure aisle with Toy Biz Marvel figures.  Earlier in the decade, they got a lot of close-out and liquidation deals on older figures, so they had a pretty steady stock of those, allowing for ease of access to fill-in a collection.  As they sold through that stock, however, they needed more.  The easiest solution was just to ask Toy Biz to reprint some old molds in stripped down packaging, which honestly worked out pretty well.  A lot of the figures wound up being nearly identical to the earlier releases, but every so often they’d mix things up.  Case in point?  Today’s Magneto figure.  Let’s check him out!

THE FIGURE ITSELF

Magneto was released in the second KB-exclusive repaint assortment of Toy Biz’s X-Men line, released in 1998.  He was an ever so slightly tweaked version of the prior repaint release of Magneto from the Marvel Hall of Fame line the prior year.  The figure stands a little over 5 inches tall and he has 9 points of articulation.  Sculpturally, this figure is the same as the AoA Magneto.  It’s a solid mold, through and through.  Definitely a more specifically dialed-in version of the character, of course, but it was Toy Biz’s most recent version of the character at the time, and AoA styling or not, the mold that fit the most with the rest of their output at the time.  The major change-up here is the paint.  Rather than a straight adaptation of the AoA costume, this one’s got more of an amalgamated look.  Definitely still leaning into the main classic color scheme, but he’s also got bare arms and a big white “M” on his chest now, which both call back to his ’80s costume (which finally got its proper figure due this year as part of the Legends ’97 tie-in line-up).  He’s also got a bit of silver thrown into the mix as well, for a little extra accenting.  It’s not a strictly comics-based look, but it’s honestly a pretty solid set-up, and the paint work is definitely very strong.  Like his AoA-counterpart, this guy is packed with his removable helmet and cape, as well as the big hand attachment.  I dig the hand a lot more this time, since it’s gets fully-painted detailing, which sells the whole look a bit better.

THE ME HALF OF THE EQUATION

I actually came very close to getting this figure a number of times back in the ’90s, before I’d gotten the proper AoA version.  But, once I got that one, I didn’t feel like I *needed* this one.  Look, I was young; I didn’t know where I was ultimately going with this ’90s Toy Biz thing.  It’s one of those figures I’ve always remembered, and I’ve been hoping to get one for a bit.  As luck would have it, I happened upon a loose one while wandering through Factory Antiques during a day trip back in the spring.  He’s pretty nifty.  Like, yeah, not comics accurate, but it’s just a lot of fun.