Category Archives: Reviews

#3908: Peter B. Parker & Mayday Parker

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

PETER B. PARKER & MAYDAY PARKER — ACROSS THE SPIDER-VERSE

S.H. FIGUARTS (BANDAI)

The two Spider-Verse films we’ve gotten thus far have both had a lot of importance placed on growth of characters and definitively moving them forward in their own narratives.  In a world of super hero movies that change the main heroes’ costumes purely for the sake of change, it’s nice to see an approach that works those changes more into the story, and how it affects the characters.  Into the Spider-Verse showcases a Peter Parker at his lowest point.  He’s alone, out of shape, and disheveled, and spends a good portion of the film in a makeshift outfit that further emphasizes that.  Across re-introduces us to Peter as he’s well into his way of recovering, and he’s so not alone that he’s literally got another person strapped to his chest for most of his screen time!  Despite him being more on the mark and put together this time around, Peter B. Parker was surprisingly absent from the toy coverage for Across, with most of his figures actually being repurposed looks from the first movie.  He got a Pop, which is great if you like Pops, but then it was a rather long wait for a proper figure.  Bandai ultimately took the lead this time, with a figure from their SH Figurarts line, which I’m taking a look at today!

THE FIGURE ITSELF

Peter B. Parker & Mayday Parker are part of the larger sub-line of Across the Spider-Verse figures in the SH Figuarts line-up.  This is the latest of the figures to hit, and it’s the seventh in the set.  Certainly a more in-depth line-up than the prior movie.  Though billed as a two-pack, the set is really a Peter B with a Mayday accessory, so I’ll be treating it that way for the purposes of the review set-up.  Peter stands just over 7 inches tall and he has 40 points of articulation.  Figuarts has always occupied a sort of nebulous “1/12 scale” space, which can make scaling with other nebulous “1/12 scale” lines sometimes hit or miss.  What’s curious about the Across figures is that they land on the opposite end of the nebulous range than usual.  Relative to, say, Marvel Legends, Figuarts tend to run a bit on the smaller side, but Peter here winds up taller than all of the standard sized Legends for the movie.  Not so much so that you can’t fudge things a bit, but it’s a little funny to see him end up taller than Miguel.  Also, it’s not like they’re designed to scale with each other in the first place, but I did find it amusing.  Peter’s articulation is generally decent for a Figuarts release.  They’re definitely less floppy and sort of weird in their articulation schemes these days, so he feels a bit more naturally flowing and intuitive.  I still had some slight issues with stability, especially in the more intense Spidey-style poses, but it generally works okay.  The sculpt is totally new, and it’s doing a few different things at once.  Right out of the box, he’s just a standard Spider-Man in the movie style.  It’s a good match for the film design in terms of proportions and stylization.  The texturing is quite impressive, and there’s a lot of neat visual filler that keeps him interesting.  His build shows that he’s certainly working on getting into better shape then he was in Into, but he’s not quite back to Peter A levels, and I like that.  But, that’s just standard Spidey, and nobody’s really buying this one for a standard Spidey, right?  No, we want the goofy, more put-together, but still disheveled look.  To that end, this figure gets two alternate unmasked heads (with a corresponding neck piece with a lower collar), ungloved hands, and an alternate set of lower legs with socks and slippers instead of boots.  The unmasked heads give us Peter with a more neutral slight smile and with a more intense opened mouth laugh.  Both are very much on model and keep things nice and internally consistent.  The legs are goofy, and fun, and I like them a lot.  And it’s all topped off with the most important part of the whole ensemble: the pink bathrobe.  It’s quite a statement piece and neat counterpoint to his green jacket from Into.  Here, it’s a soft goods piece, which makes a lot of sense.  It’s very soft and fuzzy, and there’s a wire in it for dynamic posing.  Peter’s paint work is all pretty top-notch.  The work on the unmasked heads is by far the best, but even the suit is clean and well-rendered.  As mentioned above, Peter gets all the parts for both of his looks, as well as six pairs of hands (four gloved in fists, thwipping, gripping, and open gesture, two ungloved in open gesture and relaxed), the wrist bracelet goober thingy, and three different weblines.  The weblines are ultimately a bit unimpressive compared to others we’ve seen, but I don’t see myself using them anyway.  The most important selection of extras is Mayday and her associated parts.  The main Mayday is done up in a crawling pose, and is jointed at the neck and waist.  While the arms and legs are separate, they have rectangular pegs, so they can’t be posed, which is kind of a shame.  She does get two heads, so you can do with or without the hat.  Why you’d leave off the hat is anyone’s guess, but the option’s there.  Also included is the carrier for Mayday, which can be attached to the main Peter figure.  There’s a special neck piece that goes in that one of the two heads can be attached to (the hat fits better than the one without), and you can move the arms and legs over as well.  It stays on pretty securely, and scales well to the other figure.  It’s also relentlessly adorable.

THE ME HALF OF THE EQUATION

Across the Spider-Verse was a well-timed movie for me, because I also had a daughter in the spring of 2023, and Mayday reminded me very, very much of her.  For Halloween that year, my mom knitted Aubrey a spidey hat, and I stole my wife’s pink bathrobe, so that we could be Peter and Mayday, and I assure you, we were also relentlessly adorable.  As we have become rather linked to the look, getting a figure of it was kind of important.  I have the Pop, but it’s just not the same, so I realized I was going to have to make the jump to Figuarts.  But, Rachel and Aubrey got ahead of me on that one, and this was my birthday gift from the two of them this year.  It’s awesome.  I’ve got some quibbles, but they’re minor, and this figure just does so much right.  Just a ton of fun.

#3907: Superboy

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

SUPERBOY

MAFEX (MEDICOM)

I’ve touched on Medicom’s MAFEX line a few times here on the site.  While my most recent review kind of broke the mold a bit, my reviews have otherwise been DC-based, all of them hailing from the running sub-line of figures based on Batman: Hush.  Hush is a pretty solid way of doing a large swath of Batman-related characters in one cohesive style, but it does limit you mostly to just Batman.  For a focus on DC’s original super hero, Medicom also started up a based around the “Death” and “Return of Superman” storylines from the ‘90s.  Their primary focus has been the Superman replacements from “Reign of the Superman,” who each took over one of Supes’ four books running at the time. Taking over Adventures of Superman was “the Metropolis Kid,” Superboy!

THE FIGURE ITSELF

Superboy is figure 232 in the MAFEX line-up.  He’s the fifth figure in the Return of Superman set-up, and the last of the four replacement Supermen to join the line.  The figure stands a hair over 6 inches tall and he has 42 points of articulation.  In terms of scaling, Superboy feels a touch too large for the other MAFEX figures I’ve picked up.  Not crazy levels of out of scale, but he definitely feels like he should maybe be a little shorter.  His articulation scheme is pretty much the same as the others I’ve looked at, which is to say it’s quite good, and allows for a lot of solid posing.  Nothing’s too overly loose or anything, and he can hold a pose quite well.  The figure’s sculpt is based on Tom Grummett’s initial design for the character, which is by far his best, and really his most enduring design.  It’s also the one that matches all the other figures, so it’s got that going for it too.  It translates quite nicely into figure form, and the little raised and recessed elements of the costume design all make it stand out quite well.  There are three included heads, all based on Grummett’s depictions of Kon-El.  There’s a neutral expression, an angry expression, and one with sunglasses affixed.  Of the three, I think I lean towards the sunglasses head the most, but I really like all three, and it’s great how consistent his look is between all of them.  Rather than being a sculpted element, like Hush’s trench coat was, Superboy’s distinctive leather jacket is a softgoods piece.  It’s good.  It’s well-tailored, not too limiting on the posability, and there’s a wire running through the belt for extra dynamic posing options.  I do worry about how well it will hold up in the long run, but I guess I’ll just enjoy it for what it is now.  The color work here is really bright and colorful, and feels very true to his early appearances.  The paint is all really clean, and there’s some especially strong work on the heads.  Superboy is packed with five different pairs of hands (fists, flat, thumbs up, open gesture, and relaxed), and a display stand.  It’s a little light, but he’s also got the three heads and the jacket, so it makes up for it, I feel.  The hands swap easily, but I’d be careful with them, because the glove cuffs have a real tendency to go flying during the swaps.

THE ME HALF OF THE EQUATION

I got in relatively close to the ground floor with this incarnation of Superboy, getting the Man of Steel figure when it was new, and following his comic from an early point until it was cancelled.  I’ve always liked the character, and I’ve never been much of a fan of the jeans and t-shirt direction they took him under the Johns era.  It feels like something of how he was supposed to work kind of got lost there.  Thus far, I’ve just stuck to the Hush figures, and I even missed the standard Superman from that line, so I avoided the Return figures.  Superboy made that a lot harder to stick to, especially in light of my seriously renewed investment in Superman as a whole, post movie release.  This guy wound up being a birthday gift from my parents this year, and he’s super, super cool, and a great reminder that, no matter how far I progress from the decade that birthed me, I’ll never really be able to kick the need to own characters wearing leather jackets over their spandex.

#3906: Spider-Man

Posted by Ethan Wilson in Reviews and tagged with , , , ,

SPIDER-MAN

SILVER AGE (TOY BIZ)

“Peter Parker, a mild mannered honor student in high school was fascinated with all things scientific. While attending a science exhibition on the manipulation of wavelength radiations, Peter was bitten by a spider that was exposed to radiations. Peter was bitten by a spider that was exposed to radiation. As a result, he was given superhuman, spider-like abilities. Peter could now climb walls, leap incredible distances, and life more than 10 tons, prompting him to adopt the identity of Spider-Man. He made a costume and with his knowledge of science created “web-shooters.” Attached to each wrist, his web-shooters allow Spider-Man to shoot super strong, sticky webs to swing from and use as various weapons. Spider-Man also has a “spider-sense” that warns him of impending danger making him one of the most legendary crime fighters ever known.”

While he spent the first two decades of his existence with only a handful of action figures, but the end of the ‘90s, there was absolutely no shortage of Spider-Man action figures.  Toy Biz released a metric ton of them in the 5-inch line, mostly under his own self-branded line, launched to tie-in with his ‘90s Animated Series.  The more obscure offshoot lines weren’t as likely to include him, since he was better suited in other, more big-box-retail-friendly set-ups.  He did get the occasional less mainstream release, as was the case with today’s offering, which goes back to the character’s earliest days.

THE FIGURE ITSELF

Spider-Man is the third of the four figures in Toy Biz’s PX-exclusive Silver Age line from 1999.  By far, he is the assortment’s heaviest hitter, making him this line-up’s correspondent to the Wolverine in the Modern Age line-up.  Unlike the Cap figure, which was emphatically *not* Silver Age, and the Gwen figure, which was a loose connection, Spidey is emphatically well within the timeline for Silver Age…for the most part.  I’ll get to all that.  The figure stands right under 5 inches tall and he has 15 points of articulation.  Spidey was entirely parts re-use, using the body of the Marvel Super Heroes “Multi-Jointed Action Poses” Spidey, with the head from the Animated Super-Posable Spidey.  It’s actually kind of a neat combo.  The MSH body is smaller and skinnier than most of the other Spideys that Toy Biz put out, and the head being originally meant for a more bulked up Spidey means it’s a touch too large…which is a pretty good match for Ditko’s portrayal of a teenage Peter Parker in the costume.  The base body is very posable, as well, which makes for a better general Spidey set-up.  To really sell the earlier Spidey look, they’ve also pinned a pair of vinyl “web-wings” to the backs of his arms, much like the first Fantastic Four line’s Black Bolt.  I limits the posing on the arms a little bit, but it’s not terrible, and it’s a good change-up for the look.  The figure’s paint work is more or less what you would expect from this era of Spider-Man.  I might have perhaps liked a slightly more Ditko-like pattern and eyes on the face, but it’s not incredibly far off, and it wouldn’t shock me to find out there may have been some branding involved in the look here.  The blue is a darker shade, but not the straight on black of his original appearance, meaning this isn’t a First Appearance figure, but rather a broader Silver Age figure.  While I always love a good First Appearance Spidey, the blue with the web-wings is the look less often done, so can dig it.  Spidey was packed with the web-shooters, belt, and ankle pouches from Scarlet Spider, all done in the same silver with darker accenting, as well as an actual rolled paper copy of the Daily Bugle, and a card with the cover of Amazing Fantasy #15 (which makes this line 3 for 3 on the figures not wearing the costumes depicted on the covers for their cards).  Not entirely sure why he gets all the Scarlet Spider gear, but it’s a neat extra nevertheless.

THE ME HALF OF THE EQUATION

I had *plenty* of Spider-Men by the time this figure hit, so he’s the one member of the line-up that didn’t tempt me in the slightest…you know, until I had the other three and he was all I needed to finish the set.  So, off to eBay I went.  In light of figures that are more obviously new and different, he sort of gets lost, but at the same time, he’s actually a pretty neat figure with a solid take on a more specific design.  And, he does at least actually stick to the theme.

#3905: Saelt-Marea – Yak Face

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

SAELT-MAREA — YAK FACE

STAR WARS: POWER OF THE FORCE II (KENNER)

“One of Jabba the Hutt’s top agents, very little is known about the mysterious Saelt-Marae or his specific connection to the crime lord. He could often be found hanging out in Jabba’s desert palace.”

Saelt-Marea, known as “Yak Face” during the production of Return of the Jedi and keeping that name until he got a proper one in the ‘90s, has the distinction of being the only vintage Kenner Star Wars figure never released in the United States, which has given his debut figure quite a bit of notoriety over the years.  That notoriety has gotten him a handful of additional figures over the years, which isn’t bad for a guy who just stands around in the background of Jabba’s Sail Barge.  His second figure, which is ever so more easily acquired than the first, was released in the ‘90s revival of Power of the Force, which is really where my main jam is, so here I am!

THE FIGURE ITSELF

Saelt-Marea — Yak Face was added to the Power of the Force II line-up in 1997, which was a Jabba-heavy year.  He represents the first time the character would get his proper name, something that was pretty common for this line and its approach to the background aliens.  The figure stands just under 4 1/2 inches tall and he has 6 points of articulation.  His neck joint is rather restricted, due to its implementation at an angle, as opposed to being flat.  His sculpt was all-new, and honestly not badly handled.  The original figure had made some guesses at his full design, so this one aimed to be a bit more accurate, most notably giving him his longer robe piece, which is a softer overlay piece on this figure.  The head seems to do an alright job of capturing the prop from the movie, and it looks the part pretty well.  There are definitely some elements here that are a little softer than other figures in the line, and he definitely comes across as a bit more basic compared to more modern takes on the character, but it certainly gets the job done.  Likewise, the figure’s color work is kind of in the same vein; it’s basic and kind of rudimentary compared to more recent stuff, but it does what it needs to and it works.  That said, it’s actually a little bit of a change-up from how things usually worked from vintage to PotF2, as Yak Face is actually a fair bit more colorful and eye-catching than his vintage counterpart, who was really rather drab.  Yak Face is packed with what the package dubs a “Battle Staff.”  Sure, I guess let’s go with that.  It’s a stick with some stuff on one end, and he holds it pretty well in his right hand, and not as well in his left.

THE ME HALF OF THE EQUATION

According to my database, I got this figure in September of 2019, intermingled with a batch of eight other Power of the Force figures.  He’s the eighth of them I’ve reviewed, though not because I dislike him or anything.  Mostly just luck of the draw.  Looking at the batch of figures he came home with, he was almost certainly part of a collection that got traded gnat All Time, which I plucked the figures I still needed from.  He’s nifty.  Nothing crazy, but a unique design, and a solid figure.

#3904: The Thing

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

THE THING

MARVEL LEGENDS (HASBRO)

When it comes to cinematic adaptations, Ben Grimm, the ever-lovin’ blue-eyed Thing, has had a bit of a mixed presentation.  Michael Chiklis’s turn as Ben was undoubtedly the highlight of the two Story films, but Jaime Bell’s mumbling loner from Fant4stic was a particularly poor showing in an already poor film.  And, somewhere in the middle, you’ve got Micheal Bailey Smith and Carl Cialfalio’s two-handed Ben and Thing approach from the Corman movie, which is admittedly mostly just hampered by the film’s unfinished nature.  Where does Ebon Moss-Bachrach fall in the scale?  He’s at least as good as Chiklis, I’d say.  My only hang-up is that I don’t feel there’s as much time spent with him as the other three, so it’s a little harder to form a full opinion.  I do look forward to seeing more, though, and it’s certainly a much better approach than the one that immediately preceded it.  Anyway, here’s a figure of him!

THE FIGURE ITSELF

The Thing is another entry in the First Steps tie-in assortment of Marvel Legends, and the last of the four members of the titular team.  The figure stands just shy of 7 inches tall and he has 30 points of articulation.  The film returns Ben to something closer to his ‘60s scaling, which means that this figure is the smallest of the Legends Thing figures to date.  That’s not a bad thing, mind you.  His articulation’s a little different from the other team members, given his bulkier stature.  We see a bit of a return to the “twisting meat” era with the biceps and the abdomen both having opposing joints that sort of cancel each other out.  It’s not quite as much of an aesthetic problem this time around, though.  Ben’s sculpt is all-new, and it’s…well, it’s not technically inaccurate,  but it’s not the look the character spends the bulk of the movie sporting.  In the film, in contrast to most depictions of the character, he has a full uniform to match the other three, but what we get here is something closer to how Ben’s classically depicted, sans shirt and boots.  We see him in action with this look briefly during the opening montage of the team’s first four years of exploits, and it also shows up a few times in the in-universe promotional images, keeping him more in line with the slightly adjusted hair styles of Reed and Johnny.  It’s ultimately a more quintessential look for the character, and I myself prefer it, but maybe we’ll see a more accurate final battle Ben, complete with bearded head sculpt later down the line?  This sculpt is a strong offering, though.  The likeness on the head matches his design in the film nice, and they do a good job of recreating the rocky texturing of his skin, as well as keeping his uniform’s stitching consistent with the other three team members.  I do especially like the more reserved expression on the head, which feels very in line with Moss-Bachrach’s portrayal of the character.  The paint work here is a bit mixed.  The rocky skin gets some really solid accenting, which really works well with the sculpted details.  On the flip side, the uniform is a bit sloppy, and one of the logos on his leg was all scratched-up right out of the box.  Ben is packed with two pairs of hands, one in fists and one in open gesture.

THE ME HALF OF THE EQUATION

Ben’s my favorite FF member, and this was the figure from this set I was most looking forward to.  He’s a modern movie Legend, so if you’ve gotten a bunch of those, you know what you’re getting here.  It means he’s a pretty solid, pretty straight forward figure, though, and he certainly feels like he gets the character down pretty well.

Shoutout to All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3903: Superman

Posted by Ethan Wilson in Reviews and tagged with , , ,

SUPERMAN — 2025 MOVIE

DC MULTIVERSE (McFARLANE)

“Maybe that’s the real punk rock.”

While I’ve briefly touched on my feelings regarding the new Superman movie here on the site, I don’t feel I’ve truly articulated exactly how I feel about it.  The original 1978 film is a truly defining film for really the whole genre of super hero films, and a really tough act to follow, to the point that really not even any of the other Reeve films could do it, much less the two reboots after them.  I was hopeful for Gunn’s new take on Superman, but I simply didn’t anticipate just how well the film would do at capturing the spirit of the character.  I haven’t been as excited about a super hero movie since Captain America: Winter Soldier, which I assure you is exceptionally high praise.  David Corenswet’s turn as Clark Kent is on par with Reeve in terms of definitive, and I’m officially in my “want a bunch of figures from the movie” phase.  So, here’s one of those!

THE FIGURE ITSELF

Superman is part of McFarlane’s DC Multiverse tie-ins for the movie, specifically from one of the two standard price-point figures (the other being Metamorpho).  This one is just meant to be the standard, barebones version of the character, in his standard attire from the movie.  The figure stands just over 7 1/4 inches tall and he has 35 points of articulation.  The articulation is the standard set-up for the McFarlane stuff, so he’s pretty decently posable.  The sculpt on the figure is all-new.  It’s certainly a stronger offering, with the articulation being worked in rather organically, and the proportions not being super out of whack like earlier releases.  His head sculpt has a really strong likeness of Corenswet.  It’s probably the best of the multitude of sculpts offered up alongside the movie.  The hair’s maybe a little tighter to the head than in the final film, but it’s not far off.  The body sculpt does a lot with the piping and texturing of the design, which translates well to the figure form.  While most of the more recent Supermen have used cloth capes, this one goes back to sculpted, I would presume due to budgetary constraints for this release.  It’s honestly not a bad set-up.  Sure, it’s a bit restricting in posing, but the sculpting of it’s pretty solid.  I like the texturing, and it’s got a pretty natural hang.  The color work on this figure is decent enough, if a bit darker than the colors in the final film.  The suit’s using mostly molded colors, apart from the yellow, which is pretty cleanly painted.  The skin tone is totally painted, which is a little thick and slightly less lifelike, but not terribly so.  The application is again quite clean, and the likeness shows through really well.  Superman is packed with two pairs of hands (a pair of flat, and a fist/open gesture combo), a display stand, and a card.  I do wish he had a pair of fists, rather than just the one, but it’s still workable.  Also, I’d have loved to get a flight stand instead of the standard, but that’s been true of the last several Superman releases.

THE ME HALF OF THE EQUATION

It’s been no secret to my friends and family just how much I enjoyed Superman, so the fact that I didn’t really have any of the figures made them a prime target for gift options for my birthday this year.  This figure in particular was given to me for my birthday by my son Matthew, who was very excited to get him for me.  I had initially thought I’d just be content with the Super Powers figure, but I do really, really love how this guy turned out.  Once more, McFarlane turns in a really great Superman figure right before they hand over the license.

#3902: Gwen Stacy

Posted by Ethan Wilson in Reviews and tagged with , , , ,

GWEN STACY

SILVER AGE (TOY BIZ)

“Former student and model, Gwen Stacy was also Peter Parker’s girlfriend. Both Peter and Gwen were Biochemistry majors at Empire State University where they met and fell in love. Unbeknownst to Gwen, Peter Parker was secretly Spider-Man and Norman Osborn, the Green Goblin knew so. The Green Goblin kidnaped Gwen Stacy and used her as a hostage to exact revenge on his nemesis, Spider-Man. During their battle, the Goblin knocked Gwen Stacy off the Brooklyn Bridge. Spider-Man caught her with his webbing. Tragically, Gwen died from the shock of the fall, thus ending a major chapter in the personal life of Peter Parker.”

Last week, I took a jump into one of Toy Biz’s one-off specialty assortments released in 1999 to fill out their 5-inch Marvel run.  Titled “Silver Age”, it was designed to highlight characters from Marvel’s heyday of the ‘60s.  While largely heavy hitter driven, it did give them an opportunity for one slightly more off the beaten path sort of character.  By the end of the ‘90s, Spider-Man’s then-current love interest Mary Jane Watson had gotten two figures from Toy Biz, both via multipacks with Spidey variants.  His previous love interest, Gwen Stacy, was as of yet without any sort of toy coverage, but that was fixed by Silver Age, where she made her figure debut.

THE FIGURE ITSELF

Gwen Stacy was one of the four figures in Toy Biz’s Silver Age line.  She was the only non-heavy hitter in the bunch, but paired off well with the included Spider-Man figure.  Gwen’s an interesting choice for a Silver Age line; she was created during the Silver Age, but her death, which is a major piece of her bio for this figure, is one of the defining events of the Bronze Age, and as such she’s frequently attached to that era.  The figure stands right about 5 inches tall and she has 9 points of articulation.  Her posability is odd.  She’s got no neck or elbow movement, but she’s got one wrist and ankles.  She’s not particularly agirl.  Gwen’s using what appears to be a variation of Aurora’s body from the Alpha Flight line, but smoothed out for a better base starting point.  It’s decent enough, but the torso’s a little too tightly sculpted to believably be a shirt.  She gets a cloth skirt piece as well, and a unique head/hair.  Interestingly, Gwen’s *not* wearing her attire from “The Night Gwen Stacy Died” despite that being the usual go-to.  It’s a design that still feels rather Gwen-y, though, so it works out well enough. The paint work on this figure is okay.  The skin tone’s nice and clean, as are the stripes on her shirt.  The eyes are a touch wonky, though.  Gwen is packed with a camera (presumably borrowed from Peter?  It’s a unique piece, though), and a pair of clip-on fur pieces for her boots, for fashion purposes, no doubt.

THE ME HALF OF THE EQUATION

I remember seeing this figure a fair bit in ’99, but I didn’t know who she was at the time.  It was actually this figure that kind of got me interested in finding out, so I guess that’s kind of cool.  I didn’t get her at the time, though.  She’s a far more recent addition, from the last few years, grabbed during one of my family vacations from Gidget’s Gadgets, a neat shop in the area.  She actually got me invested in getting the rest of the Silver Age line-up, which I’d up to then been putting off.  She’s okay.  Not super playable or distinctive, but at the same time, she’s pretty solid for a civilian character who’d never gotten a figure before.

#3901: Malakili – Rancor Keeper

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

MALAKILI — RANCOR KEEPER

STAR WARS: POWER OF THE FORCE II (KENNER)

“Malakili was one of the keepers of the only known rancor specimen. Kept in a special pit below the crime lord’s court, the rancor was reserved as a method of getting rid of unwelcome guests or others who failed the crime lord.”

Oh boy, we’re getting into the best part of Star Wars; the weird one-off background guys!  Prepare yourself for only the weirdest, most outlandish concepts and designs as we look into the crazy denizens of Jabba’s palace!  …What’s that?  It’s a shirtless guy?  Just a shirtless guy?  With a weird hood?  Does he do something cool?  He cries.  Well, I guess that’s *something*.  And he got a name, because of course he did.  Well, here’s Malakili, crying shirtless guy.  Can relate, buddy.

THE FIGURE ITSELF

Malakili — Rancor Keeper was released as part of the 1997 line-up of Kenner’s Star Wars: Power of the Force.  Malakili got his second figure here, following up on the original vintage version, and he was one seven Jabba-related figures in the line the year of his release.  Curiously, that didn’t include the actual Rancor, which hit the following year.  The figure stands a little under 3 3/4 inches tall and he has 6 points of articulation.  His articulation is all rather limited by his build and the layout of his costume, but he mostly just stands around anyway, so it’s not awful.  His sculpt was totally unique, and it’s not a bad approximation of what he looks like in the movie.  The head sculpt bears an uncanny resemblance to Denholm Elliot, which, you know, isn’t the guy that played Malakili, but I suppose Elliot and Paul Brookes, the guy that actually played Malakili, don’t look incredibly dissimilar, especially at this scale.  The rest of the sculpt is pretty good, though, and I do like the flow of the cloth parts and how they hang.  Malakili’s paint work isn’t too bad.  There’s actually some pretty solid work on his skin tone (which is classified by Wookieepedia as “swarthy”, so there’s that), that gives him some nice variation.  Malakili is packed with a long-handled Vibro-Blade, and, if you got a later release, a freeze frame with a picture of the Rancor.

THE ME HALF OF THE EQUATION

I can’t say I have much attachment at all to Malakili, but he’s also the sort of character that is rather memorable.  He also doesn’t have a *ton* of action figures, so this one’s notable.  Ultimately, I bought him because he was readily available and I was looking to get a lot of Power of the Force figures at once.  I didn’t really expect much from him at the start, but honestly, he’s not so bad.

Shoutout to All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3900: Johnny Storm

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

JOHNNY STORM

MARVEL LEGENDS (HASBRO)

There’s no shortage of Johnny Storms in the MCU.  Or, at least, there’s no shortage of Johnny Storm *actors* in the MCU.  They’ve absorbed all of them thus far, and the next logical step, of course, is to just have their own Johnny, portrayed by Joseph Quinn in First Steps.  He does a solid job with the part, giving the MCU a Johnny to be proud of, and one that won’t get lost despite the overabundance of Johnny actors around.  And, just to make sure he doesn’t get lost in the sea of MCU-associated product, there are two versions of him available in the Legends assortment for the movie.

THE FIGURE ITSELF

Johnny Storm is part of the 6-figure Marvel Legends tie-in assortment for Fantastic Four: First Steps.  As noted above, there are two Johnny figures included, one flamed on and one not.  This one is the not, in case the photos didn’t clue you in.  I do really like getting that option right out of the gate; we don’t really see it much with these figures.  The figure stands 6 1/4 inches tall and he has 30 points of articulation.  His construction is very similar to Reed, though the two don’t actually share any parts.  All four members of the team have unique uniforms in the movie, and Johnny’s is the one that deviates the most from the traditional set-up, at least in terms of color break-down.  That said, it’s still a very FF-feeling set-up, so I can certainly dig it.  It’s also neat how they decided to put the whole team in a knit material so that Johnny would have something that looked like his old “heat lines” when flamed-on.  Johnny’s head sculpt has a good likeness of Quinn.  As with Reed, the hair isn’t quite on the mark for his look in the movie; it seems to take its influence from the in-universe promotional images within the movie, which have Johnny with a slightly more swept-back look.  The color work is largely consistent with the other two I’ve looked at; the exact details are slightly tweaked, and he’s definitely cleaner than Sue, but overall very similar.  I do like the accenting on the hair, as well as the very subtle stubble on his face.  Johnny is packed with two sets of hands (in open and fists), as well as two flame effect pieces.  The fists for some reason omit the black palms from the gloves, which is rather glaring in most poses.

THE ME HALF OF THE EQUATION

If nothing else, I am a sucker for a fully powered down Johnny figure, given their relative rarity for so long.  So, when the movie figures were confirmed to be giving us both, that made me quite happy.  I was also quite pleased by Joseph Quinn’s casting in the role, and his performance was certainly a highlight in the film.  The figure is fun.  Pretty much exactly on par with the others, and by extension exactly on par with other modern Legends, but it’s hard to complain about consistency when it’s this good.

Shoutout to All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3899: The Fortress of Solitude with Superman Robot

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

FORTRESS OF SOLITUDE with SUPERMAN ROBOT

SUPER POWERS (McFARLANE)

Economies of scale and drifting interests in the world of action figures have almost entirely robbed us of playsets in this day and age.  They just can’t justify themselves most of the time.  Sure, we still get the odd TMNT lair, and there’s a bat cave every so often, but that’s really about it.  McFarlane’s Super Powers continuation has aimed to recapture a lot of the vibes of the vintage line, which has included a decent helping of vehicles to go with the figures.  The only thing they *hadn’t* gotten to was playsets, but they’re swinging for the fences on their last run before handing the license over at the end of the year.  Taking advantage of the hype from the new Superman movie, we’ve gotten a new Fortress of Solitude playset, which I’m taking a look at today!

THE TOYS THEMSELVES

The Fortress of Solitude Playset is part of the Superman movie tie-in portion of McFarlane’s Super Powers line.  There are two different versions of the set available: a standard release and a McFarlane-exclusive Gold Label release that includes an exclusive Superman Robot figure.  The one seen here is the Gold Label version.

The Fortress is a rather large thing, both in the movie and the comics, so there’s obviously a scaled down approach taken here.  We get sort of a slice of the Fortress’s main area, as seen in a number of the movie’s key sequences, mostly focusing on the computer area.  There’s a mixed media approach, with some sculpted elements and some cardboard pieces mixed in.  While the bulk of the crystalline structure is just cardboard, a surprising amount of the rest of it’s sculpted.  The whole central console, the base it plugs into, the chair, the two free-standing columns, and the two end crystals are all plastic.  The central console is certainly the coolest part of the whole thing, with is various buttons and screens all detailed.  The chair just sort of sits there, not actually attached, but I suppose that gives you a little more variety in how exactly you set it all up?  There’s nothing gimmicky or particularly play-related about the set, though.  It’s really just a large display for your figures, but it does that well enough.

Available only with the Gold Label release is the Superman Robot figure.  Specifically, it’s “4”, the Alan Tudyk-voiced robot that serves at the lead robot in the movie.  He’s certainly a noteworthy character, and is present in all of the film’s Fortress scenes, so his inclusion makes a lot of sense.  The figure stands just over 4 1/2 inches tall and he has 7 points of articulation.  His sculpt is all-new, and it’s a decent recreation of the general vibe of the design from the movie.  He’s definitely a little bit clunkier than the in-film design, but it works with the overall style of the line.  The design lends itself to toy form quite nicely, and I love how sharp the detailing is.  His paint work leans heavily into the metallic side of things, which is perhaps not truly “vintage,” since he would have almost certainly been vac metalized blue like the original Brainiac, but it does look pretty nice.  I dig that there’s a variety of different shades of blue, and I quite like how the robotic eye has been rendered.  His only extra is his little blue half-cape, which fits the vibe of the line well.

THE ME HALF OF THE EQUATION

I don’t do much with playsets these days, because space is a premium and all, but I’ll admit the standard Fortress *almost* got me when they showed it off.  I came very close to pulling the trigger, but held off.  I was pretty glad about that when the Gold Label version got leaked, because I absolutely needed a 4 figure, and this let me get him in my preferred style.  The Fortress set-up is neat.  Perhaps a bit pricey for what it is, which is just a large accessory, but that’s kind of where we are.  4 is super cool, though, and I’m glad to have him.  Perhaps the only thing that could have made this set better is if they’d also included a Krypto.