#3250: Wonder Woman

WONDER WOMAN

FIRST APPEARANCE (DC DIRECT)

“Princess Diana emerges from her native land of Paradise Island to battle evil in 1941’s All Star Comics #8, the Amazon princess Wonder Woman has become one of comics’ best recognized icons!”

After we got a couple of well-established male costumed heroes in the late ’30s/early ’40s, it was only fair to let some of the women in on the action.  So, DC Comics, then National Publications, got right on that.  Things changed in November of 1940, with introduction of the very first female super hero: Ma Hunkel, the Red Tornado.  Oh, did you think I was discussing Wonder Woman?  No, not yet.  In June of 1941, the numbers doubled with the introduction of a second female super hero: Shiera Hall, Hawkgirl.  Sorry, at this point, I’m really just messing with you.  Wonder Woman wound up as third to bat, arriving in October of 1941, as part of one of the features in All Star Comics, before moving to her own book, Sensation Comics, just a few months later.  She’s of course been a little more enduring than the other two over the years, and was quickly elevated to being one of DC’s big three alongside Superman and Batman, a role she’s remained in for most of her run.  Today, I’m looking at a figure based on her very first appearance.

THE FIGURE ITSELF

Wonder Woman was released in Series 1 of DC Direct’s First Appearance line, alongside Batman, Flash, and Shazam.  This was the second Golden Age version of the character released by DCD, following a less style-specific version from their JSA line.  The figure stands about 6 inches tall and she has 14 points of articulation.  She’s the most articulated of the line’s first assortment, getting the extra swivels at the biceps like Batman, but also getting a waist joint, which most figures in this line lacked.  The articulation allows her to actually do some of her bullet deflecting poses, which is always nice to see on a Wonder Woman.  The figure’s sculpt was an all-new one, and it’s actually quite a nice one.  They capture the art style of her early appearances quite well, and she’s just a very attractive figure overall.  For the first couple of series, the First Appearance line did a little bit of soft goods work on most of the figures, and Wonder Woman was one of those.  In her case, it’s her shorts, which allows them to have the proper looser fit.  They’re a little baggy and bunchy, but generally look the part.  They also can be removed, and there’s a smaller pair of shorts beneath them, if you’re not into the mixed media thing.  Wonder Woman’s paint work is bright, bold, and clean, and matches well with her colors from the comics.  I particularly like the highlighting on her hair, which helps to really sell the extra details on the sculpt.  Wonder Woman was packed with her lasso of truth, a display stand, and a reprint of All Star Comics #8.

THE ME HALF OF THE EQUATION

When this line was first hitting, I was still in middle school, so my purchases for such things were far more limited.  It was the Batman figure, of all things, that caught my eye, since he was more unique at the time, so that was where my money went.  I got more of Series 2 by virtue of it being right around Christmas time, but by that point Series 1 was pretty much gone, and I was focusing on the next thing.  I wound up getting this figure last year, while helping a family friend downsize their collection.  This one was in the batch to go, so I made an offer on her and added her to my collection.  She’s a really good figure, especially for the time.  I never thought much of her when she was new, but I really like her now that I have her.

#3245: Superman

SUPERMAN

NEW GODS (DC DIRECT)

“One of Superman’s greatest foes is the god Darkseid.  They are each other’s ultimate enemies–and Kalibak shares his hatred for the Man of Steel with is father Darkseid.  Superman versus Darkseid?  The ultimate Good vs. the ultimate Evil.”

When DC Comics brought Jack Kirby over from Marvel in the ’70s, they largely isolated him in his own little corner of the universe, the Fourth World.  However, to launch that corner, they also had him do a little work on Superman spin-off series Superman’s Pal Jimmy Olsen, which itself got wrapped up in the whole Fourth World thing.  However, despite putting a lot of time and money into bringing over Kirby and with him his signature style, when Jack drew Superman’s number one hero Superman in the pages of Jimmy Olsen and The Forever People, DC’s odd and at times frankly silly attachment to not letting differing interpretations of their characters potentially “damage” their brand kicked in.  Kirby’s illustrations of the Man of Steel were deemed not up to DC’s standards for the character, so they had the heads redrawn by Al Plastino and Murphy Anderson.  While the final result was certainly a very classic Superman, it was also one that clashed heavily with the style of the rest of the artwork.  Due to DC’s handling of original work at the time, only a few small samples of Kirby’s original Superman remain, making any attempt to restore his original work next to impossible.  There have been a few consolation prizes, however, such as using an unused cover sketch as the basis for a Steve Rude illustration to serve as the cover for one of the collections of Kirby’s DC work, and, in the action figure realm, a Kirby-based Superman that actually looks like a Kirby illustration.  I know, crazy concept.

THE FIGURE ITSELF

Superman was released in the second, and ultimately final, series of DC Direct’s New Gods line.  Given the line’s short run, Superman’s presence as 1/8 of the total coverage wasn’t ideal, but with Darkseid already covered in Series 1, they presumably felt they needed another heavy hitter.  Hence the very clumsy packaging text explaining his ties to the New Gods…sort of.  The figure stands about 6 1/2 inches tall and he has 16 points of articulation.  Though less mobile than the previously-reviewed Barda, Superman still wound up with a fairly decent articulation set-up, as did all of the Kirby figures.  He uses the same core base body as all of the standard male bodies, which is a suitable starting point for something based on a Kirby illustration.  He got a new head, hands, and cape to fully sell the Superman angle.  Since all we really have to go by for Kirby’s Superman are some unfinished sketches, it’s hard to nail down exactly what his Superman should look like in finished form.  The roughs we’ve seen aren’t quite up to Kirby’s usual finished standards, so this figure takes them as a starting point and polishes them up just a bit more.  He very much keeps the Kirby styling for the face and expression, while making sure he’s actually got things like the proper spit curl for the hair.  The end product is actually pretty cool, and means that this guy doesn’t clash with the rest of the line.  The figure’s paint work continues that trend of making the sketches into something more finished.  The general colors are classic Superman, and they look really nice.  Application is all very clean and sharp, and he just generally looks pretty slick.  The one notable Kirby element here is the logo; Kirby was infamously bad at doing the Superman logo, and his roughs showcase something that’s very off-model.  This one is closer to the proper, but still keeps a little bit of the shaping that Kirby gave it, again giving us that sort of optimized, what if they’d kept more of Kirby’s work feel.  The figure is packed with a Kirby Dots-emblazoned display stand, matching up with the rest of the line.

THE ME HALF OF THE EQUATION

I remember being quite let down by this figure’s announcement back in the day.  I was going through a real Kirby kick when the first series hit, and was disappointed to see them give a slot to Superman instead of an actual Kirby character for the follow up.  I wound up skipping the whole set when they dropped, and it’s all Superman’s fault.  Okay, not really.  Over the years, I’ve gained more of an appreciation for this figure’s place in the line, and I do like what he represents.  I was able to snag one when he got traded in loose at All Time not too long ago.  And, having gotten him after finally getting the Barda that I really wanted from this series, I can appreciate him for what he is.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website.

#3240: Green Lantern John Stewart

GREEN LANTERN JOHN STEWART

DC ICONS (DC COLLECTIBLES)

Before they went out of business and then got reinvented as little more than a glorified way for McFarlane to put out more of the same figures, DC Direct/Collectibles went through quite a few attempts at creating a central, singularly styled line of figures.  There were a few extended lines based on specific works, such as Justice, which took advantage of the large cast of the book to do a sizable swath of the DCU in one style.  Their first deliberate aim at a consistently styled, full universe-spanning line was History of the DC Universe, which honestly was kind of doomed before it began, because it arrived only half-formed and never really tried to improve that.  After rebranding as DC Collectibles, the company launched with a New 52 line, again with the same basic idea, but given the lukewarm reception to the New 52 and its designs, the line again had short legs.  After that failed, they tried again, with DC IconsIcons had a sort of rocky start, but it managed recover pretty quickly, and actually was shaping up to be a really strong line…until DCC decided they didn’t have faith in it anymore, and decided to reboot once again with DC Essentials, a line doomed before it even began.  Though short-lived, Icons did at least have a solid run of figures.  I reviewed a bunch of them back when the line was still relatively new, but today I’m looking at one more.  It’s John Stewart Green Lantern!

THE FIGURE ITSELF

Green Lantern John Stewart was part of the fourth series of DC Icons.  He was figure 15 in the line, placing him just before the previously reviewed Firestorm, also from the same assortment.  Each of the figures in this line was specifically patterned on a certain comics appearance.  In John’s case, he’s based on Green Lantern: Mosaic, a GL-spin-off series from the early ’90s.  The series was a showcase for John in particular, and laid a lot of ground work for the modern interpretations of the character, so it’s a pretty distinctive choice for him.  It was also nice to see them go for something a little bit older.  It does have the sort of odd side effect of not putting John in the outfit he’s been sporting since the early 2000s, which would match a good number of other figures in the line, but we’d seen that look a couple of time recently at this point, so the change-up was seemingly a show of good faith that they might possibly do more than one John.  How foolish we all were.  The figure stands about 6 1/4 inches tall (since this is after they’d started to address the early scale issues of the line) and he has 33 points of articulation.  He got the improved articulation set-up that came with the fourth series forward, which included the addition of drop hips, which makes for a much better posing situation.  John’s sculpt was completely unique.  It’s a pretty nice offering.  He’s got a larger build than Hal did, which feels appropriate for the character.  The head’s not my favorite take on John (that’s still the DCUC version, which just really slaps), but it’s certainly better than a lot of other recent takes.  It at least gets away from the “generic black guy” issue that I had with the McFarlane and Mezco figures.  It’s honestly not a bad translation of how he looked in Mosaic specifically, which is really the point.  The figure’s paint work is pretty decent; he matches up with Hal alright, keeping that satin metallic finish for the green, as well as the high gloss finish on the white.  Application’s pretty clean for the most part.  The eyebrows are a little bit misaligned, and there’s a spot of green missing on one of his shoulders, but otherwise things look pretty decent.  John gets a solid selection of accessories, including two different forearm/hand combos for both gloved and ungloved looks, since he alternated in Mosaic.  The gloved look gets an extra right hand, with a hole in place of the ring, allowing for use of the three construct attachments.  It’s a shame there’s not another one for the ungloved hands, but I understand the line being drawn somewhere.  He also includes a power battery, for all those recharging purposes.

THE ME HALF OF THE EQUATION

I slept on a lot of Icons, unfortunately, and John was one of those that I really slept on.  Thankfully, I got another chance with him, since one got traded into All Time a couple of years ago.  I already wanted one, so he was an easy sell for me.  While the Mosaic design isn’t top of my list for John’s look, I can appreciate the variety, and I think it did turn out pretty well.  And, at least he actually got a figure in the line, which is more than can be said for a lot of DC’s prominent heroes.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website.

#3226: Air Assault Batman

AIR ASSAULT BATMAN

BATMAN: THE ANIMATED SERIES (KENNER)

“Gotham City’s most dangerous villains have escaped from Arkham Asylum! In order to save humanity. BATMAN and ROBIN have armed themselves with special rapid-deployment techno-cape backpack equipment and highly- camouflaged suits to track down every last criminal- no matter where they are hiding! Join the BATMAN Crime Squad on their life or death mission to save humanity from its most dangerous enemies!”

Last Friday, Kevin Conroy passed away.  Though perhaps not a household name, he was well known through the world of fandom as the voice of Batman for three decades.  He was the definitive voice for the character, and the one that legions of Bat-fans hear in their voice whenever they think of the character.  Like so many greats, I never met Kevin Conroy, but I’ve heard plenty of stories from people that did that support that, outside of being the definitive Batman, he was also just a really great person, who very genuinely appreciated the support of his fans.  Batman: The Animated Series launched the year I was born, so, for me, Kevin was always Batman.  There was no time where he wasn’t the voice I heard in my head, and his portrayal shaped my view on the character almost entirely.  It’s going to be very odd to not hear him as Batman in future projects.  But, there’s no denying the impact he had, and the legacy he left behind.  So, in his honor, today I’m taking a look at a Batman figure.

THE FIGURE ITSELF

Air Assault Batman was released in 1995 as part of the “Crime Stoppers” sub-branding of Kenner’s Batman: The Animated Series tie-in line.  “Crime Stoppers” was designed as Kenner’s justification for doing a bunch of wacky Batman and Robin variants, under the trappings that these new suits were designed to aid in rounding up a bunch of escaped villains.  The first series has six Batmen and one Robin, and notably no actual villains for them to stop.  This guy was very areal themed, as you might guest from his name.  The figure stands about 5 inches tall and he has 5 points of articulation.  His sculpt was largely unique, apart from sharing his head with all of the standard Kenner Batmen from the line.  The head was, admittedly, a pretty good recreation of the animation model, so it’s a respectable re-use.  The body sculpt was new, and sports a bit of an armored up look. Presumably, it’s to help combat g-force, or something like that.  It also looks pretty sweet, so it’s got that going for it.  The extra armoring details are rather fun, and do a rather nice job of changing him up a bit from the basic Batman look.  The color scheme on this guy goes for a very sky-oriented look.  He’s largely a light blue shade, with some white accenting that got a sort of art deco kind of patterning to it.  It’s funky, and honestly doesn’t feel too out of place with the overall aesthetic of the line.  The finish on mine has taken a bit of a beating over the years, but it’s not as bad as some in my collection.  Air Assault Batman only included one accessory, but it was the source of his whole gimmick: his Transforming Techno-Wing Backpack, perfect for all your assaulting in the air needs!  It’s honestly a pretty fun piece, with a bunch of moving parts, and just a cool overall look.

THE ME HALF OF THE EQUATION

This figure’s pretty notable, because, while he’s not my first Batman (that was this guy), he’s still a very early one, more than likely my second, and very definitely my first Animated Batman figure.  I got him for Christmas in 1995, alongside my very first Robin, which sort of cemented the two of them as a pair, especially given their similar gimmicks.  He got a lot of play time as my go-to Batman, until I had more standard versions to replace him (and even then, he just got shifted to being Earth-2 Batman for all of my JLA/JSA cross overs).  And, of course, he always sounded like Kevin Conroy in my head.  Thank you for everything you did, Kevin.

#3215: Batman Beyond

BATMAN BEYOND

BATMAN: ANIMATED (DC COLLECTIBLES)

Before their demise, DC Collectibles had quite a run with their Batman: Animated line, dedicated to specifically the Batman side of the DCAU.  The stuff was mostly based purely on Batman: The Animated Series and The New Adventures of Batman, but towards the end of things, they tried expanding their reach a little bit more.  Keeping things within the Bat-family, there was one single boxed set based on Batman Beyond.  I’m gonna let you know upfront, I’m not doing the whole set.  But I do have the BB, so, you know, there’s that!

THE FIGURE ITSELF

Batman Beyond is one-third of the “Batman Beyond” three-pack from DCC’s Batman: Animated line, which was released in early 2017.  The figure stands about 5 3/4 inches tall and he has 24 points of articulation.  The articulation schemes for these figures were always spotty, up until the last assortment, and BB is more of that.  He’s not terrible.  The head and the ankles do okay on the range of motion, but the elbows and knees are, on the flip side, kind of restricted.  He also has the issue of no lateral movement below the hips, which plagued so many of the line’s figures.  The ankles do at least work out a bit better in conjunction with everything, so he’s not quite as pigeon-toed.  The quality of the sculpt is at least pretty good.  Honestly, this is probably the closest to an animation-accurate Batman Beyond we’ve ever gotten.  Yeah, that was the aim of the line, but they also tended to miss the mark, so them getting it so close here was definitely an accomplishment.  BB’s paint work is pretty basic, but it’s checks all the right boxes.  The colors match the cartoon, and the application is actually pretty clean.  It’s again a pretty nice change of pace, given how fuzzy the work on other figures in the line tended to be.  BB was packed with four sets of hands (in fists, gripping, and two different styles of open gesture), a removable set of wings, two batarangs, and a display stand.  My figure is without the batarangs and stand, but he’s got everything else.  The wings being removable is nice, since, you know, not everybody does that.  I’m not super keen on the way they get broken up by the joints, but I suppose it’s kind of a catch-22.  It could be worse, though, and when posed properly, they honestly look better than I’d expected.

THE ME HALF OF THE EQUATION

While I kept up with this line pretty closely when it first launched, by the time this set came along, I had kind of gotten burned out.  With just about everything eventually going on serious mark down, I opted to hold out on this one.  Unfortunately, it wound up being short-printed, since just about everyone else was seemingly burning out around the same time.  It wound up picking up quite a hefty price on the aftermarket, and that was all she wrote.  Well, until a Batman Beyond got traded into All Time all by himself.  I’m still looking for the best possible version of the character, and, honestly, this one’s better than I’d expected.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website.

#3210: Hawkman

HAWKMAN

BLACK ADAM (SPIN MASTER)

Despite both of their backstories heavily involving ancient Egypt, Hawkman and Black Adam haven’t had a ton of interacting over the years.  They were both present on the JSA for a bit, but otherwise, they kind of get steered clear of each other.  All that said, the fact that the do both have that ancient Egypt thing going (and despite the fact that the vagueness of “ancient Egypt” could very well place the two of them hundreds of years displaced from each other in the timeline) does make it *seem* like they should be a little bit related.  So, I guess it’s not an incredible surprise that Hawkman is one one of the JSA members joining Black Adam for his cinematic debut, portrayed in the film by actor Aldis Hodge.  As with the rest of the JSA team, he got toy treatment, and I’m looking at his figure today!

THE FIGURE ITSELF

Hawkman is another part of the first assortment of basic figures from Spin Master’s Black Adam line.  He’s available both as a single and packed alongside Black Adam with the big jet thing.  It appears the two figures are identical between the two releases.  The figure stands a little over 3 3/4 inches tall and has 17 points of articulation.  Of the three I’ve grabbed from this line, Hawkman’s definitely the most restricted on the articulation front.  He gets the new style of hips, which I’m still iffy on, and his shoulders also wind up being rather restricted by the armor.  I was also a little bummed to discover that the way that the wings peg into place doesn’t allow them to be posed in any way, but they are at the very least two separate pieces.  Hawkman’s sculpt is a unique one, based on his design.  Like yesterday’s Atom Smasher figure, he’s closer to the source material than the earlier Dr. Fate figure, due again to Hawkman’s costume appearing to be largely practical.  The design’s not a bad one, checking off most of the basic Hawkman requirements.  The chest armor’s something we’ve seen crop up on every live action Hawkman, so it’s hardly a shock here.  The only thing I’m not really into is the red pants, which just feel too far removed from his classic green ones.  That said, it’s a pretty minor thing, really.  The sculpt on this guy is alright.  Probably the weakest of the three I’ve looked at.  The details feel just a little bit softer this time around, and the helmet winds up looking a touch too goony.  He also just looks really scrawny compared to the others.  Aldis Hodge isn’t a huge guy, but I also don’t feel like he’s quite this small in the role.  The figure’s paint work is generally pretty basic.  Nothing too crazy, just standard color work for the most part.  It’s all fairly clean.  The eyes again fall into that goony territory, but it’s not awful.  Hawkman is packed with his usual mace, in silver, as well as axe, in gold.  Both are just pretty standard issue, which is fine by me, even if I do low-key kind of miss the goofier accessories like we saw with Atom Smasher.

THE ME HALF OF THE EQUATION

Fate and Atom Smasher are the only two from this line that I felt like I definitely had to have.  Hawkman’s fine and all, but I didn’t feel like I *needed* him.  When Max found me Atom Smasher, he also found this guy, and given the price point, it didn’t really make much sense to skip him.  He’s my least favorite of the three, but that doesn’t mean he’s bad.  In fact, I do kinda dig him.  And now I feel like I kinda have to buy the other two, just to round out the set.

#3209: Atom Smasher

ATOM SMASHER

BLACK ADAM (SPIN MASTER)

This weekend sees the release of the latest DC live action film, the Dwayne “The Rock” Johnson-led Black Adam.  Warner Brothers is really banking on this one to net them some success, and they’ve certainly got the hype-machine running for it.  As I mentioned in my review of Doctor Fate, the film’s filling in Black Adam’s supporting cast with some of the Justice Society of America.  Noah Centineo plays Al Rothstein, aka Atom Smasher, who’s perhaps the JSA member with the closest ties to Black Adam himself, given their interwoven story during their shared time on the team during Jeff Johns’ run.  So, uh, let’s look at an Atom Smasher figure.

THE FIGURE ITSELF

Atom Smasher is part of the first assortment of basic figures from Spin Master’s Black Adam line. He and the rest of the non-Adam characters look to be lighter packed, so they’re a bit on the rarer side at the moment.  The figure stands about 3 3/4 inches tall and he has 17 points of articulation.  Atom Smasher’s articulation scheme matches the slightly modified one we saw on Fate.  The new hip set-up’s not quite as strong as the prior set-up they’d been using on their DC figures, but beyond that, it still works pretty respectably, especially given the price point.  Atom Smasher is another all-new sculpt, based on his film appearance.  Since Dr. Fate’s design was largely CGI for the movie, his figure wound up being rather loose on the specific details, but Atom Smasher sticks a little bit closer.  Really, the only difference here is the fingerless gloves, which are a carry over from an earlier design.  Atom Smasher’s movie design is honestly pretty great.  He’s got sleeves now, but it’s not that crazy a shift (Al had sleeves during his Nuklon days, so it’s not entirely out of place for the character).  Otherwise, it’s a pretty sleek adaptation of his comics look.  The details on the sculpt are a little bit on the softer side, but he’s pretty clean, and everything important is there.  The color work on Atom Smasher is bright and colorful, which is pretty fun.  The paint application is overall quite clean, and his symbol in particular is quite sharp in its detailing.  Atom Smasher is packed with two bulked up fist pieces, which aren’t quite the most accurate rendition of his size-changing ability, but it’s still a really fun gimmick.

THE ME HALF OF THE EQUATION

I really liked the Doctor Fate figure, and I’m down for a good Atom Smasher, so I was on the hunt for this one.  Fortunately, it was a pretty quick hunt, as Max was able to snag me one about a week or two after I found the Doctor Fate figure.  Like Fate, this guy’s just a ton of fun.  And, in doing a little bit of digging, I discovered that there’s also an Atom Smasher in Spin Master’s 12 inch line for the movie, so I guess now I’m gonna have to track that one down.

#3208: Blue Beetle & Booster Gold

BLUE BEETLE & BOOSTER GOLD

DC MULTIVERSE (MCFARLANE TOYS)

Look, I’m not gonna pretend like this is anything more than it is, guys.  Yes, I’m reviewing something else from McFarlane’s DC Multiverse line.  I know.  I’m not surprised either, just disappointed.  Okay, not really disappointed.  Honestly, it’s really not all that bad, I suppose.  Todd’s decisions with the line have generally been middling at best, but there is the occasional offering that sort of accidentally stumbles into being sort of a good idea.  While things are very firmly planted in edgelord territory for most of the line’s offerings, perhaps in an effort to offset that just a little bit, we’ve actually got something that goes pretty anti-edgelord-y, in the form of Blue Beetle and Booster Gold.  Central to the Giffen, DeMatteis, and McGuire “Bwa-ha-ha” run of Justice League, Beetle and Booster have never been A-listers, but they’ve certainly picked up quite a cult following, especially given they’re more jovial nature and their long-term friendship.  They’ve gotten quite few figures over the years, mostly pairing off, since it sure does feel weird to do one without the other.  And, in a move uncharacteristic to McFarlane’s DC run up to this point, they’re actually both available at once, in one concise package even.

THE FIGURES THEMSELVES

Blue Beetle and Booster Gold are a two-pack release from McFarlane’s DC Multiverse line.  They were announced at the end of July and had a rather quick turnaround, hitting in early September.  As with the rest of the two-packs, they’re their own thing, shipping on their own, which is probably for the best.  Keeps those Bat-variants just a little bit further away.

BLUE BEETLE

“Over the course of a century, three different men from very different backgrounds have taken on the heroic mantle of the Blue Beetle, each making their mark in different ways. The original Beetle was an archaeologist named Dan Garrett, who discovered an ancient Scarab in an old Egyptian tomb that gave him superpowers which he used to fight crime. He was succeeded by the brilliant Ted Kord, who had no powers to speak of, but carried on the Blue Beetle legacy with just his wits and his fists, along with a whole lot of gadgets and a sharp sense of humor.”

You gotta love the bio calling out that there are three notable Blue Beetles in the last century and then only talking about two of them.  And not even the most notable of the two, at that.  I know, a McFarlane bio being poorly written.  Who’d have thunk?  Ah, well, I think I’d rather talk about the figure than the bio, so let’s do that.  The figure stands just over 7 inches tall and he has 35 points of articulation.  As with all the McFarlane figures, the articulation scheme is pretty set and predictable.  It works better on some than on others, but this one is admittedly on the “better” end of the spectrum.  The wrists are a little awkward, and the elbows and knees are still requiring you to break up the flow of the sculpt, but it’s not awful.  The sculpt is actually not half-bad.  The head is a decent rendition of Ted in costume, right down to that slightly goofy smile, which is really perfect for the character.  The body sculpt is pretty basic, and honestly surprisingly clean for a McFarlane sculpt.  With one exception (which I’ll touch on a little more in the next figure’s section) only details are the actual details for Ted’s costume, as depicted in the comics, even.  No weird extra lines or piping, or armor plating, or odd texturing.  Just a nice, basic sculpt, with a fairly sensible set of proportions.  The paint work on this figure is also pretty sensible, which is likewise surprising.  The colors are generally a good match for his usual depiction, the application is overall pretty clean, and there’s no weird washes or anything to dirty him up.  I do miss the clear goggles like earlier figures have had, but the solid finish isn’t terrible, and I do quite like the slight accenting on the face, just to give him a bit more color.  Ted is packed with his BB gun, the same circular display stand that comes with all of the figures, and a collector card.  The gun is an okay sculpt, but for some reason there’s what looks like a grapple line permanently attached to it, which kind of limits its uses when it comes to posing.  I guess maybe they were worried that Warner might ask for it to be cut from the set if it didn’t have the permanent attachment?

BOOSTER GOLD

“A college football star of the 25th Century who earned the nickname ‘Booster’ on the field. Even though people assured him a professional career of fame and fortune was in his future, he decided he couldn’t wait and wagered on his own games. The scandal ruined his dreams and reputation. Taking a job as a security guard in the Metropolis Space Museum, Mike saw another opportunity after studying the early age of superheroes. With future and alien technology stolen from the museum, and a time machine that was on display, he realized he could not only become a superhero himself in a past era where his criminal history was unknown, but he could also make his good deeds profitable.”

Well, at least Booster’s bio is a bit more on-point.  Given Ted’s, I was half expecting a “Super Nova” mention.  Small victories there.  Though he’s packed with a very much classically-inspired Ted Kord Blue Beetle, Booster goes slightly more modern, by virtue of ditching his somewhat absurd collar from his ’80s appearances.  I suppose I’ll allow it.  Like Beetle, the figure stands just over 7 inches tall and he has 35 points of articulation.  Booster’s sculpt is…well, it’s actually largely the same as Beetle’s.  Booster gets his own head, hands, wrist pieces, and a slightly different pelvis piece, allowing for his slightly different costume design.  The new head is on par with Beetle in terms of quality, but it’s also quite distinctly different.  The flow of the hair is quite nice, and I definitely dig the cheesy grin.  By virtue of the shared base body, Booster’s perhaps a touch too small, but not terribly far off.  What *is* rather off is the boots, which get the tops of Beetle’s boots, which are an entirely different shape.  There’s still the slight shaping of Booster’s boot sculpted above the cuff, which was also present on Beetle.  It was less obvious on Beetle than Beetle’s boots are for Booster; since Booster was getting saddled with the extra detail anyway, I’m not entirely sure why they attempted at double duty here, but at least it’s a minor detail.  Booster’s paint work is okay; not quite as good as Beetle’s, but not terrible.  There’s the obvious painting over of the boot details, which is a bit goofy looking.  Additionally, thanks to the paint on the shins, plus the molded yellow higher up, and then the slightly different material on the knees, there are no less than three different yellows in the space of about an inch.  From the knees up, however, he looks pretty great.  His goggles are opaque, just like Ted’s, and the face likewise gets some really nice accenting to give it a little more life.  Booster is packed with a smart phone (with a yellow case to match his costume), a blast effect to clip onto his wrist, and his robot buddy Skeets, a display stand, and a collector card.  Skeets, rather than getting his own stand or attaching to Booster directly, plugs into the larger base shared between the two of them.  It’s a rather short arm, and not removable from Skeets.  It’s also completely opaque, and it doesn’t plug into anything other than the very large base, which proves rather limiting for him.  But, at least he’s included, which is certainly more than can be said of other Booster Gold figures.

THE ME HALF OF THE EQUATION

I’m less and less enamored with McFarlane’s DC Multiverse as it continues forward, but I’ll admit that these two immediately caught my eye.  Our first preview had no release info, so I was worried they, like pretty much everything else “classic” from McFarlane, would be an exclusive.  I was very glad they weren’t, as it made it much easier for me to actually, you know, get them.  Ted’s the better of the two for sure, but honestly they’re both a lot better than I’d expected.  As with anything McFarlane, there are some drawbacks, but they’re honestly minimal, all things considered.

Thanks to my sponsors over at All Time Toys for setting me up with these figures to review.  If you’re looking for cool toys both old and new, please check out their website.

#3205: Nightwing

NIGHTWING

SON OF BATMAN (DC COLLECTIBLES)

After retiring from his duties as Robin, Dick Grayson continued to hang around with the Titans for a while, before settling on a new identity, Nightwing*.  Nightwing’s become a pretty recognizable fixture in his own right, and has become a pretty standard play for animated stories that want to let Dick grow up, or even perhaps contrast him with another Robin.  2014’s Son of Batman aimed to contrast him with Batman’s newly discovered son (spoilers: Batman has a son), Damian, granting Nightwing a rather sizable role in the story.  It also granted him another action figure, which is where my interests really lie.

THE FIGURE ITSELF

Nightwing was released in 2014, as part of the four-figure tie-in line for Son of Batman, which was part of the overall line of figures based on DC’s animated films of the time.  Nightwing was figure #09, making him the final of the four figures in this set numerically.  He’s sporting Nightwing’s costume from the film, which is honestly not a bad one.  In an era when the comics version was saddled with the New 52’s odd choice to go red and black with his color scheme, this one sticks to a more classic set-up, inspired somewhat by what he’d been wearing not too long before in the second season of Young Justice.  It’s probably amongst the best of the DC animation costume designs of the era.  The figure stands just over 6 1/2 inches tall and he has 15 points of articulation.  Nightwing has more than a few parts in common with the animation-inspired Green Lantern that I reviewed back when these figures were new…and when the site was still not even a year old.  Crazy times, really.  The base body has a nice, medium build, which matches well with the character’s design from the film.  He gets a new head and lower arms, as well as some belt pouches which have been glued in place at the waist.  The whole thing makes for a decent enough set-up for the character, given how he looks in the movie.  The head feels very true to the character in terms of likeness and personality, and the new lower arms allow him to actually hold his accessories, and even give his left hand a slightly more unique pose than “fist.”  The joints haven’t held up particularly great over time, but for the most part, it’s a solid sculpt.  The paint work on this guy is alright.  These figures were definitely on the messier side, just really for the whole run of the line, but Nightwing wound up at least a little bit better than the first series of figures.  There’s still some slop and some fuzzy edges, but nothing too terrible.  Nightwing was packed with his two eskrima sticks, which is honestly impressive for this line, which was generally not fond of giving the figures much of anything.

THE ME HALF OF THE EQUATION

Son of Batman was not a movie I particularly enjoyed.  The concept was there, but the execution was lacking, and it was kind of the movie that got me out of really keeping up to date with the DC Animated fare.  Nevertheless, one of the few things I did like about it was Sean Maher’s turn as Dick Grayson.  I came very close to buying this figure on multiple occasions, but, for one reason or another, I just kind of kept putting it off, and then he’d gotten a bit pricey on the aftermarket, so I just dropped it.  He’s been on my list to look out for since then, and I was lucky enough to snag a loose one that got traded into All Time a little bit ago.  He’s not a perfect figure, but he’s fun, and I can get behind that.

*Okay, it wasn’t an entirely new identity, because it was actually the identity that Superman used to use while visiting the bottle city of Kandor.  But don’t tell Dick that, it’ll just make him sad.

#3200: Batman

BATMAN

DC ESSENTIALS (DC COLLECTIBLES)

Ah, DC Essentials.  The second use of the very generic name for a toyline, by a very generically named toy company, with figures that are exclusively DC’s heavy hitters, making finding any information regarding the line next to impossible if you don’t want to scroll through a bunch of nonsense.  That’s great staying power for a toyline, right? Well, no, but then again, DC Direct/DC Collectibles was never much for keeping things going.  They just tended to get bored and move to the next thing…which is kind of what happened to the company as a whole after DC left Diamond Comics in 2020.  Now they exist only as sub-division of McFarlane Toys.  And that’s somehow worse than just being defunct, I feel.  Alas.  I suppose I’ll just review one of my un-reviewed DCC figures I’ve got sitting here, going all the way back to the beginning of the second DC Essentials.  Let’s look at Batman, I guess.

THE FIGURE ITSELF

Batman is figure 1 in the DC Essentials line, officially kicking off the line in an assortment that also featured Deathstroke, Flash, and Reverse Flash.  Early run for the line had two pairs of two themed figures for each series.  In Batman’s case, he paired off opposite Deathstroke.  You know, classic Batman foe Deathstroke.  The way it’s been.  Ever since the beginning.  Just Batman and Deathstroke all the time.  Sure.  Anyway, the Batman figure that I’m actually supposed to be writing about is based on his Rebirth design, which he’d gotten not terribly long before this figure hit, and which was consistent with most of the other figures in the early line.  The figure stands 7 inches tall and he has 34 points of articulation.  Batman was based on the standard male body for the line, which served as the starting point for the vast majority of the line’s figures.  It’s not the worst thing, but it’s certainly got its flaws.  Those overly long arms still look goofy, and I’m not as angry about the exposed torso joint pegs as I was when the line was new, but they’re still not great.  Also, I still have issues with the same base body being used across the board for all of the male characters, regardless of how they *should* be built.  In Batman’s case, it’s a touch skinny.  All that said, it’s not a terrible offering by any stretch.  He gets a unique head, forearms, boots, cape, and belt.  The new parts do at least mesh well with the base body, and I quite like the head’s rendering of Batman’s short-eared look.  It’s very clean, and I really like it.  Batman’s paint work is generally okay.  The application is fairly clean, and the colors look overall rather nice.  That said, this costume was pretty consistently depicted as being black and grey, and for some reason, they’ve gone for a dark blue.  It’s not a bad look, but it’s not as striking as it could be.  Batman is packed with a single batarang, and that’s it.  It’s more than most of the line got, of course, but it still feels light.

THE ME HALF OF THE EQUATION

When Essentials first hit, the price point per figure was far too high for me to really be grabbing too many of them.  I got, like, two of them at full price and waited on sales for the rest.  But, even on sale, Batman wasn’t really high on my list.  That is, until Batman got traded into All Time shortly after I went back to work following the 2020 shut down.  I’d gone two months with no new toys, and he was a good deal, and, well, I was an easy mark.  He’s not a bad figure.  Not a great one, but not a bad one.  That’s kind of Essentials as a whole.  They were at least a consistent offering.

Thanks to my sponsors at All Time Toys for setting me up with this figure for review.  If you’re looking for toys both old and new, please check out their website.