#3347: King Arthur

KING ARTHUR

QUEST FOR CAMELOT (HASBRO)

Several years before the Quest for Camelot began, an unexpected hero stepped forward to pull the magical sword Excalibur from its stone to become the rightful King of England. That hero was Arthur, who grew into a brave and noble king, commanding the respect and loyalty of the Knights of the Round Table. With the magic of Excalibur and the wisdom of his chief advisor, Merlin, Arthur built Camelot into a peaceful, wealthy kingdom. Now he must give his all to protect his people from the evil of Ruber.”

In 1998, Warner Brothers tried to more directly compete with Disney’s resurgence in popularity of their animated features.  The resulting creation, Quest for Camelot, was something of a mixed product.  Originally beginning as a rather straight forward animated feature based on Arthurian mythology, in order to push the Disney competition a bit further, Warner took the finished film, and decided it needed to be a musical…so they added a bunch of songs to it.  Both parts of the movie are quite well done, but they don’t exactly mesh so well, and the movie didn’t really find an audience during its theatrical run.  It’s gained something of a cult following in the years since its release.  Amongst other things, it’s got a pretty impressive voice cast, which included Pierce Brosnan as an older King Arthur.  Arthur isn’t the main character of the piece, but he’s prominent enough that he got himself a figure in the brief tie-in line that Hasbro put out for the movie, and I’m taking a look at that figure today!

THE FIGURE ITSELF

King Arthur is part of the six figure line-up for Hasbro’s Quest for Camelot tie-in toyline.  He’s based on his standard kingly attire from the film, which makes sense, since I do believe it’s all he actually wears (well, ignoring the flashback to him pulling the sword from the stone).  It’s rather unassuming for a king, but that’s kind of Arthur’s beat, I suppose.  The figure stands just shy of 6 inches tall and he has 8 points of articulation.  As I discussed when I reviewed Garrett, the height on this line is fairly standard these days, but was curiously large for a ’90s line, since they tended to skew a bit smaller.  He’s decently articulated for the era, though nothing to write home about these days.  Honestly, the only things that are notably absent are elbow joints, and he does at least slightly cheat those with that partial bend that’s sculpted in.  In my review of Garrett, I remarked that the actual Quest animation models were quite streamlined and basic, but that the figures added a lot more detailing, to take advantage of the larger scale.  While Arthur doesn’t go quite as in depth as Garrett, he’s still got a fair bit going on, while still matching up pretty well to the animated design for the character.  His color work is largely fairly basic.  It’s clean, and pretty sharp, and I do quite like the metallic finish for the arms and legs.  Arthur was packed with his sword Excalibur, as well as five different add-on armor pieces.  The armor’s not anything he actually had in the movie, but it’s never the less pretty fun, and has a lot of nifty details.  My figure is missing Excalibur and one of the shin guards, but is otherwise still quite well armored.

THE ME HALF OF THE EQUATION

King Arthur was the first of the Quest For Camelot figures I got.  I was on a big Arthurian kick at the time, and he was a King Arthur figure, so, you know, it’s hard to not get on board with that.  I believe that I got him while I was out with my Dad, presumably during an errand or something.  He’s fun.  I mean, the whole line is, really.  It’s kind of crazy the effort that went into these figures, given how the movie ultimately panned out, performance wise.  I certainly don’t mind cool figures, though.

#3344: Silverbolt

SILVERBOLT

BEAST WARS (KENNER)

“Shadows of mystery cloak this silent and proud warrior. Part wolf, part eagle, Silverbolt possesses all the attributes of a great lone warrior: speed, power, wisdom, intelligence. His uncanny ability to track and then ferociously overcome Predacons by himself, only to suddenly disappear into the backdrop has inspired myths describing a fierce winged warrior who has come to defeat their evil ranks one by one. Preferring to work alone, Silverbolt is a ferociously intelligent fighter: extremely dexterous, he seems to be everywhere at once, striking with fearsome talons and firing hidden point-missiles from his wing tips to ultimately surface victorious.”

After being largely focused on machines that turned into other machines for their first decade and some change, in 1996, the Transformers brand reconfigured into Beast Wars, which gave the robots in disguise a bunch of animal-inspired alt-modes, as well as a prehistoric setting.  After rather quiet reception for Generation 2Beast Wars rather revitalized the brand, and even brought in a lot of new fans.  It had a rather strong four year run as a toyline, as well as a rather successful tie-in cartoon running at the same time.  Both of those also had a follow-up in the form of Beast Machines, but nobody really likes to talk about those.  The whole “Beast” thing is getting worked into the live action films this year, with a number of the characters playing pivotal roles in Rise of the Beasts.  But we’re not here to talk about that today.  No, today, we’re talking about “Fuzors.”  See, while the early run characters were all just one lame animal (totally objective fact, there, by the way), the Fuzors were *two* animals fused together!  The best of the bunch (again, objective fact) was the Maximal Silverbolt, who I’m looking at today!

THE FIGURE ITSELF

Silverbolt was part of the first Deluxe Class Fuzors wave of Beast Wars, which was released in 1998.  He was one half of the wave, with the Predacon Sky Shadow being the other half.  In his robot mode, Silverbolt stands about 5 1/2 inches tall and he has 11 practical points of articulation.  Due to the nature of his transformation, there are a few spots where he can get a little extra movement from joints that aren’t really meant for articulation, but it’s all pretty minor adjustments.  His movement wasn’t terrible, which was honestly something that was pretty consistent for Beast Wars.  They certainly weren’t as focused on just the transformation as the G1 stuff was.  Compared to more modern stuff, he’s a little stiff, of course, but 25 years removed, it’s not so bad.  The sculpt is a bit rudimentary, but again not bad.  It tracked well with the animation model he got on the show, especially when it came to the head sculpt.  That said, the proportions do look kind of wonky; the torso is particularly blocky, and the limbs are a bit chunky.  He’s also got a fair bit of kibble on the upper half, with his back legs just sort of hanging off the elbows, and the wings not really folding into the main body, instead just sort of sticking straight out from the back.  It’s a little awkward.  There are also a lot of rather obvious joints and hinges in the robot mode, which breaks up the flow a bit.  His color scheme was predominately the grey he was molded in, with a healthy helping of bronze and darker grey accenting.  It was all pretty cleanly applied, and pretty solid for the era, and it’s held up well over time.  Silverbolt was packed with two feather “missiles” that, in robot mode, were meant to sort of be swords.  They looked more like clubs, but that’s neither here nor there, because I don’t have them anyway.  Silverbolt’s alt-mode, the source of his “Fuzor” title, was a wolf and an eagle, making him a pseudo griffin type thing.  It’s a fun mode, and his transformation into it is a pretty well-engineered one.  In the beast mode, a lot of the uglier parts of the sculpt are hidden, and his overall look is a lot more cohesive…which is actually kind of ironic, since he’s supposed to be a merging of two rather different things.  In this mode, the missiles would go at the ends of his wings, and moving the wings inward would fire the missiles.

THE ME HALF OF THE EQUATION

I was not super into Beast Wars as a kid.  I watched the show, but really only because it was between other things I liked to watch, and I didn’t change the channel.  I owned exactly two of the toys as a kid.  One of them was a gift, so I didn’t have much say in it, and the other was this guy.  I actually quite liked Silverbolt; he’s the only character from the series that I have any sort of attachment to, and as a kid I actually made a point of tracking down his toy.  That one took quite a beating over the years, and ultimately wound up a few limbs shy of where he should have been.  The one reviewed here was actually not mine originally, but was instead Max’s.  He was sorting through several large bins of his old Transformers, and this was one of a few figures that he fished out and gifted to me.  He shows his age to be sure, but I do still really love the figure.

#3343: Longshot

LONGSHOT

MARVEL LEGENDS (HASBRO)

“The alien performer and hero Longshot uses his probability-manipulating powers to turn any odds in his favor.”

You know who’s a bit of a rarity around these parts? Longshot.  Admittedly, that’s because there aren’t a ton of figures of him.  I mean, I’ve looked at half of them.  Sure, that’s only two, but the point stands.  Well, there’s been two more since my last review, so to keep my metrics going, I guess I need to get up to three.  So, let’s look at a brand-new Longshot figure!  Wooo!

THE FIGURE ITSELF

Longshot is the first figure in the lastest Retro X-Men assortment of Marvel Legends.  He’s a slight tweak on the figure from the Mojo World three-pack that hit late last year.  Longshot is also one of the two figures in this assortment who actually has an equivalent vintage figure in the same retro packaging being homaged here (the other being Wolverine).  The figure stands about 6 1/4 inches tall and he has 33 points of articulation.  Longshot is using an articulation set-up that’s become rather standard for Legends; there’s a lot of mobility and he’s using the fancy pinless set-up.  Longshot’s sculpt is shared in its entirety with the Mojo World release, but between the two figures it’s totally new.  A totally new sculpt for Longshot is something we haven’t seen since the ToyBiz Legends days, and that wasn’t a very good sculpt, either.  This one, a joint effort by sculptors Rene Aldrete and Eddie Mosqueda, on the other hand, is much better.  He manages to be lanky and skinny, without winding up looking gangly, and there’s generally a pretty nice flow to how all of the parts mesh together.  The outfit gets some decent work on the folds and creases, which helps to make it feel a bit more real.  The hands, it should be noted, get the three-fingered thing down pretty convincingly, going for properly bulking up the fingers just a little bit, rather than making it look like he’s got normal hands with a finger lopped off of each of them.  Longshot’s headsculpt does quite an impressive job of making the character’s Limahl-inspired hair style work in figure form.  The actual face, however, is giving me a bit of a Sting vibe, which works pretty well with his whole ’80s rock star feel.  Longshot’s color work is largely handled through molded plastic, but he gets a bit of silver accent paint on his jumpsuit and gear.  His eyes both use the face printing, and differentiating this release from the three-pack, this one has his wonky “luck” effect on his left eye.  Longshot is packed with four different hands (right gripping and fist, left open gesture and knife holding), a knife, and satchel (re-used from Green Goblin).

THE ME HALF OF THE EQUATION

I’ve got a soft spot for Longshot, and it’s always been a bummer that his figures are so frequently lackluster.  When the Mojo World set was announced and it looked like this not-lackluster Longshot would be an exclusive, I was admittedly a little bummed again.  Thankfully, the announcement of the solo release came pretty quickly.  I like this guy a lot.  He’s honestly what I was hoping for when I got the TB Longshot back in the day.  He just works so much better.  And now we don’t need another one for a while.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3342: Sky B.A.T.

SKY B.A.T.

G.I. JOE: SIGMA 6 (HASBRO)

COBRA Sky B.A.T. troops convert to different modes for multiple attack capabilities. Smart technology gives them the ability to automatically make the conversions themselves. Vertical Assault Packs attach to their backs and interface with their central processors to achieve complex aerial maneuvers. Armed with concussion bombs stored on their wings, they can launch devastating attacks from the air. In ground assault mode, their arms convert to powerful grenade launchers. With the addition of ionic gas canisters, they can enhance their strength and move at accelerated speed. To combat this robotic force, the Sigma 6 team has developed specialized weapons designed to disable computerized systems.”

I don’t discuss Sigma 6 enough here on the site.  In fact, I think most websites don’t discuss Sigma 6 enough.  Most people don’t discuss Sigma 6 enough.  It’s just a whole thing, honestly.  Whatever the case, the line was genuinely a delight, and an inventive refresh to the franchise.  I kind of miss it, in some ways.  In my brief rundown of the line, I’ve thus far only focused on the Joes side of things, but today, I’m moving over to the Cobra side.  In order to keep things a bit more Saturday morning friendly, the majority of the Cobra forces for the Sigma 6 reboot were variants of the B.A.T., and today, I’m taking a look at the Sky B.A.T.!

THE FIGURE ITSELF

The Sky B.A.T. was part of the first Soldier wave of the 2006 Sigma 6 line-up, which was the second Soldier wave overall, after the line’s end of 2005 debut.  This assortment was a pretty small one, since it was really more of a revision, so it was just the Sky B.A.T. and a variant of Storm Shadow.  This was the second B.A.T. in the line, following the Ninja B.A.T. in the 2005 Solider wave.  Though titled as a Sky B.A.T. officially, this figure was designed to served not only as a Sky B.A.T., but also as a standard issue B.A.T. as seen in the tie-in cartoon.  The figure stands about 8 inches tall and he has 25 points of articulation.  While the Joes were largely built around very similar structures and the more uniform Sigma suit design, the Cobra offerings were a bit different, and that’s especially evident with the Sky B.A.T.  His articulation layout is pretty similar to the Joes, though the shoulders and mid-torso are a little more unique here.  While the sculpts for this line generally went just a touch more realistic than the show designs (though still quite stylized), the Sky B.A.T. is one of the figures that stuck the closest to the animation models.  It translated really well, and made for a particularly cool looking toy.  The only real downside to this figure is the the arm canisters.  They’re articulated, and they’re cool in theory, but the plastic used of them is unfortunately prone to becoming very brittle over time, making them likely to shatter at the joints…as happened with one of mine.  They can at the very least be removed (carefully, of course), so if one breaks, you’re at least not stuck with an imbalanced figure.  The Sky B.A.T.’s color scheme is pretty classic Cobra fare, with lots of blues and reds.  It generally works well, although it’s another victim of time not being the kindest, since the torso yellows a little bit faster than the other blue plastic.  Thankfully, it’s pretty minor, and the overall appearance is still pretty consistent.  The Sky B.A.T. is packed with a pretty impressive wing pack, complete with articulated wings, and four removable missiles.  He also includes a rifle, which is a fun piece, which has a launching missile on the lower section.

THE ME HALF OF THE EQUATION

I always wanted one of these when they were new, but I wasn’t ever able to track one down at retail.  I had a particularly good run of finding Sigma 6 figures back in 2018, and this guy was part of it, picked up from the New Jersey-based House of Fun, along with a few others.  He’s really one of the line’s star pieces, and I’m glad I was able to finally get one.  It’s a cool robot.  It’s a cool G.I. Joe toy.  It’s just a cool action figure.  Small issues with longevity of the figure aside, he’s a total win.

#3339: Autobot Rewind

AUTOBOT REWIND

TRANSFORMERS: TITANS RETURN (HASBRO)

Soundwave’s not the only Transformer to get his own cassette boi sidekicks. He’s got the Decepticons covered, but over on the Autobot side, there’s Blaster, who gets his own selection of the little guys. In recent years, whenever one of the tapedecks and their cassettes showed up, you could be sure the other wasn’t far behind. For Titans Return, it was Blaster who was first out of the gate, and, by extension, so were his sidekicks. Among them was Rewind, who was, at the time, getting a bit of focus in the More Than Meets the Eye comics from IDW. That seemed like a pretty good justifiable for a figure, right?

THE FIGURE ITSELF

Autobot Rewind was part of the first Legends Class-scale assortment of Hasbro’s Titans Return line, which hit in 2016. Legends Class is roughly the same size as the modern Core Class, which certainly made this a larger than usual Rewind.  In robot mode, he stands about 3 1/2 inches tall and has 11 practical points of articulation.  Rewind debuted this mold, which would subsequently be tweaked and re-used for both Rumble and Frenzy.  Curiously, it was never used to make Rewind’s fellow Autobot cassette, Eject, despite the two classically sharing molds.  The design for this guy was based on Nick Roche’s design for Rewind in More Than Meets the Eye, which was a good focus for the character, so it made a lot of sense.  The difference between this guy and Frenzy is the head, which for Rewind has a plate over the mouth, which makes him all extra sleek and stuff.  That’s fun.  The mold is genuinely one of the best for this style of the cassettes, and just one of the best cassette bot molds in general.  His color work matches up with Rewind’s usual color scheme, and is pretty striking overall.  He’s packed with a small rifle, which works with one of his transformations.  As with all of the TR-era cassette bots, Rewind’s first alt-mode is a data pad, which is vaguely cassette looking, and gets some stickers to help with the overall effect.  He also gets a second alt-mode, which uses the rifle in order to turn Rewind into a tank.  It’s honestly a pretty effective one, and I really dig that they did the two alt-modes here.

THE ME HALF OF THE EQUATION

After getting the Greatest Hits Soundwave, I was really settled in on just one of each of the cassette molds.  Since I had Frenzy, I didn’t need to track down Rewind.  Or, at least I thought.  I then sat down and read through most of More Than Meets the Eye, since it’s rather Magnus heavy and all, and I grew to quite like Rewind’s portrayal.  So, when one was traded into All Time back in 2020 or so, I went ahead and grabbed him.  I do really like the mold, and it’s distinctly different enough from Frenzy to make it worthwhile to me to have both.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3334: Bumblebee Cassette Pack

BUMBLEBEE, FRENZY, BUZZSAW, & HOWLBACK

BUMBLEBEE: GREATEST HITS (HASBRO)

What good is a Soundwave without his cassette buddies?  Well, not so good, I suppose.  Sort of thing you don’t like to see happen, really.  So, whenever Hasbro does a new Soundwave, there’s invariably some sort of cassette component included as well.  Just to really sell the gimmick.  When the Titans Return Soundwave mold was retooled for a Bumblebee tie-in, they could have let people just try to track down the TR cassettes, I suppose, but where’s the fun in that.  And, more importantly, where’s the money in that?  So, instead, we got a whole companions set, just for that guy.  Nice!

THE FIGURES THEMSELVES

The Bumblebee Cassette Pack was part of the Target-exclusive Bumblebee: Greatest Hits line, which was under the umbrella of Hasbro’a larger Bumblebee movie offerings.  It was specifically designed to coincide and go along with Soundwave and Doombox from the same line…for the most part.  The set includes three cassette boys, Frenzy, Buzzsaw, and Howlback, who are clearly meant to go with Soundwave.  However, it also includes a Bumblebee, who is not at all in scale with the other stuff, and really just exists to put a Bumblebee in the set, since it was tying into his movie and all.  It’s still a tad odd, though.

Bumblebee was a re-deco of the Age of Extinction High Octane One-Step Changer Bumblebee.  It’s *a* movie Bumblebee, but it’s not the one seen in the movie at all.  I mean, I guess it *kinda* works for Bee at the very end of the movie.  Ah, I’m overthinking it.  In robot mode, he’s about 4 1/2 inches tall and he’s got workable articulation via universal joints at the shoulders.  He’s not very mobile, but that’s not what he was designed for.  He gets an okay approximation of his later film robot mode, albeit a bit chunkier, and with some notable hollow spots.  Again, given that he’s built for play more than accuracy, it’s not bad.  His transformation is, as advertised, one step.  Essentially, he folds and unfolds much like a butterfly knife, with the top of the car/chest being spring-loaded to flip it into place for each respective mode.  It’s admittedly pretty fun.  His main change-up is the color scheme, which sticks more closely to classic Bee than the initial release, which was predominantly black.

With Bee out of the way, we get to the real meat of the set: the cassettes!  The first of them is Frenzy, in his proper blue color that Frenzy is always supposed to be, because Frenzy is blue.  Always.  Right?  Right.  Rumble, the other humanoid cassette, was released on his own during Titans Return, but poor Frenzy was left out in the cold until this release.  In robot mode, he’s about 3 1/2 inches tall and he has 11 workable points of articulation.  Frenzy’s actually quite posable given the scale and construction, especially when compared to the rest of the set.  His mold began as Titans Return Rewind, before getting a new head for its release as Rumble, and then that version got a full re-use here.  It’s a pretty decent mold, and honestly one of the best when it comes to the cassette bots.  Certainly the most advanced of the TR era molds for the cassettes.  His color scheme is very, very blue.  I like that a lot.  There’s a decent amount of smaller work going on, and I dig the gold accents.  Application’s pretty clean, but the paint is prone to a bit of wear, especially on the face.  His main alt-mode is a “data tablet”, which is largely an excuse for a rectangle shape that works as a stand-in for a tape.  He gets some stickers with actual cassette details on them, which are very cool.  Frenzy gets a second alt-mode, which turns him into a tank.  Both transformation sequences are rather intuitive and generally pretty fun.

Next up is Buzzsaw, the not-Laserbeak bird cassette, who’s largely notable for being included with Soundwave’s original G1 release.  Interestingly, while Frenzy was thus far uncovered in this style, Buzzsaw had already been done during Combiner Wars.  His robot/bird mode can sort of move at his neck and wings, but not a ton at either.  His bird mode is pretty clunky.  It’s always a little clunky, but especially in this instance.  The color scheme is duller than the CW version, with more black and actual gold.  It’s not bad, and honestly a little closer to the vintage version, I suppose.  Buzzsaw’s first alt-mode is the data tablet again; fairly similar to Frenzy, though the actual layout of the pieces is different.  He also gets a sort of tank-looking thing as his third mode, which doesn’t work quite as well as Frenzy’s.

The last of the cassettes is Howlback, who’s like Ravage, but…not Ravage?  So, you know, there’s that, I guess.  Howlback’s robot mode has movement on the legs, but like Buzzsaw, her motion is generally pretty restricted.  You can get her standing, but that’s really about it.  It’s another rather clunky mold, but I’ve honestly felt that almost every Ravage mold was rather on the clunky side.  So, you know, this one just fits with that, I suppose.  Howlback gets the data tablet alt-mode, which is again chopped up a little differently than the others, but results in the same general end.  Howlback also gets a third mode, which is not a tank, but is instead a plane.  The bird doesn’t turn into a plane, but the jaguar does.  It’s again pretty clunky, but it’s at least unique and different.

THE ME HALF OF THE EQUATION

After getting a really good deal on the Greatest Hits Soundwave, I found myself in the market for some cassettes to go with him, and this was the most economical option at the time, provided you were able to find it at retail.  Which I did.  Hahaha.  Bumblebee is sort of unneeded, but fun enough.  Buzzsaw and Howlback are limited by the format a bit, but okay.  Frenzy is the real star, like, far and away.  He’s just really good, and holds up even after going through several Cassette boi style changes.

#3332: Yellowjacket

YELLOWJACKET

MARVEL LEGENDS — MARVEL STUDIOS: THE FIRST TEN YEARS (HASBRO)

“The new lead of Pym Industries, Darren Cross, threatens to sell his highly weaponized Yellowjacket suit to the criminal organization Hydra.”

The Marvel Cinematic Universe’s second phase was, amongst other things, characterized by a slightly lackluster batch of antagonists.  There are a variety of reasons for this, chief amongst them being that most of them weren’t really designed for long-term use, so they were sort of designed as disposable.  Since there wasn’t much investment into them, they were largely left untapped for toy coverage.  Ant-Man was particularly light on coverage, with only a few different versions of Scott in the main suit (and even then, they were all kind of inaccurate), and nothing barring Minimates for the film’s main antagonist, Darren Cross, aka Yellowjacket.  Fortunately, he was on the short list for the the First Ten Years sub-line of Legends from 2018, so he wasn’t *totally* left out.  I’m looking at that figure today!

THE FIGURE ITSELF

Yellowjacket one half of the Ant-Man-themed two-pack that made up entry 8 in the Marvel Studios: The First Ten Years sub-line of Marvel Legends, with the other half being a slightly updated version of Scott Lang in the Ant-Man suit.  The figure stands about 6 1/2 inches tall and he has 32 points of articulation on the main body, plus an additional 14 points of articulation on the backpack and its arms.  The core figure is a little bit restricted, especially by modern standards, but was fairly average for 2018, I suppose.  Given that Yellowjacket’s not a particularly agile character in the film, he’s pretty workable with what he’s been given.  Yellowjacket sports a sculpt that was all-new to him, and which has not been re-used since this figure.  It’s honestly a pretty strong one.  Yellowjacket’s entire character was completely reworked for the film, and that extended to his costume, which only kept trace elements of Hank Pym’s Yellowjacket costume from the comics, instead building something that’s a far more armored up, and a little bit more menacing.  Since this figure was released a few years after the film, he’s got the benefit of being more accurate than the basic Ant-Man had been at the time of the initial film tie-ins.  Some of the exact line-work of the suit’s design isn’t a 100% exact match, but it’s definitely very close, and the detailing is honestly pretty impressive.  They’ve included all of his hexagonal texturing on the yellow sections, and I particularly like how the helmet and its nested visor design have turned out in figure form.  The paint work on Yellowjacket’s not too terribly involved, since it’s really just doing the two-toned thing.  It generally handles it well, though, as the application’s all pretty clean, there’s no notable missing details, and I do dig the metallic yellow.  There’s a slight discrepancy in the exact shade of the yellow between a few spots, but it’s overall rather minor.  While the Ant-Man in this set got an unmasked head, Yellowjacket went without.  He did, however, get a re-used mini Yellowjacket from the 2015 Ant-Man release, so that was nifty.

THE ME HALF OF THE EQUATION

I passed on this figure when it first hit, largely because I just wasn’t feeling the need to pick up another Ant-Man just to get this one.  Given his minor nature in the overall scheme of things, I felt alright about that decision, but I did still *kinda* want one.  Thankfully, I was able to get my hands on a loose one when he came through All Time.  This figure’s a little bit dated compared to more recent releases, but he’s honestly a bit better than I was expecting him to be, and I’m glad I got the chance to grab him!

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3329: Soundwave & Doombox

SOUNDWAVE & DOOMBOX

BUMBLEBEE: GREATEST HITS (HASBRO)

Let’s jump back to the faraway year of 2018.  There was a new Transformers movie, Bumblebee, and after five prior live-action offerings of diminishing success, this one was a slightly different approach.  The scale was largely brought back, and focused almost entirely on the title character in his own smaller-scale adventure.  However, the initial cut of the film had a brief appearance from Optimus Prime, who now sported a more G1-inspired design than in previous installments, and when word of this design got out, fans wanted more G1-inspired elements.  This led to the film’s prologue on Cybertron, which sported a whole ton of G1-ish looks.  They were largely absent from tie-in toys, since they were all pretty last minute, but there were a few things thrown together to not leave them totally out in the cold.  Given the film’s ’80s setting and emphasis on music, it’s not terribly surprising that Soundwave made his way into the tie-in stuff, even if he didn’t have a musically-based alt-mode in the movie.  And I’m a sucker for Soundwave stuff, so, you know…

THE FIGURE ITSELF

Soundwave and Doombox are a Leader Class release from the Target-exclusive Bumblebee: Greatest Hits line, which was part of their larger Bumblebee movie offerings.  He was the only of the three offerings from the subline not to include a Bumblebee of some sort, and was presumably chosen because of his thematically appropriate alt-mode.  Also, because he’s Soundwave.  Always have Soundwave.  And Magnus.  Him too.  Always have both.  I’m getting side tracked.  Just talking about the Soundwave today.  Calm yourself down, Ethan.  In his robot mode, Soundwave stands about 10 inches tall and he has 19 points of workable articulation.  This release is a retool of the Titans Return/Legends Soundwave mold (itself a retool of Titans Return Blaster).  The only change-up for actual sculpting between the releases are the leg panels, which mostly serve to change up how he looks in his alt-mode.  The mold is definitely a very G1-esque Soundwave, albeit one that’s perhaps a little more rudimentary and boxy when compared to more recent updates to the look.  He gets a bit more kibble on his back, keeping a rather noticeable handle protruding from his shoulders.  He’s also got a fair bit of hollow construction, which was more prevalent at the time of the mold’s original release.  He’s certainly a nice, chunky figure, though.  His color scheme was adjusted to fit a bit more with how he ended up looking in the movie, or at least an approximation of it.  It’s a little darker and greyer than typical G1 figures, which is of course more on par with the usual movie stylings.  Soundwave was packed with a blaster rifle, his usual shoulder mounted cannon, and a sort of a stand-in piece for his usual tape-deck-inspired associates.

Soundwave’s primary alt-mode isn’t his original tape recorder, but it’s closer than other updated modes, since it’s a boom box (a mode he inherited from the Blaster that used the mold first).  It’s honestly a pretty good alt-mode.  The transformation’s not too complicated, and everything folds up and into place pretty convincingly.  The updated leg panels change the detailing of this mode’s speakers, going from the mesh-style to the slit style.  Not crazy important or anything, but it does at least add some variety to him.  Since this mold began as a Titans Return release, his head is a Head Master, so it’s removed during transformation and can turn into “Doombox”, who’s a little mini version of the classic Soundwave look.  He’s obviously a lot less detailed, but it’s a fun gimmick.  It also works really well with Soundwave’s third mode, which turns him into a base, which can be used with any of the Head Masters.  The stand-in for the tape deck can be used as a vehicle for Doombox, which is honestly a lot of fun.

THE ME HALF OF THE EQUATION

I’ve had this figure since he was still at retail, and I just never got around to reviewing him.  I know, bad Ethan.  I had gotten a gift card from someone at work, and happened upon him at Target, which was enough of a justification to grab this guy.  He’s never been my go-to Soundwave or anything, but he’s surprisingly fun, and he’s a good showcase of the gimmicks from this era of the line.  And, most importantly, he’s another Soundwave.  Hard to beat that.  Unless you’re a Magnus.

#3323: Mara Jade

MARA JADE

STAR WARS: THE BLACK SERIES (HASBRO)

Mara Jade was once Emperor Palpatine’s Hand, his most-trusted assassin. Five years later and now a successful smuggler, the last thing Mara expected was to stumble upon her former arch-enemy: Luke Skywalker.”

The post-Jedi Star Wars Expanded Universe had within it a good number of characters who rose to prominence, despite not being a direct part of any of the on-screen adventures of the franchise.  One of the more prolific examples was Mara Jade.  Introduced in Heir to Empire, Mara served as a foil to Luke, as the two eventually went from enemies to lovers.  Given her quite interwoven story with Luke, Mara was one of the first major “casualties” of Disney moving away from the Expanded Universe.  Unlike Thrawn, her compatriot from Heir, Mara has not, as of yet, made the jump to Disney’s official canon.  Her presence in the franchise as a whole has been a bit down played in more recent years, but she’s gotten her second figure since the Disney take-over, which, if you’re counting, brings her total number of figures up to a whopping four.  But hey, Black Series coverage.  That’s pretty cool.

THE FIGURE ITSELF

Mara Jade is part of the third round of the comics-inspired sub-line of Hasbro’s Star Wars: The Black Series.  While prior assortments have had four figures, this one’s down to three.  Hey, at least Mara finally made the cut.  She’s officially branded “Legends,” denoting her outside of canon status.  Mara is based on her appearance in Dark Force Rising, allowing her to be a direct follow-up to Luke from Heir, by virtue of being the next entry in that trilogy.  It translates to her still wearing the all-black get-up that she’s best known for, so it works fine by me.  The figure stands about 6 inches tall and she has 28 points of articulation.  Mara’s posability is a little more restricted than some more recent figures from the line, but not terribly so.  A lot of it has to do with her construction, which re-uses a good chunk of  parts from Jaina Solo (who is, entertaining, the first figure to use the “Legends” classifier).  She shares the torso and legs with that release and gets a new head and arms to differentiate things.  It all works a bit better than I’d expected; many of Mara’s prior figures have looked a bit tossed together, but this sculpt flows rather nicely.  The head sculpt doesn’t exactly have a spot-on likeness of Shannon McRandle (the model who “portrayed” Mara on book covers and trading cards in the ’90s), but it maintains enough of the traits to feel appropriately like the character.  It’s certainly closer than any prior attempt.  The only slight nit is that the hair’s maybe a tad flatter than it should be, but it’s minor.  To further differentiate Mara from Jaina, Mara gets extra add-ons for her shoulder harness, bandana, and goggles.  They can also be removed, if you want a more streamlined look.  Mara’s color work is generally on the basic side, largely relying on molded colors, especially for the bulk of her outfit.  She gets the now standard face printing, which is suitably clean and life like.  Mara is packed with her distinct purple lightsaber, as well as a small blaster pistol.  It’s a bit on the light side, but it’s standard at this point for this branch of the line.  At least both of her accessories are actually for her, which is more than could be said for Luke.

THE ME HALF OF THE EQUATION

Honestly, a few years ago, I probably wouldn’t have picked up Mara at all.  I’ve not really had any direct interactions with the character.  I do have her Expanded Universe figure from ’98, but that one’s more fueled by nostalgia than anything.  That said, Rebels got me more interested in Thrawn as a character, so I wound up buying his Black Series figure.  I then got the Heir Luke figure, since I was buying others from the first comics assortment.  At that point, I was two figures deep on this set, and Mara was kind of the main missing piece.  She’s the strongest of the three, so she was certainly worth the wait.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3321: Clone Trooper – 41st Elite Corps

CLONE TROOPER — 41ST ELITE CORPS

STAR WARS: THE CLONE WARS (HASBRO)

“The clone troopers in the 41st Elite Corps are led by Clone Commander Gree and Jedi General Yoda. The troopers are equipped with specialized gear for combat on jungle worlds such as Rodia, one of the planets to which this unit is assigned during the Clone Wars.”

People love Clone Troopers, and one of the things people particularly love about Clone Troopers are all the fancy colors you can get them in.  For their first appearance in Attack of the Clones, their colors corresponded to a rank structure, which was maintained in the 2D Clone Wars series.  By the time of Revenge of the Sith, the colors were modified into being unit markings, so when it came time to do to the 3D Clone Wars, they decided to retroactively make the the Phase I colors line up to units.  And that’s the way that Commander Gree inherited the 41st Elite Corps, whose design was previously that of the Clone Sergeant.  Which means that the figure I’m looking at today isn’t a Sergeant, but rather a member of the 41st Elite Corps.  How about that?

THE FIGURE ITSELF

The 41st Elite Corps Clone Trooper was initially released as figure 26 in the first run of the Clone Wars tie-in line, as part of the fifth and final assortment of the original run, and numerically the second-to-last of the figures in that set (Kit Fisto was the last figure in that first numbering, something he’d repeat when he also wrapped up the Phase III Black Series run).  The 41st was the re-released early into the next run, as figure 04, in an assortment entirely populated with repacks moving to the new packaging style.  He was the line’s third generic clone in the main run, following the all-white and the 212th.  The figure stands 3 3/4 inches tall and he has 24 points of articulation.  From a structural standpoint, this figure is identical to the 212th, complete with the newer style of helmet.  It solidified the plan to keep the adjusted helmet going forward, after the Space Gear Trooper threw some things into question.  Beyond that, it’s all really down to paint.  This guy swaps out the orange markings of the 212th for a somewhat subdued green.  He’s still got a much cleaner armor set-up, as became the norm for the Clones in the line.  Unlike the 212th, this guy’s shading also remained consistent with the Commander Gree figure later down the line, so they matched.  Yay!  The figure is packed with a small blaster rifle, as well as debuting the D-6 rotary blaster in this line, complete with a launching missile.  You know, for all those missiles that the rotary blaster launched.

THE ME HALF OF THE EQUATION

Though I definitely wanted one of these back in the day, the 41st was never one of those figures I was able to track down.  Thankfully, I got a second chance when All Time got a huge Clone Wars collection in a few years back, so my collection didn’t have to go 41st-less forever.  He’s a basic figure, but he does what I need him to, and I’m always game for more green!

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website.