#3663: Death Star Escape

HAN SOLO, CHEWBACCA, & LUKE SKYWALKER

STAR WARS: POWER OF THE FORCE II (KENNER)

“The Rebel Alliance has infiltrated the Galactic Empire’s most powerful battle station, the Death Star! posing as stormtroopers escorting a prisoner, Han Solo, Luke Skywalker and Chewbacca attempt a daring rescue of the captive Princess Leia. Can they escape the dreaded Death Star, or is the Rebellion about to suffer the loss of its newest heroes?”

Hey, Cinema Scenes!  It’s been a hot minute since I’ve looked at one of these!  While Kenner/Hasbro used the later run of Cinema Scenes to fill in more obscure characters from the background of specific scenes, the earliest run of the line was more about recreating distinctive scenes, often with variants of previously released figures from the line.  One of the earliest recreated scenes was the first film’s escape from the Death Star detention center, which I’m taking a look at today!

THE FIGURES THEMSELVES

The “Death Star Escape” set was the Power of the Force line’s debut Cinema Scenes set, released in 1997 as a Toys “R” Us exclusive.  As with all of the Cinema Scenes sets, in addition to the three figures, this set also included a stand, meant to look like a section of the Death Star’s floor.

HAN SOLO

Originally confined to a Froot Loops promotional offer, Stormtrooper disguise Han made a pretty quick reappearance here. The figure is about 3 3/4 inches tall and he has the usual 6 points of articulation. His sculpt is similar to the previous one, but different for the sake of different. His pose is certainly changed up, largely the arms, which are now stretched outwards. The prior version was one of the rare instances of a figure that could conceivably hold his weapon two-handed (though, ironically, he had no weapon to hold), but not so with this one, who is back to the single hand hold.  Han’s paint work is very similar to the mail-away version, but the plastic used is a little different.  The skin-tone on the head is paler, and the torso and pelvis are prone to discoloring over time.  Han is packed with his removable helmet, and a standard blaster rifle.

CHEWBACCA

Chewbacca doesn’t have a drastic shift in looks in the movies, so he didn’t have any drastic shifts in figures during Power of the Force either.  He started off with one figure to cover all of the movies, and this one is a very, very minor tweak on that.  The figure stands about 4 inches tall and he has 6 points of articulation, with the caveat of the neck not *really* moving.  He’s almost exactly the same figure as the standard release, with the only notable change being the position of the arms.  It’s Chewy at his most swoll, encapsulating the early line as a whole.  The color work is also pretty much identical, for what it’s worth.  He does get a new accessory, which is directly tied into the new arms: handcuffs!  Perfect for recreating the scene.

LUKE SKYWALKER

Luke’s Stormtrooper Disguised figure was a standard release, so we didn’t *need* a re-release, but, you know, you gotta finish up the scene, I guess.  He takes pretty much the same approach as the Han, replacing the more basic standing pose of the single release Luke with a a wider stance, even wider than Han’s.  He’s got the same basic color work, and he’s got the same issue with the discoloring on the torso and pelvis.  Paint work on the face is honestly a lot nicer, though, so he’s at least got that going for him.  And hey, look at that, same helmet and blaster as well.  Lot of same-ness going on.

THE ME HALF OF THE EQUATION

This is honestly a pretty common Cinema Scenes set, so it’s genuinely surprising it took me this long to get around to picking one up.  I guess the right opportunity never presented itself to me.  Well, you know, until it did, which is why I own it now.  I’d seen a couple of loose ones, but didn’t really want to go that route, but a sealed set came into All Time, and now I’ve got one.  It’s easily the weakest, most forgettable of these sets.  There’s nothing that really makes it worthwhile, and I genuinely only have it for completion’s sake.  I don’t know of any other reason to get one, but, at the same time, it’s not like it’s a *bad* set, or anything.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3649: Aquaman

AQUAMAN

TOTAL JUSTICE (KENNER)

“Born in the underwater world of Atlantis, Arthur Curry leads a dual life as Aquaman, protector of the world’s oceans. He is able to “breathe” water, swim at speeds up to 100 miles per hour, and communicate with most sea life. Though his strength diminishes after prolonged exposure out of the water, Aquaman’s Fractal Techgear allows him to remain on land and battle villains with his blasting hydro spear for extended periods of time.”

Aquaman seems like he’s in this perpetual state of bouncing back and forth between everyone thinking he’s lame and the people responsible for his stories trying overcompensate for the perceived lame-ness by making him super edgy.  Perhaps the earliest instance of this was Peter David’s revamp of the character in the ’90s, a run which, amongst other things, had Arthur lose a hand and replace it with a hook.  Don’t ask how he lost it.  It’s really important that you don’t.  Because it made him very edgy and serious, and you don’t want to risk upsetting that.  To aid with the edginess, Arthur also grew a beard and long hair.  Edgy!  It was the ’90s, so there were toys abound, meaning this new Aquaman got coverage pretty darn quickly.  Let’s look at him today!

THE FIGURE ITSELF

Aquaman was released in 1996 as part of the first series of Kenner’s Total Justice line.  This was Kenner’s second time doing an Aquaman, following their Super Powers offering in the ’80s.  That one was, of course, in his classic attire, while this one was, as noted above, all edgy.  The figure stands just shy of 5 inches tall and he has 5 points of articulation.  Well, 5-ish.  The neck joint’s pretty my useless, what with the hair, and the range on the hips is also pretty restricted.  You can spin those shoulders all the way around, though.  Total Justice figures are, of course, defined by their extreme posing.  Aquaman follows suit, and has perhaps one of the most extreme poses the line had to offer.  So extreme that he can barely even stand most of the time, which is a bit frustrating at times.  Why the pre-posing?  What exactly is the pose?  I have no clue.  The sculpt is…well, it’s also extreme.  There’s certainly a lot of detail going on there, with all those flexing muscles and everything.  It matches well with the typical depictions of Aquaman from the time, so I’ll certainly give them that.  Aquaman’s color scheme came in two set-ups; the standard had the shoulder armor in an off-black, while there was a variant that did it in gold, presumably in reference to his classic costume.  Beyond that detail, the paint work remains the same on the two figures.  It’s not a bad set-up, and all the major details are present and pretty cleanly handled.  In addition to the odd posing, one of the other signatures of Total Justice was the “fractal armor.”  Aquaman’s is a sort of purple-ish asymmetric set-up.  It’s very goofy, and it’s very ’90s, and I very much enjoy it.

THE ME HALF OF THE EQUATION

So, I may not be the world’s biggest Aquaman fan myself, but he’s one of my dad’s favorite characters, which does give me a bit of a link to the character.  My first figure exposure was my dad’s old Mego, which he had on display in my parents’ living room.  I wanted my own Aquaman, and this was really my only option at the time.  I got the standard one pictured above, I want to say from an Ames near where my family vacationed?  I might be totally off on that, but it’s what I’m visualizing.  He was well-loved, and my only Aquaman for a bit.  He lost the hook not terribly long after I got him, and it was never fixed.  I snagged the gold variant more recently, when a loose one came through All Time.  He’s oh so much a product of his time, more so than just about anything else in this line, and, honestly, that’s pretty fun.

#3644: Evil Bizzaro

EVIL BIZZARO

SUPERMAN: THE ANIMATED SERIES (KENNER)

While Kenner’s tie-in line for Batman: The Animated Series was far from lacking in made up variants of its main character, it still did an okay job of filling in the villains and supporting cast. For Superman: The Animated Series, things were a touch less balanced, especially notable given how much harder it was to make variants of Superman. The third assortment of the line was *just* Superman variants, which led to it being skipped at mass retail. Kenner tried to course correct for the next set, which had a whole three non-Superman figures. It wound up being too little too late for mass retail, but the set got a second life through Diamond, which, amongst other things, made sure we didn’t miss out on Bizarro!

THE FIGURE ITSELF

Bizarro, or “Evil Bizzaro” as he was called on the packaging, was part of Series 4 of Kenner’s Superman: The Animated Series line, which was released domestically through comic shops via Diamond Distributors. He was also re-released under Hasbro alongside Supergirl and Metallo from the same series as part of the “Super Heroes vs Super Villains” boxed set. The figure stands about 5 inches tall and he has 6 points of articulation. His sculpt was totally unique to this figure, and honestly one of this particular line’s best. Kenner struggled with keeping these figures on-model to the show, especially when it came to proportions, but Bizarro is actually a pretty good match to his animation model. Even the rather notable pre-posing isn’t a terrible departure from Bizarro’s usual poor posture in the show. Bizarro’s color scheme here isn’t bad. The purple’s a little closer to lavender than it really should be, and his belt is green for some unknown reason, but generally the look is good. Bizarro is packed with a wheel and a gear, molded in grey for this one, which is the single release, or in block for the boxed set version. The figure has a wheel in his back, which, when turned, spins his arms in opposite directions, allowing him to swing his accessories back and forth.

THE ME HALF OF THE EQUATION

As a kid, I owned one figure from Series 4, and it wasn’t this guy. My first Bizarro was actually one of the Mattel ones, though I always wanted one of these. I got my shot at him a little bit back, when a bag of DC animated figures got traded into All Time, and Max and I split the contents. He’s one of the best this line had to offer, so I’m glad I finally got one.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3636: Parallax

PARALLAX

TOTAL JUSTICE (KENNER)

Fun FiQ Fact #0115: According to Wikipedia, a parallax is “the difference in the apparent position of an object viewed along two different lines of sight,” which is honestly not a terrible name to attach to a former hero driven to extremism.

Growing up, thanks to my dad’s old comics and re-runs of Challenge of the Super Friends, I became rather attached to Hal Jordan, despite his having been replaced by Kyle Rayner in the role before I started reading comics.  Options for Hal figures were, admittedly, a little limited in the ’90s, with the only option in 5-inch scale being not a Green Lantern figure, but Parallax, Hal’s villainous turn from the comics.  Of course, in my collection, he was never *really* villainous.

THE FIGURE ITSELF

Parallax was released in Series 3 of Kenner’s Total Justice, which wound up being the line’s last series.  Each set got one “villain”, which was Parallax…I guess.  Like I said, never so much to my eyes.  The figure stands just under 5 inches tall and he has 5 points of articulation.  Total Justice‘s sculpts were always very heavy on the pre-posing, and Hal’s no exception.  This one’s definitely one of the better ones; Hal’s flair for the dramatic during this era translates well into the sculpt, and he’s got a pose that reads as dynamic, without being too absurd. The sculpted elements of the costume are a pretty good match for the source material (certainly a closer match than McFarlane’s attempt from two decades later), and there’s a nice sharpness to them. The head’s my favorite part of the whole thing, capturing Hal’s likeness, while also getting the crazed expression he was so wont to have during this period of time. The last set of Total Justice got a lot of its paint budget slashed, resulting in a lot of unpainted elements. For his part, Parallax was pretty fortunate, getting all of the base details he was supposed to, and really only missing out on a few metallic details. The end result still looks totally fine, and you’d be unlikely to guess what was cut if you didn’t know it was supposed to be there. Another notable change-up for the last round was making the accessories into things that made a little more sense for the characters. Rather than “fractal armor”, Parallax gets a missile launcher and a shield, both molded in clear green.

THE ME REMAINDER OF THE EQUATION

I had a few Total Justice figures when they came out, but Series 3 was pretty rare at the time. I wanted a Parallax, of course, since he was the only option for Hal, but it took a bit for me to find one. I wound up getting him just a few years after his release, at a toy show my dad took me to, I think for my birthday. He’s a solid figure, even now, and remains my favorite of the Total Justice line-up.

#3586: The History of Superman

SUPERMAN (GOLDEN AGE, SILVER AGE, & MODERN AGE)

THE HISTORY OF SUPERMAN COLLECTION (KENNER)

Fun FiQ Fact #0065:  On April 1st, 2016, Superman was the subject of my third April Fools Day gag.  Neat, huh?  Anyway…

I don’t talk a *ton* about 1/6 scale figures here.  I mean, sure, I’ve looked at a lot of higher end figures, but for base level 1/6, it’s not really hip and happening.  That’s not to say that I don’t own any of them.  Back in the day, I had a whole bin of 12-inch G.I. Joes, and a handful of other characters as well.  Even some DC stuff.  Today’s figures *weren’t* actually in my collection as a kid, but they did exist, so I suppose they could have been…theoretically.  Isn’t that wild and crazy?  No, not really.  More just a factoid.  Anyway…

THE FIGURES THEMSELVES

“The History of Superman Collection” was released by Kenner exclusively through FAO Schwarz in 1996.  There was also a similarly-themed “History of Batman Collection” also released via FAO Schwarz that same year.  The set included three versions of Superman, as well as four trading cards produced by Fleer/Skybox.  Three of the four cards each give a cover that lines up with one of the figures, and the last one’s a holographic, chrome thing.  Weird, but fun, I guess.

GOLDEN AGE SUPERMAN

The purpose of this set was to cover the major bases for Superman’s looks over the years, so they start, as you might expect, with some of his earlier appearances.  Not his *earliest* appearances, as he had a slightly more drastically different look at the beginning, but more after his look had refined just a touch.  This figure is clearly a ’40s Superman, which is really the heart of the Golden Age, so it’s sensible.  The figure stands about 12 inches tall and he has 14 points of articulation.  The construction here is…well, it’s very much a product of its time.  The head sculpt is undoubtedly the strongest part here, doing a pretty strong job of capturing the essence of the early appearances of Superman, without getting too artist-specific.  Obviously, this isn’t meant to be anything even close to Hot Toys quality, and it’s definitely on the softer side, but it works.  His base body is definitely the most dated part of the whole thing; the articulation is a bit stiff and restricted, and those hands are just humungous.  It does mean he fits right in with Hasbro’s very short-lived JLA line in the same scale, though, so that’s all pretty cool.  The outfit is permanently attached to the figure, with a jumpsuit and cape, as well as a sculpted pair of boots/feet.  He’s got an embroidered logo, which is the proper Golden Age one, and there’s a matching one on his cape.

SILVER AGE SUPERMAN

Our next Superman moves to the “Silver Age”, which is generally late ’50s into the ’60s, though for this one, we’re definitely angling more towards the later end of the Silver Age, if not early Bronze Age.  Ultimately, “classic” would probably be a more accurate description for the figure, but that wouldn’t really fit the set’s naming scheme, so I get it.  He’s using the same basic set-up as Golden Age, so he’s the same height and has the same articulation set-up.  He does get a new head, though.  It’s not *drastically* different from the first sculpt, but the eyes are wider and the spit-curl is far more pronounced.  I dig the subtle changes, and they really work to sell the later look.  His outfit remains pretty similar as well, keeping more or less the same coloring.  The cape is a little longer here, and his logos have been updated to the more standard S-logo.

MODERN AGE SUPERMAN

Last up, it’s the most mullet-tastic and least exclusive member of the set, Modern Age Superman….or at least as modern as you got in 1996.  This one would actually get his own single release at mass retail, under Kenner’s Man of Steel banner.  He’s using the same base body again, with another new head sculpt.  This one’s all mullet-y, as it should be.  It’s still got the same general features, though his chin is a little narrower, and he’s got the extra locks.  His outfit adjusts the design even further, giving him an even longer cape than the Silver Age version, and his blue and red have been switched to much deeper hues.  The single release had a silk-screened logo, but this one keeps the properly embroidered one to match the rest of the set.

THE ME REMAINDER OF THE EQUATION

I didn’t step foot into FAO Schwarz until I was a teenager, more than a decade after this set’s release, so I didn’t have one growing up.  I did know of its existence, though, thanks to Raving Toy Maniac’s archives, and it’s one I’ve always been fascinated by.  It’s not something I felt the need to track down, but when one landed in front of me last summer through a trade-in at All Time, it was hard to say no.  So, umm, I didn’t?  It’s hokey and goofy, and I probably didn’t need it, but that doesn’t mean I didn’t enjoy it.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

….oh, you guys weren’t expecting something April Fools-related, were you?  Well, maybe this year the gag is the lack of a gag.  Yeah, that’s totally it…

#3524: Shazam!

SHAZAM!

SUPER POWERS (KENNER)

Fun FiQ Fact #0003:  The character that would eventually become Shazam was originally intended to be called “Captain Thunder” and “Captain Marvelous” before Fawcett Comics landed on “Captain Marvel.”

Kenner’s Super Powers has a very hard link to Christmas for me.  As a kid, for a good stretch of time, I got one every Christmas, and, in recent years, it’s a trend that’s returned.  I’m actually very close to the end of the line, which also means that I’ve gotten to the point where all of the ones I need are nearer the more expensive side of things, and also all hail from the line’s last year.  That includes today’s focus, a Captain Marvel named Shazam!

THE FIGURE ITSELF

Shazam was released in 1986, as part of the third and final year of Kenner’s Super Powers line.  While the character wouldn’t actually take on the name “Shazam” in-universe until 2011, since by 1986, the Captain Marvel trademark was firmly in Marvel Comics’ possession, so whether he used the name in the books or not, no toys could use it.  Rather amusingly, Marvel themselves didn’t really do much with it either, with their first figure based on any of *their* Captain Marvels not seeing a release until the late ’90s.  But, I’m getting side-tracked.  The figure stands about 4 1/2 inches tall and he has the line’s standard 7 points of articulation.  Shazam sported a unique sculpt, based specifically on his later DC design, which moved him more into the traditional spandex set-up.  His sculpt is a little stiffer than the others, which is especially notable in the straightness on the arms.  His head seems a bit soft compared to others in the line.  They’re clearly trying to capture the character’s more unique facial features, while keeping him in-line with the house style of the rest of the figures.  The end result is sort of middling.  Definitely not the strongest the line had to offer.  His cape was cloth.  On my figure, it’s a repro; the original had a unique plastic clasp piece, as well as some rather nice printed details.  Shazam’s paint work is minimal, but it’s decent enough.  There’s a little wear on mine, but nothing crazy.  Shazam gets no accessories, but he gets the usual action feature.  In his case it’s a “Power Action Thunder Punch;”  squeezing the legs makes the arms swing in opposite directions.

THE ME REMAINDER OF THE EQUATION

As has been the trend on the last few of these, Shazam was my main Christmas gift from my parents this year.  While Mister Miracle was one of the line’s finest, and a great send-off from the final year, Shazam is definitely more middle of the road.  He’s okay, and I’m sure glad to finally have him, but he himself isn’t much to write home about.  And now I’ve got four left.  This is getting very exciting!

#3481: Supergirl

SUPERGIRL

SUPERMAN: THE ANIMATED SERIES (KENNER)

One of the goals of DC’s Crisis on Infinite Earths was to streamline not just the DC universe as a whole, but also the background of its most popular characters. For Superman, this meant cutting out much of his “Super-family.” His cousin Supergirl died during the events of the crossover, and wasn’t granted an immediate replacement, so as to keep Clark as the “Last Son of Krypton.” In the comics, there were a few other workarounds to keep the Supergirl name going, largely overhauling the whole concept of the character, but for Superman: The Animated Series, they tried to keep her as close to the original, while still playing by DC’s rules.  So, she was no longer Kal-El’s biological cousin from Argo City, a remnant of Krypton which survived.  Instead, she was the last survivor of Argo, Krypton’s sister planet, thrown into chaos by Krypton’s destruction.  Not the worst change-up in the world, right?  And she got an action figure out of the whole thing too!

THE FIGURE ITSELF

Supergirl was released in Series 4 of Kenner’s Superman: The Animated Series line-up.  After Series 3 got only an international release, Series 4 was set to follow suit, but Kenner was able to make a deal with Diamond Distributors to at least get the series to comic stores on the domestic side, saving this set from the same weird delay that hit Series 3.  She would also eventually see a larger domestic release under Hasbro’s tenure, when she was re-released with some minor tweaks, alongside her series-mates Bizarro and Metello, in the “Super Heroes vs Super Villains” boxed set.  The figure stands about 4 1/2 inches tall and she has 4 points of articulation.  None of her articulation is great, honestly.  The neck is restricted by her hair, her right arm is restricted by the action feature, and she’s got no movement at all below the waist.  Pretty much, she’s just good for standing…although, with no movement on the legs at all, she’s not always so great at that either.  Her sculpt was a totally unique one, and it only got re-used for the one boxed set release later.  None of the STAS sculpts were strictly show accurate, and Kara definitely falls in line with that.  Honestly, it’s not bad.  She generally looks the part from the show, with the only major inaccuracy being the shaping of the skirt; it’s one of those odd things that was common for this line, where they added extra details that they didn’t actually need, with all the folds and flow.  The paint work on the standard release of this figure was pretty straight forward and on point for her design from the show.  For the boxed set version, however, they cut the black piping for the edges of the shirt, which makes her look sort of half finished.  Supergirl was packed with “Aerial Assault Armor,” which is essentially just a snap-on version of Superman’s space suit from the show.  She never wore any such thing, but it’s actually a pretty fun concept, and nicely executed too.  She even gets funky missile launchers!

THE ME HALF OF THE EQUATION

I missed out on most of Series 4 as a kid.  I remember seeing them, but they were always back behind the counter at various comic book stores, and always over priced for what they were.  I recall picking up a loose copy of the boxed set release some time after its release, shortly after discovering All Time Toys in 2007.  That one held me over until I was able to get a proper Series 4 version, also from All Time, this past summer.  She’s not a very mobile figure, but she’s a pretty solid recreation of the show design, and at least she wasn’t just another Superman variant.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3476: Anti-Kryptonite Suit Superman

ANTI-KRYPTONITE SUIT SUPERMAN

SUPERMAN: THE ANIMATED SERIES (KENNER)

Though he may be nigh-invulnerable, Superman is not without his weaknesses. Of particular note is Kryptonite, the irradiated remains of his home planet Krypton, first introduced in the Superman radio show so that Clark’s actor could be absent for a few episodes. It’s become its own thing, with all sorts of different types that do all sorts of different things. But basic green Kryptonite just makes the guy real weak. Not so great when you’ve got people to save, so, with a little bit of outside help, Clark devised a way to protect himself: the Anti-Kryptonite Suit!  The suit’s been around in some form for quite some time in the comics, but also got some pretty notable usage in Superman: The Animated Series, which also netted the concept its first proper action figure, which I’m looking at today!

THE FIGURE ITSELF

Anti-Kryptonite Superman follows in the footsteps of Fortress of Solitude Superman, being part of the intended third series of Kenner’s Superman: The Animated Series, which, despite being shown off in 1997, was not released in the United States until 2001, and as effectively as a KB Toys exclusive at that.  The figure stands 5 inches tall and he has 6 points of articulation.  This line had an interesting relationship with its source material, in that they didn’t pay *that* much attention to it.  A lot of the Superman variants were just made up entirely, so they sort of just did their best to stay on brand, while doing a new design.  In the case of this guy, he *isn’t* made up, but they kind of approached him as if he was.  Some of the more basic design elements of the animated Anti-Kryptonite suit are still present, albeit dressed up a little bit to fit the style of the toys, but it’s all filtered through a desire to tie him back into the classic Superman color scheme, as well as a general move more to the toyetic side of things.  It occupies a weird space because it’s honestly not a bad look on its own…but it’s not the source material.  The sculpt is pretty decent; he got the second best of the Superman heads for the line, and there’s some pretty nifty smaller detailing going into the suit design.  The paint work marks a notable departure for the figure; rather than using the show colors, he’s instead using the standard Superman scheme.  Admittedly, this is an area where you can really see Kenner’s reasoning, since it’s harder to sell kids on the largely grey coloring of the cartoon design.  At least the color work isn’t anything stupidly garrish or anything like that.  Anti-Kryptonite got his removable helmet, as well as a whole big articulated crane thing that goes over his shoulders, and could “capture” the piece of Kryptonite he also included.  Again, it’s a departure from the show design, but it’s also a rather fun gimmick for a toy.

THE ME HALF OF THE EQUATION

I was really fixated on the Anti-Kryptonite for a good chunk of my childhood.  I think I had gotten Metallo from this same line not too long before this set finally started to hit, and I had this whole internal team-up arc for him, and you can’t very well have Superman team up with Metallo if he’s not properly protected from Metallo’s Kryptonite heart, right?  Right.  I recall I got this one during one of my family’s fall weekend trips to the beach, back when there was still a KB at the outlets nearby, and I was pretty excited about it.  And then I also got a duplicate one in slightly better condition from All Time back in the spring, so now I’ve got two of them, I guess.

Thanks to my sponsors over at All Time Toys for setting me up with this figure to review.  If you’re looking for cool toys both old and new, please check out their website and their eBay storefront.

#3467: World’s Greatest DC Comics Super Heroes Collection II

BATMAN, THE FLASH, GREEN ARROW, HOLOGRAM SUPERMAN, & HOLOGRAM GREEN LANTERN

JLA (KENNER)

“The mightiest heroes in the universe join forces to combat the world’s most diabolical villains – and their own evil counterparts!”

Hey, remember that JLA set I looked at yesterday, where I referenced that there was a second, complimentary set a few times?  Well, absolute shock and awe, if you can believe it, I’m gonna look at that second set today.  Whaaaaaaaaaaat?  This set also gets the extra significance of being the review that marks ten years here on the site, and it’s a more significant one, to boot.  So, let’s check this thing out.

THE FIGURES THEMSELVES

Batman, The Flash, Green Arrow, Hologram Superman, and Hologram Green Lantern were released as “The World’s Greatest DC Comics Super Heroes Collection II” boxed set, the other half of the kick-off for Kenner’s JLA line.  As noted yesterday, both sets were Previews-exclusives, with the three standard JLA members per set also being available in the first single-carded assortment of the line.

BATMAN

“With a brilliantly deductive mind, expert scientific knowledge, and a master of martial arts, Batman watches over Gotham City from its gargoyles and parapets. He’s the city’s last hope against evil.”

With Superman headlining the first set, you gotta have Batman for the second, I guess.  I mean, his name wasn’t above the title of the whole line this time, so I guess he at least needed to have this concession.  He wasn’t going through the weird changes like Big Blue, so he’s just, you know, Batman.  The figure stands 5 inches tall and he has 5 points of articulation, plus those wonky sliding wings.  He’s using the Total Justice mold again, and it’s definitely its own thing.  There are a lot of oddities to this one, with the strangest thing definitely being those wings.  Like, why the wings?  It was weird with TJ, but at least there was the armor up gimmick, but with this release, it’s just random wings.  Just one of those weird quirks.  For his Total Justice release, Batman was blue and grey, with yellow accents.  For JLA, it switched two black and grey, with gold accents.  Through all three uses of the mold, the sculpted line for his trunks gets ignored, since DC was still in a “no trunks” mode in the mid-’90s.  Batman was packed with a display stand in black, as well as a backer with JLA #9 on it.  He’s on the cover, so that works alright.

THE FLASH

“A public super hero for almost his entire life. He can reach speeds approaching that of light itself and explode solid objects by vibrating through them.”

Like Kyle as Green Lantern, Wally West as the Flash had gotten his first action figure treatment during Total Justice, and then he got a quick follow-up to that here.  Again, not one that’s incredibly different, but it was at least some coverage.  The figure stands about 4 3/4 inches tall and he has 5 points of articulation.  He re-uses the Total Justice mold, of course, which I looked at when it was Reverse Flash.  As far as the TJ molds go, it’s not too crazy.  The pre-posing is more of a running pose, which works pretty well.  He gets a few additional details that aren’t usually on his comics costume; the flared gloves and all the straps on the boots being the main ones.  It all works pretty well, though.  His paint work is a noted change-up from the TJ figure’s classic red and yellow coloring; instead, he’s a deeper red with gold accenting.  It’s not quite as striking, but at the same time, it really sells him as being Wally’s ’90s incarnation, in contrast to Barry’s usual coloring.  Flash is packed with a red display stand and a backer with JLA #8 on it.  He’s not really the main focus of the cover, but at least he’s on it.

GREEN ARROW

“As the only son of the original Green Lantern, Connor Hawke is a martial arts expert who fires his arrows with almost superhuman accuracy.”

Like Huntress, Connor Hawke’s Green Arrow was a later addition to the JLA line-up.  He was likewise one of the figures in the final assortment of Total Justice, and works as Huntress’s counterpart in this set, since he doesn’t get a Hologram equivalent.  The figure stands 4 1/2 inches tall and he has 5 points of articulation.  I looked at this guy’s sculpt before when I reviewed his Total Justice release.  It’s preposed to the point of essentially being a statue, but it also remains perhaps the best sculpt that either of these lines produced.  For JLA, he got a much improved color scheme for the most part, as well as getting a bunch of details that had been left out of the first release’s paint work.  The only downside is that, matching the shift in the comics, his skin tone is very light, not really matching Connor’s proper ethnicity.  Of course, it’s not really Kenner’s fault; they were just following the unfortunate shift in depiction in the source material.  Green Arrow was packed with his bow and arrow (in brown, in contrast to the original green), a green display stand, and a backer card of JLA #10….which is the issue of “Rock of Ages” that features the Hologram JLA….and not Connor.  He *is* prominently featured on the cover of #8, so, maybe that would have made more sense?

HOLOGRAM SUPERMAN & HOLOGRAM GREEN LANTERN

“Embroiled in their greatest battle ever, the legendary JLA confronts its own holographic counterparts in a fight to save Star City from mass destruction. Identically matched in power and ability to the originals, the evil holograms were engineered by the infamous Injustice Gang – a group of such sinister masterminds as The Joker, Lex Luthor, Circe, Mirror Master, Dr. Light and Ocean Master.”

As noted yesterday, these sets each got two unique Hologram JLA members (and they even did two more in the Collection IV boxed set), mirroring the standard versions in the corresponding set.  This time around, we got Superman and Green Lantern.  Both figures stand just shy of 5 inches tall and they have 5 points of articulation.  I looked at both of the molds for these figures in yesterday’s set, and they kind of are what the are.  The Superman set-up is still a real mix and match and Green Lantern is very, very intense.  Of course, it wouldn’t really make much sense for them to be different, since the match-up is kind of the whole gimmick and all.  They both get funky change-up color schemes, and I honestly think I prefer the looks on these two to the other ones.  In particular, the changed up logo on Superman is a lot of fun, and I just dig the indigo set-up on GL so much.  The figures both come with dark purple display stands and backer cards, with JLA #11 going to Superman and JLA #12 for Green Lantern.  Neither of them actually features in either issue, of course, but both issues *are* at least from the “Rock of Ages” storyline, and their corresponding counterpart is prominently featured on them, so they’re far from the worst choices.

THE ME HALF OF THE EQUATION

I’ve discussed this set a little bit before on the site, back when I looked at the TJ version of Green Arrow, but I’ll go a bit further into detail now, I suppose.  In 1998, when this set came out, I was five years old.  At the time, I would spend a lot of time at my grandparents’ house.  In particular, it was a frequent tradition that my Grandmother would come and pick me up from school on Friday afternoons, and we would go get lunch at the local mall, followed by a little bit of shopping.  My main interest was usually the KB Toys, but right across from it was the comic chain Another Universe, which was usually a good secondary.  Another Universe had both of these sets, and I really, really wanted Green Arrow, whose single carded release was still very hard to find at the time.  My Grandmother could have just asked me to be patient and wait for the single, but instead, she bought me the whole set.  They got a lot of play time when I was a kid, especially that Green Arrow.  I lost a lot of the parts, as well as the two Hologram Leaguers over the years, but I still have very pleasant memories of the whole set and the story behind them.  My Grandmother died at the end of August this year, and now all I have left are those, and other, memories of our time together.  So, when I had the chance to get a replacement of the set, and carry those memories forward, I kind of couldn’t pass it up.

#3466: World’s Greatest DC Comics Super Heroes Collection I

SUPERMAN BLUE, GREEN LANTERN, THE HUNTRESS, HOLOGRAM BATMAN, & HOLOGRAM FLASH

JLA (KENNER)

“The mightiest heroes in the universe join forces to combat the world’s most diabolical villains – and their own evil counterparts!”

In 1996, looking to expand their DC line beyond just Batman, and after the success of the more comics-based Legends of Batman, Kenner launched Total Justice.  Okay, to be more specific, they launched “Batman: Total Justice” because they still weren’t totally sold on non-Batman success.  The line did alright, but only lasted three assortments, two of them abbreviated ones at that.  Two years later, they revisited the concept, in light of the success of the relaunched JLA comic, and dubbed it, rather predictably, JLA.  The whole thing was kicked off by two boxed sets, which repurposed old TJ molds to put the characters back out before delving into new ones.  The sets re-released six JLA members, coupled with four of their holographic duplicates from “Rock of Ages.”  And hey, why don’t I look at the first of those today?

THE FIGURES THEMSELVES

Superman Blue, Green Lantern, Huntress, Hologram Batman, and Hologram Flash were released as “The World’s Greatest DC Comics Super Heroes Collection I” boxed set, which, along with Collection II, kicked off Kenner’s JLA line.  Both sets were Previews-exclusives, though the three JLA members per set were also available in the first single-carded assortment of the line.

SUPERMAN BLUE

“As one half of Clark Kent’s alter ego, Superman Blue is slow to anger, patient, courteous and serious in nature. He shares the powers and strategic thinking of Superman Red, but their different attitudes tend to get in each other’s way.”

While Man of Steel and Total Justice had hit firmly during Superman’s mullet phase, JLA hit right as he was spending a year with a brand-new power set, and a brand-new design to correspond.  So, rather than a classic Superman (who, to be fair, we got later down the line), our main Superman at launch was Superman Blue, who got his first of three figures in short succession right here.  The figure stands 5 inches tall and he has 5 points of articulation.  He is, unsurprisingly, the exact same construction as the Superman Red from the single-card releases, meaning he’s the Total Justice Superman sans cape, with the head of the Man of Steel line’s Hunter Prey Superman.  It’s not a perfect set-up.  In fact, it’s not a great set-up, since he still keeps all of the sculpted details for the standard Superman costume, as well as the totally different head gear set-up of the Hunter Prey design.  They straight up just paint over it all and really hope you don’t notice.  And, honestly, it’s fine.  It’s not great, but it’s fine.  The colors actually look really solid; like Red, Blue is bright and vibrant, and really pops off the shelf.  I can definitely dig that.  Superman Blue gets a blue JLA display stand, and a cardstock cover of JLA #15, which does at the very least actually feature him.

GREEN LANTERN

“One of the youngest members of the JLA team, Kyle Rayner inherited a ring, which is considered to be the most powerful weapon in the universe. The ring is capable of generating solid light in the form of anything Kyle imagines”

Since Kyle Rayner was the Green Lantern of the ’90s, he had gotten his first figure during Total Justice.  JLA gave him a rather quick follow-up second, albeit one that’s not incredibly different from the first.  Whatever the case, the figure stands just under 5 inches tall and he has 5 points of articulation.  Kyle’s sculpt is one that has a lot of trouble standing, due to the severe pre-posing present.  Those legs are just jutting out there.  It’s kinda crazy, really.  The best word I can think of to describe it is “intense.”  Like, he’s very angry, and very into it, and he’s not planning to stop any time soon.  Kyle was generally depicted as rather on the jovial side, but that’s not the case with this guy, who’s got a pretty angry look about him.  Presumably, he just found his girlfriend in the refrigerator.  Shame.  It’s a sculpt that I don’t think anyone can quantify as “good,” but it sure does do…something.  Look, it’s very memorable.  In terms of color scheme, Kyle’s original Total Justice figure was pretty subdued on his colors, with the greens a little on the darker side, the black more of a dark blue, and the white a sort of pearlescent shade.  For JLA, which tended to aim darker, they actually punched it up a bit.  The white and black are much starker, and the green is just a tad lighter.  During Total Justice, GL got some of the line’s crazy Fractal Armor, but in his case it was done up in translucent green plastic, so it looks like a construct, which seems less silly.  For JLA, he got a green stand and a backer with JLA #14 on it.  He’s one of the three Leaguers on the cover, so it works well enough.

HUNTRESS

“In a quest for vengeance against the death of her family, Helena Bertinelli, a Gotham City high school teacher, became The Huntress. With her arsenal of weapons, she preys upon Gotham City criminals.”

Huntress was a later addition to the JLA in the comics, and also had been a late addition to Total Justice, hitting during the ill-distributed final wave of the line.  As such, she’s one of two odd-ball characters included in these sets, without a Hologram duplicate in the alternate.  She’s seen here in her mid-90s attire, which she quite fortunately kept through both Total Justice and JLA’s runs.  I’ll admit, it doesn’t quite hit the same for me as the later Jim Lee redesign, but I guess it’s not a terrible design.  The figure stands a little under 5 inches tall and she has 5 points of articulation…technically.  Of course, the hair costs the neck almost all of its movement, and the hips are at an odd angle.  Like, not quite v-hip, but not straight t-hip.  So, it’s really just the arms that do anything.  That all said, her sculpt’s honestly one of the better ones from the line.  Her pose isn’t anything too crazy, she’s surprisingly stable on her feet, and her face lacks the weird intensity of most of the others.  Her cape is also pretty basic, with enough flow to prevent it from looking too stiff, but not anything that looks *too* crazy.  Huntress’s Total Justice color scheme went for the comic style shading, giving her a purple and blue outfit.  For the JLA release, that was translated to purple and black, which definitely looks a little bit sharper.  Her TJ figure got a crossbow and fractal armor (which are both missing from my figure), while the JLA figure got the crossbow, a purple display stand, and a backer with JLA #13 on it…which is interesting, because, in addition to the cover being just a close-up of Martian Manhunter’s face, Huntress is also just not in the issue.  So, you know, there it is?

HOLOGRAM BATMAN & HOLOGRAM FLASH

“Embroiled in their greatest battle ever, the legendary JLA confronts its own holographic counterparts in a fight to save Star City from mass destruction. Identically matched in power and ability to the originals, the evil holograms were engineered by the infamous Injustice Gang – a group of such sinister masterminds as The Joker, Lex Luthor, Circe, Mirror Master, Dr. Light and Ocean Master.”

Exclusive to these sets were the Hologram JLA, based on the purple-hued JLA avatars that the Injustice Gang used during the first issue of the “Rock of Ages” storyline.  They were a pretty straight forward gimmicky re-paint using the existing TJ molds of the JLA members.  This set got Batman and Flash, whose standards were included in the other set.  Both figures are just shy of 5 inches tall.  Flash has the standard 5 points of articulation, while Batman also gets the sliding glider wings of the TJ mold.  I’ve looked at both of these molds previously here and here.  They’re very much products of their time.  To sell them as the holograms that they are, both figures are molded in translucent plastic, with a big emphasis on purple hues, which honestly is a pretty fun and unique look.  They come with JLA logo stands, both in a dark purple, as well as their own backer cards.  Batman gets #16 and Flash gets #17, neither of which features these two, either on the cover or in their contents.  Also, #16 has Huntress, so, like, maybe that one should have gone to her?  I don’t know, I’m just spit-balling here.

THE ME HALF OF THE EQUATION

I didn’t get this set when it was new.  I had gotten the Total Justice Green Lantern as a Christmas gift from my aunt, and my cousin Rusty had traded me the Huntress for something else, and I didn’t really care for Superman Blue at the time, nor did I have any attachment to the Hologram JLA.  Over the years, I’ve grown to have more appreciation for this line overall, and I really wanted those Holo guys above all, but I haven’t seen the sets in person since.  But, a couple of weeks ago, Cosmic Comix got this one and the second one in, and I was feeling particularly nostalgic.