Tag Archives: 90s

#2910: Ant-Man

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

ANT-MAN

AVENGERS: UNITED THEY STAND (TOY BIZ)

“As the leader of the Avengers, Dr. Hank Pym is Ant-Man! Ant-Man blends brilliant battlefield strategies with a guide-by-example bravery to unite Earth’s mightiest heroes against the forces of evil. The symbol on his chest means Ant-Man will always heed the call, ‘Avengers Assemble!'”

In 1999, after the massive success of their Spider-Man and X-Men animated series (and in light of the at least moderate success of Iron Man, Fantastic Four, and The Incredible Hulk), Marvel tried to bank on a few more cartoons.  From the “big team of colorful heroes” angle, we got Avengers: United They Stand, an ill-fated attempt at getting Earth’s Mightiest Heroes out to a wider audience before the MCU would do so far more successfully.  I’m an unashamed fan of the show, but it didn’t really hit with most people, and has generally been seen as a black mark on the team’s reputation in larger media terms.  Something notable about the show was its shift away from the big names in favor of focusing on the lower tier mainstays of the team.  In accordance with that, for the purposes of the show, the team’s leader wasn’t Captain America or Iron Man, but rather Ant-Man, specifically of the Hank Pym variety.

THE FIGURE ITSELF

Ant-Man was released in the first series of Toy Biz’s tie-in line for Avengers: United They Stand, not that it was anything other than a clerical numbering, since all of the figures from both assortments shipped at the same time.  The figure stands about 5 1/2 inches tall and he has 16 points of articulation.  He’s remarkably posable for this era of figures, which certainly makes him a very playable figure.  Ant-Man had an all-new sculpt, based on his design from the show.  The show gave a good portion of the cast some rather radically different designs, Ant-Man included.  He got a whole armored appearance within the show, removing him quite a bit from his classic attire.  In retrospect, it’s not quite as crazy different, though, since elements of it would make their way into Scott Lang’s early ’00s re-design, and likewise would become part of the character’s MCU design.  He’s actually closer to the MCU Ant-Man than the classic is in many ways, making him a fair bit more recognizable.  I guess that’s an unintended bonus.  The sculpt does a respectable job of capturing the style of the show’s animation and translating into a working figure.  It honestly ends up looking pretty darn good, and may even be the best of the sculpts this line produced.  Heck, it’s just one of Toy Biz’s best 5-inch Marvel sculpts.  He’s even got a fully removable helmet, which was pretty great at the time.  The only slight oddity to the sculpt is his “action feature”; in order to simulate his ability to grow into Giant-Man in the show, they gave him extending limbs.  It’s not the worst concept in theory, but it doesn’t really give the intended effect; he just looks like he’s really stretchy.  Fortunately, it doesn’t at all impede the figure’s function at normal scale.  His paint work’s not bad for the era.  It’s a lot of base work, and it’s pretty cleanly applied.  There’s a little bit of wear on the hair on mine, but it’s otherwise held up pretty well in the two decades I’ve owned it, so I’ll consider that a win.  Ant-Man was packed with his removable helmet, a miniature version of himself, and the mini-ship he would ride around in on the show.  The ship could be placed on his back, like on the show, and could be fully deployed by using the magnet on his forearm to unlock it.  I’ve lost half of mini Ant-Man, because he was literally an inch tall and I was 7, as well as the hatch for the vehicle, because, again, 7, so, you know, that’s how it works.

THE ME HALF OF THE EQUATION

I absolutely love this figure.  He’s probably my favorite figure from this line.  He just really works.  Despite that, he’s one of the very last figures I actually got from the line.  The line was rather scarce at launch, so finding multiples of figures wasn’t super likely.  Because of this, my dad and I wound up sharing most of the line, at least at first.  He wound up getting the first Ant-Man.  However, as the line began to become more plentiful, I started getting more of them, and Ant-Man was one of the last three I had left to get.  I mentioned this to my Grandmother, and she asked for a list of the three I was missing.  The next week, when I went over to their house, she pulled this guy out for me, having bought him in the mean time, and he very quickly became one of my favorites.  He holds up remarkably well, and I still really like him.

#2876: Jedi Spirits

Posted by Ethan Wilson in Reviews and tagged with , , , , , , , ,

ANAKIN, YODA, & OBI-WAN

STAR WARS: POWER OF THE FORCE II (KENNER)

“Obi-Wan Kenobi, Anakin Skywalker, and Yoda — three individuals with lives intricately intertwined. Before Obi-Wan Kenobi was forced into a life of hiding, before Anakin Skywalker gave in to the dark side and became Darth Vader, even before Yoda was known as the last Jedi Master, a young Anakin was presented to the Jedi Council for permission to train the boy in the ways of the Force. Many years later, the Galactic Republic crumbled and the evil Empire rose in its place. Only after the defeat of the Empire, at the hands of Anakin’s son Luke Skywalker, would the three great Jedi be reunited after death as spiritual guides for Luke and the New Republic.”

First hinted at during A New Hope’s climactic battle, when Luke hears the voice of the recently killed Obi-Wan during his run on the Death Star, the force ghost concept fully appears during Empire, when Obi-Wan fully manifests in spirit form.  He shows up again during Return of the Jedi, and is ultimately joined by both Yoda and Anakin in the film’s final moments.  They don’t really do much other than stand there, but it’s a distinctive visual, and one that stuck with fans.  So, toys, of course.  The first one we got was an Anakin, during the original Power of the Force run, though it was handled slightly differently than now.  A more conventional take on the concept in toy form hit the ’90s line as a mail-away figure, the Spirit of Obi-Wan.  Not content to let Obi-Wan have all the fun, Kenner put him out again, this time alongside the other two, as one of their Cinema Scenes, which I’ll be taking a look at today.

THE FIGURES THEMSELVES

The Jedi Spirits set was part of the 1998 Cinema Scenes line-up for Power of the Force II.  They were one of two Jedi sets released that year, as the line began to be more focused on the final film.  They included a stand, based on the edge of one of the Ewok structures from Endor, where they are seen in the film.  Interestingly, they were all three screwed into the base in addition to the usual foot pegs.  Not entirely sure why that was the case; maybe there was some concern about potentially damaging them by twisty tying them in like the others?

ANAKIN

He’s been subsequently replaced by Hayden Christian in more recent editions of the film, but the original version of Jedi gave us a look at an Anakin from a potential version of events where he never fell to the dark side to become Darth Vader.  It’s honestly sort of sensible, since it also means he would, you know, look vaguely like the guy whose face Luke actually saw earlier that day, so he might be able to know it was his father, and all.  But that’s probably all very silly, I suppose.  The elder Anakin got a sort of force ghost-y figure in the vintage line, designed to sort of be the best of both worlds.  Power of the Force II split it into two figures, with this being the more overt ghost one.  The figure stands 3 3/4 inches all and he has three points of articulation…technically.  The neck definitely moves…a little.  The arms also move, but as you can see from the photo, they tend to just fall out of the socket more often than not.  Not sure why, but that’s how it is.  He was an all new sculpt, based on Sebastian Shaw’s brief appearance as Anakin from the movie.  It’s distinctly different from Obi-Wan, so that’s certainly a nice touch.  There’s some nice texture work going on as well.  While the mail-away Obi-Wan was just translucent blue with no paint, they mixed things up a little bit for this set, adding some dry brushed white, to give him a little more depth.

YODA

Yoda was totally without any force ghost figures at this point, so him finally getting one was certainly an accomplishment.  While there were a few Yoda molds to chose from, this one was a new one entirely.  He stands about 2 1/4 inches tall.  You can sort of get some motion at the neck and shoulders, but nothing much, and it feels like it doesn’t want to really move.  Beyond that, it’s a nice enough sculpt.  It’s good for just standing there, which is all he really needs to do.  It’s more accurate than other molds from the same line, and the stance in particular is a little closer to the actual puppet, since he doesn’t have to contend with needing to move.  Also, the arms stay on him, so that’s a plus over Anakin.  Good for him.  His paint works pretty much the same way, although it’s not quite as intense in its application.

OBI-WAN

Obi-Wan is, of course, the figure in this set that was the least new, especially at the time of his release, with the prior version having hit just the previous year at the time.  That being said, Kenner did at least make him a little different, even if it was just for the sake of being different.  The figure is 3 3/4 inches tall.  He’s sort of got the same articulation as Yoda, where it’s *technically* there, but very limited and not really ideal for any proper use.  His sculpt is largely the same as the mail-away version, but he changes out the right arm for one with a different pose.  So there’s that, I guess.  It’s not a bad sculpt, so I can get behind it, especially without the one arm just kind of sticking out like on the prior version.  His paint matches the other two in the set, which looks a fair bit better than the unpainted version.

THE ME HALF OF THE EQUATION

I had none of the Cinema Scenes sets as a kid, so obviously that’s not where this one came from.  It is, however, one of the earlier ones I picked up once I actually started doing such things.  I snagged this one when it was traded into All Time, almost exactly two years ago, at this point.  I know, I’ve got quite a PotF2 backlog, don’t I?  It’s not a terribly playable set, but at the same time, it really seems to get the feel of Cinema Scenes down the best, because it’s a distinct visual, and these figures are always gonna be a tough sell by themselves.

#2875: Synch

Posted by Ethan Wilson in Reviews and tagged with , , , , , , ,

SYNCH

GENERATION X (TOY BIZ)

One of the primary appeals of ToyFare‘s exclusive mail away offers, for the 5-inch Marvel stuff, at least, was the ability to fill in some teams and line-ups that were just missing one stray character here or there, or at least give them at least a touch more depth to their numbers.  There were a lot of short-lived lines from Toy Biz in the ’90s, so they had plenty of loose ends to worry about.  Case in point: Generation X.  The X-spin-off team had their own line, which ran two series, and left the central team without a number of its core members.  While it was still rather lacking at the end of the day, they did get at least one extra core member via the mail-away set-up, and gave current main X-Men team member Everett Thomas, aka Synch, his very first (and to date, only) figure in the process.

THE FIGURE ITSELF

Synch was offered up in ToyFare Magazine #9, first becoming available for order in May of 1998, and shipping out later that year.  After nine Marvel exclusives, they had a Witchblade figure for issue #8, and then came back to Marvel with this guy.  He was then the last Marvel exclusive for six months, when Havok picked up the baton.  The figure stands about 5 inches tall and he has 7 points of articulation.  The Generation X figures were at a weird spot for Toy Biz, articulation wise, as they decided to eliminate the elbow and knee joints on all of the figures for some reason.  Synch did at least get extra shoulder movement, by virtue of making use of Banshee’s body from the main line.  Toy Biz apparently felt Banshee always needed the extra movement, and Synch got that on a technicality.  Or, perhaps he just copied it from Banshee using his powers.  That’s a pretty solid explanation, right?  In addition to using all of Banshee’s parts below the neck, Synch also got the head from the Space Riders version of Professor X.  It’s not quite the face I envision Synch having, but it was a bald head that actually had ears, which made it a better fit than the Silver Surfer head, I suppose.  It’s honestly not the worst choice.  The rest of the work is handled with the paint.  It does an okay job for the most part, but for some reason the belt buckle is way larger than the actual sculpted piece, which makes it look really strange.  That said, they did actually try on this one, and he even got some extra accenting on the yellow parts of his costume.  It’s a bit heavy handed in some spots, but the effort’s at least nice.

THE ME HALF OF THE EQUATION

I actually kinda liked Generation X back in the day, and I really liked my figures of Jubilee, Chamber, and Skin from the toyline.  I didn’t have a Synch growing up, though, mostly because he just wasn’t a figure I ever saw turn up anywhere.  I know he’s not generally regarded as being a very good one, but I’ve never much looked into that.  Whatever the case, my first real chance to get one came quite recently, when he got traded into All Time, which made him an easy pick-up for me.  He’s not a bad figure.  Maybe not great, but he gets the job done.  It’s a shame that they didn’t ever get M or Husk out, leaving the team incomplete, even with this guy included.  Of course, with him just being added to the main X-team, maybe this won’t be the only Synch figure for too much longer.  Fingers crossed.

#2869: Final Jedi Duel

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LUKE SKYWALKER, DARTH VADER, & EMPEROR PALPATINE

STAR WARS: POWER OF THE FORCE (KENNER)

“Under the evil gaze of Emperor Palpatine, the lightsabers of two Jedi Knights – a father and son – clash furiously in a final duel between the light side and dark side of the Force. Slowly, the young Skywalker is lured closer to the rage of the dark side, and Palpatine sits confident of the Rebellion’s defeat and the acquisition of a new emissary to fulfill his evil legacy! But the young Jedi’s resistance appears to be growing…”

Though its later years saw Cinema Scenes switch more to getting out never before released characters and obscurities out in a quick shot, Kenner launched it with a focus on actually recreating distinctive scenes directly from the film.  It doesn’t get much more distinctive than Luke and Vader’s duel on the second Death Star during the climax of Return of the Jedi, so it’s not a terrible surprise that this scene was one of the ones more specifically recreated.  In fact, they technically recreated it twice, if you count the Power F/X figures.  But this was the only time they did it in Cinema Scenes.

THE FIGURES THEMSELVES

The Final Jedi Duel was added to the Cinema Scenes sub-line of Kenner’s Power of the Force in 1997.  It was the only Jedi-based set from the first year, though many would certainly follow.  The set included a stand, like all of the Cinema Scenes, but this time it was a far more integral piece, since the Emperor’s chair is permanently affixed to the stand.

LUKE SKYWALKER

Jedi Luke was no stranger to this line, although at this point, he’d only had one version, and it was iffy on screen accuracy, since it amalgamated a few looks.  This one was unique in Power of the Force in that it was actually a Death Star II version of Luke, specifically sans the vest.  In fact, it was the first ever non-Endor Luke to not sport the vest, so that’s pretty cool.  The figure stands about 3 1/2 inches tall and he has 6 points of articulation.  While the core line was moving from pre-posing at this point, they had really translated it into the Cinema Scenes figures, which remained quite pre-posed in their first year.  Luke is one of the most impacted by this, with a deep lunging saber dueling pose.  It looks impressive when the whole set-up’s there, but on his own, it can be a bit limiting.  Notably, it makes him really hard to keep standing, which I’m not big on.  That said, the actual sculpt isn’t a terrible one.  Notably, it introduced a new head, more specifically tailored to Jedi than the one on the prior Jedi Luke.  It’s honestly not a bad likeness, especially for the time.  The paint work on this figure is pretty basic, but in keeping with the line.  He does get shiny boots, so that’s fun.  He’s packed with his lightsaber, which he has a little trouble holding.

DARTH VADER

Vader was also no stranger to the line.  This marked the third version of him for the line, each one being slightly more pre-posed than the last.  It was another amalgamated design, keeping with the other two.  The figure stands just over 3 3/4 inches tall and he has 6 points of articulation.  This Vader sculpt actually got re-used a few tomes, mainly for the wonky colored repaints that Hasbro liked trotting out for anniversaries and special occasions.  Like Luke, he’s rather pre-posed, though this one’s a little more stable, and he can actually stand on his own.  Generally, he looks a lot like the prior two, but the one notable improvement here was the inclusion of his skirt beneath his cape.  That marked a first for a Vader figure, so it’s kind of a big deal.  His cape has been re-worked here so that it’s not actually removable.  It’s connection is kind of weird, but otherwise I guess it’s not bad.  The paint on Vader pretty much matches the other versions from the line.  It’s not like he really had any major change ups in the films, so if it ain’t broke, don’t fix it.  Vader is packed with his lightsaber, which he holds a lot better than Luke.

EMPEROR PALPATINE

Ah, Palpatine.  Always the most thrilling action figure subject.  He’s so exciting, right?  What’s this one’s gimmick?  He sits.  That’s it.  That’s the whole thing.  Literally, he takes the overall vibe of all of the other Power of the Force Palpatines, folds him in the middle, and makes him sit in his sit-and-spin chair.  Technically he’s got articulation, and technically you can take him out of the chair, but really, what’s the point?  It’s not like you’re going to do anything else with him.  He’s made for sitting.  I suppose that’s more to the point for the character than other figures, so kudos to Kenner for that.  He’s also got the chair, which does look pretty cool.  Too bad you can’t take it off the base, but it’s still nice.

THE ME HALF OF THE EQUATION

The Final Jedi Duel is a rather recent addition to my collection.  It got traded into All Time a couple of months ago, sealed.  They’d come through loose a few times, but without the base, at which point Palpatine is actually pointless, so why bother?  So, when it was a sealed one, that was a pretty easy sale for me.  It’s not a terrible set.  It doesn’t have the broader appeal of other Cinema Scenes, since none of them really work outside of the setting.  On the other hand, it makes it one of the truest sets to the actual concept, so I guess there’s that.

#2868: Multiple Man

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

MULTIPLE MAN

X-MEN (TOY BIZ)

The ‘90s X-spin-off teams that weren’t X-Force all had to sort of find their footing within the already established lines that Toy Biz was putting out, which meant that some of them were fewer and further between.  The line up to Peter David’s X-Factor run was definitely a slow build, as they sort of trickled out of the main X-Men line.  The likes of Strong Guy, Havok, and Polaris all found spots, but Jaime Maddrox was, I guess, a step too far for the main line at the time.  Good thing we had the exclusives game to rely on, huh?

THE FIGURE ITSELF

Multiple Man was the mail away offer in ToyFare Magazine #4, offered up in December of 1997, and shipping out in early 1998.  Though ostensibly part of the X-Men line still running from Toy Biz at the time, his box had no such branding, or any branding at all.  It was just an all-white shipper, with him bagged up inside.  They hadn’t gotten very fancy yet at this point.  The figure stands 5 inches tall and he has 11 points of articulation.  He got extra joints at the ankles!  Good for him, I suppose.  Multiple Man was built on the body of Octo-Spider-Man, which was one of Toy Biz’s favorites to repaint.  It’s a pretty decent slender build body, and it fits usual depictions of the character, so it works well for him.  His head is re-used from Silver Surfer, and, apart from being perhaps a little devoid of character, it works perfectly alright for his full cowled look.  It does have a slightly weird fit on the body, but generally it works okay.  The rest of the magic is done with paint.  Much like the Polaris figure, Multiple Man’s paint work gives him a weird amalgam of his various costume designs over the years.  It was blue and yellow to match the rest of X-Factor, and it also had the x-symbol on the head, but the overall detailing on the main suit more matches up with his original costume design.  Ultimately, this is a case where I think the amalgamated approach may really work better, since it just feels like a classic Multiple Man.  It’s sort of a greatest hits set-up.  He’s unfortunately missing out on his usual overcoat of the era; surely a cloth one wouldn’t have messed up their margins too badly?

THE ME HALF OF THE EQUATION

I was exactly a year behind on getting a Multiple Man new, so I had to wait a few years.  He still wound up as one of my earlier additions when I started actually get them.  I remember seeing him in the same glass case that held the Wonder Man I was always looking at, but my first one actually came out of a $5 bin of loose figures, which was a real steal at the time.  I also picked up a second one, quite recently, when it got traded into All Time, because it really never hurts to have more Multiple Men.  He’s a simple figure, but I really liked him when I got him, and he’s a surprisingly effective figure.

#2862: Jabba’s Dancers

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

RYSTALL, GREEATA, & LYN ME

STAR WARS: POWER OF THE FORCE II (KENNER)

“Deep within the dimly lit halls of Jabba the Hutt’s palace on Tatooine, the musical combo, the Max Rebo Band, entertains some of the galaxy’s most notorious smugglers, mercenaries, and bounty hunters. Besides offering great music, the multispecies band has three of the galaxy’s best back-up singers and dancers. Greeata, a Rodian who is also a capable kloo horn player, joined the band at the same time as its lead singer, Sy Snootles. Rystáll, an exotic near-human raised by a pair of Ortolan musicians, was a slave under the crime lord Xizor until Lando Calrissian won her by defeating the lord in a sabacc tournament. Lando freed her and Rystáll’s travels eventually brought her to Tatooine. The third singer is a Twi’lek named Lyn Me, recognized by her people as the greatest dancer out of all the Twi’lek clans. Together the trio of singers/dancers helped the band secure a lucrative, extended contract playing in Jabba’s court until a visit from the Jedi Luke Skywalker cause the Hutt’s criminal empire to come crashing down.”

As I discussed last week, in its second year, the “Cinema Scenes” Power of the Force II sub-line shifted from purely scene-accurate recreations to a way to get out three figures that otherwise might not see release.  In light of the release of the Original Trilogy’s special editions in theaters, Kenner added a handful of the newly added characters to the line.  Included in that second year were Rystall, Greeata, and Lyn Me, three dancers from the extended musical number in Jabba’s Palace from Return of the Jedi‘s special edition release.

THE FIGURES THEMSELVES

“Jabba’s Dancers” was one of the Cinema Scenes sets added to Power of the Force in 1998.  It was one of two Jedi-themed sets from that year, and the only explicitly special edition-based set in the line.  Like the rest of the line, this set featured a display base for the three figures, though for some reason, this one places all three of them at the far end, which makes them look quite off balance.

RYSTALL

Rystáll Sant, as is her full name, is a human-Theelin hybrid.  What’s a Theelin?  Apparently a race that got a fair bit of use in animation, it would seem.  How about that?  Anyway, Rystáll stands 3 3/4 inches tall and she has 6 points of articulation.  Her sculpt is more on the pre-posed side, since she’s in the midst of a dance, though it’s admittedly a more reserved sort of a dance.  Mostly, it’s just the shoulders that really have that sort of strut to them.  It’s not ideal for a lot of variety in actual posing, but it looks decent enough when compared to the shot of her from the film.  In general, it’s a pretty nice sculpt.  It’s fairly basic, but all of the important details are present.  She also stands alright on her own, which is always a plus.  Her paint work is also rather basic.  There’s some slight shifting of colors from piece to piece, which is a little distracting, but otherwise, things work.

GREEATA

Greeata Jendowanian is a female Rodian (aka the race of Greedos), who’s fairly distinctive, so that’s going for her.  Yay, more Rodians.  The figure is the same height as Rystáll, and keeps effectively the same articulation scheme.  Her legs are a touch more restricted, thanks to that skirt piece, but overall, you get okay poses out of her.  She’s also posed mid-dance, and it’s again very much carried in the shoulders.  In her case, the posing winds up making her a little more off-balance, so she tends to topple quite a bit.  But, if you can keep her standing, she does look pretty nice.  The detail work on the texturing of the skin in particular is quite impressive.  Greeta’s paint work is slightly more involved, but generally works out a little better than Rystáll’s.  There are no drastic shifts in color between pieces, and there are a few spots of accenting that work quite nicely.

LYN ME

Not to be confused with Oola, Lyn Me is the *other* Twi’lek dancer from Jabba’s palace.  See, she’s not green, she’s white.  But, you know, actually white.  Chalky white.  Alabaster.  Real pale.  That’s her.  Apparently, she’s an even better dancer than Oola?  That feels a bit ret-con-y to me, but that’s kind of Lyn Me in a nutshell.  Lyn Me is yet another unique sculpt.  Like the others, she’s also in a dance pose, though hers is a little more intense than the other two.  Not incredibly so, but she’s still a little more pre-posed.  It works out okay, though, and I think makes her look a bit more interesting on her own than the other two.  Generally, it’s a pretty nice sculpt, and probably the best of the three included here.  Her paintwork is decent enough, though some of her black wrappings are a little messy on the application front.  Overall, though, not a terrible piece of work.

THE ME HALF OF THE EQUATION

I picked this pack up from All Time at the same time as the Cantina Aliens set last summer.  I wasn’t quite as immediately familiar with this set, at least as a kid.  I became aware of it later, but I don’t really remember seeing like I did the others.  Whatever the case, I picked it up mostly for completion’s sake, but I do ultimately like the three of them a fair bit, even if they are Special Edition characters.  They add some nice variety to the Jabba’s palace display, and there really are worse things.

#2861: Morph – Age of Apocalypse

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

MORPH — AGE OF APOCALYPSE

X-MEN (TOY BIZ)

Toy Biz’s tie-in to the big X-books crossover “Age of Apocalypse” in 1996 was a pretty quick, almost slapdash sort of a thing.  A single assortment, one and done, with no real follow-up.  They covered some of the heaviest hitters from the set, but with a story so widespread, there were certainly some gaps.  Toy Biz wound up filling in the line-up a little bit in the ensuing years via a handful of one-off and oddball releases, including a mail away offer to get our boy Morph out to people.  I mean, really, how can you not have Morph, right?  It would just be wrong.

THE FIGURE ITSELF

Morph was offered up as an exclusive through ToyFare Magazine #22, first made available to order in June of 1999, and shipping out later that year.  He was the fifth post-line addition to the AoA line-up, following Gambit, Rogue, Nemesis, Blink, and X-Man.  He wound up being the last addition, actually, which seems both fitting and also downright unreasonable.  I mean, sure, he’s a great character to end the line-up on, but also how could you wait so long to do him?  How could you do that, now defunct toy company?  I demand answers!  Okay, maybe not so much.  The figure stands about 5 1/4 inches tall and he has 10 points of articulation.  As with all of these mail aways, he was constructed from as few new parts as possible, which was effectively none.  He uses the body of the AoA Magneto, with the modified torso piece from the Battle Brigade release, which adds in the neck articulation.  In place of either of the Magneto heads, Morph instead gets the standard head from the Spider-Man line’s Chameleon.  It’s all topped off with a cloth cape, which is affixed to the back of the torso, which is also really prone to fraying at the edges.  In general, it’s a selection of parts that gets a lot of the specifics of his design down, but misses the broader design elements of the character.  Like, the head is bald, lacks a nose and ears, and has wider eyes, which is all accurate, but he’s also really angry and mean looking, and very square jawed, which isn’t so much.  Likewise, the body gets some of the costume details down, but then it’s also way too bulked up for him.  Given that he’s a shape shifter, you can make it work, but he does feel a little bit like he’s missing the forest for the trees.  Generally speaking, the paint’s not too bad for a Toy Biz release of the era.  All of the important details are there, and he matches Morph’s design from the books.  He’s perhaps a touch too bright, but I don’t mind that so much.  Some of the application is a little sloppy, but not terribly so.  That said, I did have a weird issue with the one in all the pictures here, which is that the cape sat up against his boot in the package, and now he’s got a weird pattern on that boot.  Morph included no accessories, but honestly, what is there to give him?

THE ME HALF OF THE EQUATION

This figure is the reason I know that AoA Morph exists.  Well, not specifically this figure; this figure is a replacement I picked up last year, when a sealed one got traded into All Time.  My original’s not quite as photogenic these days (like I said, that cape likes to fray), but he was given to me by a family friend, who had ordered him specifically for me back in the day.  It was how I found out about the character, and a few years later, it was why I picked up the first trade of Exiles, because he was on the cover.  Subsequently, I’ve become quite a fan of the character.  This figure may not be the best version, but it was better than nothing, and I certainly have a soft spot for him.

 

#2854: Bullseye

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

BULLSEYE

MARVEL UNIVERSE (TOY BIZ)

He’s maybe not Daredevil’s most prominent villain, but Bullseye’s probably his most *consistent* villain.  While DD’s other foes either didn’t start as his, or got passed off to other heroes, Bullseye actually debuted in DD’s book, and stayed with him most of his career.  How kind of him.  Of course, with Daredevil not tending to get his own dedicated toylines, that does mean that there are less reasons for him to get toy treatment.  That being the case, his first figure wasn’t a mainstream release at all, but rather an exclusive.

THE FIGURE ITSELF

Bullseye was the mail-away exclusive offer in ToyFare #1, made available to order in September of 1997, and shipping out early the next year.  Bullseye’s costume really hadn’t changed much at this point in his career, apart from some minor adjustments here and there.  This one went for the most adjusted possible appearance, in order to keep him more current.  The figure stands a little over 5 inches tall and he has 9 points of articulation.  Structurally, Bullseye was built mostly out of parts from Punisher, with the head of Scorpion, both from the Spider-Man line.  Since they’re the same line and roughly the same time, the parts mesh together pretty decently.  The head maybe looks a bit too small, and it’s sort of tilted downward, but it generally works, and the parts do match up alright with Bullseye’s usual depictions.  The paint work on Bullseye is alright.  It gets the important details and he looks the part, but the application could certainly stand to be a little cleaner.  The stripes on the boots and gloves are a little uneven, and the paint on the face doesn’t quite seem like it knows exactly where it wants to go.  Overall, though, he’s about par for the course on these.  Accessories were a rarity on these figures, but Bullseye does actually get one; he’s got the same small knife that was included with Punisher, presumably so as to not leave him forever with an empty sheath on his leg.

THE ME HALF OF THE EQUATION

Bullseye is one of the most recent ToyFare exclusives that I acquired.  I picked him up in late 2019, as part of a collection of otherwise ’90s DC stuff that came into All Time.  I wasn’t really expecting him to be there, you know, being Marvel and all, but he was, which saved me the trouble of tracking one down.  He’s not much to write home about, I suppose, but he does an alright job of capturing the character, and he’s a good choice for re-use, because he really doesn’t suffer much from the lack of new parts.  Ultimately, a decent addition.

#2848: Wedge Anitlles

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

WEDGE ANTILLES

STAR WARS: POWER OF THE FORCE II (KENNER)

Poor Wedge, he gets no respect.  Despite being in all three original trilogy films, and being the only person to survive both Death Star runs, he was completely absent from Kenner’s vintage toyline.  When he did finally get his due as a toy, it furthered the whole “no respect” thing just a bit more.  Packed with a Millennium Falcon-shaped carrying case (because, he’s just clearly the most logical choice for such a thing), initial shipments of the very first Wedge Antilles figure were actually produced with an incorrect color scheme.  While I’ve looked at the corrected Wedge figure, I’ve yet to look at the original release.  I’ll amend that today.

THE FIGURE ITSELF

Wedge was released as the pack-in figure with the Millennium Falcon carrying case, which was added to the Power of the Force line in 1997.  This figure was only available in initial shipments, before being replaced by the corrected version shortly after.  The figure stands about 3 3/4 inches tall and he has 6 points of articulation.  Like the corrected version, this figure was built using the same body as the Luke Skywalker in X-Wing Pilot Gear, which is a bit of a misnomer, since it’s actually Snowspeeder Pilot gear.  Again, like that figure, he also gets a different head from Luke.  It still doesn’t look much like Dennis Lawson, but it does at least look distinctly different from Luke, so at least it’s clear it’s a different guy.  The only difference between this figure and the corrected version from later is the paint work, specifically on the helmet and the arms.  The helmet, rather than showcasing Wedge’s correct paint scheme, actually has somewhat of a merging of Wedge and Luke’s helmet designs, leaning a little more heavily into the Luke side.  It’s not a bad design, honestly, but it’s inaccurate.  The arms feature extra white detailing on the raised ribbing on the sleeves.  Again inaccurate, but it’s at least a cool extra detail.  Like the regular release, Wedge was packed with a small blaster pistol.

THE ME HALF OF THE EQUATION

After I got the regular version of this guy, this one was certainly on my list, but mostly just for the novelty.  I didn’t really put much effort into tracking him down, or anything, but I was keeping a look out for him while working at the store.  As luck would have it, he came through in a big collection of loose figures I got to process last spring.  He’s a weird oddity to be sure, and makes you wonder about the process that led to these errors making it to production.  Still, he’s a pretty fun novelty to have in my collection.

#2813: Emperor’s Royal Guard

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

EMPEROR’S ROYAL GUARD

STAR WARS: POWER OF THE FORCE II (KENNER)

NOTE: This review was written before June 6th.

“Only the most promising soldiers are chosen to serve as Emperor Palpatine’s personal guards. Experts in many forms of combat, both armed and unarmed, they are conditioned to automatically react to the Emperor’s will.”

Introduced in Return of the Jedi, the Emperor’s Royal Guards don’t really do much of anything on the screen.  The just stand there.  They look cool and all while doing it, but still, it’s just standing.  Then they reappeared in Revenge of the Sith, and did some more standing.  Also got force thrown around by Yoda a bit, which is something, I suppose.  But mostly still with the standing.  The toys, at least early ones, kind of go along with this, being built mostly for said standing.  Behold, a figure that stands!

THE FIGURE ITSELF

The Emperor’s Royal Guard was added to Kenner’s Power of the Force line in 1997.  This marked the second figure of the design, following up on the vintage release from 1983.  The figure stands just shy of 4 inches tall and has a whopping two points of articulation.  Okay, technically three, I suppose, because the neck is sort of jointed.  Doesn’t really move, but they tried.  The Royal Guard was the type of figure referred to as a “salt shaker” by the fanbase, due to his skirted design meaning that his torso was all one immobile piece, much like a common table salt shaker.  While the original figure had placed a whole body beneath the figure’s cloth cape, the cloth pieces weren’t really a thing at this point in the line, and so Kenner just made the underlying body one solid block.  The red cloak is still a separate piece, so you can lift it up and see that they’re nothing impressive beneath it, if you so choose, but it hardly seems worth it.  At the very least, the helmet’s pretty cool.  It’s nice and sharply defined, and just looks pretty clean.  The arms, on the other hand, look kind of chunky for some reason.  Odd choice there.  The paint is virtually non-existent on this figure, apart from the black on his visor.  That was it, with nothing more.  I mean, I guess it works, but it’s not terribly exciting.  The Guard is packed with his little poking stick, and, if you were lucky, a Freeze Frame slide.  I was not lucky.

THE ME HALF OF THE EQUATION

Seeing as they only really stand there, I never had much attachment to the Royal Guards.  They look cool, but that’s it.  And, when it came to this figure, that really was it.  There’s virtually no play value at all here.  He stands real good, because, well, there’s not actual legs, so it would be hard for him to fall over, now wouldn’t it.  This figure wound up coming to me through a trade I did with Max a couple of years ago.  Mostly I got it because I’m getting all of the Power of the Force figures, and I kind have to get this one, now don’t I?  Honestly the sturdiness is nice from a display standpoint.  If you just want an army of them to stand behind Palpatine at attention, as in the movie, this is honestly your best bet.  So, maybe he’s not without value.  But he’s still not a great toy on his own.