Flashback Friday Figure Addendum #0060: Thor

THOR

MARVEL SUPER HEROES (TOY BIZ)

When does a Flashback Friday Figure Addendum come a day late?  When it’s actually a Thor’s day!  …Get it?  Because, you know, it’s, Thor.  And Thursday’s his day?  Yep, I’ll just show myself out, then.  Actually, no I won’t, because it’s my site, so I kinda need to be here.  You guys are free to leave any time though, so, you know, just putting that out there.  Let’s look at Thor again!

“Thor, the legendary Norse God of Thunder, is the most powerful Marvel Super Hero. With his amazing hammer, Mjolnir, Thor can fly, smash through any obstacle and create and control the mightiest storms – even tornadoes and hurricanes. Though Thor’s home is Asgard, where all the Norse gods live, Thor spends most of his time on Earth with his friends Iron Man and Captain America helping them fight the forces of evil and injustice that threaten the world.”

Happy Thorsday everyone! …She already did this bit earlier, didn’t she? *sigh* This is what I get for letting other people write for the site. Well, there goes my intro. Anyway, I’m also looking at a Thor figure today, but I’m looking at the original, Odinson variety of Thor. This one hails from the ‘90s, which was actually a pretty barren time for Thor figures, believe it or not. There were only three figures of him in the space of the decade, and today I look at the first of those three.

THE FIGURE ITSELF

Thor was released in the second series of Toy Biz’s Marvel Super Heroes line, alongside fellow Avenger and previous subject of review Iron Man. The figure stands about 5 inches tall and has 7 points of articulation. He’s ostensibly based on Thor’s classic design, though he’s a bit removed from how he usually looks. See how he doesn’t have a cape? There’s no missing piece there; he just never had a cape. They left it out, for whatever reason. Your guess is as good as mine. Maybe they were actually basing him on Thor from Adventures in Babysitting? I mean, he doesn’t look *unlike* Vincent D’Onofrio. Maybe I’m onto something here. Thor’s sculpt was unique to him, and follows the style seen with the likes of Cap, Iron Man, and Silver Surfer. There’s a definite Super Powers sort of aesthetic, albeit a slightly dumbed down version. It’s not quite as strong a sculpt as Series 1’s Captain America (which is probably my favorite in the line), but it’s certainly an improvement over the really goofy Iron Man sculpt. Still, he’s kind of oddly proportioned, and the hair just sort of looks weird suddenly stopping the way it does. Thor’s paintwork follows the sculpt in its strange lack of cohesion to his usual design. Instead of the usual black for the tunic, this guy’s got the same blue used on his pants. It makes for a slightly less bold look, and means he looks a little blander than usual. It probably that doesn’t help that the little chest circles are light blue instead of silver, and the helmet is just a straight white. The paint definitely seams a bit lax on this guy. Thor was originally packed with his hammer Mjolnir, which mine is missing. He also has a hammer swinging action feature built into his right arm.

THE ME HALF OF THE EQUATION

Marvel Super Heroes Series 2 was pretty much entirely gone from retail when I started collecting, so I went quite a while without a Thor (all I had was the rather lackluster Marvel Masterpiece boxed set version). I ended up getting this guy over the summer, via Yesterday’s Fun. He’s okay, I guess. Not anything amazing, but he fits well enough with the rest of the set of Marvel Super Heroes Avengers.

This review originally ran second on the day it was published, following a guest review by my late wife Jess, who had reviewed the Marvel Legends Jane Foster Thor, and had, appropriately, stolen my thunder on the opening joke.  We’d actually deliberately planned it out that way, because we liked being silly in the public view.  That was quite a bit of fun.

I think my actual review on this guy was generally solid.  He’s got some issues that hold him back from being great, but in the larger context of Marvel Super Heroes, he works well enough.  What I was missing at the time were his accessories.  I called out the missing hammer, but neglected to mention that he also included a lightning bolt piece.  I have subsequently located replacements for mine, and along the way also determined that there were actually two lengths of hammer for this figure, one long, and one short.  There also exist two different molds of this release, one with a button for his hammer throwing feature, and one without.  Now I have both.  Hurrah.

#3988: Kane

KANE

X-FORCE (TOY BIZ)

“Evil Mutants watch out! The long arm of justice now has a name: Kane, the mutant with the “rocket-powered” hand! Few people know his past, and those that do keep quiet about it-if they know what’s good for them! Kane’s an expert tracker, and can master even the most complex weapons system in minutes. But his flying hand with its vise-like grip is his favorite weapon-and the one his enemies fear the most.”

Hey, here we are, back with more X-Force!  It’s a thing that I am most certainly an expert on, just through and through, because I know so very much about all the X-Force stuff.  Take for instance, Kane.  He’s…a guy named “Kane.”  Umm….evil mutants watch out?  Long arm of justice?  Expert tracker?  Kane?

Okay, joking aside, I know a little bit about Kane, who was introduced early in the X-Force run as a guy from Cable’s past back before they’d really nailed down what exactly that past might be.  He’s a member of Cable’s first team, “Six Pack” (yes, really), and he, like all the good mystery men from X-Men characters’ pasts is a cyborg.  He didn’t really take off the same way as others from the early days, but he got two figures before he faded into relative obscurity.  Here’s the first of those!

THE FIGURE ITSELF

Kane was released in Series 1 of Toy Biz’s X-Force line that they spun out of their X-Men line.  He was subject to no fewer than four paint variations, concerning the color of his hair and the strap on his leg, and exactly how they were combined, but the sculpt remained the same all the way through.  The version seen here is the most common of the four, by virtue of being released on two separate card backs.  The figure stands a little under 5 inches tall (the early X-Force offerings ran a little bit small) and he has 8 points of articulation.  One of those joints is wrist movement on his left arm, which is actually just incidental movement, brought about by his “Snap Back Living Hand!” feature.  His hand is attached to a string that’s on a spring mechanism; you can pull it out, and then pushing the lever on his back snaps it back into place.  It’s an inoffensive gimmick, and it’s not a bad take on his “rocket-powered” hand.  It does mean you and spin his wrist, though, so there’s that.  His sculpt is rather common of these early figures.  It’s not crazy detailed, and, especially compared to Liefeld’s line-heavy illustrations, looks rather basic and simple.  Kane’s face looks almost child-like, and his proportions are thin and stretched out.  His costume details are at least pretty consistent with the ones seen in the book, as ridiculous a costume design as this may be.   His paint work is basic, but fine.  It was the source of the variations, with the one seen here sporting black hair and a red band on his leg.  There were also samples with grey hair, as well as those with blue straps, and corresponding mixes of the hair and strap colors.  Kane was packed with  a blaster/gun thing, which he can hold in his right hand.

THE ME HALF OF THE EQUATION

While I know a bit more now, I knew very little of Kane as a kid.  He’s in X-Men: The Animated Series, but it’s a different design, and he’s never named, so I didn’t connect it.  Mostly, I just remember that he was on the back of the boxes, and I never knew who he was, and then he didn’t really reappear after that.  So, I never got his figures.  At least, until I decided to get all of the Toy Biz Marvel stuff, so then I needed to.  I got this guy loose, given to me by Jason from All Time when I fished him out of a plastic bag of mostly junk that got traded into All Time back in, gosh, probably 2019?  He didn’t have his gun, but I came across that in one of the bags of spare Toy Biz parts I’ve accumulated over the years.  He’s not the most impressive figure, and he’s not the most impressive character, but there’s a certain bit of novelty to him, for sure.

Flashback Friday Figure Addendum #0059: Ahab

AHAB

X-MEN (TOY BIZ)

It’s Friday, which around here is my own day of personal reflection…well, within the context of the site, at the very least.  You know, in that sort of Flashback Friday Figure Addendum sort of way.  I’m jumping once more back into the world of old Toy Biz Marvel reviews, with Ahab!

“A houndmaster from a future timeline in which mutants are hunted down and destroyed, Ahab has time-traveled to the present to continue his mission of eliminating dangerous mutants. Employing advanced Sentinel technology in his powerful cyborg body, Ahab ruthlessly enslaves those mutants he does not kill, transforming them into telepathic hounds which he uses to track down others of their kind. Only the combined powers of the X-Men, X-Factor, the New Mutants and the Fantastic Four were able to put a stop to Ahab’s murderous rampage through our time in the past. Should he reappear, who knows what havoc he might wreak!”

You know how sometimes there’s bad figures of good characters? Or, on the flip side, good figures of bad characters? Today represents neither of those things. Today, I look at what might be one of the very worst figures ever released in Toy Biz’s 5-inch X-Men line. He’s a little figure by the name of Ahab. Let’s just get straight to it, shall we?

THE FIGURE ITSELF

Ahab was released in Series 5 of X-Men. In a series populated by fan-favorites, he’s…well, he’s not. He’s an odd choice for the set, and the line in general really. I mean, I guess he was involved in some semi-important stories in the comics. But, given that one of the characters completely absent from Toy Biz’s entire run was Rachel Summers, who’s sort of the only reason Ahab matters at all, he feels out of place. Maybe there’s a big Ahab fanbase out there or something. I don’t know. Anyway, the figure stands a little over 5 inches tall and he has 6 points of articulation. For reasons I’m not entirely sure of, he lacks neck and elbow movement, which makes for a very stiff figure. Already not the greatest start. Ahab has what has to be one of the clunkiest sculpts of any figure in this line. I genuinely don’t know how they managed to mess him up this bad. I mean, he’s hardly got the greatest design in the comics, but it’s better than this, to be sure. Everything about this figure is blocky, stiff, and inorganic. That’s fine for the blocky, stiff, and inorganic parts, but not so much for the parts that aren’t those things. His head is particularly bad, given it’s incredibly thin, tall look, and complete lack of neck. He’s got this sort of cyborg-zombie-Abraham-Lincoln thing going on, and the sculpt doesn’t seem to be able to decide what’s his hair and what’s his headgear. They just sort of meld together. He’s also got this look on his face like he just crapped his pants. Which, in a gross way, leads me to my next complaint: his legs. Or, more specifically, his hips, which are oddly shaped, not particularly accurate to his comics design, and start a considerable distance after his torso ends. Ahab’s paintwork is decent enough for what it is. It’s pretty basic, and far from the most appealing color scheme. Burnt sienna and lavender isn’t exactly an imposing combo. Also, we get the same issues the sculpt had with the hair/headgear changeover, which just sort of…happens. The figure was originally packed with a missile launcher and three “harpoons,” which I don’t have.

THE ME HALF OF THE EQUATION

So, if I hate this guy so much, why do I own him? Is he another gift from a confused family member? Nope, he’s actually a pretty recent acquisition. In the last few months, I’ve decided to try and complete my ‘90s X-Men collection. That meant I was gonna have to get this guy eventually. I found this one at Yesterday’s Fun for $1, which is really about the cap of how much I’m willing to pay for him. He’s an awful figure. Just awful. But, I like to look at the positives: the collection only improves from here! 

Okay, so, for the second time since I started doing these, I find myself honestly not liking a review I wrote.  It’s odd for it to be one so late in the run, after I’d established the style more, but…yeah, I just feel like this one seemed a bit mean spirited.  Looking at the publication date, it went up the day after my birthday in 2017, and, well, I was going through some stuff at the time, which I think may have impacted my writing a little bit.  It’s not to say that I think I was wrong about Ahab being a less than stellar figure.  That he most certainly is.  Worst in the Toy Biz run?  Eh, I don’t know if I can really stand by that.  He’s not super fun, and I think I made a good point that it’s odd they made him and no Rachel Summers to go along, given he mostly exists as a foil to her.  Worst though?  Seems a bit hyperbolic.

In 2017, I was still content to have a bunch of incomplete figures in my collection, and I’m less about that now, so this summer I actually bought a second Ahab (I know, crazy) so that I could get the missile launcher and harpoons.  They, like the figure, aren’t great, and are even worse in the sense of how they interact with him, which is not very well.  But, at least he’s complete.  And, he’s the only Ahab figure out there, so he’s at least got some novelty?  I don’t know, I’m trying to be nice!

#3984: Deadpool

DEADPOOL

X-FORCE (TOY BIZ)

“Deadpool is a mercenary and one of the world’s most dangerous assassins. What makes Deadpool so dangerous is not his super-silent tracking ability or his assassin’s arsenal of incredible weapons, it’s his ability to paralyze his victims with fear. He enjoys doing that so much that sometimes he lets his victim go. A panic-stricken live victim, he reasons, does wonders for his reputation.”

Can you believe there was a time in the Marvel universe before Deadpool?  That seems crazy, doesn’t it?  Would you also believe that when he *did* finally appear, it was literal years before he was even remotely close to the character that everyone knows him as now? The bio for his very first action figure, shown up top there, really cements that, referring to him as “super-silent” and having the “ability to paralyze his victims with fear.”  Not really the slap-sticky, fourth wall-breaking meme guy we have these days, huh?  Well, let’s just fully commit to this back to the beginning approach for Deadpool and take a look at his very first action figure, shall we?

THE FIGURE ITSELF

Deadpool was released in Series 1 of Toy Biz’s X-Force line, which spun out of their main X-Men line during its second year.  While the book was still relatively new, they had already started to identify its break out characters, hence the early presence of Deadpool, despite him at that time just being a recurring character, not affiliated with the team.  The figure stands just under 5 inches tall and he has 9 points of articulation.  Not a bad set-up in terms of movement.  It’s all basic stuff, but it’s pretty clear in its range, and he’s fairly sturdy on his feet.  He was a unique sculpt, which wound up re-used for a couple of repaints over the years, but only ever for Deadpool.  It’s based on his earliest appearances, although, like Cable, it’s been kind of cleaned up from Liefeld’s usual inconsistencies.  Deadpool was still being shown as very svelte in is early appearances, and this sculpt follows that lead.  He’s generally light on detailing, but gets his pouches and straps, albeit with a slightly softer detailing to them than later offerings.  He’s got a dagger permanently attached to his left hand, which is spring-loaded, so he can more convincingly look like he’s stabbing someone, I guess?  Deadpool’s color work is fairly basic, but generally well in line with his comics look at the time.  Interestingly, while the circles around his eyes are black, the rest of the costume’s accenting is done with a very dark grey, which makes for a neat bit of visual pop.  There was an FAO Schwarz-exclusive variant (pictured at the end) which just made it all black, which is *fine* but feels a bit more lacking, as well as a KB Toys re-release that adds in some silver elements on the pouches.  Whatever the release, Deadpool is packed with a pair of grey swords.  They’re able to be put in the sheaths…in a manner of speaking; they’re actually just going through his shoulders into the hollow portion of the torso, and they still end up being kind of comedically small to make it work.  It does look pretty cool when they’re in place, though.  It’s amusing that they’re both removable, though, since only one of his hands is able to hold one.

THE ME HALF OF THE EQUATION

This was not my first Deadpool (that was the unmasked one from later), but I do recall wanting to track one down rather early on in my collecting.  I found a loose on some time in the very early ‘00s, which I assumed was the original, but would only later find out was actually the rarer FAO version, necessitating that I get a proper Series 1 release many years later when it got traded into All Time.  I’m a real sucker for this mold, no matter which paint scheme it’s sporting.  Something about it just really works for my collecting sensibilities, and it’s all I really want out of a Deadpool.  He’s basic, but he really just works.

Flashback Friday Figure Addendum #0058: Spider-Woman

SPIDER-WOMAN

SPIDER-MAN: THE ANIMATED SERIES (TOY BIZ)

Hey, look it’s the first Friday of the new year!  No it isn’t, but it is for the purposes of the site, so there!  Did we really miss out on anything from that actual first Friday, anyway?  I don’t think so, and I was there, so trust me.  It’s a new year and a new start, so it’s a perfect time for me to continue to do exactly the same thing I was doing on Fridays at the end of last year, and look back at my old Toy Biz reviews.  Yaaaaaaaay.  Here’s Spider-Woman….again.

“Once an illegal operative, Jessica Drew left the group called Hydra to fight crime as the original Spider-Woman! With the ability to climb walls and emit bio-electric spider-blasts, Spider-Woman put many super-villains behind bars. Eventually giving up her identity as Spider-Woman, Jessica Drew now fights crime as a private investigator!”

When does a spin-off character have nothing to do with the original? When they’re Spider-Woman, of course. The first Spider-Woman, Jessica Drew, was introduced in 1977 as little more than a way of preventing Filmation from putting out a cartoon with their own Spider-Woman. She had a similar power set to everyone’s favorite wall-crawler, but there the similarities ended. The two characters wouldn’t even meet for quite a long time after her creation. Which makes the fact that her very first figure came from a Spider-Man toyline all the more amusing.

THE FIGURE ITSELF

Spider-Woman was released in Series 7 of Toy Biz’s Spider-Man: The Animated Series tie-in toyline. She wasn’t based on a cartoon appearance (likely to avoid viewer confusion; her successor, Julia Carpenter, was a regular on the Iron Man cartoon at the same time). In fact, Series 7 was right about the time that the series stopped focussing on following the cartoon, so Spider-Woman was not the only non-show figure in the series. The figure stands about 5 inches tall and she has 8 points of articulation. Jessica’s sculpt is a reworking of the Julia Carpenter Spider-Woman from Series 1 of the Iron Man line. This would be the first time they’d share a sculpt, but far from the last. Given the similarities in design, it’s a rather practical way of getting an extra use out of the molds, I suppose. She’s been tweaked to add in elbow joints and also to remove Spider-Woman II’s action feature. Sadly, they didn’t go as far as to add back in the neck movement lost due to the action feature, but that would have been a more hefty re-working, I suppose. The sculpt is a pretty decent one overall. The proportions are fairly balanced, and pretty decent for the time. The hair has a pretty nice sculpt, and sits nicely, and the face isn’t too terrible. The one main drag with this sculpt is just how stiff it is. She doesn’t really look natural in any pose. It’s largely to do with the arms, or more specifically, the hands. She’s got this karate chop thing going on, and it just looks rather out of place. The paint is really the key part of this figure, and it’s pretty decent. The colors match well with her comics counterpart, and the work is generally on the clean side. Some of the black lines are a little fuzzy, but it’s not terrible. In terms of accessories, Jessica was about on par with most of the other figures of this time, which means she has a bunch of random stuff that doesn’t amount to much of anything. There was like a shield and a weird gun-thing I think? Mine has neither piece, and that’s just fine.

THE ME HALF OF THE EQUATION

Spider-Woman wasn’t one of my childhood figures. My dad had one, but I didn’t, largely due to not being overly familiar with Jessica Drew. I’ve since picked up some knowledge and appreciation for the character, so I’ve been on the look out for this figure. I found her at Yesterday’s Fun last week, but ultimately put her (and a few others) back in favor a few other things. My Dad apparently took note of this, and presented me with the whole lot the next day. He’s nice like that. She’s a decent enough figure, I suppose. Nothing amazing, but certainly entertaining. 

That’s a summer 2017 review, so things are pretty much the shape they’ve been for a while in terms of my approach.  I wrote what I wrote, and I think it’s pretty on point.  2017 was, in retrospect, a pretty good year for me in terms of Toy Biz pulls, so that was pretty nice, given it was otherwise a kind of rough one for me.  What I was missing when I wrote the original review *nine* years ago, were Spider-Woman’s accessories, which I did note at the time were “a bunch of random stuff.”  Well, I got the random stuff.  She’s got a big gun and a shield.  Can’t actually hold either of them on account of her karate chop hands, but they, like, slide on them?  They’re very silly, and she’s better without them, but they do at least make me laugh.

#3980: Cable

CABLE

X-FORCE (TOY BIZ)

“Cable is the touch, no-nonsense leader of X-Force. A half-man, half-machine cyborg, Cable uses his bio-mechanical eye, arm and leg to see and do things impossible for anyone else-including other mutants. When the fighting gets tough, Cable knows from bitter experience, only two things can save X-Force-teamwork, and his own high-tech weaponry!”

Welcome everyone to a brand new year here at The Figure in Question!  I’m back and refreshed from my Christmas break…well, I’m back from my Christmas break, at the very least.

Waaaaaaaaaay back last year (or, you know, like, three weeks ago), a faithful reader brought up to me that, for all my Toy Biz Marvel reviews, somehow I hadn’t reviewed a single Cable figure from their run.  Which is, quite frankly, insane, because they made, like, a lot of  Cable figures.  So, the first thing I’m doing in my return to Toy Biz for the new year is fix this glaring Cable-shaped hole in my Toy Biz reviewing, and take a look at their first go at the guy.  Here he is!

THE FIGURE ITSELF

Cable was released in the very first series of Toy Biz’s X-Force line, which spun out of their X-Men line during its second year.  As the central character in the comics, obviously Cable needed a spot in the debut line-up.  This would also wind up as his very first action figure, and a pretty quick turn around for a guy who’d only shown in the comics two years prior.  The figure stands just over 5 inches tall and he has 7 points of articulation.  His articulation scheme is…well, they were sort of working out the basics here, and he hits *fairly* close, but for whatever reason, his left shoulder is a hinge that just goes outward, rather than offering any forward and back.  It’s an odd set-up, but there it is.  He was an all-new sculpt, based on his more solidified look from X-Force proper, albeit as solidified as any of Liefeld’s designs ever really got.  The X-Force line wound up advancing in technical sculpting at a quicker pace than X-Man, but this first round was still definitely more like the Marvel Super Heroes and earlier X-Men than anything Toy Biz did later.  This Cable is definitely a little thinner, stretched out, and softer on the details than later figures would be.  Given Liefeld’s love of crosshatching, he feels downright squeaky clean.  His color work is kind of the same vibe as the sculpt, being quite clean, and broad, and sort of going soft on a lot of the details.  It does what it needs to generally, though.  There were two variations to the paint.  Originally, the boots and leg straps were a lighter grey, and his yellow eye glowed in the dark, but later versions darkened the boots and leg straps, and dropped the gimmick on the eye.  Neither is all that notable on its own, but rather is more evident if you happen to have the both right in front of you.  Both versions included the same very large gun, which can be held in the left hand, and has a rotating barrel that makes a clicking sound when you spin it.

THE ME HALF OF THE EQUATION

By the time I got into collecting, this version of Cable was long gone from shelves, so I didn’t have this one as a kid.  The initial release somehow found its way into my collection over the years…twice.  Like, I don’t even know how.  I don’t remember buying him either time, but I wound up with two of them, so, you know, that’s fun, I guess.  I wound up getting the color variant through some good old fashioned bartering.  My granddad hoarded all sorts of old tech in his basement, and a guy wanted to take some of it for cosplay and set building, so he traded me, amongst other things, two Toy Biz figures, which happened to include the Cable variant, which I didn’t already have.  This figure’s goofy for sure.  Definitely not Toy Biz’s strongest take on the guy, which is kind of a shame, since it’s sort of his most distinctive look.  He does have a certain charm to him, so I’ll give him that.

#3977: Psycho-Man

PSYCHO-MAN

FANTASTIC FOUR (TOY BIZ)

“The mysterious Psycho-Man appeared seemingly out of nowhere with the evil intent of overthrowing the Earth, allowing the denizens of his own sub-atomic world to colonize the conquered planet! Armed with his emotion-stimulator, the Psycho-Man could instantly throw the world into the throes of fear, doubt, and hate. But this would-be dictator didn’t count on two things: the arrival of the Fantastic Four, and his own weapon being turned against him!”

Psycho-Man is a character I’ve reviewed once before here on the site, and, well, I didn’t have a ton to say about him in that intro, so the second time around, I can’t say I’m much better off.  He himself isn’t really much of a major player, but he’s figured into some other notable events in comics, most notably as part of the FF storyline where they finally acknowledged that Sue was actually the most powerful member of the team, and maybe a woman in at least her late 20s, if not 30s, shouldn’t be going by “Invisible Girl.”  But that’s not much about him.  The Fantastic Four cartoon in the ‘90s adapted this story, which served as its main focus on Psycho-Man, resulting in his first figure treatment in the accompanying toyline.

THE FIGURE ITSELF

Psycho-Man was released in the fourth and final series of Toy Biz’s Fantastic Four line (he also cropped up as a re-release in the Marvel Universe line; the two figures are functionally identical.  Mine is the re-release).  This set was pretty well tied into the show’s second season, with its three antagonist figures all from early episodes in the run, Psycho-Man included.  The figure stands about 5 3/4 inches tall and he has 7 points of articulation.  Psycho-Man gets hit by some real weirdness on the articulation front.  He’s got no neck or knee articulation, but gets a waist swivel, which weren’t a regular fixture for the line.  For some reason, his legs are also sculpted in this weird sort of lunging pose, like he’s running or something.  Psycho-Man was usually the sort to stand around and do his business from a far, so the action pose does seem a bit odd for him.  His sculpt’s unique to him and…well, it’s certainly unique.  Psycho-Man’s inspiration here seems to be more from his Kirby design, and less from later interpretations, so he’s a bit larger and chunkier and his face is a lot more expressive.  Again, unique is the word I use.  I don’t know about “good” but also I wouldn’t say “bad.”  It’s certainly memorable.  His color work is quite simple, but does what it needs to.  There’s a but of slop and fuzziness around the edges, and its very glossy in its finish, but it’s generally okay.  Psycho-Man is packed with a big action-feature-ridden stand, as was the gimmick for this whole set.  In his case, it’s loosely based on his Control Box, and there’s a lever on the side that you can pull to have it randomly stop on one of five different “emotions.”  It’s super gimmicky and silly, but also so very much fun.

THE ME HALF OF THE EQUATION

Psycho-Man’s a later run acquisition for me, but still came into my collection during the ‘90s, albeit probably *right* at the tail end.  He was a Christmas present from a family friend, and I want to say he probably was given to me in ’99.  I knew a little about him, thanks to the cartoon, but he more just got used as a general villain, because he’s got that very unique look.

And with that, I’ve wrapped up the last Series 4 review for Toy Biz’s Fantastic Four, and by extension, the last standard release figure for the line.  Both Series 3 and 4 had one extra figure that got dropped during production.  Adam Warlock was the Series 3, and he would eventually resurface in the Overpower line.  Series 4 was supposed to get a Trapster figure, who would have rounded out the Frightful Four, but he was cut and never found another spot.  The show wrapped up at the end of its second season, and so there was no more retailer demand for the toys, and that was all she wrote.  The line gave debut figures to a lot of classic Marvel characters, and started both the Inhumans and the Frightful Four.  Of course, it didn’t finish either of those two teams (in fact, The Inhumans *just* got a full line-up courtesy of Hasbro, about a month ago, 20 years after making their way to toy form), but that’s Toy Biz in a nutshell.

Flashback Friday Figure Addendum #0057: Skin

SKIN

GENERATION X (TOY BIZ)

Hey, we made it to another Friday!  Good for us!  Go team!  We did it!  Well, to celebrate the occasion, let’s have another Flashback Friday Figure addendum, shall we?  This time we’re taking a second look at Skin.  Just Skin.

“Angela Espinosa’s body has six extra feet of skin – this is his mutant ‘gift’???. Even he doesn’t quite understand how it works and although he would never admit it, that scares him. He’s come to Xavier’s School form the mean streets of South Central Los Angeles to learn to control his skin, at least enough for him to appear as he did before his powers developed – normal.”

In the ‘90s, the X-Men were Marvel’s hottest property by far. To cash-in on this success, they turned around and launched like a million spin-offs. The more teen-oriented team of hip, fliggity-fly youngsters was Generation X, which was super, super ‘90s. It had a pretty decent following back in the day, and since Toy Biz was giving a toyline to just about everything under the son, it also had one of those. Today, I’ll be taking a look at one of the team’s central members, Skin!

THE FIGURE ITSELF

Skin was released in Series 1 of Toy Biz’s Generation X line of figures. He appears to be patterned after the character’s earlier appearances in the book, before he got all scruffy. The figure stands about 5 1/2 inches tall and he has 5 points of articulation. For some reason, the Generation X figures were less articulated than most of Toy Biz’s Marvel output from the same time. Perhaps it was to minimize potential risk on the financial side of things, should the line fail? I don’t know. Anyway, Skin was an all-new sculpt. It seems to take the Kenner route, offering a more preposed figure with less movement. It looks pretty solid; I like all the little minor details, like the folds in his skin. In makes for quite a unique looking figure. I also appreciate that his costume isn’t simply depicted as painted on, but actually has some dimension to it. Now, if you want to get picky, the hands and feet shouldn’t be done the way they are here, since the skeletal structure is clearly elongated here, and his abilities only actually had to do with his skin. That being said, most artists tended to ignore this rule, so the figure’s hardly inaccurate. The paint work on the figure is okay, but there are a few issues. The base work is overall okay, but the magenta on the arms and legs doesn’t quite match the torso. It’s not as bad in person as it is in the photos, but it’s still noticeable. The yellow paint is also a bit prone to chipping, which is a little annoying, but otherwise he’s pretty decent. The figure has a “Growing Fingers” action feature on his left hand. There’s a little latch on the forearm, and when you release it, the fingers shoot forward a half-inch or so. It’s pretty much the same mechanic that was used on several of TB’s Wolverine figures, and it works pretty well, without disrupting the overall look of the figure too much. Skin was packed with a back pack that can be clipped on his back. It originally had a little headset attachment, but I’ve lost mine.

THE ME HALF OF THE EQUATION

I missed out on most of the Generation X figures when they were new. Around 2000 or so, I got some still-packaged mid-90s figures, and the whole first series of Gen X figures was pictured on the back, leading me to attempt to track down Skin and his team-mate Chamber. It wasn’t easy (we had eBay, but the ‘90s action figures market wasn’t really there yet), but I eventually found both figures at a nearby comic book store for a pretty decent price. Despite never being super huge into Generation X, I’ve always really liked this figure, and he holds up pretty well. 

Generally, that’s not a bad review.  Good for me.  It’s from 2017, and I was really into the swing of things by that point.  This one was more than likely written on the road, as we took a cross country from Seattle to North Carolina in June of that year, and I did a lot of writing during it.  Skin would have actually made the trip with me, because I was trying actually have things on hand for reviewing.  While I had his backpack at the time, it was missing the headset attachment, and I also didn’t show off his stand.  I managed to snag a complete one over the summer, and used that to recomplete my original, as seen here.

#3973: Human Torch

HUMAN TORCH

FANTASTIC FOUR (TOY BIZ)

“The youngest member of the Fantastic Four, Johnny Storm tends to get a little hot-headed when fighting alongside his teammates as the Human Torch! Able to ‘Flame On’ and engulf himself entirely in fire, Johnny has also developed the ability to ignite only certain parts of his body when necessary. Precise control, coupled with the searing nova heat he can generate, makes Johnny Storm the hot-shot member of this cosmic ray spawned team.”

There are some designs that translate well to toys, and there are some that are really, really tricky.  Three  of the four members of the Fantastic Four made the jump from page to plastic without much trouble.  But one of them?  Not so much.  Johnny Storm’s most distinctive look being his fully flamed-on appearance means that were he really in three dimensions, he’d always sort of be in flux, so nailing that down exactly can be tricky.  There’s been a lot of goes at it, to varying degrees of success.  After three tries at fully flamed on, Toy Biz opted to try a more unique approach, which I’ll be looking at today.

THE FIGURE ITSELF

Human Torch was released in the fourth and ultimately final series of Toy Biz’s Fantastic Four line.  It was Johnny’s third figure under the line, and fourth overall from Toy Biz in this scale.  Rather than going for totally flame covered like the prior versions, or even totally normal like the 10-inch figure, this one goes for sort of a half-and-half set-up.  The figure stands a little over 5 inches tall (he was the tallest Johnny they put out in this style) and he has 9 points of articulation.  This whole assortment was built to be a bit more dynamic than earlier offerings, and as such they were all a bit more pre-posed than earlier offerings.  In Johnny’s case, that translates to some slightly odd posing on the arms, but otherwise nothing too crazy.  The sculpt was new to this release, but would see one more use under Toy Biz, for one of their later two-packs.  Honestly, it’s pretty strong.  Aside from the face maybe feeling a touch on the old side for Johnny, the general layout of the details works, and I do like the sculpted distinction between the parts that are on fire versus what’s not.  The dynamic nature is definitely distinctive, and it especially works well with the hair’s flow.  The pose also sells the whole thing, as if he’s mid-flame-on.  His paint work is generally pretty basic, but does mostly what it needs to.  The only slightly odd thing is that he’s for whatever reason not wearing gloves.  No idea why, but there it is.  I guess it makes it sort of unique.  My figure’s had quite a bit of wear over the years, as you can see, but that’s not on the original application.  Johnny was packed with a rather large and elaborate base.  He can stand on it, and it’s got wheels, and when it moves forward, various parts of it spin.  It’s gimmicky, but honestly not too bad.

THE ME HALF OF THE EQUATION

I got into collecting right in the window between Series 3 and 4 of this line, so this Johnny would up being my first figure of the character, and was my only version for a little bit.  Even after getting other versions, he was my go-to until there was a scale change.  This is a cool approach for the character and has remained my preferred way to handle the power set for figure form.  I think it’s maybe a little dated and stylized here, but I definitely dig it, and he’s my personal favorite of the Toy Biz Johnny figures.

Flashback Friday Figure Addendum #0056: Silver Surfer

SILVER SURFER

MARVEL SUPER HEROES (TOY BIZ)

Hey-oh, it’s the end of the week once more, which means it’s time for another Flashback Friday Figure Addendum!  Oh yeah!  Flashing back to the far away year of 2016, back when things were oh so 2016-y, here’s a revisit on a Silver Surfer!

Though they were best known for their 15 year run with the Marvel license, Toy Biz’s first work of note was actual doing toys based on Marvel’s Distinguished Competition. Toy Biz’s DC action figures were little more than knock-offs of Kenner’s Super Powers line. When Toy Biz was granted the Marvel license, their initial offerings were rather similar to what they had done for DC. They offered a rather broadly ranging line, covering the major corners of the Marvel Universe (barring the X-Men, who got their own line). Today, I’ll be taking a look at one of that line’s versions of the Silver Surfer!

THE FIGURE ITSELF

Silver Surfer was released in the third series of Toy Biz’s Marvel Super Heroes line. The figure stands about 5 inches tall and has 6 points of articulation. That’s actually a pretty low articulation count for a Toy Biz figure, and it’s even a bit low for this particular line. This figure is mostly the same sculpt as his Series 1 counterpart. The only difference between the two is the lack of neck articulation. It’s an odd choice, and it definitely limits what can be done with the figure, but I’d guess it had something to do with the vac metalizing. The sculpt isn’t terrible, but it’s not particularly great either. He’s similar in style to the Toy Biz Green Lantern, in that his proportions feel rather off, and the level of detail is very low. Also, his head is just very oddly shaped. It’s definitely too small, and the face (which is very ill-defined) sits too high. In fact, the head in general sits too high on the neck, and the whole construction there just looks weird. As far as paint goes, this particular Surfer doesn’t really have any, he’s just vac metalized. Later Surfer’s would at least get detailing on the eyes, but that’s not the case with this guy. Just the straight up and down silver for him. Silver Surfer originally included his surfboard, done up to match him. Unlike other versions of the board, this one was really thick, and it had wheels on the bottom. So, he’s not actually the Silver Surfer, he’s the Silver Skateboarder. Radical.

THE ME HALF OF THE EQUATION

The Surfer is the eighth of the 15 figures that I picked up from a vendor at this past Balticon. I…I’m not really sure how I feel about him. I mean, the chrome look is certainly cool, but the actual figure’s kind of a bit lame. Toy Biz definitely improved in leaps and bounds over the years, but this guy’s a disappointment even compared to the figures from the same line. I hate to be this down on a figure, but this guy, well, he’s not great.

This figure was another part of a batch of loose Toy Biz figures I snagged for super cheap at a con literally the weekend after I graduated from college.  I was all nostalgic and stuff, and I sort of bled a lot of that into my reviews of the associated figures, I think.  I had the option to get both MSH Surfers at the time, but opted only for the chromed one, because I guess I like shiny things?  My review’s generally not bad, though, not having both figures in my possession, I did kind of go with “they’re the same sculpt” when they’re not.  The chrome version is much more simplified, and the face in particular is a lot more oddly shaped.  Missing from this figure the last time around was his surfboard, which is honestly the one area where he’s truly better than his predecessor.  This one’s more streamlined, lacking the motorized bit on the back, and just generally looking more the part, provided you can get past the rather obvious wheels on the bottom.