Tag Archives: Batman

#2700: Batman

Posted by Ethan Wilson in Reviews and tagged with , , ,

BATMAN

FIRST APPEARANCE (DC DIRECT)

“Adopting a ghastly, bat-like costume designed to inspire fear in the hearts of the “superstitious & cowardly” criminal element of Gotham City, Bruce Wayne burst onto the comics scene as Batman in 1939’s Detective Comics #27!”

2700 reviews.  That’s a nice sort of clean number, easily divisible by 27.  27’s a notable number in the world of comics, what with it being the issue number of the first appearance of Batman, who’s kind of a big deal, I guess.  What a crazy great tie-in for my 2700th review, right?  What great planning, right?  I’m very clever and organized, aren’t I?  ….Are you buying any of this?  Or is it just patently obvious that this was totally a coincidence, and the significance that I picked a First Appearance Batman for my 2700th review only dawned on me when I actually sat down to write the review.  Because, well, that’s what happened.  Thrilling story, I know.  Look, let’s just get to the review, shall we?

THE FIGURE ITSELF

Batman was released as part of the first series of DC Direct’s First Appearance line in 2004, the 65th anniversary of the character.  Batman got into the first assortment over Superman, despite Superman’s first appearance being, you know, first, but hey, it was early ’00s DCD; if there was a chance at making a Batman, they were making Batman.  The figure stands 6 1/4 inches tall and he has 13 points of articulation.  He was by far DCD’s most articulated Batman at the time, possessing movement at both the wrists and the tops of the biceps.  He could almost cross his arms, even.  How quaint.  DCD was beginning its hard turn to artist-specific figures at this point in time, and First Appearance really embraced that.  Batman’s sculpt is very clearly patterned on Bob Kane’s….studio’s illustrations of Batman from the pages of Detective #27.  It’s a simpler style of art by modern standards, but the figure nevertheless stuck to it.  It’s a pretty clean looking sculpt, and it captures the highlights of what made this version of the costume distinctive, as well as doing a pretty alright job of making him work as an actual posable figure.  That’s something DCD historically had a lot of trouble handling, so they did a very respectable job here.  The range of motion on the joints is actually pretty respectable, especially on the neck, which is really the most key.  For the first few assortments, the First Appearance line dabbled in some cloth goods for most of the figures, a rather new venture for DCD at the time.  In accordance with this, Batman’s cape is a cloth piece.  It’s rather thickly constructed, with two sides; on black, one blue.  In order to give Batman’s the wing-like presence it had in the comic, there are some wires running through.  It’s one of those “better in theory than in practice” deals, but it’s not awful, especially for the time.  Batman’s paint work is pretty straightforward, as is to be expected, given its attempts to stick to the source material.  The colors are rather vibrant, and they’ve even done some rather nice work on the black sections, which have a quite impressive glossy sheen to them.  In terms of accessories, DCD was still going rather sparse.  Batman got a display stand and a small reprint of Detective Comics #27.

THE ME HALF OF THE EQUATION

While only a moderate Batman fan myself, I’ve always really liked his first appearance look, and I used to doodle it a lot on various papers and such as a kid.  This figure was really right up my alley at the time, and I snagged him back when he was new, courtesy of my local haunt, Cosmic Comix.  He’s perhaps not an incredibly impressive figure by today’s standards, but he was quite good for a DCD figure at the time, and he still holds up as a really good recreation of the design from the comics, and a distinctive figure at that.

#2655: Batman Earth -32

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

BATMAN EARTH -32

DC MULTIVERSE (MCFARLANE)

“In DC’s Dark Multiverse, on Earth -32, the green light of will has twisted an angry Bruce Wayne into something very dark and sinister. After the murder of his parents in Crime Alley, young Bruce is gifted with a Green Lantern ring, which allows him to fly and to generate deadly hard-light energy constructs. With no Alfred Pennyworth to guide him, he soon swallows his fear and pain and lets the void that remains corrupt him and the ring, unleashing a wave of darkness across his world, and now ours, as The Dawnbreaker.”

There’s no denying that McFarlane’s DC output for the last year has been rather Batman-centric.  So Batman centric that the storyline they’ve been most faithfully focusing on has been “Dark Knights: Metal”, a story that focusses in on “what if all of the non-Batman characters were also Batman?”  One of the Batman-ed characters is Green Lantern, and, to be honest, the Green Lantern/Batman mash-up isn’t actually a new concept.  It’s something DC’s been flirting with for a while in differing capacities, and this is just the most recent version, I guess.  It could be worse, really.  Anyway, it got a toy, and Green Lantern and action figure are two things that are rather up my alley, so here I am.

THE FIGURE ITSELF

Batman of Earth -32 is part of the first proper “Dark Knights: Metal”-themed assortment of DC Multiverse figures.  Where it falls in the actually numbering scheme is something that’s lost on me, but I do know it hit right at the end of 2020, for what it’s worth.  This and The Grim Knight are the lighter packed figures in the line-up, at just one of each per case.  The figure stands 7 1/4 inches tall and he has 39 points of articulation.  His articulation scheme is similar to the Superman and Nightwing figures.  It’s definitely more restricted on the neck, torso, and hips.  The neck’s due to the costume design, which is understandable, but the torso and hips is just down to poor implementation.  For the most part, though, it’s a decent layout.  The sculpt is an all-new piece, based on  Jason Fabok’s art from the cover of Batman The Dawnbreaker #1, which is certainly the most distinctive piece of art for the character.  It also has the unintended bonus of making him fit in pretty well with the DC Essentials figures from DC Collectibles, since those are based on Fabok’s artwork too.  Of course, it being a McFarlane product, there’s a certain level of McFarlane-izing going on.  In this figure’s case it means he’s a little bit lankier than the illustration, and falls into the same territory as a lot of McFarlane’s DC figures of adding a lot of piping and other smaller costume details that aren’t present in the source material.  It makes him a little busier than the comics design.  It’s not as bad here as on more simplified designs like Superman and Nightwing, but I still do wonder why they feel the need to keep busying everything up.  Also, for some reason, the GL-logo is different from every piece of artwork I was able to find of the character.  It’s missing the circle around the actual lantern.  I don’t dislike it, but it’s another case of change for the sake of change.  One area that they got down pretty spot-on is the head sculpt.  It’s got the lopsided sneer that the character frequently sports, which is a rather distinctive appearance.  Dawnbreaker’s paint work is fairly decent.  It’s an interesting mix of differing greens.  There are some nice differences in sheen, and I definitely dig the metallic greens.  Dawnbreaker includes a construct shaped like some eldritch abomination bat/octopus thing, a flight stand, and a collector’s card.  The construct’s a lot of fun, but I do wish it were a little more secure on the figure’s arm.  Still, it’s a cool visual, as is using the flight stand to allow him to hover off the ground.

THE ME HALF OF THE EQUATION

My initial experience with McFarlane’s DC figures wasn’t super impressive or confidence inspiring, so I haven’t really been following them since.  However, I knew I’d have a hard time saying no to this figure when it was shown off, and sure enough, when I saw it in person, I was game.  It’s a design that feels really up McFarlane’s alley, and they did a pretty decent job of capturing it in toy form.  There are some definite flaws, but in general, this figure works out better than previous offeringsm and I’m much happier this time.

Thanks to my sponsors at All Time Toys for setting me up with this figure for review.  If you’re looking for toys both old and new, please check out their website and their eBay storefront.

#2652: Batman

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

BATMAN

DC C3 CONSTRUCTION (PLAY ALONG)

The initial assortment of DC C3 Construction hit in the summer of 2004, and they were really focused on actually selling it as a line of construction sets that also included some Minimates.  In their second year in 2005, they tried that again, albeit with a smaller assortment this time.  Following that assortment, they kind of gave up even trying to pretend about what they were doing, and transitioned the line to a much more compact, lower price point selection of “Mini Flyers”, small vehicles that were a very thin excuse to put out the Minimates effectively on their own, only, you know, not.  Even through this end, they stuck to their heavy focus on Batman characters, including variants of the main man himself.  I’m looking at one of those variants today!

THE FIGURE ITSELF

Batman was released in April 2005 in the very originally named “Batman Mini Flyer” set, one of the six Mini Flyer sets that made up the final assortment of the DC C3 Construction line.  By this point, they were only packing a single Minimate with each set, so as to keep the price down, so Batman was all by his lonesome.  He was a comic-based figure, specifically drawn from his ’70s era appearances, as denoted by his predominately blue color scheme.  He’s built on the standard ‘mate body with C3 feet.  Still no standard peg holes for the heads, so he’s got a solid noggin piece.  He’s got add-ons for his mask, cape, belt, and gloves.  The mask, cape, and belt are the same ones used on the Dark Knight Batman included with the larger Batmobile set, but the gloves are new pieces for…reasons?  There were four standard Batmen in the C3 line, and every one of them used a different set of glove pieces, and I couldn’t for the life of me begin to tell you why.  These ones do at least put the arm spikes on the back of the gloves, where they’re supposed to be but tend not to be.  So, that makes them cool, I guess.  Also, these parts are not rubbery like last week’s Robin, so that’s another marked improvement.  Batman’s paint was generally pretty basic, and definitely not as involved as Robin.  Given the classic inspiration, that’s somewhat sensible, but not doing the shading on the front of the mask does feel like a missed opportunity.  I do like the slightly different expression on the face under the mask, though; it’s a nice change-up from the usual neutral expressions.  This Batman didn’t get any accessories, but there was the Mini Flyer, I guess.

THE ME HALF OF THE EQUATION

The Mini Flyer’s are really where this line lost me, so I missed out on picking all of them but one when they were at retail.  Batman wasn’t that one, but he was a figure I was always interested to have.  Thankfully for me, he came in with the larger Minimate collection that showed up at All Time last year, and here we are.  Ultimately, I think DCD’s later classic Batman was slightly better, but this one’s still got his own charm to him.

#2602: Batman – Gotham By Gaslight

Posted by Ethan Wilson in Reviews and tagged with , , , ,

BATMAN — GOTHAM BY GASLIGHT

ELSEWORLDS (DC DIRECT)

“As a young Bruce Wayne takes up the mantle of the Bat, a series of slayings mirroring the work of Jack the Ripper begins.”

DC’s Elseworlds line allowed them to tell stories that fell outside of the confines of a normal universe story, which opened the playing field to all sorts of crazy concepts.  It also lent itself pretty well to lots of “let’s mash up this DC thing with another established thing” scenarios.  This actually goes back to the very first Elseworlds tale, Batman: Gotham by Gaslight, which is “what if Batman was Victorian era and fought Jack the Ripper?”  It’s not high concept, but it’s certainly fun.  It’s also some of Mike Mignola’s earlier work, and has some pretty impressive design work.  The story’s Victorian Batman design is quite distinctive, which makes it ripe for making action figures, as DC Direct did in 2007.

THE FIGURE ITSELF

Gotham By Gaslight Batman was released in the second series of DC Direct’s Elseworlds line.  He was one of two Batmen included, the other being the Red Son version of the character, which is another quite distinctive, if perhaps slightly thematically similar version of the Batman design.  The figure stands 6 1/2 inches tall and he has 13 points of articulation.  The articulation’s not a lot, but it was about what you’d expect from DCD at the time.  It’s good for some slight tweaks to his posture, but that’s really it.  It’s certainly better than nothing.  The sculpt was an all-new piece, and it was definitely DCD at their best.  They really had a lot of fun with the artist-specific work in this line, and in the case of this Batman, they’ve done a pretty spot on job of capturing that early Mignola art style.  He doesn’t quite have the extreme hallmarks of later Mignola stuff, but there’s still enough to make it recognizable.  I really like how they’ve translated the texturing of Mignola’s work into something three dimensional, and I also quite enjoy how they’ve managed to keep him rather dynamic while also keeping a fairly neutral pose.  The flow of that cape is just beautiful.  The only thing I’m not too keen on are the ears, which always point a bit inward on mine.  It’s an unfortunate side effect of how small they have to be and how they were packaged in the box, I suppose.  The paint work does a nice job of replicating the way Mignola’s work is illustrated in the book, with a subdued palette and a decent job of outlining the features on the face.  There’s also some great accenting on the belt, as well as some impressive work on the mud stains on his boots and cape.  All in all, a very well rendered paint scheme.  The only slight let down to this guy are the accessories.  All he gets is a stand.  Its not much to go on, and felt quite light given the price these things were going for relative to everything else at the time.

THE ME HALF OF THE EQUATION

I picked up this guy back when he was brand new, courtesy of my usual comics haunt, Cosmic Comix.  He was the first of the Elseworlds line I grabbed, mostly because I wanted a Mignola Batman figure, and I wasn’t picky about which particular design it was.  I hadn’t even read the comic at the time (I have since).  He’s certainly a nice looking figure, even if he’s maybe not so exciting to actually play with.

#2581: Batman & Joker

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

BATMAN & JOKER

BATMAN: THE LONG HALLOWEEN (DC DIRECT)

“An epic tale of mystery and suspense that takes Batman deep into the underworld of Gotham City.”

Well, we’re firmly a week into November.  Perfect timing for me to have *just* missed Halloween in order to properly theme what I’m about to review.   Yes, I’m jumping into the world of Batman: The Long Halloween, Jeph Loeb and Tim Sale’s year-long miniseries following an early in his career Batman as he tracks down Holiday, a serial killer who strikes once a month on a holiday.  While on his quest to find the killer, Batman also manages to face down most of his major rogues gallery, making it a nice, all-encompassing Batman story, and certainly one of the best out there.  It’s distinctive style, and the fact that it includes so many heavy hitters made it a perfect choice for a toy line.  Today, I’m delving into the heaviest of hitters, Batman and the Joker.

THE FIGURES THEMSELVES

Batman and The Joker were released as a special collector’s set from DC Direct in 2008, after they’d completed their main Long Halloween and Dark Victory lines.  The set included the two figures and some stripped down accessories, as well as a trade paperback of The Long Halloween.

BATMAN

“Batman races agains the calendar as he tries to discover who the killer Holiday is before he claims his next victim.”

Tim Sale’s Batman is a rather distinctive piece, and the chance to own it in three dimensions was one of the primary selling points of the first Long Halloween line.  It was so popular that it sold out the first time, so they just did a straight re-issue of it when it came time for the figures from Dark Victory…and then that one pretty much did the same thing.  So, this guy was the third pretty much straight re-release of this figure, although this one did get a new head sculpt out of it.  He’s almost 7 inches tall and he has 13 points of articulation.  It’s not a ton of posability, but it’s enough to get a few decent poses out of him.  The real weakness of the joints, I’d say, is the shoulders, which don’t really have much up and down.  This means he’s always just got them sort of jutting out to the sides like that.  Given Sale’s tendency to draw Bruce in rather dynamic poses while in costume, it’s not the end of the world, but it’s somewhat limiting.  In terms of the actual sculpt, Sale’s artwork proved a little difficult for DCD to translate into 3D.  His style is somewhat impressionistic, and he likes to keep his characters fluid, so getting them really nailed down in a single sculpt is tricky.  That’s definitely the case with Batman, who ends up looking close to Sale’s work to be sure, but there’s something…off.  The face in particular seems a bit out of place.  It’s a little bit pinched, I think, and almost too simian for the character.  It’s not far off, and definitely a marked improvement over the two single releases, but it’s still not quite there.  The other piece that seems to have given them trouble is the cape.  Sale always had Bruce’s cape all over the place, and he liked for it to be really long.  This figure aims to capture that, with a cape that trails behind and even lays on the ground at the back.  It’s not terrible, but the shaping doesn’t quite seem right here.  In this case, it’s really a matter of fighting with gravity, and it’s hard to fault DCD there.  The paint work on this guy remains pretty much the same as the two prior releases.  It’s black and grey, with just a touch of brown, which is to say it’s exactly what you’d expect from a standard Batman.  It’s pretty cleanly handled, and there’s no notable issues with mine, so I’m calling it a win in my book.  Batman includes a batarang with a line on it (which is the Dark Victory release) and a simple display stand with the book’s name printed on it.  I do miss the cool sidewalk stands that came with the single releases, but it’s fairly minor.

JOKER

“Sofia Falcone risked innocent lives when she unleashed The Joker after the Holiday killer!”

Joker’s an interesting choice for inclusion here.  I mean, yeah, he’s definitely Batman’s most distinctive foe and all, and his appearance in the book is a notable one, but beyond being the Joker, he’s not that prominent.  Two-Face and Catwoman are both far more plot relevant, and would have made for a more sensible second.  But, at the end of the day, DCD was hard pressed to say no to another Batman/Joker pairing, especially one the same year as The Dark Knight…which, of course, also had Two-Face in a prominent role, making his inclusion the more logical–nope, I’m spiraling again.  Stop it, Ethan.  What’s done is done.  This figure stands again just shy of 7 inches tall and he has again 13 points of articulation.  In terms of movement, Joker is even more static than Batman, largely because he’s far more pose-specific than Batman.  He’s patterned on a specific visual from the comic, which was more important for the single release of the figure, since it more tied in with that figure’s accessories.  Whatever the case, it’s got him in sort of a mid-stride appearance, which is a little tricky to work with, since it makes him rather hard to get standing.  I was mentioning above how Sale’s characters are very fluid; well, going by that method, his Joker is fully liquified.  He goes for the height of expressiveness, and that means he’s really hard to nail down in three dimensions.  Because of this, his sculpt is probably the weakest of the whole set.  It’s not bad, and when viewed from the right angle, it actually looks really cool.  The profile in particular is really killer.  It’s just not great for posing, and looking too closely at the internal proportions is bound to drive you batty, and not in the thematically appropriate way.  Joker’s paint work marked quite a change from the prior release, with a few changes to the actual color palette.  This is actually a case of DCD making good use of a second release of a mold, as Joker’s colors shift later in the series.  His single release matches the earlier appearance, while this one’s more of an end of the series look.  This release also cleans up the application a bit more, especially on the face, which is now a much cleaner end product.  The accessories are where this guy really takes a hit compared to the single.  He gets his gun and a display stand, but loses the santa hat and bag of gifts from the original.  While I get why they were cut, it’s still a little sad that they aren’t here.

THE ME HALF OF THE EQUATION

I hadn’t yet read Long Halloween when DCD first released figures from it.  By the time I got around to reading it (and loving it, because boy do I love it), all of the figures, including this pack, had disappeared.  I’ve had my eye out for a set of them for a bit, but never really went to the trouble of tracking them down.  This pair came into All Time as part of a rather large collection a few months ago, and they were at the right price at the right time, so I was definitely on board.  These two were probably the weakest of DCD’s Sale-based figures, but that doesn’t make either one of them a bad figure at all.  In fact, I really quite like them, and I’m happy to finally be making my way through this set of figures.

Thanks to my sponsors at All Time Toys for setting me up with these guys for review.  If you’re looking for toys both old and new, please check out their website and their eBay storefront.

#2566: Batman – Defender

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

BATMAN — DEFENDER

BATMAN: THE CAPED CRUSADER (SPIN MASTER)

Remember earlier in this week when I was talking about the DC line’s wacky variant coverage?  Remember the thing about getting the variant before getting the standard?  And also the thing with the gold?  Great, that makes writing this intro a bit easier for me.  This time it’s Batman.  Here we go.

THE FIGURE ITSELF

Gold Batman, who is apparently called “Batman Defender,” is part of the very first series of the Batman: The Caped Crusader line.  He ups that “rare” game that was going on with Wonder Woman to a “Super Rare” game…again, whatever that means.  I’ve got this one and not the standard one, so I don’t know about the relative rarity.  The figure stands 3 3/4 inches tall and he has 17 points of articulation.  There are currently three Batman sculpts floating around in this line, and this figure makes use of the most “standard” of the the three.  It’s based on the Rebirth design for his costume, which is a pretty darn solid Batman design, all things considered.  The sculpt is pretty much on par with the rest of the Spin Master DC stuff, so it’s a little bit bulked up when compared to the comics depiction, but honestly, it has a pretty good basic Batman feel to it.  The costume details are well rendered, and I appreciate the level of work that’s gone into it.  The head in particular has a nice classic Batman vibe, which I can definitely dig.  He’s got a cloth cape, and like I noted with Superman and Shazam, it’s not a terribly impressive piece, but it’s also not like it’s particularly bad either.  They made a point of leaving a hole in it that corresponds with the port on his back, so at least he can make use of all of the gear from other figures, if you’re so inclined.  While the Gold Wonder Woman was totally devoid of paint, Batman mixes things up slightly.  He’s got his black insignia, white for his eyes, and flesh tone for his lower face, indicating that this is supposed to be a costume, I guess.  It’s different from all of the other gold variants, but it was also the first one, so I guess they hadn’t quite made up their minds fully on the concept yet.  I think I might have preferred the straight gold, but this isn’t bad either.  Gold Batman includes three blind packed accessories: a grapple in neon green, chest armor in black, and a shield in yellow.  It’s a shame they didn’t go for the all gold pieces like with Wonder Woman.  I feel that would have inclined me to use them, instead of just tossing them to the side.

THE ME HALF OF THE EQUATION

I liked the Wonder Woman a fair bit, and I definitely want the Gold Superman, so I figured I might as well grab a Gold Batman too.  The one from the corresponding series is built on the armored body, which I wasn’t quite as big on, but fortunately for me, Max was on board with trading out that one for this one, and passing this one along to me.  It’s a little weird that they changed the gimmick mid-run on these guys, but I still like this figure.  I guess I should pick up a Batman in standard colors now.

#2531: Decoy Batman

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

DECOY BATMAN

BATMAN: MASK OF THE PHANTASM (KENNER)

Interspersed with its selection of rather faithful recreations of characters and designs from the show, Kenner’s Batman Animated offerings also had a need to keep a lot of colorful variants of its main character coming at a regular pace.  So, we definitely got a *lot* of Batmen, whose importance to the overall narrative definitely had a range.  Some of them were sensible additions, perhaps taking one gadget or moment and building a whole figure around it, while some were just kind of bonkers.  And some were bonkers at the forefront, but ultimately not that weird when you explored them just a bit further.  Today’s figure fits that particular, very narrow mold.

THE FIGURE ITSELF

Decoy Batman was officially part of Kenner’s tie-in line for Batman: Mask of the Phantasm, released in 1993.  While the last two figures I looked at from this line were directly lifted from the film, this one’s a bit more dubious.  His whole gimmick is that his torso launches away as a “decoy”, while the underlying Bruce Wayne figure can get away, I suppose, which kind of tracks with the scene in the movie where Bruce places his cape and cowl on a sawhorse and flings it out of a building in an attempt to escape the police…and now that I’ve written that out, I realize this figure’s maybe a better tie-in than I realized.  I mean, sure he’s not a direct lift from the scene, but I guess the concept’s there.  He fits into that “building a figure around one moment” dynamic.  Kudos to Kenner, I guess.  And, like, anti-kudos to me for not thinking this through before writing the review.  I mean, sure, I could go back and re-write the whole thing and make it look like I knew from the start, but tell me: where’s the fun in that?  Okay, maybe I should actually get to the reviewing.  This figure stands just shy of 5 inches tall and he has 5 points of articulation.  The body sculpt for the figure is unique to him and it’s not bad.  The build is in line with the other standard Batmen from the line, and while the costume details are somewhat made up, they aren’t too crazy or zany.  He re-uses the main line’s Bruce Wayne figure’s head, and it’s a pretty darn spot-on old-style Bruce Wayne head, so no complaints there.  Perhaps the weirdest element of the whole thing is the way his action feature works; the Bruce head is on a spring-loaded neck piece, which can be depressed into the torso, much like a turtle, allowing for the “decoy” head and chest piece to snap over top.  It was a gimmick that Kenner would use a few more times for their DC lines, as well as their Shadow tie-in line.  It’s goofy as heck, but it does get the job done, and honestly doesn’t really impede the figure too badly. The clip-on decoy piece is another pretty solid match for the animated series designs, and is a pretty basic Batman from the show.  Well, in sculpt, anyway.  The paint work opts to forego the usual Batman colors for a black and red number.  For some reason, they really liked making Bruce-to-Batman figure’s red.  I really don’t know why that is, but it happened on three separate occasions, so that’s one heck of a pattern.   Ultimately, it’s not the worst color scheme ever, and does sort of fit the art deco designs of the show, at least somewhat, but it’d certainly be cool to see this figure in a more standard color scheme.  In addition to his decoy chest piece, Decoy Batman was also packed with a grapple…which I lost.  Look, it hardly seemed as essential as the main gimmick of the figure, alright?

THE ME HALF OF THE EQUATION

I didn’t get Decoy Batman new, since the whole line was gone from retail shelves by the time I was actually getting into collecting.  So, I was definitely on the follow-up market for him.  Ultimately, he was kind of a bit of a consolation prize, if I’m honest.  I was at Baltimore Comic Con, and saw the Phantasm at a dealer’s table.  It was, however, $20, and that was too much for me, so instead I got this guy because he was $5.  Can’t really say I was at all let-down by the set up, because I wound up getting the Phantasm a bit later down the line anyway, and Decoy Batman’s a pretty fun figure in his own right.

#2517: Retro Batman

Posted by Ethan Wilson in Reviews and tagged with , , , , , ,

RETRO BATMAN

BATMAM: MASK OF THE PHANTASM (KENNER)

I’ve looked at a surprisingly small amount of Kenner’s Animated Batman tie-in product.  I’ve certainly looked at a chunk of the DCC follow-ups, and even a handful of Mattel’s JLU-era stuff, but I’m averaging about a single Kenner animated figure a year right now.  Well, I’m aiming to mix things up a bit.  In tandem with my looks back at the other toys of my childhood with X-Men and Power of the Force, let’s throw a little bit of Batman into the mix, shall we?  And what better place to start than with a variant of the main guy himself, hailing from one of my absolute favorite pieces of the Animated Verse, and one of my favorite DC-related things in general, Mask of the Phantasm.

THE FIGURE ITSELF

Retro Batman is one handful of Batman variants that were released in 1994 as part of Kenner’s Batman: Mask of the Phantasm tie-in line.  Unlike most of those other variants, which were mostly made up by the minds at Kenner, this one was actually in the film, depicting Batman as he’s seen in the flashbacks (it also showed up during some of the flashbacks in the episode “Robin’s Reckoning”, which is a good companion piece to the film in general).  He’s not terribly far-removed from the standard Batman design, and in retrospect is kind of a merging of the BTAS, TNBA, and JLU designs all into one.  The figure stands just shy of 5 inches tall and he has 6 points of articulation.  He keeps the standard Kenner 5 points, and also has a swivel on his right forearm to assist with his action feature.  It won’t really hold many poses, but it does add a slight bit more of variation to the posing.  His sculpt is fairly typical of this era of figure from Kenner.  He’s not a pitch-perfect match for the animation models, but he’s pretty close, and fits consistently with the styling of the other figures in the line.  The sculpt is clean, and hits all the important notes, and he’s pretty darn sturdy.  As was the way at this point, his cape is cloth.  Again, not super accurate, but it works for their purposes, and it certainly helps with the playability.  His paint work is pretty cleanly handled overall, though Kenner for some reason opted to make the body suit a sort of bluish silver, rather than the typical grey.  It’s not super far removed, and it reads the same way as the standard colors.  I honestly don’t mind it, but it’s still a weird choice.  Batman’s accessory selection here is…interesting to say the least.  He’s got a battle spear and a sort of a gun looking thing?  I don’t know exactly what they’re supposed to be, nor do they really line-up with anything from the movie or the episodes where this look appears.  But, they certainly feel toyetic.  The spear is meant to be placed in his right hand, allowing it to be spun using the wheel mechanism in his arm and back.  It’s odd, but harmless.

THE ME HALF OF THE EQUATION

While the majority of my Animated stuff is actually from when I was a kid, this one is not.  I always wanted him, but just never managed to find one.  Fortunately, one came into All Time a couple of weeks ago, new, sealed, and in pretty much pristine condition, so it was almost like getting it when it was brand new.  He’s a fun variant of Batman, and also a sensible variant of Batman, and those two didn’t tend to cross-over in this line too much, so I gotta say he really works for me.

#2356: Transforming Bruce Wayne

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

TRANSFORMING BRUCE WAYNE

BATMAN FOREVER (1995)

Today I’m making a return to the line that started these wacky-tacky reviews.  It’s more Batman Forever, but like another variant of that main guy.  Dig it.

THE FIGURE ITSELF

Tansforming Bruce Wayne is another Batman Forever figure.  He’s batman but when he’s not Batman.  Also he’s Val Kilmer because it was the ’90s, but not the early ’90s when he was Michael Keaton or the late ’90s when he was George Clooney (yuck, don’t make me think about it, dudes).  He could transform into Batman with armor, most of which is still present, because instead of loosing the armor, silly child Ethan lost the whole darn figure.  Silly child Ethan.  Such a child.  I got another one but I gotta wait til the next section for that.

THE ME HALF OF THE EQUATION

It all started when I was born.  As a child of the ’90s I became a part of a society that fully embraced Val Kilmer and we made him Batman.  We did that, people.  Think of it and weep.  As the constructs of walking and talking and collecting formed in my mind, Kilmer rang out, jumping from the shelf of that service merchandise, calling to me.  Buy me Val Kilmer said, and I was sore afraid.  So I bought him.  Well, my parents did.  And I saw that it was great.  But no it wasn’t great.  It was Val Kilmer.  And so silly child Ethan FLUNG him to the far corners of the Earth, never to be found again.  That showed him.  But then he came back.  Oh dear.  Here he is.  Being reviewed.  That’s pretty much it…

(Oh gosh, did we leap through some sort of time warp, because it’s feeling real 2013 up in here…nah, it’s just April Fool’s Day.  Got ya?)

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#2269: Batman

Posted by Ethan Wilson in Reviews and tagged with , , , , ,

BATMAN

JUSTICE LEAGUE ACTION (MATTEL)

As toys have become more of a collectors game, and toy companies have begun to cater to said collectors, there’s been one major issue plaguing our favorite brands: how do you keep mainstay characters affordable and easily available to younger audiences who haven’t quite latched onto that collector’s game?  The answer? Evergreen lines.  These are lines with figures that don’t follow the same sort of assortment break-down of collector lines, and aim to keep the big names on the shelves, while also producing a cost effective line.  There are a handful of different levels to these sorts of lines, and furthest down the list are the very basic figures that serve as fodder for the shelves at drugstores and places like Dollar General or Family Dollar.  Figures that are cheap, plentiful, and can stand up to some play.  I’m looking at one such figure today.

THE FIGURE ITSELF

Batman is part of Mattel’s budget Justice League line, which features all of the iconagraphy of Justice League Action, but sports figures that are otherwise unrelated.  This specific Batman variant was also offered a few years ago under a purely Batman branding, but saw release, as is the intended purpose of the line.  The figure is about 5 1/2 inches tall and he has four points of articulation.  He moves at the neck, shoulders, and waist; no hip movement for him, although some of the line’s more recent offerings have added that.  Structurally, this figure feels quite similar to the Ultra Hero Series and offerings like it, which I can certainly dig.  His sculpt is a fairly clean, rather basic affair.  All of the important details are there, but it doesn’t really move beyond them.  His cape is a cloth piece, slotted into his back a little clumsily, but it’s sturdy and won’t be going anywhere.  As far as paint, he’s pretty basic.  The color scheme is slightly non-standard, being mostly black with a yellow emblem and belt.  It’s not a bad look, though, and the paint for the logo and face is pretty decent.  He’s got no accessories, which isn’t much of a surprise given the usual price point on these things.

THE ME HALF OF THE EQUATION

I got this guy in a big box of presents from my in-laws.  He clearly wasn’t meant to be the star attraction or anything, just something small that they presumably picked up for me while somewhere else.  I can’t say he’s the sort of figure I’d buy for myself, but as a gift, he’s kind of nifty in his own way.  And, of course, now I’m looking at what else has been done in this style, because I have a serious problem.